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Muhammad Amdad Hossain
Muhammad Amdad Hossain
Muhammad Amdad Hossain

Muhammad Amdad Hossain

Country: Bangladesh
Birth: 1999

Muhammad Amdad Hossain is an award-winning travel and documentary photographer from Chittagong, Bangladesh. Renowned for his ability to capture the resilience and strength of people amidst adversity, his work focuses on the impacts of natural disasters, pollution, and poverty in vulnerable communities. Amdad also celebrates Bangladesh's cultural heritage through vivid documentation of rural traditions, festivals, and daily life.

With over 170 prestigious awards to his name, including international photography prizes, Amdad's work has been published in leading outlets such as The Guardian, National Geographic, BBC, and Forbes, and exhibited in 30+ countries. He has served as a judge for global photography contests, including the MUSE and New York Photography Awards.

Amdad collaborates with top news agencies like Zuma Press and NurPhoto, using his art to amplify voices, raise awareness, and inspire action. His impactful storytelling continues to resonate globally.

Websites

amdadphoto.com

@amdad.photo

 

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More Great Photographers To Discover

Mi Zhou
Mi Zhou
China/United States
1962
Mi Zhou was born in 1962 in China, studied Civil Engineering in college. Following graduation, worked for 13 years as a field engineer for Chinese National Railroad Survey and Design Institute. In 1997, obtained Master degree in Communication Arts from New York Institute of Technology. From 1997 to 2004, worked as art director at Y&R /K&L advertising Inc., New York. Since 2004, resides in San Francisco, USA, working as freelance photographer, mainly focusing on personal projects, and working with non-profit organizations on social documentary. Recognitions: 2011, 500 Photographers, by Pieter Wisse, Netherlands 2009, The Best Photographer, Saint-Petersburg PHOTO VERNISAGE. Russia 2008, Top 50 Photographers, by Critical Mass, an international portfolio review. USA Selected Exhibitions: 2013, "The Griots of Oakland", African American Museum and Library, Oakland, USA 2011, "Lost & Found", Florence Moll Gallery at Chic Art Fair, Paris, France 2010, "Burning Man", POLKA Gallery, Paris, France
Andrea Finocchi
Andrea Finocchi
Italy
Andrea Finocchi was born in Rome in 1985, he studied at the University La Sapienza nursing and began working as an instrumentalist in the operating room. After the pandemic he became passionate about street photography dedicating a large part of his time to this art form, winning in 2021 the first prize at the Paris International Street Photo Awards, in the beach & pool category.
Thomas Devaux
Thomas Devaux
France
1980
Thomas Devaux has authored several complex and ambitious series. In each of them one can find a subtle but strong game of jousting played out between his core values and the evolutions brought about by modern technology. The inflammatory value behind the photography is not so innate. It is more a direct effort meant to mirror a fragment of a future re-composition.The works in the "ATTRITION" series were selected according to their composition and their figurative will. This is a double articulation between what is borrowed and that which is a reinterpretation on one hand and an axe in art history on the other hand. "ATTRITION", thanks to the expanded possibilities of digital techniques of which I have become very experienced, shows a n affluence of forms and materials such as an organic proliferation of hair, of body parts, etc. The portrait becomes a division of a face created by itself or vanishes in its own contour. The development material, though shadowy and opaque, is light and see-through. It raises the texture of the paper which allows for an automatic refinement of the forms and pigments.The final result is both sensual and onirique in the in the very image of the models that Devaux photographs in the backstages of fashion shows. They allow him to grasp the pictorial qualities which remain anchored in this field of photography. His surface does not rely upon the thickness of painting materials but rather on an artificial yet original vocabulary which is personal and photographic." Source: Anne Biroleau-Lemagny, General Curator Charge of Contemporary 21st Century: French National Library Born in 1980. Lives and works in Paris.Thomas Devaux moved frequently when he was young and he never stopped being "in motion". He moved to London after graduating from high school, and then he started his studies in Montpellier, while exploring the image in all its forms: photography, experimental cinema, painting and collage...He achieved through this artistic extension to remove the boundary between drawing and photography. Finally, he obtained diploma of Licence in Performing Art in Paris (Paris X). Developing great interest in traveling and exploring the world, he found his place in 2006 working for a fashion magazine: Fashion Insider. He first started as a photographer and cameraman, and became the artistic director of the magazine in 2009. He attended the world's most famous fashion shows and worked in many countries (France, Italy, Brazil, Portugal, Georgia, UK, Turkey, Denmark, Cyprus...). Opening up to the world, and to all the celebrities he met and interviewed for his magazine, was the opportunity