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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Win a Solo Exhibition in April 2026 + An Exclusive Interview!
Sven Delaye
Sven Delaye
Sven Delaye
Sven Delaye

Sven Delaye

Country: France
Birth: 1984

Sven Delaye, a digital nomad and videogames translator, has been traveling around the world for nine years. Throughout his journey, he always enjoyed capturing moments of life, but everything changed in early 2020: for a long time, he kept his street photography private, convinced it wouldn't interest others. In 2020, he submitted some landscape photos for the cover of a Guatemalan magazine. These photos were declined. However, the publisher explored his Instagram account and discovered the sole street photo he had shared. That single image was selected for the magazine's cover. Encouraged by this recognition, Sven began sharing his street photography, which quickly gained international acclaim in countries such as the USA, Mexico, Italy, the UK, Greece, France, and South Korea.

For several years now, Sven has dedicated himself to street photography. Through his travels, it became a way to capture fleeting moments of everyday life, rediscover the poetry hidden in the mundane, and avoid the artificial clichés often propagated by social media. His inspiration comes from the simplicity of daily life: a stranger passing by, a fleeting glance, the curve of a smile, or the beauty of a quiet scene at a street corner. Sven finds poetry in unexpected places—a gutter, a park, or the shadow of a feeling in a small gesture. He believes this beauty surrounds us constantly, yet it often goes unnoticed. Whether it's because people choose to ignore it or have grown desensitized to it, he doesn’t know. What he does know is that his camera allows him to capture these overlooked moments and reveal the richness of life to those willing to see.

Awarded Photographer of the Week - Week 03
 

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More Great Photographers To Discover

