All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Kaveh Maghsoudi
Kaveh Maghsoudi
Kaveh Maghsoudi

Kaveh Maghsoudi

Country: Iran
Birth: 1986

I am Kaveh Maghsoudi, an Iranian photographer navigating both the limitations and freedoms that come with life in Iran. I began capturing images in 2011. For me, photography is a way to express feelings and observations that others might overlook—the details of everyday objects, cultures, and people around me, as well as emotions within me that words cannot convey.
 

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Cara Weston
United States
Cara Weston is a fine art photographer living and working in the Big Sur area of California. She is the daughter of renowned photographer Cole Weston and actress Helen Prosser-Weston, niece of Brett Weston and granddaughter of Edward Weston - recognized as the leading visionary in modern photography. Having worked with her father Cole and Uncle Brett, as well as Rod Dresser, photographer and assistant to Ansel Adams, Cara has followed the path of her heritage. The body of work she has created over the past two decades respects the craftsmanship tradition of the medium and reflects a unique voice within her family. It now stands alongside her famous descendants as a prime example of fine art image making in the twenty-first century.In addition to her work as a photographer, Cara is the former director of the internationally renowned Weston Gallery in Carmel. As director she curated shows that included exhibitions for luminaries such as Yousuf Karsh, Ansel Adams, Michael Kenna and of course Edward, Cole and Brett Weston. In addition to the gallery exhibitions she has produced, Cara has also curated several art shows in Los Angeles and New York that have featured the best works of today’s art photographers.Cara is also the proud mother of two wonderful daughters and has just published her first book of photographs, “Head in the Clouds”; a compilation of her best works from various portfolios and one that studies the strength and ephemeral beauty existing above our horizon. Her work can be viewed on her website www.carawestonphotography.com and is in several international exhibits and collections.
Fang Tong
China/Canada
Fang Tong is an awarded-winning photographer based in Vancouver Canada. In 2015, she won first prize in the Nikon International Photography Competition. She had an interview with Canada Broadcasting Corporation CBC Arts in 2019. Fang Tong had solo and group shows in cities such as Paris, Sicily, Budapest, Barcelona, London, Shanghai, and Vancouver. Fang Tong is a cinematic-style photographer, as a spectator of life. Her works are embedded with an implied narrative, which is left to the viewer to resolve over time with their own imagination. Reflecting her background in classical art, photography is carefully planned to control the frame and the expression of details, giving her work an ethos of a painter. As a bystander, Fang Tong captures the potential that photography can embody pieces with an eternal quality, thereby creating a slightly fictional world that resembles reality but transcends consciousness. Fang Tong’s passion is for her work to border on the surreal, yet hold back enough to keep it firmly in the real world. Her photos provoke audiences to create a narrative out of cinematic pictures. There may be no clearly defined story behind the scene, but there is a strong mood and atmosphere throughout the whole image. The imaginary world is strangely familiar while the narrative arc takes audiences on a hyper-visual ride through people's subconsciousness. She nurtures the balance between the real and the surreal that pulls her audiences into the world she created, but she also allows the audience to discover their own answers.
Rafał Michalak
Poland
1971
Lives and works in Wroclaw, Poland. He studied political science and public relations. Graduate of Academy of Art and Design in Wroclaw with a Master of Arts (Media Art Department). A member of The Association of Polish Art Photographers (ZPAF). He has been associated with the advertising industry and commercial photography for years. In his everyday work he deals with brand communication issues as well as visual identity development for companies and corporations. At the same time, he is actively engaged in creating his own original photography, thereafter presented in exhibitions and published in trade magazines. Winner of many photographic praises and commendations. Human being as individuality and its place in the so fast altering world are the key factors of Michalak’s photographic research. In his photography he is mostly consumed with transgression understood as a conscious and intentional exceeding of bounds and limits that we impose on ourselves or encounter. At the same time, it provides a way to learn more about the hidden depths and makes it possible to experience reality from different points of view. Transgressive approach has characterised Michalak’s personal style of representation, regardless of used technique and medium, ever since he knowingly engaged in fine-art photography. Transgression determines his personal choices in terms of subjects he approaches, and even more so, the message, i.e. the idea behind a photograph, which he believes to be essential.
