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Muhammad Amdad Hossain
Muhammad Amdad Hossain
Muhammad Amdad Hossain

Muhammad Amdad Hossain

Country: Bangladesh
Birth: 1999

Muhammad Amdad Hossain is an award-winning travel and documentary photographer from Chittagong, Bangladesh. Renowned for his ability to capture the resilience and strength of people amidst adversity, his work focuses on the impacts of natural disasters, pollution, and poverty in vulnerable communities. Amdad also celebrates Bangladesh's cultural heritage through vivid documentation of rural traditions, festivals, and daily life.

With over 170 prestigious awards to his name, including international photography prizes, Amdad's work has been published in leading outlets such as The Guardian, National Geographic, BBC, and Forbes, and exhibited in 30+ countries. He has served as a judge for global photography contests, including the MUSE and New York Photography Awards.

Amdad collaborates with top news agencies like Zuma Press and NurPhoto, using his art to amplify voices, raise awareness, and inspire action. His impactful storytelling continues to resonate globally.

Websites

amdadphoto.com

@amdad.photo

 

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More Great Photographers To Discover

José Ramón Bas
José Ramón Bas
Spain
1964
In 1979 José Ramón Bas was teaching himself photography when he met photographer Florencio García Méndez, who gave him a helping hand. In 1985 he began formal studies at the Escuela de la Imagen y el Diseño (IDEP) in Barcelona, where he was quickly attracted to contemporary forms of expression and the theme of travel memories. In 1989 he moved definitively to Barcelona and in 1997 he won the La Caixa Foundation’s Fotopress Award for young artists. He began working with the Berini Gallery in Barcelona and in 1998 moved into a studio in the Centro de Arte Contemporáneo Piramidón. After joining Galerie VU’ in 2001, he won the Federico Vender Prize in Italy in 2003, followed by the Arena Foundation Prize in 2004. In 2005 he began teaching the Masters in Creative Photography at EFTI in Madrid. He has exhibited in Holland, Boston, Lisbon and elsewhere.Source: www.rencontres-arles.com "He is an incurable traveller. He is a poet; to him it's like breathing. He is unclassifiable and, being in love with spaces and people, he invents objets that preserve the memory of his experiences and his emotions. He is not concerned about building a body of work but rather endeavors to reproduce times spent traveling in Africa, Cuba or Brazil. During his travels, he photographs, in a playful, compulsive way. Then, when he gets back to Barcelona, he looks at his contact sheets and decides to transform the images that he has recorded into objets. He prints them, with little interest for technique, and then he works on them: he may write on the proof, scratch it, or mistreat it, depending on the mood or inspiration of the moment, before setting it in a resin inclusion and dedicating it, between imagery and sculpture, to its status as an objet. For him, each negative is an opening onto infinite possibilities, which he will realize in various formats, from the square to the panoramic, and which are to convey his memory of the travel experience. Then, his parallelepipeds, which are lighter than air, occupy the wall with subtlety and encourage us to dream and be at peace."-- Christian Caujolle, Agence VU’ Galerie Source: Galerie VU
Kantaya New
Kantaya New
Singapore
Kantaya New is a Thai–Singaporean photo artist based in Singapore. Her works span conceptual and street photography. Her street photography work focuses on overlooked, serendipitous moments in daily life, while her conceptual work uses staged scenes and objects to invite reflection. She is currently working on A Modern Day Affair among other work. Notable awards and recognition include SONY Alpha: MX Street Photo Contest (1st Prize, 2025), LensCulture Critics’ Choice (Winner, 2023), Fujifilm Moment Street Photo Awards (2nd Prize, 2024), Women Street Photographers Artist Residency (Shortlist, 2025) and the Sony World Photography Awards (Shortlist, 2022 — Open Competition and Alpha Female Awards). Media features include LENSCRATCH (2025). A Modern Day Affair (2023–ongoing) This series began at home: my husband was with me, but always on his phone. I felt the screen had stolen my place. That feeling began A Modern Day Affair. The work looks at how the phone reshapes our relationship. Many images are self- portraits; others focus on small details—a cracked screen protector on a cake, or notes on a door. Some are drawn from real moments; others are imagined, but the emotions are real. In a surreal and staged style, the photographs mix a myriad of emotions such as humor, sadness, and anger to show how two people drift apart even when sitting side by side. I am not blaming phones; rather, I am asking how often we choose screens over connection without noticing. The Little Prince (2021–ongoing) This series started out as a chance meeting between me, the mural artist Yip Yew Chong, and a little boy named Akkun. I trace crossings—between being and performance, between child and character, between the art of one person and the dream of another. These photographs are fleeting windows into how a child moves through imagination—how play becomes reality, and how the ordinary becomes unforgettable. It is both play and portrait, and I document how a child steps into the art of another person and makes it his own. ARTICLE: Uncovering the hidden gems in Life through the lens of Photography
