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Michal Korta
Michal Korta
Michal Korta
Michal Korta

Michal Korta

Country: Poland
Birth: 1975

Michał Korta, born and raised in Poland, is an award-winning portrait and documentary photographer based near Kraków. He studied Photography at the Academy of Fine Arts in Kraków and German Literature at Jagiellonian University.

Korta’s work spans collaborations with press, publishers, and agencies, alongside personal projects across Central Asia, the United States, Israel, the Balkans, and Africa. His photography explores themes of identity, social dynamics, and the layers of history within landscapes and people. He has published three photography books, including Balkan Playground, nominated as one of Poland’s best photo books in 2018.

His photographs have been exhibited across Europe and beyond, and he lectures on photography in Poland and Switzerland. Recently, Korta has focused on portraiture and long-term personal projects, continuing to merge intimate storytelling with striking visual narratives.

Statement
"For years, I have been irresistibly drawn to the art of capturing the essence of creators—artists, musicians, writers, painters, composers, directors, and actors. Through my lens, I strive to craft portraits that are both unadorned and striking, each frame a vivid testament to their singular personality and unyielding spirit. I believe in the power of simplicity and the devotion to craft—the delicate art of feeling the sitter's energy, observing and shaping the light to honor presence. I’a a worshiper of natural light. Even if sometimes I have to modify it according to needs. Light is god."

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More Great Photographers To Discover