to develop and make his style recognized: Jean-Paul Gaultier, Karl Lagerfeld, John Galliano, Donatella Vercace, Sonia Rykiel, Usher, Chris Brown, Kanye West, Milla Jovovich, Beth Ditto, Pedro Almodovar... Source: 1:1 Photo Magazine At first sight, portraits. At second glance, the questioning. Paintings or photographs? Thomas Devaux artwork throws off. By its form as its content, it upsets any certainty. And, it is precisely though that movement that it comes to its full magnitude.Fashion photographer, Thomas Devaux keeps from its reports thousands of shoots made behind the scenes that feed a later digital work. Indeed, in front of his screen, he cuts, deconstructs, assembles and recomposes his pictures until he creates images full of contradictions. Far from being frightened, Thomas Devaux finds with these dualities a remarkable tool to transcend the boundaries and ward off any kind of fatality. Of fashion, he likes the aesthetics but condemns the stylistic dictum and the imperative beauty. Of photography, he praises the documentary force but fears the frozen relation to time. And, from these considerations, comes out the idea of an nonconformism, un-postural, in the original meaning, as Thomas Devaux refuses any reductive normativity without denying for all that any legagy. Entitling his series "Attriction", he seems to insist on the idea of wear. A notion that does not necessarily imply deterioration. As, if the marks of time destroy some aspects, they also reveal some others. Finally, his work damages beauty to enhance it out of the conservative models. It brings together traditional approaches and opens them to modernity. It integrates the cyclic dimension of existence and reminds that what springs dies and what dies springs again with a new form. Source: Ozarts Etc
Hendrik Kerstens
Hendrik Kerstens
Netherlands
1956
Since 1995, Dutch photographer Hendrik Kerstens has been photographing his daughter, Paula. His photographs have been collected by museums around the world and have inspired taste-makers as diverse as Elton John and Alexander McQueen. (McQueen, in fact based his Fall 2009 collection on Kerstens' image of Paula with a plastic bag as a head-dress, using the image as his invitation for the show.) Initially Kerstens' photographs were created out of the artist's desire to capture something of the fleeting moments that fade of childhood. The pictures recorded everyday events – his daughter's sunburn, the child's bath. However, one day there was a moment of revelation when Kerstens not only saw her in relation to the events of her own life, but also projected on her his interest in the Dutch painters of the seventeenth century.
 As Kerstens recalls, "One day Paula came back from horseback riding. She took off her cap and I was struck by the image of her hair held together by a hair-net. It reminded me of the portraits by the Dutch masters and I portrayed her in that fashion. After that I started to do more portraits in which I refer to the paintings of that era. The thing that fascinates me in particular is the way a seventeenth-century painting is seen as a surface which can be read as a description of everyday life as opposed to the paintings of the Italian renaissance, which usually tell a story. Northern European painting relies much more on craftsmanship and the perfect rendition of the subject. The use of light is instrumental in this." A number of the portraits of Paula are clearly reminiscent of Johannes Vermeer. The austerity of the photograph, its clarity, the serene expression on the young girl's face, and not least, the characteristic "Dutch" light, all combine to create this impression.
 However, Kerstens was not just imitating painting. As the series progressed, he became increasingly interested in the game of creating a conceptual and humorous dialog between past and present. The titles give the game away. "Napkin" looks like a maid's bonnet. In "Bag", a plastic grocery bag is shaped to look like a lace hood. In other pictures no pretense is made to imitate 17th century clothing but Paula's face and Kerstens' light turn a thoroughly modern hoodie into a classic and timeless garment. Conceptually, Kerstens' photographs play with the dialog between the mediums of painting and photography, with seriality, and time. On a more emotional level, they address everyday reality while expressing his love for his child, and the knowledge and development of his craft.Source: Danziger Gallery Hendrik Kerstens' (1956) oeuvre consists of a consequent sequence of portraits from his muse, his daughter, each time with a different angle, meaning or purpose. In the hemisphere of the radically realist paintings of the Dutch Golden Age, Kerstens explores the photograph as a surface, a platform to study contemporary ordinary objects and its meaning in historical tradition. With his typical selection for down-to-earth forms of headwear, from a napkin, a wet towel, spheres of lace to folded aluminium foil, he recalls how daily life has always been an integral subject of art, whether in the 17th or in 21st century. With his clear ambition to illustrate the dialogue between history and contemporary life, rich and sober, functional and valuable, Kerstens also accomplishes to renew and contemporize history while boosting the position and function of day-to-day objects. In connecting todays photography techniques with the camera obscura