All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Chris Ha
Chris Ha
Chris Ha

Chris Ha

Country: Canada
Birth: 1985

Chris Ha is a travel and portrait photographer from Canada, now based in Miami, Florida. His work captures the beauty of diverse landscapes and human connection, blending technical skill with a passion for storytelling. From sweeping natural vistas to vibrant cityscapes, his photography evokes emotion and a deep sense of place. His work has gone viral on social media, where audiences are drawn to his stunning visuals and the stories they tell. His portfolio spans breathtaking travel scenes, intimate portraits, and aerial perspectives, blending artistry with a deep appreciation for the world around him. Through his photography, Chris aims to transport viewers into the heart of the stories he tells, inspiring them to see the beauty in both the extraordinary and the everyday. You can see more of his work on Instagram.
 

Inspiring Portfolios

Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Joel Meyerowitz
United States
1938
Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He was born in New York in 1938. He began photographing in 1962. He is a “street photographer” in the tradition of Henri Cartier-Bresson and Robert Frank, although he works exclusively in color. As an early advocate of color photography (mid-60s), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance. His first book, Cape Light, is considered a classic work of color photography and has sold more than 100,000 copies during its 30-year life. He is the author of 17 other books, including the newly released book by Aperture, Legacy: The Preservation of Wilderness in New York City Parks. In 1998 he produced and directed his first film, POP, an intimate diary of a three-week road trip he made with his son, Sasha, and his father, Hy. This odyssey has as its central character an unpredictable, street-wise and witty 87-year-old with a failing memory. It is both an open-eyed look at aging and a meditation on the significance of memory. Within a few days of the 9/11 attacks on the World Trade Center in New York, Meyerowitz began to create an archive of the destruction and recovery at Ground Zero and the immediate neighborhood. The World Trade Center Archive consists of over 8,000 images, and was created with the sponsorship of the Museum of the City of New York, to whom a set of digital files was donated for their archives and for exhibition. The Archive is an historic, photographic record of the immediate aftermath of the tragedy and the neighborhood as it evolved. The U.S. Department of State mounted 35 exhibitions of this work and they were shown around the globe from their inauguration by Colin Powell in Spring 2002 until 2005. Over 4 million people have seen these shows from Jerusalem to Islamabad, Rome, Paris, London, Kuwait, Moscow, Istanbul, and 200 other cities. Meyerowitz’s photographs from the World Trade Center Archives were also on view when he represented the United States at the 8th Venice Biennale for Architecture in 2002. Meyerowitz created a traveling exhibition of 117 vintage and modern prints entitled Out of the Ordinary 1970-1980, which premiered at the Jeu de paume in Paris, France. It has been exhibited at the Museum der Modern in Salzburg, Austria, and the Nederlands Fotomuseum in Rotterdam, the Netherlands, the Musee de la Photographie in Charleroi, Belgium and the Thessaloniki Museum of Photography in Thessaloniki, Greece Meyerowitz completed the ambitious project of documenting and creating an archive of New York City’s 29,000 acres of parkland. It is the first long-term visual documentation of NYC parks since the 1930’s when they were photographed as part of Franklin Roosevelt’s WPA program. Adrian Benepe, Commissioner of Parks and Recreation, has invited Meyerowitz to produce a comprehensive database for future use by the Parks department and to share these images of the parks with communities in all 5 boroughs. Legacy: The Preservation of Wilderness in New York City Parks was published by Aperture in the fall of 2009, accompanied by a large-scale exhibition of the same name at the Museum of the City of New York. Meyerowitz is a two-time Guggenheim fellow, a recipient of both the NEA and NEH awards, as well as a recipient of the Deutscher Fotobuchpreis. His work is in the collection of the Museum of Modern Art, the Boston Museum of Fine Arts and many others. Source: Wikipedia
Gueorgui Pinkhassov
France / Russia
1953