Wendel Wirth
United States
1966
Wendel Wirth is an American contemporary fine art photographer. Originally from New York City and Chicago, Wirth lives in the mountains of Ketchum (better known as Sun Valley), Idaho. She in interested in the space between minimalist art and photography, ultimately pushing the viewers attention beyond the subject matter and celebrating the most essential and elemental aspects of the photograph. Wirth is an Idaho Commission on the Arts Fellow and is represented by Gilman Contemporary in Ketchum, Idaho and Dimmitt Contemporary in Houston, TX. THIS IS THE PLACE THIS IS THE PLACE is a photographic exploration of minimalist art as found in the landscape of our fading farmland. Driving highway twenty through central Idaho, the ground stretches for miles, expanding space. The linear landscape feels curated. In the winter months, the muted horizon parades elemental forms; barns and grain elevators, cow houses, cowsheds, granges as they have been called. My mind, in its road trip haze, translates the landscape into fields of Donald Judd's concrete blocks. As a photographer, I flatten the plane, calling to mind Judd's woodblock prints. The structures fade into a cluster of modest rectangles. A perfectly centered horizon line juts from a singular form. Repetition, as found in minimalist art, is used to draw attention to the subtle details & linear interests. As I peer through my viewfinder, I am not only deeply engaged with form and texture, line, color and atmosphere, I am also contemplating the rate at which our farmland in disappearing. It is urgent for me to capture a place that historically has served as a source of health and ecosystem before it is gone. Through intersecting my obsession of minimalist art, photography and farmland, my intent is to inspire you to visually play in and to conserve this precious land. THIS IS THE PLACE I am telling you about.
Réhahn
France
1979
Referred to as someone who "captures the souls of his models", (Wanderlust Travel Magazine, 2018) Réhahn is more than just a man behind a camera. Behind each click is a story. Whether the photograph shows a child with startling blue eyes, a woman pulling a needle through indigo fabric or a man walking alone down a brightly painted street, these are more than just images to Réhahn. They are the culmination of an experience. The stories of his subjects as well as his passion to learn more about their culture, diversity and changing traditions are what drives Réhahn's work. Réhahn's unique combination of fine art photography and documentary styles results in images that both inform and mesmerize. His portraits of Vietnam, Cuba, and India are particularly well-known for exactly this reason. They take the viewer along on the voyage to catch a glimpse of authentic interactions with people, their smiles, their wisdom, their daily lives. For Réhahn, photography is a way to approach people, to document what is happening in the present while also learning about the traditions and heritage of their past. Réhahn visited over 35 countries before making Hoi An, Vietnam his home in 2011. His first book Vietnam, Mosaic of Contrasts has been a bestseller since 2014. He followed this success with four subsequent books: Vietnam, Mosaic of Contrasts, Volume ll in 2015; The Collection, Réhahn - 10 Years of Photography in 2017; 100 Iconic Portraits in 2019; and Vietnam Mosaic of Contrasts, Volume III in 2020. In 2016, for International Women's day, Réhahn's portrait of Madam Xong was placed in the permanent collection at the Hanoi Women's museum. The resulting media coverage amassed more than 80 articles and 10 television interviews. Now just over two years later, Réhahn has been featured in international media totaling more than 500 articles and interviews and over 50 television appearances. One memorable career moment took place in 2018. Réhahn was honored during an official ceremony, which was organized to celebrate 45 years of friendship between France and Vietnam. Vietnam's Secretary of the Party, Nguyen Phu Trong, who has since become the President of Vietnam, gifted Réhahn's portrait Madam Xong to French President Emmanuel Macron. In addition to his four COULEURS BY RÉHAHN galleries, Réhahn opened the PRECIOUS HERITAGE museum located in the UNESCO World Heritage site of Hoi An ancient town in 2017 to showcase his portraits of Vietnam's diverse ethnic groups, their traditional costumes, stories, music, and artifacts. The museum is free to the public.
Shay Lari-Hosain
United States/Pakistan/United Kingdom
1998
Shay Lari-Hosain is a Bay Area-based artist whose work spans photography, video art, mixed media, graphic design, and writing. Their studio work explores how personal experiences of creativity and family history intersect with the politics of contemporary foreign policy, reflects on the shifting histories of the built environment, and investigates the ways time and memory shape perception in the photographic image. As a visual designer, Lari-Hosain crafts intentional experiences in both print and motion, and their music background influences their artistic practice. Their art is currently or previously on view in juried and institutional group exhibitions across the United States, including at SF Camerawork where they were invited to participate in both the annual benefit auction and a landmark members' exhibition, the Triton Museum of Art, New Museum Los Gatos (NUMU), Colorado Photographic Arts Center and more, and in Europe at PH21 Gallery. Their writing has appeared in the San Jose Mercury News and Pakistani English-language dailies like the Express Tribune and DAWN. They have won juror recognitions at Triton and NUMU and recognition by YoungArts, and given art talks at New Museum Los Gatos and PH21 Gallery. Recent design clients include Yvette Young’s Covet, SF Camerawork, and San José City College. Silence in B-Flat: Silence in B-Flat critiques the individualistic surveillance-centric natures of the built environment, investigates localized histories through dreamlike layering and sequencing, and plays with time by blurring the boundaries of verisimilitude in a photograph. In Silence in B-Flat I, by making hundreds of exposures and selectively averaging frames of my choosing, I assume editorial control—toggling the positions of stoplights, illuminated windows, cars, and pedestrians. Some scenes may resemble a single frame, while others are effectively "staged" from events that transpired over hours. The resulting scenes reconstruct time nonlinearly, creating new narratives. This process creates a surreal rendering of the scene that appears simultaneously authentic and unreal (almost painterly, as the process removes nearly all photographic noise, heightening the radiance of color gradients through no other manipulation), raising instinctive questions in the viewer about the veracity of the scene. This ambiguity impacts the trust the viewer may place in the images as a photographic record. AAP Magazine: AAP Magazine 52 Street
Costanza Rossi
