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Final Chance to Win a Solo Exhibition this March! Deadline: February 18, 2025
Final Chance to Win a Solo Exhibition this March! Deadline: February 18, 2025
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Frank Ward
Frank Ward
Frank Ward

Frank Ward

Country: United States

I am a professor in the Holyoke Community College Visual Arts Department, Massachusetts, USA. I have a Masters of Fine Arts degree from Bard College and have received a Massachusetts Cultural Council Artist Fellowship award in 2011 for my work in the former Soviet Union. Previously, the National Endowment for the Arts/ New England Foundation for the Arts have awarded me a grant for work with the Puerto Rican community in Holyoke, Massachusetts. The Polaroid Foundation and ViewCamera Magazine have awarded my work in Tibet and the Rotary Foundation has funded my photography in India.

I have made four trips to the former Yugoslavia with the support of The Friends of Bosnia and the Center for Balkan Development. This work has been exhibited throughout the United States and Europe.

In 2011, Haley's Press published "Lost in Siberia", essays by Vivian Leskes with photographs by Frank Ward. In 2005, Amherst College Press published "Curious Footprints", a book of my natural history photographs with an essay by Nancy Pick and an afterword by Ben Lifson. Both books are available through Amazon. When I am not teaching in Holyoke or leading photography workshops in Central Asia, I am open to freelance work.

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More Great Photographers To Discover