Evan Murphy
Evan Murphy
United States
2000
I was born and raised in Las Vegas; ever since I can remember, my parents would get my twin brother and I cameras, and they always pushed us to be creative. We just fell in love with it. We grew up making movies, doing photoshoots, and creating stuff with our friends. Living in a vibrant and cinematic city, storytelling grew into this passion that both of us had for visual art, which has guided us throughout our entire life. As I continued to get older, photography grew more and more personal to me. My eye for photography truly stemmed from my twin brother. I am completely self taught. I never took any photography or editing classes. Since moving to New York City two years ago at 21 years old, my fuel of inspiration has been endless. My true goal with photography at this point in my life is to perfect my craft. My eye has developed based on experience, inspiration, and studying. In the past two years I’ve participated in group exhibitions in Paris, New York, and most recently pieces from my photographic series “I.D.” were shown in Venice, Italy during Venice Biennale. I plan to continue to develop my skill set and storytelling abilities with photography in New York City.
Giorgio Di Maio
Giorgio Di Maio
Italy
1963
Giorgio Di Maio (1963, Naples) begins to take photos during his Architectural studies (1990),where he understood the strength of the photography as a mean to extrapolate from the reality a piece of the reality itself, independent in the shape and in the substance having a own narrative meaning. The expositive activity (since 1992) and the professional one (since 1993) went forward together, and every kind of restructuring activity is an opportunity for linguistic research. In 2003 he held a Master in "Fotografia dello spettacolo" by Silvia Lelli, At European Institute of Design in Milano, that introduced him to a deep research into the American Photography. Between 20017 and 2010, in Basilicata, he developed the series "Paesaggi lucani" and tried in the same period the digital photo machine. In Di Maio, then, woke up his environmental soul that bring the artist in 2011 to a new exhibition "Non è Napoli" dedicated to his own city and its beauty during the rubbish scandal. Since 2013 he slowed down the architect profession starting to study philosophy as theorical support to the practical photography, going from Naples to Milan very often, and vice versa. Then he creates" Armonia nascosta", from his studies, that is written with a specific modus operandi, aware of his reasons and purpose. Starting form Heraclitus, the Hidden Harmony show the transmigration of the mystical and philosophical roots of Paul Klee e Vassilij Kandinskij's abstract art til the photography, transforming it into a growth process both spiritual and social of a man, who goes through the evidence of the visual data looking for the Hidden Harmony as it appears today. Some projects "I sentieri dell'acqua e Chiaroscuro" (2013-2014), "Feminine, Photokina" (2016), "Cristianesimo Arte e Paganesimo" (2017), "Correspondances" (2018), "Milano in Armonia" (2018), "Il mare di Leopardi (2020), always continuing his studies of the immaterial in the material world. In 2017 he published his Photographic-philosophic web site of his research, that will be considered by different international photographic magazines. Then he started an intense exhibitions period, among public exhibition and festivals, having so many positive feedbacks from the public but also from the sector critical. In 2019, the Prof. Guido Ferraro, full professor of "Semiotica e Teoria della narrazione" at Torino's University, named Di Maio's research with those by Franco Fontana, Luigi Ghirri and Mario Giacomelli. Giorgio di Maio goes from a city to another, looking for the Hidden Harmony in nowadays reality. About Hidden Harmony The project that I would represent is the mystical and philosophical roots of Abstract Art transmigration into the Photography. The Art as knowledge tool to understand the sense. Going over the phenomenon, the appearances, searching for the law that create each event, for everyone also individual or being part of a whole. Basically there is the rejection of materialism, the faith in progress and particularly the faith in the spiritual progress of the men helped from the artist which "has in himself a mysterious visionary force....to see and to show". The photographer artist isn't a perfected camera who think that the knowledge and the experiences are only a replica of reality, who limit to reproduction of the exteriority, closed from the barriers of the phenomenon, but he know and must to express an ethical content which he gets from the sensitive data. The equilibrium that comes out from the tens and integration of differences, where the opposites converge completing themselves and the materiality falls to leave space to the spiritual presence, transform every shot in a travel through the space-time instances, instead of being the static representation of the place. In the Photography the language remain the same, using shape and color like the musical notes that touch the soul when you press a key and the human spirit vibrate. The research is the Harmony: to identify in the reality different elements in contrast with each other but in a unitary composition to create a mutual stimulating of the sense of balance and rest. The Peace. The expressionism of Der Blaue Reiter started in the of age of the new spirituality. Instead the wars and the extermination camps comes. It doesn't mean that the materialism has won but only a wrong idea of the temporal date. We don't know how much time need to achieve the spiritual progress of the humanity, maybe thousands of years or more. The important thing is that each era made a new step in right direction and in the contemporary era the Photography could be the most powerful means to give a contribution in this way.
Roberto Pireddu
Roberto Pireddu
Italy
1984
