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Last Call AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Last Call AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Chris Panas
Chris Panas
Chris Panas

Chris Panas

Country: Poland
Birth: 1979

Chris Panas is an internationally published, award winning photographer based in London, UK.   He works as a designer and photographer. He loves coffee, dogs and music, and have a certain fondness for design and colour themes. His style is often described as “painting - like”, “fine art”, a mix of portrait, street and landscape genres.
 

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Margarita Mavromichalis
Margarita Mavromichalis comes from a family of Greek diplomats and has spent her life living and traveling all over the world. She speaks five languages and studied translation and interpreting. She likes to think that photography is her second language, as it's a universal language, one that is understood by all across the world and conveys messages in the most powerful way. Margarita moved to New York in 2009. She continued her studies for three years at the International Center of Photography where she also served as a Teaching Assistant for several classes. She moved back to Greece from 2013 to 2016 where she devoted most of her work covering the refugee crisis as it developed on the island of Lesvos. She currently lives and works in London. Margarita is mostly attracted to street photography and the elements that evoke emotions and surprise in our everyday life. Furthermore she is passionate about documenting current events that she feels very strongly about, highlighting their social impact. Her work has been displayed in exhibitions in New York, Boston, San Diego, The Museum of the City of New York, the Brooklyn Historical Society and most recently in Budapest, Athens, Paris, Berlin, Barcelona and London. Selected images are part of the permanent collections of the Museum of the City of New York and the Brooklyn Historical Society. She is the winner of the 9th Pollux Awards (2016) and the winner of the 12th edition of the Julia Margaret Cameron Awards (2018) and has been nominated for the 2019 Prix Pictet Hope Award and was recently awarded the 15th edition of the Julia Margaret Cameron Award (2020). In 2021, she won a Gold Medal at the Budapest International Foto Awards, a Silver Medal at the Prix de la Photographie Paris and is an official selection and top 5 at the Tokyo International Foto Awards.
John Simmons
United States
1950
John Simmons is a multi-talented artist whose work has spanned across decades. Born in Chicago and coming of age during the Civil Rights Era, Simmons' photography started at the peak of political and racial tension of the 1960s, mentored by a well known Chicago Civil Rights photographer, Bobby Sengstacke. After completing an undergraduate degree from Fisk University in art and photography, Simmons went on to study cinematography at the University of Southern California, and then to move to LA, where he currently lives. In 2004, Simmons was inducted into the American Society of Cinematographers (ASC) and now serves as Vice President and as co-chair of the ASC Vision Committee. He is also on the Board of Governors of the Television Academy, working to increase diversity on-set, and taught at UCLA for 26 years before leaving to focus on his photography. Simmons has also filmed music videos and commercials for artists such as Stevie Wonder, Britney Spears, Snoop Dogg and many more. As a filmmaker, Simmons has collaborated with industry giants such as Spike Lee and Debbie Allen, and has served as the Director of Photography for more than 25 television series. Simmons earned an Emmy for his work on Nicky, Ricky, Dicky & Dawn. Outside of the aforementioned exhibits, his photographs are also held at the High Museum of Art in Atlanta, the Museum of Fine Arts in Houston, the Center for Creative Photography, the David C. Driskell Center, University of Maryland, and Harvard University, where they exhibited in "Time is Now: Photography and Social Change in James Baldwin's America" at the Carpenter Center for the Visual Arts. His work is also in the permanent collection of the ASC. Exclusive Interview with John Simmons
O. Winston Link
United States
1914 | † 2001