Laurent Delhourme
Laurent Delhourme
France
1968
Laurent Delhourme was born in Bordeaux (France) in 1968. After studying visual media, he became a self-taught photographer. He spent five years as an assistant at ELLE and Daylight studios, as well as for various fashion photographers, before embarking on a career as a portrait photographer in 1998. His work has since appeared in various magazines, corporate projects and advertising campaigns. At the same time, he moved into film in 2001 and made numerous documentaries for France TV / Canal+. He has covered various topics, including the Moudawana law in Morocco for the protection of women, the Madrid train bombings, abandoned street children in Budapest, the Women on Waves pro-choice organisation in Portugal, Carlos Ghosn in Japan and cotton farming in South Africa... He has also worked with the press agency CAPA on reports and corporate videos for Aigle, Total, Renault, Orange, Alcatel and EDF. For almost 20 years, Laurent has roamed the streets of Paris, Leica in hand. He tries to capture the emotions and poetic dimension of people who cross his path. All of his photos are linked to a story, a narrative, a unique moment. Laurent draws inspiration from the work of Elliott Erwitt, Garry Winogrand and Henri Cartier-Bresson, taking his place in a long line of humanist photographers. He photographs people in the street and observes them without bias or judgement. Laurent seeks to capture what is invisible in their daily activities. Far from using a journalistic approach, he aims to document his times. In the press Observer and chronicler of modern life, Laurent Delhourme's approach is part of the lineage of 20th century humanist photography. Lovers of images of Erwitt, Frank, Davidson, Weiss, Franck, Cartier-Bresson, Mark, Ronis, Freed, Evans, Maltête, Winogrand, Meyerowitz ... His universe is inspired by the heritage of all those photographers who knew how to document their time. He photographs the daily life of his contemporaries, of these anonymous people whom he meets over time in the working-class districts of Paris, on the sidewalks of Fifth Avenue or among the effervescence of Piccadilly Circus, the emotion remains always intact, lively. by this tireless and visceral desire to freeze unique moments. Born in Bordeaux (France), he has lived in Paris for over 25 years. At the age of 18, he discovered photography through a friend and it was at the age of 21 that he understood that his passion would make it his profession. People are the key word in his work, recognized for his portraits, he is the author of numerous advertising campaigns, his photos have been published in various French and international magazines. When he's not in the studio he continues to develop his art on the streets. He seeks to capture the invisible in the daily lives of the people he meets. Each of his photos is connected to a story, a story, a unique moment. These photographs concentrate humor, burlesque situations and everyday incongruities. If the photographer takes care of his framing, by choice, he never conceives a staging. He is sure that the behaviors of passers-by are interesting enough to let them express themselves in their entirety. He captures his images on the fly. Immediacy is his motto. In his early days, a book changed his view of the world in a book by Elliott Erwitt (Photographs 1946/1988), I was young and had never seen anything like it. For me it was a revelation! I discovered through Erwitt's work a true philosophy of life that has always fascinated me Laurent confides. This book, which he consults regularly, is still his bible today. Unlike his work as a portrait painter which requires mastering all the parameters of the shooting, for Laurent street photography is a moment of freedom, he lets himself be carried away by the people he meets and the emotions he meets. He feels. He walks instinctively, feels, he likes to be surprised, he captures the mundane in his daily life as discreetly as possible with his Leica M or his Leica Q. Working mainly at 28 and 50 mm he makes sure never to disturb the scene he photographs "I try to make myself transparent so as not to interfere with my environment". Laurent Delhourme has exhibited on numerous occasions, notably at the Paris photo fair (Grand Palais in Paris) and at the art photography festival in Arles (France). He released his first book Macadam Paname in October 2020 at Editions Hemeria, a black and white book on Paris. He is currently in preparation for a second book.
Gustavo Lacerda
Gustavo Lacerda
Brazil
1970
I was born in Belo Horizonte (Brazil) and got my BA in Media from the Federal University of Minas Gerais (UFMG). I have lived in São Paulo since 2000. I began photographing in the 1990s as a newspaper photographer and then migrated to advertising photography. Throughout it, I have always developed my own authorial projects. I have had the joy to receive some awards such as the Conrado Wessel Art Award (2011, 2007, 2006 and 2005), Porto Seguro Photography Award (2010), the Silver Lion at Cannes Lions International Festival of Creativity (2010), D&AD Global Awards in London (2004), and the Gold Medal at New York Festivals International Advertising Awards (2002). Some of my works are now part of the Pirelli permanent collection of the São Paulo Museum of Art - MASP (Sao Paulo/Brazil), Catherine Edelman Collection (Chicago/USA), FOTOMUSEO (Bogota/Colombia), Photography Museum/Silvio Frota Collection (Fortaleza/Brazil), Porto Seguro Collection(Sao Paulo/Brazil) and SESC Collection (Sao Paulo/Brazil). I am represented by Catherine Edelman Gallery in Chicago, Arte 57 in São Paulo and Quadrum Gallery in Belo Horizonte. My work has been exhibited in France, Germany, Belgium, Spain, The United States, Colombia, Korea, Angola, Uzbekistan and Singapore. Discover Gustavo Lacerda' s Interview
Eric van den Brulle
Eric van den Brulle
United States
1961
My mother is Sicilian and my father Belgian. Growing up I heard so many relatives share stories of the world. I suppose that sparked a love of travel in me thats never left. Meeting and photographing people and seeing how they live is like adding to a family album. I love the differences and I love the similarities that we all share. Statement In my journey as a portrait photographer, I strive to capture the essence of individuals through the lens of my camera. Each portrait is a visual narrative, a unique story frozen in time. I am fascinated by the intricate dance between light and shadow, using it to sculpt and define the personality of my subjects. Through careful composition and an acute awareness of the emotional subtleties, I aim to create images that resonate on a profound level.
Erik Johansson
Erik Johansson
Sweden
1985
