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Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Carla van de Puttelaar
Carla van de Puttelaar
Carla van de Puttelaar

Carla van de Puttelaar

Country: Netherlands
Birth: 1967

Carla van de Puttelaar is a graduate of the Gerrit Rietveld Academy in Amsterdam. Her work has been exhibited in Belgium, France, Germany, Hungary, Italy, Korea, The Netherlands, Spain, Sweden, Switzerland, United Kingdom and the United States. In 2002 she won the Basic Prize Prix de Rome. Collections holding Puttelaar's work include the Maison Européenne de la Photographie (France), Museum Winterhur (Switzerland), Huis Marseille Museum voor Fotografie (The Netherlands), Dutch Ministry of Foreign Affairs (The Netherlands), the Caldic Collection (The Netherlands) and many private collections. She has had her work published in numerous press publications, with four monographs published (2004, 2008 (twice) and 2011).

Represented by:
Danzinger Gallery
Photo Eye
Box Galerie
Kahmann Gallery
Galerie Esther Woerdehoff
 

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More Great Photographers To Discover

Eric Kim
United States
1988
Eric Kim is an international street photographer currently based in Los Angeles. Through his blog and workshops, he teaches others the beauty of street photography, how to find their own style and vision, as well as how to overcome their fear of shooting strangers. In the past he has done collaborations with Leica, Magnum, as well as Invisible Photographer Asia. He is currently an instructor at UC Riverside Extension, teaching a university-level street photography course. Last year he was also one of the judges for the London Street Photography Festival. He has exhibited his work at the Leica stores in Singapore, Seoul, and Melbourne. He has taught workshops in Beirut, Seoul, Tokyo, Amsterdam, Berlin, Hong Kong, San Francisco, Los Angeles, Chicago, Sydney, Melbourne, Zurich, London, Toronto, Mumbai, Singapore, Kuala Lumpur, and Kota Kinabalu.Source: Expert Photography Artist Statement "My first interest in street photography happened by chance. I was standing at a bus stop and I saw a man with horn-shaped glasses reading a book. There was something so genuine and unique about the moment. My heart was palpitating and the second I brought my camera to my eye, he looked directly at me and I instinctively clicked. My heart froze, but I made my first street photograph, without even realizing it. Being interested in both street photography and the approach, I started to experiment shooting street photography using my background knowledge studying sociology at UCLA. I started experimenting getting very close when shooting, and surprisingly never got punched in the face for taking photos (yet). Now through my blog and my workshops, I travel the world and teach others the beauty of street photography and how people can overcome their fear of shooting strangers. Teaching is my passion, and in the past I taught a photography class to under-privileged youth in Los Angeles, I taught a university-level online course at UC Riverside extension, and even a Sociology of Facebook and Online Social Networks while a student at UCLA. I also love participating in collaborations as I am currently a contributor to the Leica blog, I was one of the judges for the London Street Photography Contest 2011, and have done two collaborations with Samsung (I starred in a Samsung Galaxy Note 2 commercial and a campaign for the Samsung NX 20 camera). I have also been interviewed by the BBC about the ethics of street photography. I have had some of my work exhibited in in Los Angeles and at the Leica stores in Singapore, Seoul, and Melbourne. I have also taught street photography workshops in Beirut, Seoul, Tokyo, Amsterdam, Berlin, Hong Kong, San Francisco, Los Angeles, Chicago, Sydney, Melbourne, Zurich, London, Toronto, Mumbai, Singapore, Kuala Lumpur, and Kota Kinabalu (and more to come). My motto is always to shoot with a smile, and from the heart."
Jacqueline Walters
United Kingdom/United States
Born in Cambridge, England, Jacqueline Walters is a fine art photographer based in San Francisco. She received a master’s degree from San Francisco State University, and a bachelor’s degree from the University of California, Berkeley. Both are in English Literature. It was through literature that she discovered photography. In her artistic practice, she explores the themes of transformation of place, layering of time and space, and memory. Since 2009 her work has been exhibited in the San Francisco Bay Area at Corden|Potts Gallery, Gray Loft Gallery, Rayko Photo Center, Santa Clara University, and The Center for Photographic Arts; in Oregon at LightBox Photographic Gallery; in New York at the SOHO Photo Gallery; in Massachusetts at the Griffin Museum of Photography; as well as many other galleries in the United States, and internationally at the Complesso Monumentale del San Giovanni, Catanzaro, Italy, and The 11th Shanghai International Photographic Festival: Invitation Exhibition, Shanghai, China. Her work has been published in LENSCRATCH, SHOTS, and AAP Magazine. Walters’ work is part of private collections nationally and internationally. She was a 2020 Griffin Museum of Photography solo exhibition awardee. About Learning Mandarin and the Language of Lumens "When I