Robert Heinecken
Robert Heinecken
United States
1931 | † 2006
Robert Heinecken was an American artist who referred to himself as a "paraphotographer" because he so often made photographic images without a camera. Born in Denver in 1931, Heinecken grew up in Riverside, California, the son of a Lutheran minister. He joined the Navy in 1954 and served as a fighter pilot (though too short, he passed a height test by padding his socks with paper). Heinecken later served as an officer in the Marines, discharged as a captain in 1957. Heinecken completed his bachelor's and master's degrees in art at UCLA, where he studied printmaking as well as photography. Heinecken was known for appropriating and re-processing images from magazines, product packaging or television. In Are You Rea series from 1964 to 1968, for instance, he created a portfolio of images filled with unexpected and sometimes surreal juxtapositions by placing a single magazine page on a light table, so that the resulting contact print picks up imagery from both sides of the page. In the late 1960s, he also began cutting up popular magazines such as Time and Vogue and inserting sexual or pornographic images into them. He would place his collage-publications back on newsstands in Los Angeles to be sold to unsuspecting buyers. In 1962, he founded the photography program at UCLA. He taught there until 1991. In 1964 he helped found the Society for Photographic Education, an organization of college-level teachers. He also taught at the School of the Art Institute of Chicago, where his second wife, Joyce Neimanas, was on faculty. They split their time between the two cities for several years before they moved to New Mexico in 2004. As a professor at UCLA, Heinecken was a prime mover in the Los Angeles art photography scene. His influence was felt by many students and associates. Among them were John Divola, Eileen Cowin, Graham Howe, Jo Ann Callis and Ray McSavaney. Many of them, in turn, became influences on succeeding generations of art photographers. From 1971 on he started to expose food directly on light-sensitive materials. He realized these "documentary photograms" first on black and white paper and later in color in the series Various Lunches on positive Ilfochrome paper. In 1983/84 he created such Foodograms even on large polaroid sheets (20x24 inches) in collaboration with John Reuter in San Diego and Boston. In the 1980s, he created several series on American news television that involved photographing images on the television or exposing the light of a television set directly to paper to create what he called "videograms." During his life he was mainly shown in traditional photography galleries, but two contemporary art galleries in L.A. began staging exhibitions of his work after his death: Marc Selwyn Fine Art and Cherry and Martin. Curators like Eva Respini at the Museum of Modern Art now place his work in a conceptual art lineage, associating him with Pictures Generations artists such as Cindy Sherman, John Baldessari and Richard Prince.
Dougie Wallace
Dougie Wallace
Scotland
Dougie Wallace, also known as 'Glasweegee', is a Scottish street photographer, based in east London. He was born and raised in Glasgow, lived in Blackpool for a couple of years in the 1980s before enlisting in the army, and has lived in Shoreditch, east London, for 15 years. For two-and-a-half years beginning in October 2010 Wallace made 30 trips to Blackpool to complete his first book Stags, Hens & Bunnies: A Blackpool Story (2014), photographs of the stag and hen parties that visit the town, "lads and lasses on their worst behaviour, partying away in a bawdy sea of L-plates, handcuffs, blow-up dolls and uniformed fancy dress in various states of undress and drunkenness; revelling in bars, puking in the street, refuelling at chip shops." Wallace spent 15 years photographing in the Shoreditch area of East London, a series published in his second book, Shoreditch Wild Life (2014). He photographed the disappearing Premier Padminis in Mumbai for his series Road Wallah.Source: Wikipedia Scottish photographer Dougie Wallace is internationally recognised for his long-term social documentary projects and a distinct direct style of expressive street photography. He has won prestigious awards, exhibited as a solo artist or in joint exhibits in world-renowned institutions and photographic festivals, authored a number of books, all critically acclaimed. London-based, his assignments and personal work take him around the world. To coincide with BBC Season of Photography, in March 2017, BBC4 broadcast a 30-minute programme about Dougie, as part of the What Artists Do All Day series, providing insights into