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Anna Marzia Soria
Anna Marzia Soria
Anna Marzia Soria
Anna Marzia Soria

Anna Marzia Soria

Country: Italy
Birth: 1977

Anna Marzia Soria lives and works in Bari as a freelance photographer.

After classical and legal studies, she dedicated herself to his great passion: photography. In 2015 she perfected herself with an advanced training course in photojournalism with the Italian photojournalist Marcello Carrozzo and in the same year with the photographer Uliano Lucas. In 2023 she follows a conceptual reportage photography course with Mario Cresci. Finalist and winner in various national and international photography competitions, she has received mentions, publications in online and paper photography magazines, present with his portfolio on Photovogue and on LFI with Leica Master Shots. Some of her individual shots and reportages have been exhibited at the ICP in New York, at the CIFA in Bibbiena (AR) at the "Trieste Photo days" Trieste Airport, at the "Casa degli Artisti" in Milan, in the PH21 photo gallery in Budapest , at the BIFB (Ballart Foto International Photography Festival) Australia, at the Xposure photo festival, street photography, Sharjah, United Arab Emirates, in the Ephemere gallery, Honcho, Konganei, Tokyo.

Statement
"The road gives so much: there are always different people who relate to reality in an authentic way and give pure energy."

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Websites

www.annamarziasoria.com

@annamarziasoria_biba

 

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More Great Photographers To Discover

Olivier Unia
Olivier Unia
France
1969
I'm French and I've been living in Morocco for 15 years. I like to say that my work is music and everything else is my passion. I discovered photography at a young age via album covers, storm thorgerson, the square format. but I'd never dared try. In the early days of covid, we had so much free time that I watched a lot of videos on the internet about photo techniques, the triangle, etc. I borrowed a camera and went out, in the rare moments I was allowed, to shoot at the skatepark. It took me 10 minutes to set up and trigger the first shot, the skateboard levitating, in focus, the sun behind, I had, thanks to a lot of luck, succeeded in taking my first photo. What a shock, if I'd missed it I'd have put the camera away in my bag forever, but since then I've done almost nothing else, since then I've had my first solo exhibition, I've been lucky enough to win a few prizes, to be published in a magazine and I travel for photography and the craziest thing is that I get paid for it. Statement I look out the window, what's the weather like? Is it raining? How's the sky? And the light?... especially the light. I prepare the bag, the camera, the lenses, which ones to choose? Who am I going to meet? What will I run into? I take several, I take too many, I know... but you never know. I set off at random, music in my ears, I look for beauty, architecture, the street, people, a look, a cat, shadows and light... especially light. I go out photographing like others go fishing, not because I like fish, but because I love these moments, the silence inside me, and if I come back with a beautiful photo or a 50-kilo trout, that's fine with me, but if I come back empty-handed? I still come back happy.
Michael Anker
Michael Anker
Germany
I entered the professional side of photography during my studies in graphic design. It was then that I discovered the rich tonality and depth of tones that can be found in analog black-and-white photos. My photography teacher at the time, Manfred Paul, provided the necessary inspiration. Nowadays, I execute the majority of my projects using analog methods once again. This approach allows me to alleviate the time pressure from the creative process. "The Dark River" from the cycle "Remember me?" For several years, I have been working on my photographic series "Remember Me," which explores traces of my cultural identity. At the same time, it serves as a long-term study of the relationship between people and landscapes. My focus is on two topographies that lie beyond media attention: the Oderbruch region on the northeastern border of Germany and Poland, and the former German-speaking enclave of Hirschenhof in present-day Latvia. Both areas, which have undergone significant changes, are also imbued with traces of the last great war. My family stories are rooted in these places. The first part of the series, "The Dark River," presented here, tells the story of my father's family's deep connection with nature. The subsequent second part, "The Dark Silence," will explore the migration and flight of my maternal family. Without explicitly stating it, the work invites reflection on the fact that economically or politically motivated migration has always existed. The anchor point of "The Dark River" is the Oder River, which today forms the border between Germany and Poland. Along the Oder, my father's family witnessed the two-and-a-half-century-long transformation of the once primeval river and swamp landscape into an agrarian cultural area, initiated by the Prussian King Frederick II. This region also saw one of the fiercest battles of World War II in 1945. It was here, after the war, that my father met my mother's family, who had reached the Oderbruch on a trek from the Wartheland/Poland. They later met while dancing at the "Schwarzer Adler" in Seelow. In "The Dark River," long-buried memories and dreams resurface. Calm and dark, the Oder flows, filled with memories of itself and the people along its banks. The sky reflects in it, even at night. Dark shallows remain hidden. Sluggish like the stream, life moves through the plains, carrying my own family history with it. Where the landscape is left undisturbed, it recalls its own fertility and the myths that once surrounded it. Scars in its terrain remind it of its vulnerability, keeping the pain alive, and these scars grow deceptively. The images are captured on 120 film, which I believe is the only suitable format for processing history and stories in an epic way.
John Sanderson
John Sanderson
United States
1983
John Sanderson is drawn to broad topographical subjects within the United States of America. It is there in the outdoors he feels most creative. His photographs reconcile American motives of impermanence, and expansion within the contemporary landscape. His projects include themes such as transportation, leisure, residence, industry, and decay. The influence of growing up in New York City’s Midtown Manhattan underpins much of Sanderson's work which is rooted in a passion for architectural design. He captures photographs for each project with multiple large format film cameras as well as smaller digital cameras as needed for commercial clients. Sanderson’s photographs have been featured in a variety of publications such as: Slate Magazine, BBC News, The Wall Street Journal, and NBC News. Fallen Flags, and Railroad Landscapes have both been the subject of several solo and group exhibitions. In 2017, he published National Character, a Monthly Monograph Magazine, by Subjectively, Objective. His work resides in a number of private and public collections including the Metropolitan Transportation Authority, New York Transit Museum, NTR Partners, and the Center for Railroad Photography & Art. Zatara Press will publish his latest project titled Carbon County in May 2019.
Lotta Lemetti
Lotta Lemetti
Finland
1995
Lotta Lemetti is a photographer with a unique vision that embraces the beauty of the simple and mundane. Her minimal aesthetic carries through the diverse work she loves to make and she's not afraid to use alternative processes, mixed media and graphic design in her image making. The native of Finland obtained her Bachelor of Fine Arts in Photography from the NewYork Film Academy, and was also the recipient of the highly prestigious Fulbright undergraduate award in 2015, one of only 3 Finnish winners that year and the only grantee in the field of arts. Her work has since been exhibited in galleries around the world, including New York, Los Angeles, Italy, and Finland. Lotta is constantly sought after by leading artists in her field, and has worked alongside many, including award-winning photographer and visual artist Amanda Rowan, named Chromatic Photographer of the Year 2018 for her achievements in color photography and Photo District News' The Curator Fine Art competition in Still Life in 2019, whose work has been exhibited in Photo LA, and Paris Photo as well as the Wall Street Gallery and the Leica Gallery in Los Angeles, and on display at the Palms with Damien Hirst, Jean-Michel Basquiat, Andy Warhol, and Takashi Murakami, and Photographer/Visual Artist Naomi White, winner of Photo District News' Objects of Desire award and has exhibited throughout North America and Europe, including with Tobey Fine Arts, Christopher Henry Gallery and the Lower Manhattan Cultural Council in New York. In 2018, Lemetti's latest photography series Kekta won the title of Latitude Life APS Photographer of the Year. Kekta was then exhibited in New York and the city of Pravisdomini, Italy. Ms. Lemetti's work has been featured in FAYN Magazine, U+I Magazine, NewBeauty Magazine, PhotoVogue and FLOAT Magazine. Kekta is an exploration of cultural blending and national identity. These photographs originate from her own experience of living between two cultures. She created scenes that are inspired by the immemorial beliefs of unity between humans and nature, and cultural traditions that have been passed on for generations in the form of oral folk tales about Finnish mythology. The stories are hand picked from the Finnish national epic Kalevala, which is a book of poems collected from different regions of Finland and then stitched together into one cohesive story. I took these individual stories and photographed them in a variety of American landscapes, with people from different ethnic backgrounds, creating a new narrative of polycultural identity. Today, we live in a global age, which means that we must reconsider the old ways of thinking about national identity. People are no longer bound by the geographical borders of countries and only a few places on earth can be said to remain monocultural. Bigger metropolis cities are starting to resemble a ‘human mosaic' in which we are moving from multiculturalism, which emphasises the coexistence of different individual cultures to polyculturalism, which indicates the integratedness of the cultures.
Dejan Mijović
Dejan Mijović
Slovenia
1976
Slovenian freelance photography journalist Dejan Mijović, born on 18 September 1976 and based in Ljubljana, is assistant photo editor of the Delo.si web portal. Mijović has been involved in photography for the past 20 years, ever since undertaking studies of graphic technology at the Faculty of Natural Sciences and Engineering. In 2010, Mijović sustained an injury and was left completely paralysed from the neck down. Through amazing luck, strong willpower and lengthy rehabilitation, and driven by his as yet unfulfilled desire to pursue photography, the tetraplegic was back in the saddle, and has since held several one-man shows and participated in a number of group exhibitions in Slovenia and abroad. Recently, he has been polishing his photography skills with Klavdij Sluban, a French photographer of Slovenian descent based in Paris. Developing his photographic idiom, Mijović first focused on the wide landscapes of the Caribbean and South America, the poetic Tuscany, the magical Lake Cerknica, and explored hidden gems in his immediate vicinity and further afield. Mijović's great flair for composition and light contrasts renders his portraits of random individuals far more than simply frozen moments in time but, rather, perceptive accounts of his life stories. His black-and-white photographs, a preoccupation of recent years, aim to capture diverse moods of his closest family and long-standing friends also in their most intimate moments. All photos in this project were taken after the injury. About 9 years 9 months "The greatest desire of most couples around the world is to start a family. Unfortunately, this is a big problem in developed countries today, as every sixth couple suffers from infertility. These data also apply to Slovenia. Our story began ten years ago when I became quadriplegic after falling on a slippery ramp which led to the sea and was overgrown with algae. After spinal surgery and a six-month recovery in the Rehabilitation Center Soča, I returned home on crutches. A good year after the accident, my wife and I began to think intensely about starting a family. Due to my medical condition (spastic quadriplegia, also known as spastic tetraplegia), we had to seek medical help. We decided for the infertility clinic in Postojna. This is where our nine-year odyssey began, full of ups and downs, joy, tears, mental distress, depression but most of all, getting to know each other and learning about life. Our relationship was put to the test for the entire period, but we realised time and time again that each painful experience created an even stronger bond between us and we were even more determined to succeed sooner or later. In Postojna, the first three attempts with IVF, better known as in vitro fertilization, were unsuccessful. This was a very painful experience for both of us. Naturally for women this is much more traumatic as all the processes take place in their body. Men can only support them, but in reality we do not experience the whole process as intensely as women do. In one phase, the procedure is also physically extremely painful for women (puncture of follicles or removal of eggs from the ovaries). After the doctor performs the artificial insemination (he usually inserts a five-day-old embryo into the uterus which developed in the laboratory under the watchful eye of an embryologist), a long fourteen-day wait begins before a pregnancy test can be done. When the moment of truth comes and you see a minus instead of a much desired plus, your heart breaks. It seems like a piece of you dies with every negative pregnancy test. The bad news was followed by a depressing break of several months, during which we decided to try our luck at an infertility clinic in Maribor. Each clinic has its own methods. They are basically the same, with minor differences. Despite eight embryo transfers, all attempts were unsuccessful here as well. We were especially crushed after the first pregnancy which unfortunately ended in miscarriage in the initial phase. When, after years of unsuccessful attempts, you finally see the desired plus on a pregnancy test, you instantly forget about all previous painful experiences. All of a sudden you are overwhelmed by positive energy and you come to life again, both emotionally and physically. But as the saying goes, life is not a box of chocolates. Suddenly, the joy was over and a time of great sorrow and crocodile tears came instead. Such events cut into your heart forever. Despite the pain, we did not give up and we tried to move on. In order to forget the past events, full of distress and failures, but also because a symbolic wedding had already been quietly planned all along, we decided to get married unofficially in Thailand. After a few more relaxed months, it was time for action again. But what could we do after having used all the six free procedures (multiple transfers are possible in each procedure, depending on the amount of embryos) provided by our healthcare system? We had no choice but to find an infertility clinic abroad on our own which is, among other things, also a big financial burden. However, which clinic to choose and where? A shorter period of research followed. In the Czech Republic alone, which is a very interesting and quite affordable destination for Slovenian couples, there are about 40 such clinics. We decided for an infertility clinic in Brno. After two more unsuccessful attempts and eight extremely exhausting years, my wife gave up. She simply could no longer see the light at the end of the tunnel. We started thinking about adoption more and more intensely. However, this procedure also required a lot of energy and research. Above all, the social work center first had to obtain a certificate proving that we were a suitable candidates for adoption. At