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Mam'AT
Mam'AT
Mam'AT
Mam'AT

Mam'AT

Country: France
Birth: 1970

Born in 1970 in France, Mam'AT was initially a researcher in economics before leaving it all behind to settle in a tiny, remote village in the mountains of central France (Cantal) and dedicate herself to photography. She works on landscapes and their perception. These are not dreamy landscapes with majestic reliefs and/or flamboyant colors; on the contrary, the atmospheres are dull, gray, white, cold, and the landscapes are ordinary. A simple fence, a road, a tree, or a buron is enough to catch her photographic eye.

Mam'AT is not a photographer who travels the world. She photographs close to home and always when the weather conditions are unfavorable: snow, fog, and rain transform the world, making it more poetic or dramatic. How can we achieve the "Sharawadji," that is, reveal an aesthetic within these chaotic atmospheric conditions? That is the question at the heart of her photographic work.

With climate change, Mam'AT's photographs may serve as a record of the last snowfalls in Cantal, the mid-altitude mountain range in France where she lives.

Statement
In all of her work, Mam'At strives to bring out of (meteorological) chaos an order beyond the visible ; to reach “ Sharawadji “(the moment when beauty and plenitude are born from apparent disorder). The choice of color (series « colorité » or « last snow ») or black and white (series « on the road » or « Apology of the Clouds ») is decisive. It is not neutral and influences the perception of the landscape, making it poetic or dramatic, epic or prosaic. It is then up to the viewer to let themselves be carried beyond the visible.

Awarded Photographer of the Week - Week 51

Websites

mamat.pixpa.com

@mamatphotos

 

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Shannon Taggart
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Michael Sela
Michael Sela
Israel
1998
At the age of 17, equipped with a Pentax film camera his father gave him, he embarked on a journey for the sole purpose of photography. This journey also took him to Japan (2019), which eventually became his home. Sela's photographs express sentimental and magical emotions at the same time. His photographs are a means of connecting with a different, distant Japanese reality, but which are also very intimate. He photographs the touch of light on skin, paying attention to the elements of geometry, allusion, romance, fragility, aesthetics, humanity, and more. Text by Dr. Etty Glass Gisis, Chief Curator at the Tikotin Museum of Japanese Art (Haifa, Israel) Artist Statement: Over the years, my camera became less a tool for documenting and more a way of pausing ― not to explain the world, but to step quietly within it. I kind myself inspired by the ideas of wabi, soft light, and timelessness. My images are not meant to explain or document, but to create space — unspoken, open, and reflective. It is this silence that allows the viewer to look, pause, and experience something personal within the frame. For me, a photograph rarely speaks ― It listens.
Francis Malapris
Francis Malapris
France
1968
Schizothymic baby-boomer, at the age of 12 Francis takes refuge in computer science and excels in this field despite social and academic failure. In 1996, as he becomes an engineer, he meets the need to preserve memories of the Moment and tries photography. Gradually, this utopia fades to give way to the sensitivity he has so long repressed. 20 years later, he is an accomplished self-taught artist through the study of technique and the masters who inspire him such as Raymond Depardon, Rafael Minkkinen and Daido Moriyama. Key encounters have formed his photographic approach to bring him to social contact and staging. He then abandons computer sciences to exploit his bubbling creativity, full of sensitivity. The human being is then at the center of his work, after the fashion of the "Self" (Freud), which lies between unconscious desires and moral standards. Affected by the death of a friend, he undertakes a strong introspection that will highlight neuroses that he crystallizes through nude photography. In 2011, he begins the IN SITU project about mental escape, a phenomenon that concerns him. In 2014, he develops a shooting process to build the AQUATIC series. In 2017, the images encounter a great success, are published and exhibited at the FEPN in Arles, namely with the festival bill. With his installation in the heart of the Saint Anne chapel, Francis goes beyond photography to offer a contemporary art installation which sublimates female energy. Artist Statement "The human element is a fantastic material. I like observing bodies, their movements and expressions, sometimes with the idea of appropriating them. The part that fascinates me the most, because almost inaccessible, is the soul, at the head of the personality with its tastes, emotions and especially its history. Then comes the complex relationship to society, which evolves with environment and time. I approach the person naturally with openness and sensitivity, on the lookout for singularities that may resonate in me. From object, 'the other' becomes a proper individual, whose distinguishable particles and sub-particles I highlight. The main theme of the work I am presenting is that of the relation to reality: whereas the physical body is submitted to the present, imagination is free to roam without constraint in time and space. The ambiguity of this permanent oscillation between rational and irrational, resignation and escape, motivates me in my research where letting go is the motto. The plurality of my projects illustrates the richness of mental spaces that I have visited. Whether dreamlike or real, I put limits only on the possible interpretation of the codes that I use."
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AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes
© Ilaria Miani
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