the lives of outstanding artists. The programme follows Dougie on the streets of Knightsbridge, as he completes the photographs for the book Harrodsburg. Available here to watch. More recently, Dougie was commissioned by Sky Art 50 to create a film, which explored what it means to be British in the light of the EU referendum. It was showcased at The BALTIC Centre for Contemporary Art and the Barbican. It was also broadcast on Sky Arts channel on the night of the original Brexit leaving date (March 29th, 2019). Dougie attributes his unique vision to his Glasgow up-bring and experiences lived or perceptively witnessed over two decades of residing in east London, from the uninhibited party days, when the area was a cultural wasteland through to its on-going urban regeneration, turning this district into a fashionable destination and tourist Mecca. "Living in Shoreditch has helped me develop an eye for the tragi-comic, messy side of uninhibited human behaviour. My Glasgow upbringing has shaped my style, which has been described as 'visually exaggerated' and 'hard-edged'. What motivates my pictures is human behaviour. People’s interactions and emotions fascinate me. My stories are thematic. They have similarities of expressions running through them. My work is informed by societies’ trends and incongruities and translating what I see through the lens into wit, criticism and humorous vignettes. I’d like to think that my photos convey a point of view that believable and absurd." This idiosyncratic point of view comes to life in his books, which have all equally generated critical attention and viral buzz. His books Stags, Hens and Bunnies: A Blackpool Story (Dewi Lewis Media, 2014) and Shoreditch Wild Life (Hoxton Mini Press, 2014), each a distinctive spin on hedonism and excess, turned Dougie into a household name among taste-makers. Road Wallah (Dewi Lewis, 2016), which offers a unique insight into the world of Bombay cab drivers has been exhibited at numerous photo festivals and gallery shows and was shortlisted for 2015 European Book Publisher’s Award. Followed Harrodsburg, which won the inaugural 'Magnum Photography Award 2016'. Well Heeled (Dewi Lewis, 2017) is an observation about the cultural shift among dog owners (Dewi Lewis, 2017). Goan to the Dogs is to be published by Dewi Lewis in 2020. East Ended is a reflection on gentrification and its ambiguous and fraught relationship with street art and local communities. Newly published by Dewi Lewis. Dougie is sought after for opinion, project assignments, editorial features and ad-hoc opportunities. His work has been featured in assignments and publications for magazines and newspapers, including, The Sunday Times Magazine, D Repubblica, The Economist, Le Monde, The New Yorker, Stern, The Guardian, New York Times, The Independent, International New York Times, Observer, GQ, Dazed, Hunger, Vice, BBC, CNN, Itsnicethat, Marie Claire, Die Zeit, Süddeutsche Zeitung, El País, Der Spiegel, Macleans, NZZ, Die Tageszeitung, Neon, dS Magazine - De Standaard. As well as numerous photography magazines, BJP, GUP, Amateur Photographer, Professional Photographer, F2, Fotografia Magazine, Lens Culture, Leica LFI, L’Oeil, Fotomagazine, European Photography and Photo International. Dougie continues to shoot fashion for the likes of Tatler, Balenciaga and Dazed. Dougie Wallace has conducted workshops both in the UK and overseas. He regularly donates his work to his chosen charities each year.Source: www.dougiewallace.com
Jean-Francois Jonvelle
Jean-Francois Jonvelle
France
1943 | † 2002
Jean-François Jonvelle, born on October 3, 1943, in Cavaillon was a French photographer of fashion, glamor and portraiture. Work on the release of 20 ans magazine and then work on Dim, Dam, Dom, Vogue, Stern, Gala, Elle. In the 1960s, Jonvelle was assistant to Richard Avedon. During his career, he made many portraits of women, often his friends: natural young people, often naked, unconcerned. Unlike other fashion and glamor photographers, who offer a provocative woman, Jean-François Jonvelle's performance is much softer, more natural, more jovial but equally sensual. He died at the age of 58 years of terminal cancer, 15 days after it was detected on January 16, 2002, in Paris.Source: Wikipedia Jean-François Jonvelle was snatched by the hand of death with a suddenness to match the photographs that were his life. Just as that life was dedicated to capturing these stolen moments, so death followed suit, carrying him off in the midst of life. A tumor was discovered in early January, a final farewell just a fortnight later. He was gone in a flash. As I turn the pages of my friend’s last book my eyes mist over. My tears dissolve Jonvelle’s photographs into the soft focus of a David Hamilton. Jonvelle’s work is often described as being – in the time-honored formula – ‘sexy but not vulgar’. I prefer his own description of what he sought out: ‘la poésie du quotidien’, ‘the poetry of the everyday’. Photographs freeze moments of truth, all you have to do is choose the ones that do it best. "I tell myself that the present and the future don’t exist", he also used to