Artist Statement: "I was born on October 5th, 1984 in Cagliari, and even though I earned a high school diploma in surveying I never felt it was my field, and very soon I understood that calculations and straight lines were going to be too boring for me. The pencil, an instrument of torture if utilized in the surveying world, actually became a loyal partner if employed in the arts. I began to draw at a very young age; my first themes were the characters of my favourite cartoons. Then, as years went by, I perfected my techniques (as an autodidact) and began drawing more challenging themes and subjects, slowly abandoning the pastels to concentrate solely on the black and white. It all became a must: colored pastels did not exist anymore, and if I had a blank sheet of paper, the lead of the pencil was the only instrument. I held my first camera just over a year ago. I have tried to utilize colors: red is marvelous, blue is fantastic and green is magnificent. But these feelings did not last, and I just could not to do it anymore. There was nothing to do because my preference for the monochrome has taken over even this time, and I must to succumb to this force without resisting it. I have lost myself and do not wish for anyone to come find me. In my world of black and white there are only two simple colors, but there is also a myriad of shades of grey that I will not let get away."
Pavlos Evangelidis
Pavlos Evangelidis
Greece
1981
Pavlos Evangelidis established Wantok Photography (wantok.photos) in May 2017 in Honiara, Solomon Islands. “Wantok” is a Melanesian pidgin word derived from the English “one talk”. In the local culture, it refers to close friendship based on a common language. As our world gets increasingly inter-connected, we feel photography is the universal language, our wantok. Pavlos Evangelidis was born in Athens, Greece and grew up partly in Brussels, Belgium, where he finished the Lycée Français Jean Monnet before graduating with Honours in Civil Engineering at Imperial College, London, UK. He has been working in development aid and international cooperation at the European Commission first in Brussels, then Fiji and the South Pacific region, Solomon Islands & Vanuatu, Uganda and currently Benin. He married Zeenal in Fiji in 2014. Pavlos became interested in photography slowly, first learning about underwater photography and gradually working in nature, wildlife and travel photography. Along the way, Pavlos has won a number of photography awards and has been published by several print and online outlets. Pavlos & Zeenal established Wantok Photography to promote environmental conservation and help preserve the beauty of our natural capital from the challenges of climate change and human activity. This is a non-profit effort; any profits, including from international prizes or sales are directed to selected charities working for this cause
Andrea Reese
Andrea Reese
United States
Andrea Star Reese is a photojournalist/documentary photographer based in New York currently working in Indonesia.In 2013, Disorder, a documentary reportage on conditions faced by Indonesians suffering from mental illness and undiagnosed mental disorders was exhibited at Visa Pour L’Image Perpignan, and Angkor Photo Festival., Published on Lightbox.time.com. the essay followed men and women in homes, shelters, schools and hospitals.Previously, Urban Cave, a three-year project on long term unsheltered men and women living in makeshift housing in New York City was exhibited at Visa Pour L’Image 2010. Urban Cave received Best Social Documentary from The New York Photo Festival, was a finalist for POYI: World Understanding, a FotoEvidence book award finalist, and a 2010 Visa d’Or, Feature nominee. Most recently Urban Cave was exhibited at Theory of the Clouds Gallery, Kobe, Japan and at the 2013 Athens Photo Festival. Urban Cave has been published internationally. An ongoing update in preperation for a book is in progress.Ms. Reese first worked in Indonesia directing a feature documentary film made up of short stories collected during the 2003-2004 run up to the country’s first direct democratic presidential election. The film covered issues pertinent to the time. On staff at the International Center of Photography School, and a tutor at the 2013 Angkor Photo Festival Workshop, Andrea Star Reese is a 2010 fellow in Photography from the New York Foundation for the Arts and a reGeneration2 photographer.Grants/Awards2013 Finalist Fotoevidence Book Award2012 American Photography 28: Best pictures from 2011_ (Chasing Stigma, working title, work in progress)2011 Honorable Mention International Photo Awards_(Chasing Stigma,working title, as work in progress)2011 Honorable Mention International Photography Award_Merapi’s Breath2011 Finalist Picture of the Year World Understanding Urban Cave 2011 Included as part of AnthropoGraphia2010 New York Foundation for the Arts Fellowship in Photography2010 2nd place fotovisura award2010 Nominated Visa d’or Feature2010 Invited reGeneration2: Tomorrows Photographers Today2009 3 Hon. Mentions International Photo Awards Editorial/Other, Editorial/Essay Deeper Perspective2009 Finalist Magnum Expressions Award2009 Best Social Documentary New York Photo Awards2009 Honorable Mention Camera Club New York2008 Les Visas de L’ANI
William Carrick
William Carrick
Scotland / Russia
1827 | † 1878
William Carrick was a Scottish-Russian artist and photographer. The son of a timber merchant, Andrew Carrick (died 1860), and Jessie née Lauder, he was born in Edinburgh on 23 December 1827. Only a few weeks old, the Carrick family took William with them to the port of Kronstadt in the Gulf of Finland. Andrew had been trading with this port for some time, and the family would stay there for 16 years. In 1844, the family moved to Saint Petersburg, where William became a student at the Saint Petersburg Academy of Arts, studying architecture under the renowned Alexander Brullov. By 1853 he had completed his studies there, moving to Rome to undertake further studies. Although his family's business collapsed during the Crimean War, in 1856 William Carrick returned to Saint Petersburg to become a photographer. However, in the summer of the following year he departed for Edinburgh to gain more experience of photography. There he met the photographic technician John MacGregor. In October, he returned to Russia, taking MacGregor with him in the aim of establishing a business and career. He opened a studio (or atelier) at 19 Malaya Morskaya Street, Saint Petersburg, making MacGregor his assistant. Carrick quickly made a name for himself capturing pictures of Russian life and pioneering Russian ethnographic photography, obtaining the patronage of Grand Duke Konstantine Nicholaievich of Russia. In 1862, Nicholas Alexandrovich, Tsesarevich of Russia ordered him a portrait, and was satisfied with it, therefore granted him with a diamond ring. In 1865, Count Mihaly Zichy hired Carrick to take pictures of his watercolours, in