techniques in earlier times, Kerstens raises awareness for the use and development of the photographic process. It is not accidental that he is a state-of-the-art perfectionist, taking nothing for granted and giving a lot of attention to the work process. The printing proces itself, the hardly visible transition of the many dark tones, the interplay of light and shadow, Kerstens dedicates himself completely in refining the image, where details and the way of looking play a key role. Kerstens, who worked many times with Kathy Ryan from The New York Times Magazine, was awarded the PANL award (2001) in the Netherlands; the Taylor Wesing Photographic Portrait Prize (2008) at the National Portrait Gallery in London, the silver LeadAward Medaillon, Porträtfotografie des Jahres (2010) in Germany and the 11th Lucie Award (2013). Kerstens work and ideas were included in Alexander McQueen's spectacular show The Horn of Plenty: Everyting but the Kitchen Sink, a retrospective on 15 shocking years in fashion.Source: Flatland Gallery Galleries:   Danziger Gallery   Jenkins Johnson Gallery   Dean Project   Flatland Gallery
Neşe Arı
Neşe Arı
Turkey
1980
Neşe Arı is an independent artist based in Istanbul, who has transformed photography into a powerful means of personal expression. Immersed in the world of photography for over fifteen years, Arı focuses on capturing the simple yet profound moments of everyday life. Working primarily in documentary, travel, and street photography, she draws attention to human stories, emotions, and the often unseen details of life. Her photographs invite the viewer to witness small but meaningful fragments of time. Her artistic approach is built on sincerity, simplicity, and a strong narrative voice. Particularly passionate about social responsibility projects, she gained recognition through her long-term project "Yaşamda Kal" ("Stay Alive"), which sheds light on the life journeys of individuals overcoming physical disabilities. Through this project, she aims to highlight the strength and resilience of people who reclaim life through sports. Neşe Arı’s work has been exhibited in numerous shows across Turkey and internationally, and has been published in renowned outlets such as The Times, The Daily Telegraph, and The Guardian. In 2016, she was awarded the EFIAP distinction by the International Federation of Photographic Art (FIAP). Her photographs have also been featured in major international projects such as "Women's Cry", "Changes", and "Open Doors", and her work has been showcased in exhibitions in the Vatican and many other countries. For Neşe Arı, every journey and every new face represents a story waiting to be told. She continues to use her camera as a tool to create photographs that touch lives, provoke thought, and evoke deep emotions. Artistic Vision: As Neşe Arı, I aim to make the simple yet profound moments of life visible. I use photography as a language to touch human stories, reveal emotions, and uncover the hidden beauty of everyday life. With each frame, I strive to create an impact that invites the viewer to reflect, feel, and connect with the essence of existence. By emphasizing sincerity, simplicity, and the strength of the human spirit, I seek to preserve and celebrate the diverse faces and stories of life.
Lev. L. Spiro
Lev. L. Spiro
United States
Lev L. Spiro is a fine art photographer and filmmaker, whose work tries to convey the sense of mystery and wonder he finds in the natural world. Work from his series "Fugitive Light", "Night Creatures" and "Thin Places" has been juried into more than 60 exhibitions, including A. Smith Gallery, Southeast Center for Photography, Ph21 Gallery, Midwest Center for Photography, and Davis Orton Gallery, as well as featured in publications including Dodho Magazine, Shadow & Light Magazine, What Will You Remember?, Art Ascent Magazine (Gold Artist, June 2021; Silver Artist, July 2023) All About Photo, and Black + White UK. Lev currently teaches the fine art photography courses "The Artful Garden" and "Story & Emotion in the Natural World" for Santa Fe Workshops. He's also well known for his tv and film directing work, having helmed more than 160 episodes, pilots and features for tv including multiple Emmy-award winning series such as Orange is the New Black, Ugly Betty, Modern Family, Weeds and Arrested Development. He lives in Los Angeles, California with his wife, screenwriter Melissa Rosenberg, and their two dogs T.Beau and Luna. ARTICLE: Elemental
Rebecca Moseman
Rebecca Moseman
United States
1975
Virginia native Rebecca Moseman received her Bachelor of Fine Arts from Virginia Polytechnic Institute in 1997 and her Master of Fine Arts from Rochester Institute of Technology in 2001. She has worked in academia, private industry, and Government as an instructor, consultant, and graphic designer and does freelance work in photography and publishing. Her work has been exhibited throughout the US and abroad and has been featured in Resource, DodHo, SHOTS, P3 Publico, and GUP Magazine. Artist Statement "My photography is a process of observation and a visceral response to my life, my experiences, and the world around me. It is at times a reflection of the emotional lives of my children or people I've encountered, sometimes a commentary on human behavior; other times it is a revelation of my own inner state. My photography represents a raw need to express visually what is often difficult to express in words." -- Rebecca Moseman Exclusive interview with Rebecca Moseman