Eadweard Muybridge
United Kingdom
1830 | † 1904
Eadweard James Muybridge was an English photographer important for his pioneering work in photographic studies of motion and in motion-picture projection. He adopted the name Eadweard Muybridge, believing it to be the original Anglo-Saxon form of his name. He immigrated to the United States as a young man but remained obscure until 1868, when his large photographs of Yosemite Valley, California, made him world famous. Muybridge is known for his pioneering work on animal locomotion in 1877 and 1878, which used multiple cameras to capture motion in stop-action photographs, and his zoopraxiscope, a device for projecting motion pictures that pre-dated the flexible perforated film strip used in cinematography. In his earlier years in San Francisco, Muybridge had become known for his landscape photography, particularly of the Yosemite Valley. He also photographed the Tlingit people in Alaska, and was commissioned by the United States Army to photograph the Modoc War in 1873. In 1874 he shot and killed Major Harry Larkyns, his wife's lover, and was acquitted in a jury trial on the grounds of justifiable homicide. He travelled for more than a year in Central America on a photographic expedition in 1875. In the 1880s, Muybridge entered a very productive period at the University of Pennsylvania in Philadelphia, producing over 100,000 images of animals and humans in motion, capturing what the human eye could not distinguish as separate movements. He spent much of his later years giving public lectures and demonstrations of his photography and early motion picture sequences. He also edited and published compilations of his work, which greatly influenced visual artists and the developing fields of scientific and industrial photography. Source: Wikipedia
JB Russell
France/United States
1961
Born in Long Beach, California in 1961, J.B. Russell is a Paris-based documentary photographer, filmmaker and educator. After receiving a Bachelor of Science degree in Geology and Geography and working for two years as a geologist, J.B. decided to take a year or two off to pursue a passion for photography and to satisfy a genetic predisposition for wanderlust. Once on the road however, he never looked back. He has worked extensively throughout Europe, Africa, the Middle East, Asia and Latin America focusing on current events, the human consequences of conflict, human rights, the environment and development issues. His work appears regularly in major print and on-line publications worldwide, including: Time, Newsweek, The New York Times, French GEO, Paris Match, Le Monde, Stern, Der Spiegel, Corriere della Sera magazine, The Daily Telegraph, The Guardian, El Mondo magazine and many more. J.B. collaborates frequently with international humanitarian organizations such as Doctors Without Borders, Save The Children, Mines Advisory Group, The Global Fund and others to produce images, video and written material on critical humanitarian issues for their communication needs. His work has received numerous accolades, including the Public Prize at the Bayeux War Correspondents Competition, 1st place in the News Picture Story category of the POYi competition, his images have been selected on multiple occasions for the American Photography anthology, he received the Saint Brieuc Photoreporter Grant and his work has been exhibited and frequently featured at Visa Pour L'Image in Perpignan, France, among many other festivals and venues. J.B.'s career has spanned the transition from analogue to digital photography and the profound changes that the Internet and Social Media have had on journalism and the press. He believes that honest, engaged journalism remains crucial to public information in today's media landscape. J.B produces independent documentary photography and video projects, embracing diverse story-telling forms and platforms. He is a dedicated teacher of photography, teaching and speaking regularly in diverse university programs, workshops and photography courses. J.B. Russell is member of the Panos Pictures Agency and a core member of the Instagram collective #EverydayClimateChange.