Ogle Winston Link (December 16, 1914 – January 30, 2001), known commonly as O. Winston Link, was an American photographer, best known for his black-and-white photography and sound recordings of the last days of steam locomotive railroading on the Norfolk & Western in the United States in the late 1950s. A commercial photographer, Link helped establish rail photography as a hobby. He also pioneered night photography, producing several well-known examples including Hotshot Eastbound, a photograph of a steam train passing a drive-in movie theater, and Hawksbill Creek Swimming Hole showing a train crossing a bridge above children bathing. O. Winston Link and his siblings, Eleanor and Albert Jr., spent their childhood in the borough of Brooklyn, New York City, where they lived with their parents, Albert Link, Sr. and Anne Winston Jones Link. Link's given names honor ancestors Alexander Ogle and John Winston Jones, who had served in the U.S. House of Representatives in the 19th century. Al Link taught woodworking in the New York City Public School system, and encouraged his children's interest in arts and crafts, and first introduced Winston to photography. Link's early photography was created with a borrowed medium format Autographic Kodak camera. By the time he was in high school, he had built his own photographic enlarger. After completing high school, Link attended the Polytechnic Institute of Brooklyn, receiving a degree in civil engineering. Before his graduation in 1937, he spoke at a banquet for the institute's newspaper, where he served as photo editor. An executive from Carl Byoir's public relations firm was present and was impressed by Link's speaking ability. He offered Link a job as a photographer. O. Winston Link worked for Carl Byoir and Associates for five years, learning his trade on the job. He adapted to the technique of making posed photographs looking candid, as well as creatively emphasizing a point. On his first major assignment, to photograph part of the state of Louisiana in the summer of 1937, he found himself in New Iberia, the location where Cecil B. DeMille's 1938 movie "The Buccaneer", about Jean LaFitte was being filmed. Here he met his future first wife, a former Miss Ark-La-Tex, now actress/model/body double, Vanda Marteal Oglesby, who stood-in for lead actress Franciska Gaal. They 'took a shine' to one another and later that year she posed for some of his photographs in the French Quarter of New Orleans. They eventually married in 1942, but later divorced. Some of Link's photographs from this time included an image of a man aiming a gun at a pig wearing a bulletproof vest, and one eventually known as What Is This Girl Selling? or Girl on Ice, which was widely published in the United States and later featured in Life as a "classic publicity picture. According to Thomas Garver, a later assistant to Link, during his employment at Byoir's firm, Link "clearly defined a point of view and developed working methods that were to shape his entire career." While in Staunton, Virginia, for an industrial photography job in 1955, O. Winston Link's longstanding love of railroads became focused on the nearby Norfolk and Western Railway line. N&W was the last major (Class I) railroad to make the transition from steam to diesel motive power and had refined its use of steam locomotives, earning a reputation for "precision transportation." Link took his first night photograph of the road on January 21, 1955, in Waynesboro, Virginia. On May 29, 1955 the N&W announced its first conversion to diesel and Link's work became a documentation of the end of the steam era. He returned to Virginia for about twenty visits to continue photographing the N&W. His last night shot was taken in 1959 and the last of all in 1960, the year the road completed the transition to diesel, by which time he had accumulated 2400 negatives on the project. Although it was entirely self-financed, Link's work was encouraged and facilitated by N&W officials, from President Robert Hall Smith downwards. Besides the locomotives, he captured the people of the N&W performing their jobs on the railroad and in the trackside communities. Some of his images were of the massive Roanoke Shops, where the company had long built and maintained its own locomotives. O. Winston Link's images were always meticulously set up and posed, and he chose to take most of his railroad photographs at night. He said "I can't move the sun — and it's always in the wrong place — and I can't even move the tracks, so I had to create my own environment through lighting." Although others, including Philip Hastings and Jim Shaughnessy, had photographed locomotives at night before, Link's vision required him to develop new techniques for flash photography of such large subjects. For instance, the movie theater image Hotshot Eastbound (Iaeger, West Virginia), photographed on August 2, 1956 [negative NW1103], used 42 #2 flashbulbs and one #0 fired simultaneously. Link, with an assistant such as George Thom, had to lug all his equipment into position and wire it up: this was done in series so any failure would prevent a picture being taken at all; and in taking night shots of moving trains the right position for the subject could only be guessed at. Link used a 4 x 5 