Claudia Jaguaribe
Claudia Jaguaribe
Brazil
Claudia Jaguaribe was born in Rio de Janeiro, lives and works between São Paulo and Rio de Janeiro. She holds a degree in art history, fine arts and photography from Boston University, USA. Her work is focused on the urban landscape, environmental issues , and questions directed to the representation of the real as a conceptual register. By blending reality and subjectivity, it stimulates our perception of what we are seeing by creating layers of understanding and narrative. The materiality of her works questions the very nature of photography. She expands the traditional formats of photography by creating photo sculptures besides integrating and using video and internet in her installations. Since her beginning she was linked to editorial research. Many of her series find their final expression in book format. She has 15 books published and recognized by the singularity of the photographic integration and graphic design. In 2013 she co-founded the publishing company Editora Madalena. Her works are in several museums and collections in Brazil and abroad an such as Museum of Modern Art - São Paulo, Inhotim - Institute of Contemporary Art - Brumadinho, Instituto Moreira Salles - Rio de Janeiro, Victoria and Albert Museum, Maison Européene de la Photographie - Paris, Instituto Italo Latino Americano - Rome, Hangar art center among others.
Sirkka-Liisa Konttinen
Sirkka-Liisa Konttinen
Finland
1948
Sirkka-Liisa Konttinen is a Finnish photographer who has worked in Britain since the 1960s. She was born in Myllykoski, municipality of Sippola (from 1975 part of the town of Anjalankoski, from 2009 part of the town of Kouvola), Finland in 1948. Konttinen became interested in photography at the age of 12 and was a member of a photography group in a nearby town. Intending to pursue photography as a career, she was apprenticed to a fashion photographer in Helsinki for a year. Konttinen studied photography in London in the 1960s, and cofounded the Amber Collective, which moved to the northeast of England in 1969. From 1969 Konttinen lived in Byker, and for seven years photographed and interviewed the residents of this area of terraced houses until her own house was demolished. She continued to work there for some time afterward. This resulted in the book Byker, which in David Alan Mellor's words "bore witness to her intimate embeddedness in the locality". In 1980 she became the first photographer since the Cultural Revolution to have her work exhibited by the British Council in China. Konttinen's next project was a study of girls attending dance schools in North Shields, their mothers, and the schools. The book Step by Step came from this. The book was an influence for the film Billy Elliot. Three years of photographing the beach between Seaham and Hartlepool resulted in the series Coal Coast. Konttinen later returned to Byker and photographed its new residents in colour.Source: Wikipedia Sirkka-Liisa Konttinen is a photographer and filmmaker, best known for her work documenting working-class life in North East England. She is also co-founder of the Amber Film and Photography Collective, based in Newcastle Upon Tyne and the Side Gallery, dedicated to socially engaged documentary photography. Her documentation of Byker, the close-knit community of Newcastle, led to national recognition as a key photographic and filmic account of the rich working-class culture on the eve of its destruction. In 2003-09 she returned to the Byker Wall Estate that came to replace the original community, with her Byker Revisited/Today I’m With You book and film. Konttinen’s other long-term projects include Step by Step/Keeping Time, Hoppings, Writing in the Sand, Letters to Katja and the Coal Coast/Song For Billy. In 2011 her photography was inscribed in the UNESCO UK Memory of the World Register. She has exhibited widely, with her works held in multiple collections including the Finnish Museum of Photography, Helsinki, Museum of Fine Arts, Houston, The New York Public Library, Tate Modern, London, Victoria and Albert Museum, London and the AmberSide Collection Trust, Newcastle.Source: Artimage
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Latest Interviews

Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
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Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
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Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
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Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Exclusive Interview with Peter Ydeen
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Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Exclusive Interview with Julie Wang
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Exclusive Interview with Ghawam Kouchaki
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Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Exclusive Interview with Tommi Viitala
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Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Exclusive Interview with Robert Mack
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Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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