F. Bessma Rhea
United States
2002
F. Bessma Rhea is her father’s second-born daughter (first-born son), her mother’s last line of defense at the dinner table, and her sister’s favorite fun house mirror. She is the first person to speak in a crowded elevator and the last person to get a word in edgewise. Bessma has always been a big talker, but her preferred method of communication is using the visual language of photography. F. Bessma Rhea graduated from Montana State University in 2025, achieving a Bachelor of Fine Arts in Integrated Lens Based Media from the School of Film and Photography. Although Bessma spent the last four and a half years in Bozeman, Montana, Bessma was born, raised, and is now currently residing in San Diego, California. Her photographic journey has encompassed an exploration of various mediums, ranging from silver gelatin prints and digital flash photography, to alternative process and chromogenic printing in the color darkroom. From this exploration she learned to cultivate her aesthetic, her relationship to photography, and to refine and utilize her voice. In her own reflection, she sees herself as a detective and a scientist, but to the outside world, she is an artist and a photographer. With her camera she will continue to investigate and theorize about the world she’s a part of, and where she fits in. But in the moments she’s not photographing, she enjoys filthy explicit music – and classic literature. Gutter Dutchess: I organize my environment in the frame and listen to when the world tells me I am a woman. I consider questions like, “How do I photograph a homewrecker?” and “What is inherently aggressive about a haircut?”. I desperately follow curiosity like the north star. GUTTER DUCHESS is a punk portrait series represented by twenty color film images of friends, best friends, my sister, my mother, myself, and moments in between. From doctor’s appointments to dumpster diving, I comprehend a women’s world through a lens that is candid, impulsive, crude, jovial, contrite, and desperate to reject assimilation to any one characteristic. As I photograph, I find myself constantly fighting with my images because I am a pessimistic, hotheaded, angry little person. However, in these photographs, I am continuously confronted with an abundance of love from the women in my life, who are proof of the untamable female spirit. This work is messy, unglamorous, and a raw exploration of womanhood. Favoring emotional truth over aesthetic polish, my series sprinkles clues of the fallacy of attempting feminine definition. Artist Philosophy Photography is a method of comprehension, I want to understand what is here. I have always been intrigued by the surreal but perhaps that comes from a bigger desire to turn the psyche outward, to make the invisible visible. I am driven by the ability to push the boundaries of sensation through the uncanny, visceral, and provocative. Visual arts is my language to answer life’s biggest questions. Every series is a conversation and if photography is to speak then a camera is the tongue. I have completely fallen in love with the medium, and without the tongue there is no voice.
Gabriele Galimberti
Gabriele Galimberti, born in 1977, is an Italian photographer who frequently lives on airplanes, and occasionally in Val di Chiana (Tuscany), where he was born and raised. He has spent the last few years working on long-term documentary photography projects around the world, some of which have become books, such as Toy Stories, In Her Kitchen, My Couch Is Your Couch and The Heavens. Gabriele's job consists mainly of telling the stories, through portraits and short stories, of people around the world, recounting their peculiarities and differences, the things they are proud of and the belongings with which they surround themselves; social media, in all its forms, is a fundamental part of the research needed to get in touch, discover and produce those stories. Gabriele committed to documentary photography after starting out as a commercial photographer, and after joining the artistic collective Riverboom, best known for its work entitled Switzerland Versus The World, successfully exhibited in festivals, magazines and art shows around the world. Gabriele is currently traveling around the globe, working on both solo and shared projects, as well as on assignments for international magazines and newspapers such as National Geographic, The Sunday Times, Stern, Geo, Le Monde, La Repubblica and Marie Claire. His pictures have been exhibited in shows worldwide, such as the well known Festival Images in Vevey, Switzerland, Le Rencontres de la Photographie (Arles) and the renowned V&A museum in London; they have won the Fotoleggendo Festival award in Rome and the Best In Show prize at the New York Photography Festival. Gabriele recently became a National Geographic photographer and he regularly works for the magazine. Publications Gabriele Galimberti, Paolo Woods, "The Heavens", Delpire/Dewi Lewis, Paris-London 2015 Gabriele Galimberti, "My Couch Is Your Couch", Clarkson Potter, New York 2015 Gabriele Galimberti, "In Her Kitchen", Clarkson Potter, New York 2014 (also translated in French, Chinese and Korean) Gabriele Galimberti, "Toy Stories", Abrams Book, New York 2014 Gabriele Galimberti is the Second Place Winner of All About Photo Awards 2020 with his work The Ameriguns
Peter Allert