Graphic View view camera with black and white film, from which he produced silver gelatin prints. From 1960 until he retired in 1983 Link devoted himself to advertising. Among notable pictures taken during this period are those recording construction of the Verrazano-Narrows Bridge and other views of New York Harbor including the great ocean liners. In retirement, Link moved to South Salem, Westchester County, New York. In 1996, Link's second wife, Conchita, was arrested for (and later convicted of) stealing a collection of Link's photographs and attempting to sell them, claiming that Link had Alzheimer's disease and that she had power of attorney. She served six years in prison. After being released, she again attempted to sell some of Link's works that she had stolen, this time using the Internet auction site eBay. She received a three-year sentence. Conchita was also accused of imprisoning her husband. However, this allegation is disputed by some, and it never led to any criminal charges against Conchita. The story of Winston and Conchita became the subject of the documentary "The Photographer, His Wife, Her Lover" (2005) made by Paul Yule. Link made a cameo appearance as a steam locomotive engineer in the 1999 film October Sky. He was actively involved with the planning of a museum of his work when he suffered a heart attack near his home in South Salem. He was transported to Northern Westchester Hospital in Mt. Kisco, Westchester County, NY where he died on January 30, 2001. Mr. Link was interred adjacent to his parents in Elmwood Cemetery, Shepherdstown, Jefferson County, West Virginia.Source: Wikipedia Link's reasons for shooting at night were simple. For one, it was more romantic and dramatic. For Link the trains were comparable to Garbo and Dietrich at their most glamorous. Secondly, steam from the trains against a night sky photographed white. Against a day sky it came out a dirty grey. Whatever the circumstances, Link's pictures were an intense labor of love. Indeed, he discovered, shortly after starting the Norfolk and Western project, that no one was much interested in photographs of a fast disappearing mode of transport. This was, after all, the beginning of the era of the great American car. At first Link's photographs were appreciated for their combination of nostalgia, technical virtuosity, and – partly due to Link's famously cranky character and disposition - almost outsider artist's vision. But as photography has moved on, Link's work is increasingly seen and appreciated for the degree to which he controlled, planned, and constructed each image, prefiguring such well known contemporary artists as Gregory Crewdson and Jeff Wall, both of whom willingly acknowledge their interest in and appreciation of Link's work. His work has been exhibited throughout the U.S., Europe and in Japan and is present in numerous major museum collections around the world. His rail photography is exhibited at the O. Winston Link Museum in Roanoke, Virginia, refurbished by the famous industrial designer, Raymond Loewy, which opened in 2004.Source: Danziger Gallery
Marina Lauar
Brazil
1993
Marina Lauar is a Brazilian visual artist. She develops her artwork in Fine Art Photography, where she uses a pictorial language to construct of her narratives. As a plural artist she appropriates elements that expand formal photography and allow the mix of printed photography with other gestures and techniques. She finds in the portrait an appropriate field for her discussions and critical reflection, which she builds through minimalist and potent images. Her research currently circulates between the deconstruction of already rooted stereotypes and her own self-perception. About Plastic Portraits The project was born during my renaissance as an artist. After some time feeling completely blocked, hands, feet, head, and heart tied, I found myself in a huge need to express my concerns through photography. Fine Art Photography is a fertile field that allows the cultivation of reflections and dialogues, so I chose it as language, to be the home of my yearnings. I create portraits aiming to deconstruct beliefs, sometimes using satire, sometimes critical reflections and their depths, sometimes pure intimacy, things that will never be said. The atmosphere is reaffirmed by the way I work with the light. I seek minimalism so that only a key element fulfils its role as a critical factor in the image. My principal goal with this project is to traverse. Conceive feelings, make the feeling palpable. Build next to portrayed the script that will guide us in the production of the pictures, in the choice of the element, so that everything there in that image has great strength and meaning to the portrayed. To emanate with my eyes feelings that overflow in the other.