say. "Everyone, every day, creates their own past." The quality that makes his images more moving than the rest is their vulnerability. Jonvelle taught me one crucial lesson: in photography, as in literature, what counts is feeling. Eroticism and tenderness are not sworn enemies. A downy arm, the frail nape of a neck, an uptilted breast, the curve of a back beneath the sheets, damp hair, closed eyelids, the trace of a kiss on the neck all these can be arousing. Jonvelle’s women are fresh and natural because they are unaware of our gaze. Jonvelle makes adoring voyeurs of us all. He shows us why heterosexuality can be so painful: everywhere, in every house and every bathroom, paradise lurks. Paradise delicately removes her T-shirt, brushes her teeth, buttocks pert, the curve of her breasts taut, timeless. Suddenly paradise parts her legs in silence, biting her fingernails as she looks you straight in the eye, teasing you as she waits for you on the sheets. Jonvelle is in paradise now, but for him nothing has changed: he was already there in his lifetime. As I gaze in wonder, the way I always do, at these images, so far removed from the familiar clichés, my thoughts turn to the beautiful women he immortalized. Photographs fix the fleeting, immortalize the ephemeral. Many of the women Jonvelle photographed are now old or dead, but – thanks to this photographer who is now also dead – their perfection will never fade. Every one of Jonvelle’s photographs is a declaration of love. One day, at my request, he photographed Delphine Vallette, the mother of my daughter. I wanted to give this brunette whom I loved a portrait. Never have I felt such a cuckold – though in the most erotic of ways. Beauty is an evanescent mystery that some artists have the ability to capture. As I look again at these wonderful images, I’m reminded of the title of that American comedy Drop Dead Gorgeous. Jonvelle’s work as a whole is not an ode to femininity; the story it tells is of the battle to vanquish death by means of the celebration of desire. All these shoulders caught by surprise, these half-seen breasts, these finely- arched insteps, these flawless backs, this sensual solitude, this calm between two storms, all these beautiful women who don’t give a damn are simply doors softly opened, through which we may catch a glimpse of eternal life. -- Frédéric Beigbeder Jean-François Jonvelle was born in 1943 in Cavaillon, south of France. Soon he will sell famous melons to buy Hasselblad. Its inspirations will come from the painting of Balthus, Bacon, of Schiele, but the true influence comes from films from Mankiewicz, Lubitsch, Fritz Lang, Orson Welles, Arthur PEN, Minnelli and more recently of Terry Gillian of which it acknowledges to have seen eleven times the film Brazil; Finally its preferred film: Jules and Jim of François Truffaut. In 1959, it is the photographer George Glasberg who initiates him with photography while making him make the turn of France of the cathedrals. It is a photographic revelation which will leave it never again. At the age of 20 he becomes the assistant of the American photographer Richard Avedon. After this enriching experiment he becomes his own 'Master' whose favorite subject will be the woman. Her mom and her small sister of whom he always was very near will be her 'first agreeing victims'. Then come the first 'muse' and accomplice, Tina Sportolaro whom he meets in 1982 and with which he carries out some of his more beautiful images. Will be then Béatrice, Myriam and many others.Source: The Eye of Photography
Bill Owens
Bill Owens
United States
1938
Bill Owens, born in 1938, is a well-known American photographer who documented suburban life in the 1970s. His photography provides a unique and deep look into the everyday lives of average Americans, capturing both the commonplace and remarkable features of suburbia life. Owens began his photographic career in the late 1960s as a staff photographer for a local newspaper in Livermore, California. During this period, he began his most noteworthy project, "Suburbia," which would become a major body of work in American documentary photography. "Suburbia" was published as a book in 1973, featuring Owens' images and conversations with suburban dwellers. The project's goal was to investigate the goals, aspirations, and inconsistencies of suburbia life, offering a critical yet sympathetic study of the American Dream. Owens' images depicted scenes of backyard barbecues, family gatherings, children at play, and the myriad rituals and social interactions that constituted suburban areas. He highlighted both the humor and the underlying intricacies of suburban life through his good observation and direct attitude. What distinguished Owens' work was his ability to see past the surface and capture the soul of his subjects. His images conveyed a sense of realism by portraying suburbanites in their natural settings and enabling their tales to flow through genuine moments captured in time. Owens' art struck a chord with a large audience because it highlighted a huge societal transition in America during the 1970s. Owens' images challenged the