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FINAL CALL TO ENTER AAP MAGAZINE WOMEN: GET PUBLISHED AND WIN $1,000
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Muhammad Amdad  Hossain
Muhammad Amdad  Hossain
Muhammad Amdad  Hossain

Muhammad Amdad Hossain

Country: Bangladesh
Birth: 1999

Muhammad Amdad Hossain is an award-winning travel and documentary photographer from Chittagong, Bangladesh. Renowned for his ability to capture the resilience and strength of people amidst adversity, his work focuses on the impacts of natural disasters, pollution, and poverty in vulnerable communities. Amdad also celebrates Bangladesh's cultural heritage through vivid documentation of rural traditions, festivals, and daily life.

With over 170 prestigious awards to his name, including international photography prizes, Amdad's work has been published in leading outlets such as The Guardian, National Geographic, BBC, and Forbes, and exhibited in 30+ countries. He has served as a judge for global photography contests, including the MUSE and New York Photography Awards.

Amdad collaborates with top news agencies like Zuma Press and NurPhoto, using his art to amplify voices, raise awareness, and inspire action. His impactful storytelling continues to resonate globally.
 

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More Great Photographers To Discover

Tina Sturzenegger
Switzerland
1980
Tina Sturzenegger is a Swiss photographer specializing in food, still life, and visual storytelling. Her artistic practice explores the aesthetics of food and its cultural, social, and emotional significance. Two elements drive her fascination with this subject: the striking visual appeal of food in all its forms and its role in shaping societal structures. Influenced by the bold aesthetics of the 1970s and 80s, Tina blends elements of design, fashion, and nostalgia to create immersive, almost cinematic tableaus where food becomes both subject and symbol. By pushing boundaries and defying conventions, her work challenges perceptions, evoking a dialogue between indulgence and restraint, artifice and authenticity—always with a sense of playfulness woven throughout. After completing a business administration degree, Tina taught herself photography and high-end image retouching. Her work has been exhibited at the MIA Photo Fair in Milan, the Tokyo International Photo Awards, and Galerie Joseph in Paris, among others. She has collaborated with renowned national and international clients, including Denner AG, Farner Consulting, Nestlé Switzerland AG, UBS (Switzerland) AG, Michel Reybier Hospitality. Tina is represented in the DACH region by the Zurich-based agency Visualeyes Artists and has been a jury member of the Art Directors Club in Zurich since 2020. More about her work can be found at tinasturzenegger.com. About Series: Melt down This series delves into the complex relationship between food and society. It explores how our bodies become canvases for judgment, shaped by evolving dietary trends and societal norms. The work is a satirical examination of the pressures and contradictions surrounding modern consumption habits. The images are intentionally exaggerated, turning familiar items into provocative symbols. A blow dryer melts butter, evoking the artificial manipulation of natural elements. Heart-shaped lollipops adhered to legs highlight the clash between indulgence and imposed ideals of beauty. Mice leaping over a sandwich transform a simple meal into a staged battlefield of perceived nutritional good and evil. Through this visual narrative, the series critiques the demonization of carbohydrates, sugar, alcohol, and gluten. By presenting these dietary culprits in absurd scenarios, it challenges viewers to question societal obsessions with purity and perfection in food choices. The playful yet pointed approach invites reflection on the broader cultural and personal implications of what we consume. I styled, photographed and edited it. Awarded Photographer of the Week - Week 13
Harry Benson
Scotland
1929
Scottish born photojournalist Harry Benson arrived in America with the Beatles in 1964. Harry has photographed every U.S. president from Eisenhower to Barack H. Obama; was just feet away from Bobby Kennedy the night he was assassinated; in the room with Richard Nixon when he resigned; on the Meredith march with Martin Luther King, Jr., next to Coretta Scott King at her husband's funeral; on maneuvers with the IRA; was there when the Berlin Wall went up and when it came down; and covered the aftermath of Katrina in New Orleans. In 2013 Harry received an Honorary Doctor of Letters from The University of St. Andrews, Scotland. On January 1, 2009, Harry was appointed a Commander of the Order of the British Empire by Her Majesty Queen Elizabeth II and received his honor at Buckingham Palace in March. In London in November 2009 Harry received an Honorary Fellowship in the Royal Photographic Society. Harry was honored with a Doctor of Letters from the Glasgow School of Art and Glasgow University in 2007. Twice named NPPA Magazine Photographer of the Year, Harry received the 2005 LUCIE Award for Lifetime Achievement in Portrait Photography; the 2005 AMERICAN PHOTO Magazine Award for Achievement in Photography; the 2006 Lifetime Achievement Award from the Scottish Press Photographers Association; and has twice received the Leica Medal of Excellence. He has had 40 gallery solo exhibitions and fourteen books of his photographs have been published. His photographs are in the permanent collection of the Scottish National Portrait Gallery in Edinburgh, and the Smithsonian National Portrait Gallery in Washington, DC, both museums hosted his Harry Benson: Being There exhibition (2006-7). A major retrospective exhibition of Harry's photographs was at Kelvingrove Museum in Glasgow from June to September, 2008. Harry was under contract to LIFE Magazine from 1970 to 2000. His photographs appear in major magazines including Vanity Fair, Town & Country, Architectural Digest, Time, Newsweek, Vice, Paris Match, and The London Sunday Times Magazine. Harry lives in Wellington, Florida with his wife, Gigi, who works with him on his book and exhibit