Sonia Costa
Sonia Costa is an was born in Northeast Italy and is temporarily based in Rome. With her studies in Geography and her passion for nature and worldwide different cultures, she has been traveling the world for years studying the interrelationship between people and environment. Promoting a sustainable tourism with a low environmental impact, she has long worked in Indian Sub-Continent, South East Asia and in the most isolated corners of the planet. Award winning free-lance photographer, she has been taking street and documentary photographs for years. Her essential subject is social life, focusing mostly in ordinary life, cultural stories and contemporary issues, always attracted by old stories, isolated places and people out of the spotlight. Her special passion for intimacy led her to develop portraiture as one of preferred means to interact with people and better understand the human condition. Wandering the planet including its remote regions, she has always been fascinated by the profound resilience with which simple people, especially women and children, face life . In a world submerged by conflicts, she tries to document the beauty and delicacy she can still find out there. In 2016 her first pocketbook was published: "La figlia di Saadi" Ed. Polaris, a tour around the world through short stories and photographs dedicated to the female universe. She published her photographs in magazines and books and exhibited her work in collective and solo shows in Italy and in collective shows in USA and Spain, upcoming in Japan. After being away from photography world for a while, she started to share her photographs just three years ago and be awarded in various International Photography Contests. Tokyo International Awards - IPA International Awards - Julia Cameron Awards - Prix de La Photographie Paris. Nominees and Honorable mentions, Merit of Excellence and Nominees : All About Photo APP Magazine - Monochrome Awards - Fine Art Photography Awards - Pollux Awards - Black and White Spider Awards - International Colors Awards - IPA Street Awards. Ordinary life through an extraordinary year I have always loved isolated places and being able to capture images with few people filling empty spaces I felt, in some way, as I was in my loved remote and lonely journeys. I usually travel and live out of my country months a year. Due to Covid-19 Pandemic, I spent most of 2020 stuck in Italy and luckily, when possible, in other European countries. During the lockdown, I wandered through the deserted cities with my camera, in this project I tried to document the ordinary life of two Italian symbol cities: Rome and Venice. In summertime, Venice had somehow returned to what it once was many years ago, even if in indoor places masks were still compulsory. Without crowds of tourists poured through the narrow streets and the cruise ships that monstrously invaded the lagoon, I could hear my voice again and the silent canals could finally breath. Rome, in late spring and fall, looked like certain sunny summers when the city empties itself for holidays and the sultry heat. Only few people going around by tramways or in empty squares patrolled by policemen with the sound of the sea gulls in the air. Documenting ordinary life along the streets, it was like looking at old photographs during the pandemic Spanish flu in 1918. Used to observe distant countries, see and record the changing world, last year I observed and caught the world through our changing cities.
Mischa Lluch
Spain
1974
I was born in Madrid and grew up surrounded by film and television, gaining early access to sets that fueled my passion for visual storytelling. My professional journey began by assisting photographers, which laid the foundation for my career behind the camera. Over the years, I honed my skills in various roles within the camera department for film and advertising, eventually establishing myself as a director of photography. As a cinematographer, I have had the privilege of shooting several feature films and hundreds of commercials, traveling to over forty countries. My work has been recognized at prestigious events such as the Cannes Lions International Festival of Creativity, the San Sebastián International Film Festival, and the Goya Awards, Spain’s highest honor in cinema. Photography remains my passion and a medium for profound creative exploration, enabling me to use my voice in the art of the still image. Fading will be the first project to come to life from a series I began in 2008, inspired by the theme of broken dreams. It suggests a world crumbling under the relentless pressure to keep up, capturing the melancholic beauty of impermanence and the delicate fragility of persistence. STATEMENT: Fading is a subjective view of the American suburb, challenging the perceived ideal of life. The project delves into the emotional landscape of faded worlds, inviting viewers on an introspective journey. I use cinematic visual language to shape the narrative of this project, which aims to open the door to fiction within reality. It is an external gaze that seeks to reveal the invisible. I capture the San Francisco South Bay Area until I lose myself, driven by the obsession to find an image that captures the moment things fade, becoming a broken dream. The concept of absence, almost dystopian, serves as a mirror, inviting viewers to explore the hidden layers of suburban life.
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AAP Magazine #54 Nature
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