idealized image of suburban life by exposing the hardships, wants, and inconsistencies inherent in the pursuit of the American Dream. Throughout his career, Owens continued to explore various topics and subjects in addition to his "Suburbia" series. He documented the California wine industry, capturing the agricultural process as well as the people that make it happen. He also covered countercultural trends of the 1960s and 1970s, such as the rise of the hippie and biker subcultures. Bill Owens' contributions to documentary photography will be remembered. His ability to depict the everyday lives of regular people in suburbia America with honesty and empathy earned him a place in American photographic history. His work is still being shown and researched, providing important insights into the social and cultural fabric of a specific period and place.
Mieke Dalle
Mieke Dalle
Belgium
1970
I attended art school and St-Lucas high school, after which I did commercial work as a graphic designer and photographer. I am from the generation working with analog camera, it is very exciting to now also be able to experience digital progress such as artificial intelligence and to take the first steps to incorporate this into my work.
Roland Blum
Roland Blum
Liechtenstein
1966
Roland Blum, 1966 Grabs, lives and works in Schaan, Liechtenstein. He studied music at the Jazz School and at the conservatory in Lucerne. Work focus: abstract landscape photography with main focus on aerial shots. I have been involved in photography since I was 10 years old. My father introduced me to the world of analogue photography. In these early days, I gained my first experience with abstract photography in the field of macro photography. Since then aerial photography became my main subject. 80% of my photographic work has consisted of aerial photography in the abstract landscape field. Since 2018 I am constantly working on my 'Namib Desert project' poetry of silence. I see my work very close to painting. And painting with light is photography in the truest sense of the word.
Elena Paraskeva
Elena Paraskeva
Cyprus
1973
Elena Paraskeva is an international Conceptual Photographer and Art Director. Having lived and worked in the U.S for a decade, she now resides in Cyprus, but often travels for assignments. Elena loves to create surrealistic conceptual work bathed in color and is often inspired by everyday life and popular culture. Achievements: LensCulture Portrait Awards 2019 - Jurors' Pick, Digital Camera Photographer Of The Year 2018, Neutral Density Awards 2018 - Gold Medal in Advertising, Trierenberg Supercircuit 2018 - Gold Medal in Series, Trierenberg Supercircuit 2017 - Gold Medal in Portraiture, Prix De La Photographie, Paris 2018- Silver in Portraiture, Prix De La Photographie, Paris 2017 - Silver in Advertising/Fashion, Prix De La Photographie, Paris 2017- Silver and Bronze in Children Portraiture, Monovisions Photography Awards 2018 - Bronze in Conceptual, American Photography Open 2018 - Shortlisted, International Photography Awards (IPA) 2018 - Honorable Mention, One Eyeland Awards 2017 - Silver in Advertising/Conceptual, Moscow International Photography Awards (MIFA 2017) - Bronze in Portraiture, Chromatic Awards 2017 - Bronze in Fashion/Beauty, Neutral Density Awards 2017 -Bronze in People Category, International Photographer Of The Year (IPOTY 2017) - 3 Honorable Mentions in Portraiture, London International Creative Competition 2017 - Honorable Mention, International Photography Awards (IPA) 2017 - 3 Honorable Mentions, WPPI - Second Place Individual Portrait Division 2017, First Place Individual Portrait Division 2016, FAPA 2017 - Honorable Mentions Conceptual & Portrait Divisions, PDN World In Focus 2016 - Second Place, Neutral Density Awards 2016 - Bronze in Advertising/Conceptual, International Photographer Of The Year 2016 - Honorable Mention, Monochrome Photography Awards 2016 - Honorable Mention Fashion/Beauty Exhibitions: Aperture Foundation, New York City - April 2019, Menier Gallery, London UK - 2018, NEC, Birmingham UK - 2018, Photo Oxford 2017, Oxford UK, Design Center, Linz Austria - 2017, Espace Baurepaire, Paris - 2017, Opus 39 Gallery, Cyprus - 2017, Thalassa Museum, Cyprus - 2017, The Printspace, London UK - 2015 Publications: Photography Masterclass, Digital Camera, Digital Photographer, N-Photo, PDN, Good Light, Economia, Fileleftheros Newspaper, Blurred, Omikron, Volition, Vantage, Icon, Ellements, Elegant, Incredible, LoveBite, La Plus Belle, Surreal
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Latest Interviews

Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Read the full interview
Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Exclusive Interview with Peter Ydeen
Interview
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Read the full interview
Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Exclusive Interview with Tommi Viitala
Interview
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Exclusive Interview with Robert Mack
Interview
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes
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