Costanza Rossi is an Italian-born documentary and travel photographer whose work explores remote and indigenous communities around the world. Dividing her time between Italy, the UK, and extended travels, she has developed a practice rooted in cultural storytelling and human connection. Her photographs are the result of immersive fieldwork in some of the most isolated places on earth, from the nomadic herders of northern Mongolia to the tribes of the Omo Valley in Ethiopia, the Amazon rainforest, or the Darién Gap. Costanza’s work has appeared in both solo and collective exhibitions, with venues such as the History Museum of Salento and the Paris Imagination Gallery. She is the co-author of I mondi nascosti dei popoli Surma (Pensa Editore, 2025) and the editor and curator of the forthcoming Anthropology & Photography Quarterly published by the History Museum of Salento. Her practice combines her professional background in communication and branding with a passion for documenting humanity in its many forms, always seeking to highlight resilience, dignity, and alternative ways of living. Artist Statement My photography is driven by a curiosity for different worlds and the many ways humanity can be expressed. I seek out communities that exist at the edges of globalization, where traditions, rituals, and identities have been preserved against the current of modernity. I am an avid traveler, fueled by the excitement and wonder that arise when I encounter cultures so different from my own. This sense of discovery and the adrenaline of confronting unfamiliar realities inspire me to keep searching, documenting both diverse traditions and pressing social issues. I approach people’s lives with empathy, building stories that honor their uniqueness. I am drawn to subjects that challenge conventional narratives, and what unites my projects is a search for visual storytelling that sparks both recognition and wonder: images that remind us of our shared humanity, while revealing the beauty of cultural difference. Awarded Photographer of the Week - Week 36, 2025
Richard Nickel
Poland/United States
1928 | † 1972
Richard Nickel was an American architectural photographer and preservationist best known for documenting and preserving historic architecture, particularly the works of renowned architect Louis Sullivan. Nickel, who was born on May 31, 1928, in Chicago, Illinois, developed an early interest in photography and architecture. Nickel began documenting Chicago's architectural legacy in the 1950s and 1960s, focusing on buildings designed by Louis Sullivan, one of the forefathers of modern American architecture. His photographs captured Sullivan's buildings' intricate details, ornamental features, and craftsmanship, highlighting their beauty and significance. During the mid-twentieth century, Nickel became increasingly concerned about the destruction and neglect of historic buildings in Chicago. He understood the significance of architectural preservation and saw photography as a means of raising awareness about the need to protect these structures. Nickel actively advocated for the preservation of historic buildings in addition to his photography. He campaigned against the demolition of Sullivan's iconic Chicago Stock Exchange Building, which, despite his efforts, was demolished in 1972. Nickel's photographs of the building, as well as his writings on the subject, raised public awareness of the loss and inspired the Chicago preservation movement. On April 13, 1972, Richard Nickel was killed while photographing the ruins of the Chicago Stock Exchange Building, which was being demolished. Despite his untimely death, his legacy was preserved and exhibited posthumously through his photographs. Nickel's work had a significant impact on architectural preservation and historic building appreciation. His photographs captured not only the physical structures of the buildings, but also their spirit and essence, revealing their historical and cultural significance. His dedication to architectural preservation continues to inspire individuals and organizations working to protect our architectural heritage. Richard Nickel's contributions as a photographer and preservationist serve as a reminder of how important it is to document and cherish our architectural treasures so that future generations can appreciate and learn from them.
Dana Stirling
Israel
1989
Dana Stirling is a fine art photographer and the Co-Founder & Editor of Float Photo Magazine since 2014. She is currently based in Queens, New York. She earned her MFA in Photography, Video, and Related Media from The School Of Visual Arts in 2016, following her earlier BA in Photographic Communications from Hadassah College Jerusalem. Dana Stirling's work has been prominently featured in group exhibitions in the United States and internationally, including reputable venues such as Panop-ticon Gallery and Saatchi Gallery. Her photography has gained recognition in various publications, including Buzzfeed, Feature Shoot, Der Grief Magazine and others. why am i sad In the ongoing evolution of my artistic journey, I find myself engaged in a profound process of self-examination, mental health and sadness - using the camera to explore the essence of who I am and my connection to the art of photography. My roots lie in a small town. Within this space, I grappled with a pervasive sense of loneliness that transcended both the physical boundaries and the emotional confines of my surroundings. Even in the company of others, I felt a profound solitude that echoed within and beyond those walls. Home, rather than a sanctuary, was a place where the weight of stress, anxiety, and extensive sadness loomed. Family, instead of offering solace, became a source of inner turmoil. Unspoken but deeply felt, my mother's battle with clinical depression cast a shadow over me. I saw her lose more and more of herself, becoming less and less a person I understood. In my youth, I perceived her sadness as a natural extension of my own sadness, failing to grasp the impact it would have on my journey toward understanding and confronting my own struggles with depression as I grow older. Photography emerged as my lifeline during these moments of isolation. Equipped with my camera, I found solace in the quietude of my room, capturing the silent narratives of everyday objects that became vessels for the unspoken language of my inner dialogue. Photography, in essence, became my personal code, a means of externalizing the words I couldn't articulate verbally. In the silent dialogue with still life, I discovered a form of communication that transcended the limitations of human interaction. Objects, devoid of judgment, spoke the untold stories, becoming my voice in a world where words often fell short. Despite physically distancing myself from the room that once encapsulated my struggles, the weight of sadness remains a constant companion. Photography, once a means of escape, has transformed into a burden, shaping both my emotional state and the aesthetic of my images. The absence of photography leaves me despondent, while the act of capturing images reflects the pervasive cloud of sadness that hovers above me. 'Why Am I Sad' stands as a pivotal exploration, a journey into the intricate relationship between myself and the art of photography, viewed through the lens of my camera. It is an open-ended question, not posed with the expectation of a definitive answer, but rather as a beacon of hope—an invitation to rediscover comfort within the very medium that has been both a refuge and a challenge. My work is an exploration of the interplay between personal struggles and the transformative power of artistic expression. Through the lens, I invite viewers to join me in questioning, in reflecting, and in the shared pursuit of finding solace and meaning within the complex tapestry of existence.
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AAP Magazine #56 Shadows
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Latest Interviews

Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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