Gueorgui Pinkhassov is a photographer, born in Moscow in 1953. He is a member of Magnum Photos. Pinkhassov began his interest in photography in his teens, and enrolled at the Moscow Institute of Cinematography (VGIK) in 1969. Following college and two years in the army, he joined the film crew at Mosfilm. Continuing his interest in still photography he became a set photographer at the studio. His work was noticed by the film director Andrei Tarkovsky, who invited Pinkhassov to work on the set of his film Stalker. Being awarded independent artist status by the Moscow Union of Graphic Arts in 1978 allowed Pinkhassov far more freedom to travel, allowing him to exhibit his work internationally. In 1979 his work was noticed outside of Russia for the first time, in a group exhibition of Soviet photographers held in Paris. Previously, his work had mainly been seen in a number of Russian magazines, including L'artiste Sovietique. His acceptance by the Magnum Photos agency in 1988 opened up his work to a wider audience. He worked for the international media covering major events in Lithuania, Mongolia, Indonesia, and Africa. Returning to Moscow to cover the 1991 Coup, for the New York Times. In 1995, he received a photographic scholarship from the city, and in 1998, he published the book Sightwalk, photographs of Japan. Pinkhassov is now a French citizen, living in Paris.Source: Wikipedia Gueorgui Pinkhassov is known for his vivid art-reportage, which elevates the everyday to the extraordinary. His richly-colored images are absorbing, complex and poetic—sometimes bordering on an abstraction which embraces the visual complexity of contemporary life. As well as his global documentary work, Pinkhassov has photographed iconic cultural events from Cannes Film Festival to backstage at Paris Fashion Week. “It is foolish to change the vector of chaos. You shouldn’t try to control it, but fall into it” he says of his approach. Born in Moscow in 1952, Pinkhassov’s interest in photography began while he was still at school. After studying cinematography at the VGIK (The Moscow Institute of Cinematography), he went on to work at the Mosfilm studio as a cameraman and then as an on-set photographer. He joined the Moscow Union of Graphic Artists in 1978, which allowed him more freedom to travel and exhibit internationally. His work was soon noticed by the prominent Russian filmmaker Andrei Tarkovsky, who invited him to make a reportage about his film Stalker (1979). Recent work includes his study of Blackpool Illuminations in 2018, an ongoing series of city portraits illuminating places as varied as Beirut, Lisbon, Venice, Moscow and Nancy, and his coverage of the clashes between Anti-government protesters and police in the Ukrainian capital, Kyiv in 2014. Today, he works regularly for the international press, particularly for Geo, Actuel and The New York Times Magazine. He joined Magnum Photos in 1988.Source: Magnum Photos
Meryl Meisler
United States
1951
Meryl Meisler was born 1951 in the South Bronx and raised in North Massapequa, Long Island, New York. Inspired by photographers such as Diane Arbus and Jacques Henri Lartigue, as well as her dad, Jack, and grandfather, Murray Meisler, Meryl Meisler began photographing herself, family, and friends while enrolled in a photography class taught by Cavalliere Ketchum at the University of Wisconsin, Madison. In 1975, Meisler returned to New York City and studied with Lisette Model, continuing to photograph her hometown and the city around her. After working as a freelance illustrator by day, Meisler frequented and photographed the infamous New York discos. As a 1978 C.E.T.A. Artist grant recipient, Meisler created a portfolio of photographs which explored her Jewish identity for the American Jewish Congress. After C.E.T.A., Meisler began a three-decade career as a NYC Public School Art Teacher. Meisler has received fellowships, grants, and residencies from the New York Foundation for the Arts, Light Work, YADDO, The Puffin Foundation, Time Warner, Artists Space, C.E.T.A., the China Institute, and the Japan Society. Her work has been exhibited at the Zillman Art Museum, Brooklyn Museum, Brooklyn Historical Society, Dia Art Foundation, MASS MoCA, Islip Art Museum, Annenberg Space for Photography, the New Museum for Contemporary Art, New-York Historical Society,Steven Kasher Gallery, the Whitney Museum of American Art, and in public spaces including Grand Central Terminal, South Street Seaport, Photoville, Vichy Portrait Festival, and throughout the New York City subway system. Her work is in the permanent collections of the American Jewish Congress,ARTPPOOL Budapest, AT&T, Bibliothèque Nationale de France, the Brooklyn HistoricalSociety, Book Art Museum (Poland), Columbia University, Emory University, Islip Art Museum,the Library of Congress, Musée de la Poste Paris, Smithsonian Institute, University of Iowa, and The Waskomium, and can be found in the artist book collections of Carnegie Mellon, the Centre Georges Pompidou, the Chrysler Museum, the Museum of Modern Art NYC, Metronome Library, and the Whitney Museum of American Art. Upon retiring from the New York City public schools, Meisler began releasing large bodies of previously unseen work. Her monographs have received international acclaim. A Tale of Two Cities: Disco Era Bushwick (Bizarre, 2014) juxtaposes her zenith of disco photos with images of the burned out yet beautiful neighborhood of Bushwick, Brooklyn in the 1980s. Her second book, Purgatory & Paradise: Sassy ‘70s, Suburbia &The City (Bizarre, 2015), contrasts intimate images of home life on Long Island alongside New York City street and night life. Her latest book New York PARADISE LOST Bushwick Era Disco (Parallel Pictures Press 2021) revieals darker sides of disco and takes the viewer into 1980s Bushwick school and street life. Meryl Meisler lives and works in New York City and Woodstock, New York. NIGHTLIFE NYC, 1977-2023 In 1975 Meryl Meisler moved to New York City. Two years later its most notorious and celebrated nightclub, Studio 54, opened its doors. Meisler immersed herself in the nightlife scene and began to make images of Studio 54's colorful pleasure-seekers, along with some of its most noted party-goers such as Andy Warhol. The photographer states, ''When Studio 54 opened, my friend JudiJupiter got us on the guest list as photographers. The doorman took a liking and parted the door for us night after night. Studio 54's fabulous changing décor, DJs, sound system, and incredible crowds of diverse ages, races, ethnicities, sexual orientations, and gender identities were thrilling.'' Fueled by the excitement of Manhattan's exploding club scene of the late 70s, Meisler photographed fashionable night revelers and celebrities at a number of other hedonistic havens that popped up throughout the City. Legendary clubs such as Copacabana, Paradise Garage, Hurrah, Xenon, GG's Barnum Room, CBGB, and erotic Go-Go bars, provided an endless and diverse array of extravagant subjects immersed in dance and party spectacles. Each venue had its own unique identity, clientele, and energy. Some club-goers who were unable to gain admission to Studio 54 or wanted a change of scenery explored the crowd, vibe, and music at other night spots. Meisler adds, ''On nights off, club owners and cohorts would party at other discos.'' It was on one of these evenings that Meisler photographed Halston and Studio 54 co-owner Steve Rubell comfortably huddled together on a couch at the club Hurrah. A monogamous relationship, full-time art teaching job, and the onset of the AIDS epidemic prompted the photographer's foray into nightlife culture to dramatically slow down around 1981. Meisler kept her collection of images to herself, as a sort of private visual memoir, until an encounter in 2014 at the drag & burlesque bar BIZARRE, in Bushwick. Many of the club's performers and the scene they created were reminiscent of the freedom and energy that abounded during New York City's nightlife heyday in the late 70s. This emerging scene with its emphasis on inclusion, costumed spectacles, and over-the-top revelry inspired Meisler to exhibit her earlier nightlife photos and, once again, document these venues of unbridled celebration. Dance and performance take center stage in many of Meisler's current images taken at clubs like Bushwick's House of Yes and Bartschland's roaming parties. These new club scenes with drag queens and kings, bodacious burlesque performers, acrobats, magicians, dancers, and disco divas add to the continuum of NYC's nightlife culture — honoring and elevating the dynamic spirit set forth by prior generations of party-goers. Article Street Walker
Thomas James Parrish
Based in Sydney, Thomas is an Australian photojournalist and travel photographer driven by a passion for exposing and championing environmental and humanitarian issues that exist in today’s societies, all over the world. Thomas’ work explores current social issues; combining his passion for creative storytelling with a desire to inspire positive social change. Working closely with local NGOs, charities and communities, this work has taken him across the world where he has founded projects and campaigns with refugees, religious groups, environmental agencies and education programs. His photographic journey began in 2016 when he spent 6 months documenting the north of India as part of his project ‘Oh India’ which, after first being released as an exhibition in Sydney, has since become a photobook and has raised over $10,000 for a remote education program in West Bengal. In 2017 Thomas travelled across Italy documenting the refugee crisis, working closely with volunteer groups and NGOs to tell the stories of those seeking asylum for his ongoing project ‘A Voice for a Refugee’. After spending a year studying at the Speos International Photographic Institute in London in 2018/19 and obtaining his diploma in professional photography, Parrish then went on to document the Camino del Norte, an 850km pilgrimage across Spain, as a way of raising money through sponsorship and prints sales for Amazon Watch as part of his project ‘Camino for the Amazon’ which aided in the recovery program for indigenous communities most affected by the fires in the Amazon in 2019, raising over $4,000. Thomas has since returned home to Australia where he recently released his latest body of work ‘A Place Called Manly, A Place Called Home’, which celebrates the everyday beauty of his hometown in Sydney Australia and was exhibited in Paddington, Sydney. Thomas’s work has featured in multiple international photographic publications such as Suitcase Magazine, Lodestars Anthology, Australian Photography Magazine, Dodho Mag, Stade and Ernest Journal and more. Statement “With my work I try to emphasise our responsibility as humans to care for the world, and to express the importance of identity, through engaging storytelling. I hope I ensure a positive impact for humanity and the natural world and that my photographs can act as an instrument for inspiration and change.”
Helmut Newton
Germany/Australia
1920 | † 2004
Helmut Newton was a German-Australian photographer. The New York Times described him as a "prolific, widely imitated fashion photographer whose provocative, erotically charged black-and-white photos were a mainstay of Vogue and other publications." Newton was born in Berlin, the son of Klara "Claire" (née Marquis) and Max Neustädter, a button factory owner. Newton attended the Heinrich-von-Treitschke-Realgymnasium and the American School in Berlin. Interested in photography from the age of 12 when he purchased his first camera, he worked for the German photographer Yva (Elsie Neuländer Simon) from 1936. Any photographer who says he’s not a voyeur is either stupid or a liar. -- Helmut Newton The increasingly oppressive restrictions placed on Jews by the Nuremberg laws meant that his father lost control of the factory in which he manufactured buttons and buckles; he was briefly interned in a concentration camp on Kristallnacht, 9 November 1938, which finally compelled the family to leave Germany. Newton's parents fled to Argentina. He was issued with a passport just after turning 18 and left Germany on 5 December 1938. At Trieste, he boarded the Conte Rosso (along with about 200 others escaping the Nazis), intending to journey to China. After arriving in Singapore, he found he was able to remain there, first briefly as a photographer for the Straits Times and then as a portrait photographer. Newton was interned by British authorities while in Singapore and was sent to Australia on board the Queen Mary, arriving in Sydney on 27 September 1940. Internees travelled to the camp at Tatura, Victoria by train under armed guard. He was released from internment in 1942 and briefly worked as a fruit picker in Northern Victoria. In August 1942, he enlisted with the Australian Army and worked as a truck driver. After the war in 1945, he became a British subject and changed his name to Newton in 1946. In 1948, he married actress June Browne, who performed under the stage name June Brunell. Later she became a successful photographer under the ironic pseudonym Alice Springs (after Alice Springs, the town in Central Australia). In 1946, Newton set up a studio in fashionable Flinders Lane in Melbourne and worked on fashion, theatre and industrial photography in the affluent postwar years. He shared his first joint exhibition in May 1953 with Wolfgang Sievers, a German refugee like himself, who had also served in the same company. The exhibition of New Visions in Photography' was displayed at the Federal Hotel in Collins Street and was probably the first glimpse of New Objectivity photography in Australia. Newton went into partnership with Henry Talbot, a fellow German Jew who had also been interned at Tatura, and his association with the studio continued even after 1957, when he left Australia for London. The studio was renamed Helmut Newton and Henry Talbot. Newton's growing reputation as a fashion photographer was rewarded when he secured a commission to illustrate fashions in a special Australian supplement for Vogue magazine, published in January 1956. He won a 12-month contract with British Vogue and left for London in February 1957, leaving Talbot to manage the business. Newton left the magazine before the end of his contract and went to Paris, where he worked for French and German magazines. He returned to Melbourne in March 1959 to a contract for Australian Vogue. Newton and his wife finally settled in Paris in 1961 and work continued as a fashion photographer. His images appeared in magazines including the French edition of Vogue and Harper's Bazaar. He established a particular style marked by erotic, stylized scenes, often with sadomasochistic and fetishistic subtexts. A heart attack in 1970 reduced Newton's output, nevertheless his wife's encouragement led to his profile continuing to expand, especially with a big success, the 1980 studio-bound stark infinity of the Big Nudes series. His Naked and Dressed portfolio followed and in 1992 Domestic Nudes which marked the pinnacle of his erotic-urban style, these series all underpinned with the prowess of his technical skills. Newton also worked in portraiture and more fantastical studies. Newton shot a number of pictorials for Playboy, including pictorials of Nastassja Kinski and Kristine DeBell. Original prints of the photographs from his August 1976 pictorial of DeBell, "200 Motels, or How I Spent My Summer Vacation" were sold at auctions of Playboy archives by Bonhams in 2002. I just had a bellyful and realized I had shot enough nudes to last a lifetime. In fact, although I have no idea of the number, I think I photographed too many naked women. -- Helmut Newton In 2009, June Browne Newton conceptualized a tribute exhibition to Newton, based on three photographers that befriended Newton in Los Angeles in 1980: Mark Arbeit, Just Loomis, and George Holz. All three had been photography students at The Art Center College of Design in Pasadena, California. All three became friends with Helmut and June Newton and to varying degrees assisted Helmut Newton. Each went on to independent careers. The exhibit premiered at the Helmut Newton Foundation in Berlin and combined the work of all three with personal snapshots, contact sheets, and letters from their time with Newton. Since the 1970s Newton regularly used Polaroid cameras and film for instant visualization of compositions and