Peter Allert co-founded Munich-based Allert&Hoess Photography in 1989, specializing in still life , technical and scientific photography. This brought him while his study of biology before, to start as self-taught photographer. After setting up its own studio in 1991 and establishing its own light, lab and print facilities, the company made its breakthrough in 1992 with a photo series for the portfolio „Joop! – women’s shoes“. Its subsequent client list is long and prestigious: Mercedes Benz, Audi, VW, BMW, Ford, Philip Morris, McDonalds, Ballantines, Wrigleys, Veltins, Wella, Miele, Bosch, Dresdner Bank, Deutsche Bahn AG, Siemens, LogiTech, MAN, Microsoft, GREENPEACE... to name a few. Today his photography actually is artistic. His works now are altogether advanced elaborations. He is working with multiple-exposures and different focus adjustments within a photograph. Additionally he highlights his subjects with spotlights (DEDO Lights) for every individual exposure in different adjustments and configurations.Source: www.peterallert.de Interview with Peter Allert All About Photo: Where did you study photography? Peter Allert: At the age of 7, I've been fascinated by photography. I got my first camera for his birthday and it went right now with this new adventure. During the whole period of schooling and youth I was obsessed with the possibilities of this medium... it was back then to my great passion. My love of nature and my subsequent study of biology, were another fertile ground for the expansion of my photographic works in new and fascinating areas. Later, I got access to advertising photography. I worked very successfully for 17 years in advertising, primarily for the automotive industry and in fashion. Ten years ago, then started my burnout, I was too other-directed and under constant pressure. Finally I lost my soul - I fell emotionally in a Coma, which never ended and I lost all my passion for photography! Only after many painful and difficult years, then a miracle, my miracle! In September 2013, I suddenly felt a new and ever expectant strength in me. She became stronger and stronger and I got my second chance! I quickly realized that I may never work externally determined with photography again - so I had a strong desire to completely new and original ways to go in photography. And so the desire as an artist within the photograph was made to work. AAP: Do you have a mentor? PA: I am self-educator and have teach me everything completely yourself. I have been doing all learned to make all analog laboratory processes such as color negative films and slide films to develop or color enlargements and edit. But also all black & white I have processes teach me ... Method as bromoil print have inspired to my digital workflow in today's time to orient myself to it. I grew up with analog photography and this has shaped me first of all. Thus, I am now very well be able to touch this analog in my image processing to achieve! AAP: How long have you been a photographer? PA: I have worked for over 20 years as a professional photographer. Before that, I financed my studies in Biology with smaller photo jobs. My first photos were nature photography, macro photography of animals and plants. After this the portrait photograph was added. AAP: What or who inspires you? PA: Edward Steichen & Robert Mapplethorpe! Both have always touched my soul in a special way!But in general I consider myself away from These kinds of inspiration! It would be too manipulative and determined by others, to allow more of it than I do this currently... AAP: How could you describe your style? PA: My style has only an analog touch, which often is derived from the early days of analog photography. I am fascinated by this authenticity that has shaped this wonderful photography. The soul of this unique works is always a great motivator for my own photography! AAP: What kind of gear do you use? Camera, lens, digital, film? PA: I'm using a Canon EOS mark II and a zoom ED 21-70 mm and a 100 mm lens for portraits. Lately I have been photographing with the camera of my Gallaxy S4 smartphones .. just for trying new. AAP: Do you spend a lot of time editing your images? For what purpose? PA: My image processing is very complex and requires a lot of time, which I'm taking. Often I need this more than a week! It is a process, similar to an adventure through your own soul. I have to feel all this, sometimes in a painful way - they are pure emotions of myself, which I will in this work with integrate into my images. There is no motivation necessary because it is the pure passion, if the appropriate moment has arrived! It's all about that moment, that when my emotions are ready and my soul opens up entirely! AAP: Favorite(s) photographer(s)? PA: Edward Steichen & Robert Mapplethorpe! AAP: What advice would you give a young photographer? PA: My main advice is: Stay always hear and feel your self-determined and soul in your work! Everything should come from your heart and your soul and feed into your work. AAP: An idea, a sentence, a project you would like to share? PA: Photography is the dierekte wire to my soul - my pictures are the direct reflection of my soul .. this my pictures tell of my feelings and my emotions. Each photo tells its own to profound story. Each image is thus a profound adventure of a portion of my own soul! This means to me that photography today! AAP: Anything else you would like to share? PA: As a little boy I dreamed of good spirits and fairies - I was intrigued by this mystical world! And so this dream accompanied my life ... When I felt my soul again in September 2013, I knew very quickly with this message deal. I was aware that puts a special soul in some, few people! And this I felt ever again. So this new photography had to include this topic. "Ghosts & Fays" and "Souls"!
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes