All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
FINAL CALL TO ENTER AAP MAGAZINE B&W: PUBLICATION AND $1,000 CASH PRIZES
FINAL CALL TO ENTER AAP MAGAZINE B&W: PUBLICATION AND $1,000 CASH PRIZES
Sven Delaye
Sven Delaye
Sven Delaye
Sven Delaye

Sven Delaye

Country: France
Birth: 1984

Sven Delaye, a digital nomad and videogames translator, has been traveling around the world for nine years. Throughout his journey, he always enjoyed capturing moments of life, but everything changed in early 2020: for a long time, he kept his street photography private, convinced it wouldn't interest others. In 2020, he submitted some landscape photos for the cover of a Guatemalan magazine. These photos were declined. However, the publisher explored his Instagram account and discovered the sole street photo he had shared. That single image was selected for the magazine's cover. Encouraged by this recognition, Sven began sharing his street photography, which quickly gained international acclaim in countries such as the USA, Mexico, Italy, the UK, Greece, France, and South Korea.

For several years now, Sven has dedicated himself to street photography. Through his travels, it became a way to capture fleeting moments of everyday life, rediscover the poetry hidden in the mundane, and avoid the artificial clichés often propagated by social media. His inspiration comes from the simplicity of daily life: a stranger passing by, a fleeting glance, the curve of a smile, or the beauty of a quiet scene at a street corner. Sven finds poetry in unexpected places—a gutter, a park, or the shadow of a feeling in a small gesture. He believes this beauty surrounds us constantly, yet it often goes unnoticed. Whether it's because people choose to ignore it or have grown desensitized to it, he doesn’t know. What he does know is that his camera allows him to capture these overlooked moments and reveal the richness of life to those willing to see.

Awarded Photographer of the Week - Week 03
 

Inspiring Portfolios

Call for Entries
AAP Magazine #58 B&W
Publish your work in our printed magazine and win $1,000 cash prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Lee Jeffries
United Kingdom
Lee Jeffries lives in Manchester in the United Kingdom. Close to the professional football circle, this artist starts to photograph sporting events. A chance meeting with a young homeless girl in the streets of London changes his artistic approach forever. Lee Jeffries recalls that, initially, he had stolen a photo from this young homeless girl huddled in a sleeping bag. The photographer knew that the young girl had noticed him but his first reaction was to leave. He says that something made him stay and go and discuss with the homeless girl. His perception of the homeless completely changes. They become the subject of his art. The models in his photographs are homeless people that he has met in Europe and in the United States: "Situations arose, and I made an effort to learn to get to know each of the subjects before asking their permission to do their portrait." From then onwards, his photographs portray his convictions and his compassion to the world. "If you will forgive my indulgence, This work is most definitely NOT photojournalism. Nor is it intended as portraiture. It's religious or spiritual iconography. It's powerful stuff. Jeffries gave these people something more than personal dignity. He gave them a light in their eyes that depicts transcendence, a glimmer of light at the gates of Eden, so to speak. The clarity in their eyes is awesome to behold as if God is somewhere in there. He has made these people into more than poor old broken homeless people lazily waiting for a handout from some urbane and thoughtful corporate agent. He infused them with light, not darkness. Even the blind guy has light pouring from his sightless eyes. I think Jeffries intended his art to honor these people, not pity them. He honors those people by giving their likenesses a greater meaning. He gives them a religious spiritual significance. He imbues them with the iconic soul of humanity. I think that's what he was trying to do, at least to some degree thereof."Source: www.yellowkorner.com Lee Jeffries leads a double life – as a full-time accountant near Manchester, and in his free time as an impassioned photographer of the homeless all over the world. A self-taught photographer who started out taking pictures of stock in a bike shop, his epiphany came in April 2008 when, on the eve of running the London Marathon, he snatched a long-lens image of a homeless girl huddling in a doorway, and felt compelled to apologize to her when she called him out for it. Their resulting conversation changed not only his approach to photography; it changed his life. Since that day Lee has been on a mission to raise awareness of – and funds for – the homeless. His work features street people from the UK, Europe, and the US whom he gets to know by living rough with them, the relationship between them enabling him to capture a searing intimacy and authenticity in his portraits. He has published two critically acclaimed fund-raising books, Lost Angels and Homeless, worked with the Salvation Army on a major campaign, and donated the half-dozen cameras he's won in prestigious imaging competitions to charity. He estimates he's given thousands of pounds of his own money to help those he photographs. All this, and he's still 'an amateur'. Source: Nikon In-Frame Read Our Exclusive Interview with Lee Jeffries
Carolyn Moore
United States
Carolyn Moore is a fourth generation Californian, raised in a family of artists and outdoor enthusiasts. Her love of nature is evident in her artwork having spent much of her formative years hiking, swimming, backpacking and enjoying the vast diversity in nature. Equally adept at both music and art, her formal education fell to music. Degrees were completed at University of California Berkeley, University of Oslo and Conservatory of Music, Norway. After a fulfilling and successful career of performance and teaching of flute, percussion and special needs music, her focus since 2005 has turned to visual expression through photography. Artistic inspiration came early in life when presented with paint brushes and a brownie box camera by her artist father at the age of 7. Mostly self taught, Carolyn has experimented with many photographic techniques - everything from digital, to film based using plastic or pinhole cameras and handmade or lensless processes. Since 2007 Carolyn has received multiple photographic honors and awards and has been juried into several exhibits at the Soho Photo Gallery, New York. Carolyn has been published in Color Magazine and has participated in multiple solo and collective exhibits both in the United States and Europe. She is currently a member of the Center for Photographic Art and proudly serves as Steering Committee Chair for Image Makers Photographers of Monterey. My Heart Exposed Photography to me, represents a composite of my personal feelings, emotions, values and experiences expressed on a canvas. It is as if the artwork is an open window where artist and viewer peer one to the other in a silent exchange. Images from “My Heart Exposed”, Volume 1, are created in a process that includes entering a meditative state where feelings, intuition and curiosity drive choices made in an experimental photographic process. This process lends an element of unpredictability, and as a result parameters are set for embracing surprises and allowing the image to evolve. The decisions I make are influenced by my innermost feelings and thus, each image presents a visually poetic reflection of my unique story. My personal story is made all the more poignant by the recent loss of family and intense emotional turmoil of the past year. This chaotic and complicated year of love, loss and strife made maintaining a sense of self a major challenge. I am often reminded of time spent in nature with lost family members, and I cherish the thought of loved one’s hands guiding me in a shared love of nature and an expression that uses plants as an artistic voice. I invite viewers to draw on their own experiences and allow their hearts to embark on a journey of reflection and discovery within each image. “My Heart Exposed”, Volume 1 are sunshine exposed Lumens with hand painted cyanotype on expired photographic paper. While developing this technique, I have experimented with different types of photographic paper, timing of exposure and elements that change the chemical reaction between plants and paper. Images evolve and change during the development process and I present captures of those stages in unaltered true color. While some images are fixed and will remain stable, others will continue to evolve and eventually dissipate altogether. Article Exclusive Interview
Benita Mayo
United States
1966
Benita Mayo is a visual artist based in Charlottesville, Virginia, where she is a resident artist at the McGuffey Art Center and an active member of the Charlottesville Black Arts Collective. She holds a B.A. in Rhetoric and Communications from the University of Virginia (UVA). Mayo’s work is guided by curiosity and empathy, qualities that shape both her process and subject matter. Her photographs explore the collective female experience through the lens of a Black woman navigating grief, memory, ancestry, genealogy, and trauma. By weaving personal history with broader social narratives, she examines how inherited legacies shape identity and belonging. Rooted in storytelling and social commentary, her practice stands as both testimony and tribute—illuminating overlooked histories while creating space for dialogue, reflection, and connection across communities and generations. Mayo was a 2025 Critical Mass finalist. She was the winner in the 23rd Julia Margaret Cameron Award for "Women Seeing Women" category and received Honorable Mention in the portraiture category. Mayo’s work has been featured in publications including Zeke Magazine, Lenscratch, Cuba Seen Issue 9, Virginia Quarterly Review, Canvas Rebel, Portraits The 27 Fine Art Book, A Smith Gallery, SxSE Magazine, Library of Congress, C-Ville Weekly 434 Magazine, and Charlottesville Tomorrow. Her work has been exhibited at various galleries including the Griffin Museum of Photography, The Center for Photographic Art (CFPA), the Center for Fine Art Photography (C4FAP), A Smith Gallery, Filter Photo, Social Documentary Network and several galleries in the Mid-Atlantic region. Her work has been recognized internationally and is held in private collections.
Anton Corbijn
Netherlands
1955
Anton Corbijn (born 20 May 1955) is a Dutch photographer, music video director, and film director. He is the creative director behind the visual output of Depeche Mode and U2, having handled the principal promotion and sleeve photography for both for almost 3 decades. Some of his works include music videos for Depeche Mode's "Enjoy the Silence" (1990), U2's "One" (version 1) (1991), Bryan Adams' "Do I Have to Say the Words? and Nirvana's "Heart-Shaped Box" (1993), as well as the Ian Curtis biopic Control (2007), George Clooney's The American (2010), and A Most Wanted Man (2013) based on John le Carré's 2008 novel of the same name. Anton Corbijn was born on 20 May 1955 as Anton Johannes Gerrit Corbijn van Willenswaard in Strijen, the Netherlands, where his father had been appointed as parson to the Dutch Reformed Church the previous year. Father Anton (Hilversum, 12 Nov 1917 - Amersfoort, 9 Mar 2007) would take up the same position in Hoogland (1966) and Groningen (Diakonessenhuis, 1972) moving his wife and four children with him. His mother, Marietje Groeneboer (11 Sep 1925 - Hoogland, 15 Sep 2011), was a nurse and was raised in a parson's family. Photographer and director Maarten Corbijn (Strijen, 1960) is a younger brother. Grandfather Anton Johannes (Corbijn) van Willenswaard (Schoonhoven, 24 Nov 1886 - Hilversum, 16 Aug 1959) was an art teacher at Christian schools in Hilversum and an active member in the local Dutch Reformed church in Hilversum. Corbijn started his career of music photographer when he saw the Dutch musician Herman Brood playing in a café in Groningen around 1975. He took a lot of photos of the 'rising star' Herman Brood & His Wild Romance. Because of the pictures taken by Corbijn, Brood's fame rose quickly, and as a result Corbijn's own exposure increased. Corbijn has photographed Joy Division, Depeche Mode, Tom Waits, Pr?ta V?tra, David Bowie, Peter Hammill, Miles Davis, Björk, Captain Beefheart, Kim Wilde, Robert De Niro, Stephen Hawking, Elvis Costello, Siouxsie and the Banshees, Morrissey, Simple Minds, Clint Eastwood, The Cramps, Roxette and Herbert Grönemeyer, amongst others. Perhaps his most famous, and longest standing, association is with U2, having taken pictures of the band on their first US tour, as well as taking pictures for their Joshua Tree and Achtung Baby albums (et al) and directing a number of accompanying videos. From the late 70s the London based NME, (New Musical Express), a weekly music paper, featured his work on a regular basis and would often feature a photograph of his as the front page. One such an occasion was a portrait of David Bowie back stage in New York at his play The Elephant Man in nothing more than a loin cloth. In the early years of London based The Face, a glossy monthly post-punk life style / music magazine, Anton Corbijn was a regular contributor. He made his name working only in black and white. In May 1989 he began taking pictures in colour using filters: his first try was done for Siouxsie Sioux. Between 1998 through 2000, in collaboration with the painter Marlene Dumas, he worked on a project called "Stripping Girls", which took the strip clubs and peep shows of Amsterdam as their subject; while Corbijn later exhibited photographs, Dumas took Polaroids which she then used as sources for her paintings. Corbijn has photographed album covers for U2, working with sleeve designer Steve Averill and Peter Hammill, Depeche Mode, The Creatures (the second band of Siouxsie Sioux), Nick Cave, Bryan Adams, Metallica, Therapy?, The Rolling Stones, Simple Minds, R.E.M., The Bee Gees, Saybia and Moke.Source: Wikipedia
Kristina Lerner
Russia
1986
Kristina Lerner(b. 1986) was born and raised in Moscow, Russia. In 2008 she graduated from Russian New University, majoring in World Culture. A few years later she moved to St. Petersburg, where she still lives and works as a freelance photographer. She also leads photo workshops in St. Petersburg photography schools.Kristina grew up in a creative family. Father was a musician and her mother worked as a model. So she was in love with art since childhood. At age 10 she began studying painting, which eventually led her to photography. Now Kristina Lerner does not divide her work into genres. She photographed the streets, people, nature and expressing herself in art photography.That's what she says about her works: "The main thing for me - is to feel the point of coincidence of external and internal and to be able to catch it in time and bring in photography. Every moment has it's own feeling and it’s own sound. No matter what I photograph: a portrait or the city’s scene - the picture should be filled with emotion and atmosphere of this unique second."Kristina Lerner has been photographing since 2008. She had many of her work published in international photography magazines and books, including Eyemazing New Collectible Art Photography - that brought together a selection of the best work published in Eyemazing magazine over the last ten years. Kristina took part in numerous art exhibitions and festivals, and in 2011 she became a finalist of the international Vilnius Photo Circle photography festival.
Shoji Ueda
Japan
1913 | † 2000
Shoji Ueda was a photographer of Tottori, Japan, who combined surrealist compositional elements with realistic depiction. Most of the work for which Ueda is widely known was photographed within a strip of about 350 km running from Igumi (on the border of Tottori and Hyogo) to Hagi (Yamaguchi). Ueda was born on 27 March 1913 in Sakai (now Sakaiminato), Tottori. His father was a manufacturer and seller of geta; Shoji was the only child who survived infancy. The boy received a camera from his father in 1930 and quickly became very involved in photography, submitting his photographs to magazines; his photograph Child on the Beach, Hama no kodomo) appeared in the December issue of Camera. In 1930 Ueda formed the photographic group Chugoku Shashinka Shudan with Ryosuke Ishizu, Kunio Masaoka, and Akira Nomura; from 1932 till 1937 the group exhibited its works four times at Konishiroku Hall in Nihonbashi, Tokyo. Ueda studied at the Oriental School of Photography in Tokyo in 1932 and returned to Sakai, opening a studio, Ueda Shashinjo, when only nineteen. Ueda married in 1935, and his wife helped him to run his photographic studio. His marriage was a happy one; his wife and their three children are recurring models in his works. Ueda was active as an amateur as well as a professional photographer, participating in various groups. In 1941 Ueda gave up photography, not wanting to become a military photographer. (Toward the end of the war, he was forced to photograph the result of a fire.) He resumed shortly after the war, and in 1947 he joined the Tokyo-based group Ginryusha. Ueda found the sand dunes of Tottori excellent backdrops for single and group portraits, typically in square format and until relatively late all in black and white. In 1949, inspired by Kineo Kuwabara, then the editor of Camera, Ueda photographed the dunes with Ken Domon and Yoichi Midorikawa. Some of these have Domon as a model, far from his gruff image. The photographs were first published in the September and October 1949 issues of Camera and have been frequently anthologized. Ueda started photographing nudes on the dunes in 1951, and from 1970 he used them as the backdrop for fashion photography. The postwar concentration on realism led by Domon, followed by the rejection of realism led by Shomei Tomatsu, sidelined Ueda's cool vision. Ueda participated in "Japanese Photography" at the New York Museum of Modern Art in 1960 and had solo exhibitions in Japan, but had to wait till a 1974 retrospective held in the Nikon Salon in Tokyo and Osaka before his return to popularity. Ueda remained based in Tottori, opening a studio and camera shop in Yonago in 1965, and in 1972 moving to a new three-storey building in Yonago. The building served as a base for local photographic life. From 1975 until 1994, Ueda was a professor at Kyushu Sangyo University. Critical and popular recognition came from the mid seventies. A succession of book-length collections of new and old appeared. Ueda weathered the death in 1983 of his wife, and continued working well into the 1990s. He died of a heart attack on 4 July 2000. The Shoji Ueda Museum of Photography (Ueda Shoji Shashin Bijutsukan), devoted to his works, opened in Kishimoto (now Hoki, near Yonago) Tottori Prefecture in 1995. Source: Wikipedia
Advertisement
AAP Magazine #58 B&W
Win a Solo Exhibition in July
AAP Magazine #58 B&W

Latest Interviews

Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Call for Entries
AAP Magazine #58 B&W
Publish your work in our printed magazine and win $1,000 cash prizes