order to resell them as prints. Carrick did similar business with other artists, Ivan Kramskoi, Viktor Vasnetsov, and Nikolai Ge; after his death in 1879 many of these were published in his Album of Russian Artists. Carrick and MacGregor made several rural expeditions, including in 1871 a monthlong trip to Simbirsk province. He amassed a large collection of photographs depicting the lives of Russian and Mordovian peasants. In 1872 his colleague MacGregor died, leaving Carrick in despair. Despite this, Carrick continued his work. In 1876, he became photographer of the Academy of Arts, obtaining a studio in the Academy for his photography. An exhibition of his works was held in the Russian capital in 1869, followed by exhibitions at London (1876) and Paris (1878), all to great acclaim. Carrick died of pneumonia, at Saint Petersburg, on 11 November 1878. William Carrick was noted in Russia for his height, which was 6 foot and 4 inches. He had married once, to one Aleksandra Grigorievna Markelova (1832–1916), fathering by her two sons, Dmitry and Valery, whilst adopting her son Grigory from an earlier marriage. He trained Grigory as a photographer, while Valery went on to become a famous caricaturist. His wife Aleksandra, nicknamed Sashura, was a liberal and a nihilist, and for a time the only female journalist at the Peterburskie Vedomosti (Saint Petersburg Times).Source: Wikipedia
Erhan Coral
Erhan Coral
Turkey
I was born in Istanbul in 1966 and followed a career path that first led me into engineering and later into business. After studying electrical engineering, I earned an MBA in the United States and went on to spend nearly three decades in the financial sector—both as an executive and a business owner. Photography has been a lifelong passion, first sparked in my teenage years. About a decade ago, I decided to return to it with greater intention, and since then it has become a defining part of my life. I now work professionally, focusing on street, travel, and documentary photography—capturing authentic moments that reveal the soul of people and places. Over the years, my work has been recognized and awarded in numerous international photography competitions. These honors have been both humbling and motivating, pushing me to continue telling visual stories with honesty and depth. Through my lens, I seek out the quiet poetry of the everyday, and the subtle human narratives that often go unseen. Artist statement: I focus on street, travel, and documentary photography that reveals the quiet poetry of everyday life. My work is rooted in observation—capturing fleeting moments, subtle gestures, and the human presence within layered environments. I’m drawn to unscripted scenes that speak to shared experiences across cultures. Through a candid and respectful approach, I aim to create images that resonate with honesty, depth, and a sense of timelessness.
Benoit Segalen
Benoit Segalen
France
1974
As a French amateur photographer, I've had a camera since I was 8 years old. However, it was only in 2011, when my work involved frequent travel, that I began capturing moments from around the world, especially in the streets. I am self-taught, learning through books and studying the works of renowned photographers. My passion lies in immortalizing human behaviors in their environments. I am always on the lookout for the decisive moment, patiently waiting to capture the photo that will endure.
Brandon Stanton
Brandon Stanton
United States
1984
Brandon Stanton is an American author, photographer, and blogger. He is the author of Humans of New York, a photoblog and book. He was named to Time's "30 Under 30 People Changing The World" list. Since 2010, Stanton has taken hundreds of portraits of people living and working primarily in New York City, accompanied by bits of conversations about their lives. He has also traveled outside of the United States, capturing people and their lives in more than 20 countries, including Iran, Iraq, Uganda, Democratic Republic of the Congo, Ukraine, Vietnam, and Mexico. Stanton grew up in Marietta, Georgia, a suburb of Atlanta, where he completed his schooling at The Walker School in 2002. He majored in history at the University of Georgia. In 2010, he bought a camera while working as a bond trader in Chicago, and started taking photographs in downtown Chicago on the weekends. When he lost his job a short time later, he decided to pursue photography full-time. Moving to New York City, he set out to photograph 10,000 New Yorkers and plot their portraits on a map of the city, surviving on unemployment checks to "almost pay rent" and borrowing money from friends and family. Eventually, he moved his photographs to the Humans of New York Facebook page, which he started in November 2010. After posting a photo of a woman including a quote from her, he soon began adding captions and quotes to his photographs, which eventually evolved into full interviews. His Humans of New York book was published in October 2013. It received positive reviews and sold 30,000 copies as preorders. The book reached the number 1 position on the New York Times Non-Fiction Best Sellers of 2013 for the week beginning November 3, 2013. The book remained on the list for 26 weeks, again reaching the number one position on December 21, 2014. In August 2014, Stanton traveled to the Middle East to photograph people as part of a 50-day trip through 10 countries in the region under the auspices of the United Nations. In July 2015 he traveled to Pakistan and again to Iran to do the same. At the conclusion of his trip to Pakistan, Stanton crowd funded $2.3 million to help end bonded labor in Pakistan. In January 2015, Stanton was invited to the Oval Office to interview President Barack Obama. The trip concluded a two-week crowdfunding campaign on Humans of New York in which $1.4 million was raised. In March 2016, Stanton opposed Donald Trump's presidential campaign, criticizing Trump on social media for hateful speech, such as delayed disavowing "white supremacy" and defending those who commit violence at his rallies. A day after his Facebook post, it had over 1.6 million likes and was shared nearly 1 million times. Stanton has posted stories and photos from the Pediatrics Department of Memorial Sloan Kettering Cancer Center in New York City. As he did for his other projects, Stanton created a fundraising campaign, and raised over $3.8 million for pediatric cancer research.
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