Alireza Memariani
Graduate of Industrial Design from Art College 2009. He is a contemporary Iranian photographer and documentary living and working in Tehran. His work is influenced by the poverty that exists in Iranian societies. Much of his work came from these people's real lives. Cinema extras, miners, fish dryers, and... The core of Alireza's work is real. Originally a documentary photographer, it was several years before he started stage photography. He has been living and working in Hormuz Island since year 2014. Hormuz is an island in the Persian Gulf in southern Iran. It is one of the deprived areas of Iran. The result of his life in Hormoz Island is a collection of staged photographs displayed in various galleries in Tehran. Photos are generally symbolic of the new conditions in which he lives. Statement "Hormuz An ancient island, lies in the Strait of Hormuz, between the waters of the Persian Gulf. Because of the special climate that has, it will donate unique features. The mystery of Hormuz's nature is the result of its wild geography. High humidity and heat have eroded more than anywhere in Iran. Hormuz has an ancient history, but for me, where I had lived there for seven years, it has an imaginary history. The nights of Hormuz are foggy. Light is spreading, and this is where photography approaches me for painting. I walk the streets and paint with my camera and city lights. The softness and velvety nature of fog blows my mind. On some nights I could not recognize the lights, it seemed superhuman beings were, trying to conquer the island. Jinns, sea ghosts and maybe Martians. Whatever they are I welcome them..." -- Alireza Memariani
Alban Lécuyer
France
1977
Born in Paris in 1977, Alban Lécuyer studied Journalism and Photography at the Lille Graduate School of Journalism (France). He mainly works as a photographer of architecture within public projects and for private companies (advertising campaigns, photographic missions). Whilst collaborating with various journals, he teaches the History of Photography and Image Analysis at the DMA in Nantes (France). His personal projects centre around the analysis of new forms of dwellings from the social, economic, political and media point of view, and on the alteration of urban space. His works have been exhibited in Spain (Getxophoto Festival), in Switzerland (Biel Festival of Photography) and in France (Le BAL, Circulation(s) Festival, Images Singulières Festival, Archifoto – International Awards of Architectural Photography, etc.). The Here Soon project transposes reality from everyday city life into the aesthetic of computer graphics, which aim to showcase high-quality real estate projects. The pictures of the series reproduce the codes of those fictitious representations of reality: contrasts are light, shadows are reduced to a minimum, and all that stands between the spectator and the architectural project – trees, vehicles, passers-by and so on – is shown in transparency. Nevertheless, the frame leaves place for writing on the walls, laundry hung out to dry, abandoned objects, trash – everything that bears witness to a civilization that has left its mark on the place that it inhabits. The presence of the local residents also calls attention to their singularity, their paths, and their relationship with their surroundings. Therefore, the emergence of a concrete memory of places contradicts the universal and potential value of images.
Betty Press
United States
Betty Press is a documentary fine art photographer, well-known for photographs taken in Africa where she lived and traveled for many years. Now living in Mississippi she has just completed a project called “Finding Mississippi” recording "real life" in small communities throughout Mississippi with black-and-white film and toy and vintage cameras. She taught photography at University of Southern Mississippi from 2003 to 2015. She is twice the recipient of a Visual Artist Grant from the Mississippi Arts Commission. Her photographs have been widely-exhibited as well as selected for many juried competitions. In addition, her photographs have been featured in publications such as Shots, Silvershotz, South x Southeast, Lenscratch, ACurator, RfotoFolio, and Don't Take Pictures. Her work is held in a number of public collections including Beinecke Library at Yale University, The National Museum of Women in the Arts, Washington, DC, The Harry Ransom Center for the Humanities, The University of Texas, Austin, Mississippi Museum of Art and The Do Good Fund of Southern Photography. In 2011 Betty published a photobook I Am Because We Are: African Wisdom in Image and Proverb that portrayed a stunning, life-affirming portrait of the African people and culture. For this book she received a statewide award in photography, from the Mississippi Institute of Arts & Letters and was selected for Critical Mass Top 50. Her other books/zines include La Dolce Vista, Hub City Impressions