began learning Mandarin little did I realize how it would inform my artistic vision. This became evident when I began to experiment with Lumen printing. With the former, I discovered how a seemingly endless permutation of lines, dots, and dashes written within an imaginary square formed meaning through simple and complex forms. With the latter, my thoughts shifted from acquisition of craft to learning a language. In my Lumen prints, instead of ink, I used various biological materials to form bold strokes and elegant lines or whispers of dots and dashes. The imaginary square was transformed into rectangles or other shapes defining the space. The written language is both a means of communication and the art form that is calligraphy. Just as the defining characteristics of the calligrapher’s hand suggests a personality, so too each paper I use reveals a different latent color as if speaking to the personality of the paper. My project, “Learning Mandarin and the Language of Lumens,” is about learning a process that harkens back to photography’s beginnings, influenced by the visual poetry and rhythmic grace of an old writing system." -- Jacqueline Walters
Wang Qingsong
China
1966
Born in Daqing, Heilongjiang Province, China 1966 1993: Oil Painting Department of Sichuan Academy of Fine Arts, Sichuan, China Lives and works in Beijing since 1993 Awards: 2006 Outreach Award from Rencontres de la Photographie, Arles, France Wang Qingsong graduated from the Oil Painting Department of the Sichuan Academy of Fine Arts and currently lives and works in Beijing. After starting his career as an oil painter engaged in the Gaudi movement, he began taking highly staged photographs that explore the influence of Western consumer culture in China. In more recent works he has explored political and social themes including the struggles of the migrant population and Chinese diplomacy. His photographs are known for their massive scale, deep symbolism and careful staging, which can sometimes take several weeks and involve up to 300 extras. Although photography is his main medium, he has explored performance and video art in more recent years. Qingsong’s work has been presented at prestigious galleries, museums and art fairs across the globe including the 55th Venice Biennale China Pavillion (Venice), the International Centre of Photography (NY), the Hammer Museum (Los Angeles), the Victoria and Albert Museum (London), the 42nd Rencontres de la Photographie (Arles), the Daegu Art Museum (Seoul), MOCA (Taipei), the Rockbund Art Museum (Shanghai) and the Mori Art Museum (Tokyo). Wang Qingsong is a contemporary Chinese artist whose large-format photographs address the rapidly changing society of China. His photographs, appearing at first humorous and ironic, have a much deeper message. Critical of the proliferation of Western consumerism in China, his, Competition (2004), depicts the artist standing with a megaphone in front of a city hall covered in advertisements for brands such as Citibank, Starbucks, and Art Basel. "I think it is very meaningless if an artist only creates art for art's sake," he said. "I think it would be absurd for an artist to ignore what's going on in society." Born in 1966 in Heilongjiang Province, China, Wang studied at the Sichuan Academy of Fine Arts. Although he was trained as a painter, Wang began taking photographs in the 1990s as a way to better document the tension of cultural shifts. The artist's works have been in exhibitions at the Hammer Museum in Los Angeles and the National Gallery of Victoria in Melbourne. Wang currently lives and works in Beijing, China. Source: Artnet
Robert Doisneau
France
1912 | † 1994
Born in April 1912 in an upper middle class family, in the Parisian suburbs (Gentilly), Robert Doisneau started showing an immoderate interest in the arts at a very early age. Robert Doisneau lost his parents at an early age and was raised by an unloving aunt. Aged 14, he enroled at the Ecole Estienne a craft school where he graduated in 1929 with diplomas in engraving and lithography. A year later, he started working for « Atelier Ullmann » as a publicity photographer. In 1931, Robert Doisneau met his future wife Pierrette Chaumaison, with whom he will have three children and also started working as an assistant for modernist photographer, André Vigneau. André Vigneau will introduce Robert Doisneau to a « new objectivity in Photography ». In 1932, Robert Doisneau sold his first photographic story to Excelsior magazine. In 1934, car manufacturer Renault hired Robert Doisneau as an industrial photographer in the Boulogne Billancourt factory. He was fired in 1939 as he was consistantly late. Without a job, Robert Doisneau became a freelance photographer trying to earn his living in advertising, engraving and in the postcard industry. Shortly before WWII, Robert Doisneau was hired by Charles Rado, founder of the Rapho Agency. His first photographic report on canoeing in Dordogne was abruptly interrupted by the war declaration. Drafted into the French army as soldier and photographer he was relieved from duty in 1940. Until the end of the war, he used his skills to forge passports and identification papers for the French Resistance. After the war, Robert Doisneau became a freelance photographer and rejoined with the Rapho agency (1946). It is probably at this time that mutual influence with Jacques-Henri Lartigue found its origin. He started producing numerous photographic stories on various subjects: Parisian news, popular Paris, foreign countries (USSR, United-States...). Some of his stories will be published in prestigious magazines, LIFE, PARIS MATCH, REALITES... In 1947, Robert Doisneau met Robert Giraud with whom he will have a life long friendship and a fruitful collaboration. Doisneau will publish more than 30 albums such as “La Banlieue de Paris” (The suburbs of Paris, Seghers 1949) with texts written by French Author Blaise Cendrars. From 1948 to 1953, Robert Doisneau also worked for Vogue Magazine as a fashion photographer. It is also at that time that he joined Group XV and participated alongside Rene Jacques, Willy Ronis and Pierre Jahan in promoting photography and its heritage preservation. In 1950, Robert Doisneau created his most recognizable work, le Baiser de l’Hôtel de Ville for Life magazine. Although Doisneau’s most recognized work dates from the 1950’s and old style magazine interest was declining in Europe in the early 1970’s, Doisneau continued to produce children’s books, advertising photography and celebrity portraits. His talent as a photographer has been rewarded on numerous occasions: Kodak prize 1947 Niepce Prize recipient in 1956 In 1960, he held his first solo exhibition in Chicago (Museum of Modern Art) In 1975 he is the guest of honour of les “Rencontres d’Arles” Grand prix National de la Photographie 1983 Balzac Prize recipient 1986 In 1991, the Royal Photographic Society awarded Robert Doisneau an Honorary Fellowship (HonFRPS) Robert Doisneau died in 1994, six months after his wife. He is buried alongside her in Raizeux.
Cyrus Cornut
France
1977
Trained as an architect, the photographer's work primarily revolves around the city—its form, transformations, imprints, empty spaces, and the human behaviors it elicits. In 2006, his inaugural exploration of Chinese cities debuted at the Rencontres Internationales de la Photographie in Arles under the artistic direction of Raymond Depardon. He became a member of the Picturetank cooperative agency in 2007, remaining with them until its closure in 2017. In 2010, as part of the France 14 group, he presented "Travelling to the Outskirts," a project delving into the landscapes of mass housing in Île-de-France. Since 2011, his research has extended to the role of plants not only in the urban setting but also in rural landscapes. Presently, he is immersed in the creation of a 4x5 medium format collection, affording him a deliberate examination of urban transformations in both Asia and France. Additionally, he is engaged in a more artistic body of work, blending drawing, engraving, and photography. AWARDS and RESIDENCIES Winner Prix HSBC 2021 Shortlisted for the Camera Clara award, 2020 Mutation Residency. Transit/ Montpellier city 2019 ND Award 2018 1rst price. Shortlisted for the Camera Clara award, 2018 1rst price Singularlens 2018 Laureate of the « Albums du Muséum National d’Histoire Naturelle » grant, 2014 Laureate visa de l’ANI 2012, Promenades Photographiques de Vendôme Shorlisted at the HSBC photography award, 2011 Laureate of the Visas de l’ANI, 2006 Villa Tamaris residency, Seyne sur Mer, 2006 CHONGQING, on the four shores of passing times Chongqing municipality, People’s Republic of China, population of 34 million. One of the world’s highest demographic and economic growth rates. The central urban area of 15 million souls is infused by almost 300 000 newcomers every year. Chongqing, the ''Mountain City,'' at the confluence of the Yangtze and Jialang Rivers, struggles to break through the fog that covers it all year long. Heir to the displaced from the Three Gorges dam and daughter to the Beijing authorities – who upgraded her to a municipality, raising her up to the same heights as her big sisters on the East coast – Chongqing has developed at a dizzying speed. Urban forms and infrastructure have sprung up, gravity-defying, embracing the shorelines of its four banks, each of them steeply carved out by the current of the water. The speed of urbanization has outperformed overtaken the slow rhythm of the fishermen, the erosion of the rivers, the powerful hatching of the mountains. The uninterrupted dance of the cranes and the excavators stack people ever higher in an unsettling quickness. No obstacle remains to stop the skyscrapers from surging up. They reproduce themselves almost identically, like metastases. The transport networks cross the water, pierce through the rock, and climb the hills, defiant of the power of the elements. The river has become the artery that the makes beat an economic heart that is resolutely turned towards the economic conquest of the West by way of the new silk road. Only the banks, almost wild, resist, remaining allied with the river and its caprices. People sitting on its embankments watch it meander, watch their sightlines get blocked out and its banks grow thicker. Here and there they still cultivate a few food-producing gardens while they wait fatalistically for the last bits of bare land to disappear.
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AAP Magazine #58 B&W
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Latest Interviews

Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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