the same time we had to obtain a psychological assessment from a psychologist. It took more than ten hearings at the social work center and a visit from a social worker at our home to obtain the certificate. We also found out during the procedure that in most countries where adoptions take place, applicants are required to be officially together for at least ten years before they apply for adoption. In addition, they must be officially married. We therefore had to get married officially, this time in Slovenia. With all the papers we obtained and with the help of our acquaintances, a possibility arose to adopt a child in one of the African countries. We were the tenth on the waiting list. It would have taken at least a year before we could adopt a child. However, since we still had some frozen embryos in Brno, we decided to try our luck in Brno for the last time while waiting for the adopted child. We thought that we would only be able to get the desired child through adoption and that we would soon become parents in any case. Finally, the wheel of fortune was on our side. After nine long years our biggest wish came true. My dear wife got pregnant and despite a risky pregnancy and a long nine-month wait, our son was born and we named him Lev (Lion in English). He was born healthy in mid-March, during the coronavirus pandemic. We can proudly say that we are the happiest parents in the world. We wish to share the story with others to encourage all the couples who are facing a similar situation as we did last 9 years." -- Dejan Mijović
Frank Herfort
Frank Herfort
Germany
1979
German photographer Frank Herfort has spent over a decade photographing the insides of various public spaces throughout Russia and Eastern Europe. An architectural photographer by trade, Herfort's personal work pays homage to the old-fashioned, Stalinist decor that still consumes many Russian interiors. Following his acclaimed book: Imperial Pomp – Post Soviet High-Rise (2013), his latest book: Russian Fairytales (2020), alternates between poignant realism and absurd fancies. His photographs of the wondrously surreal post-Soviet world are mesmerizing, cool, and thought provoking but most of all, they are strikingly human. In every image the people, everyday situations, architectures, and events tell their own individual stories. Yet Herfort's work brings a modern twist, seemingly imported from the outside, that eradicates markers of time or context and persuades the viewer to create their own narrative. Frank is travelling worldwide for his global clients in the advertising, architecture, editorial and corporate industry. With the help of photography I can show things and situations that no one else would see. As long as nobody else photographs it, I just have to do it.
Augusto De Luca
Augusto De Luca
Italy
1955
Augusto De Luca graduated in law, then became a professional photographer in the mid-1970s, working along the boundary line between traditional and experimental photography. With his style, he has been going through multiple photography genres, making use of many materials, always trying with his snapshots to enhance primary elements, minimal expression units that make up images in which shapes and signs combine in a way that is reminiscent of metaphysical atmospheres. His photographs have been exhibited by many galleries. De Luca is the author of record covers, advertising campaign pictures and photography books. He taught photography at the "Montecitorio Club" of the Italian Parliament. Light enhances but its shadow deletes, thus giving the picture its depth, its third dimension and its subtractive properties... I believe that commitment and technical skill can be achieved by means of one's own will and study, while fantasy and passion are more valuable because they are innate and inescapably peculiar assets.
Chuck Close
Chuck Close
United States
1940 | † 2021
Chuck Close is an American artist known for his monumental photorealist portraits. Close received his B.A. from the University of Washington in 1962 and his M.F.A from Yale University in 1964. Upon graduation, he was chosen for the Fulbright Program grant, which he used to study at the Academy of Fine Arts in Vienna. Upon his return to the U.S., Close worked as an art teacher at the University of Massachusetts. In 1967, he moved to New York and began his work in SoHo. He was given his first solo exhibition in New York later that same year, followed by an exhibition at the Walker Art Center in Minneapolis. In kindergarten, Close learned that he suffered from prosopagnosia, commonly known as face blindness. He chose portraiture as a way to remember the significant people in his life. With his inability to recognize faces, Close uses a grid system to piece together his portraits. He said, “If you impose a limit to not do something you've done before, it will push you to where you've never gone before." Close suffered from a spinal artery collapse in 1988 that left half of his body paralyzed. Though many thought his artistic career was over, he re-taught himself to paint using a splint. He methodically paints in color or grey scale in low-resolution grid squares across the canvas. Close up his work looks like no more than blocks of color, but the colors combine to create a photorealistic image as you back away. Close is not only influential in the art world, but his early airbrush techniques also inspired the development of the ink jet printer. His portraits of famous artists are his most sought after works, and his work John (1971-1972) sold with Sotheby's for $4.8 million in 2005. Chuck Close has work featured in the permanent collections at the Albright-Knox Gallery in New York, the High Museum of Art in Atlanta, the Museum of Contemporary Art in Georgia, the Whitney Museum of American Art, the Art Institute of Chicago, the MCA Chicago, the LACMA, the MFA Houston, the MFA Boston and the Guggenheim Museum in New York. Related Categories: Close-Up, Photorealistic, Hyperrealism, Photographic Source, Post-War American Art, Pixelated, Visual Perception, Drawing, Black-and-white Photography, Work on Paper Source: www.casterlinegoodman.com
Rodrigo Paredes
Rodrigo Paredes
Argentina
1978
The photography of Rodrigo Paredes captures for eternity the ephemeral. His own struggles with loneliness, distrust, abandonment, and the passage of time commiserate with the subjects of his images. They reflect feelings of abandonment, desolation, neglect, and pain suspended in a singular frame. Born in Avellaneda, a province of Buenos Aires, Paredes always remembered having a camera. His interest in photography developed into inspiration when the digital age arrived, as he immersed himself in the study of the photograph, where he developed an understanding of technique and style. His work has been exhibited in numerous galleries, and was awarded a 2nd place prize at “Arte x Arte”. About The American Dream? © Rodrigo Paredes "See and photograph different routes and roads, during my more than 15 trips through the United States, I was able to observe different types of landscapes, climates and places, but what caught my attention the most was how many towns or cities were abandoned when they were built. interstate routes. Few people now visit those towns, tourists, photographers, I wonder if that was really the American dream?"
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