and Finding Mississippi. In August 2019 she moved to Nairobi, Kenya to photograph urban culture and social injustice, but returned to the USA in April 2020 due to the Covid-19 outbreak. Her most recent project They Were Us: Stories of Victims and Survivors of Police Brutality in Kenya, was selected for Photo Lucida Critical Mass Top 50. Betty was invited by Lenscratch to curate the States Project for Mississippi. She also helped bring the Do Good Fund Exhibition of southern fine art photography to USM Art Gallery and organized several simultaneous local exhibitions. Most recently, she co-curated an online show Virtual Photography 20:20 for One Off Contemporary Art Gallery, Nairobi, Kenya. She is represented by Panos Pictures, London; International Visions, Washington, DC; Fischer Galleries, Jackson, Mississippi; Treehouse Gallery, Oxford, Mississippi and One Off Contemporary Art Gallery, Nairobi, Kenya. As a former educator, journalist, and avid traveler Press brings a wide-ranging perspective and appreciation of diverse photographic styles, genres and mediums. Services Offered: The African Urban landscapeEye-catching, colorful and hand-painted! Popular creative signage, found on small shops started by mostly young entrepreneurs, livens up what would otherwise be a drab environment in the poorer, densely-populated areas of third world cities like Freetown, Nairobi, or Monrovia. Services, such as hairdressing, tailoring, phone charging, food stalls and video games are advertised. The designs, drawn from traditional as well as contemporary pop culture, are bold, simple and use primary colors and funky fonts. The sign painters are mostly young and self-taught. With more mobile smart-phone usage the signage reflects the modern world on an African canvas. I have spent more than 15 years living in various African countries. In 2019 I moved back to Kenya. My main focus was to document the social justice movement in Nairobi's urban settlements (formerly called slums), resulting in They Were Us: Stories of Police Brutality in Kenya which was selected for the 2020 Photo Lucida Critical Mass Top 50. On the side I would stop to photograph the colorful shops which I found so artful, refreshing and safer to photograph. Now back home in Mississippi, after being evacuated from Nairobi due to the pandemic, I continue working on my Mississippi projects which deal with how place, race and religion have played a part in the complicated history of the state and still affect black lives today.
Thomas Barbèy
Switzerland
Thomas Barbey grew up in Geneva, Switzerland, across the street from the “Caran D'ache” factory, the largest manufacturer of art supplies. He started drawing seriously at the age of 13, using black “encre de Chine” and gouaches for color. His influences were Philippe Druillet, Roger Dean and H.R. Giger. After living in Geneva for 17 years and designing posters for musical bands, he decided to move to Italy, where he lived in Milan for 15 years making a living as a successful recording artist, lyricist and fashion photographer. Today, he resides in Las Vegas and travels the world, taking his camera wherever he goes. Thomas has been a photographer for over twenty years now and prefers to use his old Canon AE1s when he shoots in 35mm or his RB67 when he shoots in medium format. More recently, he has been doing Black and White Photomontages for the sole purpose of doing Fine Art, without working for a specific client. He has combined several images taken over a period of twenty years to create surreal situations with the help of the enlarger in a dark room. His work has a specific style and is very characteristic. He only works with Black and White, including Sepia toning at times. Every single one of his images has to pass what he likes to call the “So what?” test. If a combination of two or more negatives put together doesn't touch him or have any particular meaning, he starts over. At times, he tries to combine images and sometimes the results can be disappointing. A giant clock in the middle of the ocean can be an unusual image, but if he looks at it and says to himself, “So what?”, this means it isn't good enough.” If, instead, an ocean liner is going down a “funnel-type” hole and he titles it “Shortcut to China”, it takes on a whole new meaning. The picture takes you into an imaginary world where you can see the captain telling the passengers to fasten their safety belts and get prepared for the descent, and so on. At times Thomas comes up with ideas beforehand, try to materialize them and it works. At other times, it comes as an accident, where the ideas come afterwards, when the image is already finished and the concept has yet to be understood. Thomas claims he is learning constantly through the process of creation. Thomas travels 2-3 times a year to take photographs of different things and places. Sometimes he uses an image several years later, but only when it fits, like the perfect piece in a puzzle, and completes his latest project. Some images are composed of negatives that are separated by a decade in the actual time that he has taken them and only come to life when they found their perfect match. It's the combination of two or more negatives that give birth to a completely unusual vision, but most of all, the title he gives the final image is the glue and the substance of the piece. Source: thomasbarbey.com
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Latest Interviews

Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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