lighting situations, especially for his fashion photography. By his own admission, for the shoot of Naked and Dressed series that started in 1981 for the Italian and French Vogue he used Polaroid film “by the crate”. These polaroids also served as a sketchbook, where he scribbled notes with regard to the model, client or location and date. In 1992 Newton published Pola Woman, a book consisting only of his Polaroids. Over 300 works based on the original Polaroids were shown at 2011 exhibition Helmut Newton Polaroids at the Museum für Fotografie in Berlin. In his later life, Newton lived in both Monte Carlo and Los Angeles, California where he spent winters at the Chateau Marmont, which he had done every year since 1957. On 23 January 2004, he suffered a serious heart attack while driving his automobile down Marmont Lane from the Chateau Marmont to Sunset Boulevard. He was taken to Cedars-Sinai Medical Center; doctors were unable to save him, and he was pronounced dead. His ashes are buried at the Städtischer Friedhof III in Berlin.Source: Wikipedia
Joris Hermans
Belgium
1983
Joris Hermans is a freelance documentary and travel photographer based in Belgium. In February of 2018, after winning a Nikon Press Photo Award in his country, he decided to leave his home behind and travel the world indefinitely. He tries to capture countries and people inbox ways no traveler does and documents everything on THE WORLD AHEAD OF US. He's still accepting freelance assignments. Joris' work has been featured on LifeFramer, Don't Take Pictures, PDN, Booooooom, Aint-Bad Magazine, Positive Magazine, GUP Magazine and Fotoroom Magazine. He was a finalist for the Renaissance Photography Prize and selected for the Kontinent Awards. He was a category winner of PDN World in Focus in 2015 and Nikon Press Photo Awards in 2016/2017. People Being pretty disappointed by today's travel photography, I decided to try and make a change. For me, traveling is not about selfies and "Instagrammable" places but about the people, stories and experiences. People make a country interesting and since I left to travel indefinitely more than one year ago, I've been focusing on the people in every country. Regular people I meet and who share me their story or with whom I have a quick chat in the streets are the stars in my portrait photos. it doesn't matter. They're all special. I try to take my medium format camera everywhere I go because I know an interesting person might pop up any where, any time. I hope one day, I can create a book with all these interesting faces and their stories. This is Varanasi In 2018, I spent two months traveling across India. It's become one of my favourite countries in the world. The history, culture and people inspired me every day I was there. Then, I arrived in Varanasi and it was the highlight of my time in India. Varanasi or Benares is the Holy Grail of India according to many travelers. It's one of the oldest cities in the world sitting on the banks of the river Ganges and that's exactly why it's so important to Indians. Everybody wants to die in Varanasi and/or be cremated on the banks of the holy river. After the cremation, the ashes are being sprinkled in the river and that's when the deceased reaches Nirvana. From all over India people travel to Varanasi; to die or to bring the dead, sometimes even with the corpse on ice in the trunk of a car... Life and death are not that far apart in India... The Ghats that lead up to the river is what I wanted to see. That's where the locals are and where they play cards and cricket or just relax in the evening. And that's exactly what we did too every evening when the sun started to set; just relax at the ghats of Varanasi. The light turned into a magical glow again like everywhere in India went the sun goes down and as a photographer it's an awesome few hours to be out...
Advertisement
AAP Magazine #54 Nature
Win a Solo Exhibition this January
AAP Magazine #54 Nature

Latest Interviews

Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Exclusive Interview with Guillaume Bonn
With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
Exclusive Interview with Sander Vos
Sander Vos is a fine art photographer based in London whose work seamlessly blends elements of Surrealism with portraiture. Drawing inspiration from his background in design, Vos embraces light and contrast to sculpt striking, graphic compositions. His photographs invite the viewer into a world where revelation and concealment coexist, leaving space for imagination and interpretation.
Exclusive Interview with Tomasz Trzebiatowski Editor-in-chief FRAMES Magazine
Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
Exclusive Interview with Manuel Besse
French photographer Manuel Besse is known for his compelling black-and-white imagery, which blends portraiture, documentary, and poetic narrative into a singular visual voice. With a career spanning several decades and continents—from the gold mines of Serra Pelada to the Arctic Circle—his work reflects a deep commitment to authenticity, human connection, and the preservation of cultural and natural landscapes. His series Macadam, winner of AAP Magazine #41 B&W, offers a contemplative look at fleeting urban encounters, rendered in his signature monochrome style. We asked him a few questions about his life and work.
Call for Entries
AAP Magazine #54 Nature
Publish your work in AAP Magazine and win $1,000 Cash Prizes