Erik Johansson (born 1985) is a photographer and visual artist from Sweden based in Prague, Czech Republic. His work can be described as surreal world created by combining different photographs. Erik works on both personal and commissioned projects with clients all around the world. In contrast to traditional photography he doesn't capture moments, he captures ideas with the help of his camera and imagination. The goal is to make it look as realistic as possible even if the scene itself contains impossible elements. In the end it all comes down to problem solving, finding a way to capture the impossible. To Erik it's always important with a high level of realism in his work. He want's the viewer to feel like they are part of the scene. Although his work consists of a lot of work in post-production and combining photogaphs he always tries to capture as much as possible in camera. "No one can tell you that it doesn’t look realistic if you actually captured it for real." Light and perspective are crucial parts when combining images in a realistic way and if some parts are not possible to shoot on location, a similar scene has to be built up in a controlled environment. Having an understanding of both photography and post production is very important to make everything come together seamlessly. Every photograph and part has its purpose. Erik always do all the post production himself to be in complete control of the end result. The idea, photography and post production are all connected. The final image doesn’t become better than the photographs used to capture it. Just like the photographs don’t become stronger than the idea. There are no computer generated-, illustrated- or stock photos in Erik's personal work, just complex combinations of his own photographs. It's a long process and he only creates 6-8 new images a year (excluding commissioned work). Artist Statement "My name is Erik Johansson, I was born in 1985 outside a small town called Götene in the middle of Sweden. I grew up on a farm with my parents and two younger sisters. For as long as I can remember I have liked drawing. Probably because of my grandmother who was a painter. Early I also got interested in computers, escaping to other worlds in computer games. At the age of 15 I got my first digital camera which opened up a new world. Being used to drawing it felt quite strange to be done after capturing a photo, it wasn’t the process of creating something in the same way. Having an interest in computers made it a quite natural step to start playing around with the photos and creating something that you couldn’t capture with the camera. It was a great way of learning, learning by trying. But I didn’t considered it as a profession until years later. In 2005 I moved to Gothenburg to study Computer engineering at Chalmers University of Technology. During my time studying I took up my interest for retouch once again. I had a lot of ideas that I wanted to realize and I saw it as problem solving trying to make it as realistic as possible. After publishing some of my images online I started to get requests about commissioned work from some local advertisement agencies. I started out freelancing in parallel with my studies while still working on personal projects. I got more and more jobs and at the time I finished my studies with a master in Interaction Design I felt like I rather wanted to try out the photography path. I moved to Norrköping in the eastern part of Sweden to start working full time as a freelance. I made new friends and got to work on interesting projects, both local and abroad. In early 2012 it was time for something new as I moved to Berlin, Germany. A very artistic city with lots of inspiration. Today I work with both personal and commissioned projects and I also started doing photography street illusions."Source: www.erikjo.com/
Thomas James Parrish
Thomas James Parrish
Australia
1993
Based in Sydney, Thomas is an Australian photojournalist and travel photographer driven by a passion for exposing and championing environmental and humanitarian issues that exist in today’s societies, all over the world. Thomas’ work explores current social issues; combining his passion for creative storytelling with a desire to inspire positive social change. Working closely with local NGOs, charities and communities, this work has taken him across the world where he has founded projects and campaigns with refugees, religious groups, environmental agencies and education programs. His photographic journey began in 2016 when he spent 6 months documenting the north of India as part of his project ‘Oh India’ which, after first being released as an exhibition in Sydney, has since become a photobook and has raised over $10,000 for a remote education program in West Bengal. In 2017 Thomas travelled across Italy documenting the refugee crisis, working closely with volunteer groups and NGOs to tell the stories of those seeking asylum for his ongoing project ‘A Voice for a Refugee’. After spending a year studying at the Speos International Photographic Institute in London in 2018/19 and obtaining his diploma in professional photography, Parrish then went on to document the Camino del Norte, an 850km pilgrimage across Spain, as a way of raising money through sponsorship and prints sales for Amazon Watch as part of his project ‘Camino for the Amazon’ which aided in the recovery program for indigenous communities most affected by the fires in the Amazon in 2019, raising over $4,000. Thomas has since returned home to Australia where he recently released his latest body of work ‘A Place Called Manly, A Place Called Home’, which celebrates the everyday beauty of his hometown in Sydney Australia and was exhibited in Paddington, Sydney. Thomas’s work has featured in multiple international photographic publications such as Suitcase Magazine, Lodestars Anthology, Australian Photography Magazine, Dodho Mag, Stade and Ernest Journal and more. Statement “With my work I try to emphasise our responsibility as humans to care for the world, and to express the importance of identity, through engaging storytelling. I hope I ensure a positive impact for humanity and the natural world and that my photographs can act as an instrument for inspiration and change.”
Todd Hido
Todd Hido
United States
1968
Todd Hido (American, b.1968) is a prolific photographer whose works of suburban and urban homes have been shown in galleries and businesses throughout the nation. He was born in Kent, OH, and is now based in San Francisco, CA. He received a BFA in 1991 from Tufts University in Massachusetts, and an MFA from the California College of Arts and Crafts. He is currently an adjunct professor at the California College of Art in San Francisco. TODD HIDO (b. 1968 in Kent, OH) is a San Francisco Bay Area-based artist who received his M.F.A. from the California College of Arts and Crafts and his B.F.A. from the School of the Museum of Fine Arts, Boston, and Tufts University. His photographs have been exhibited internationally, including solo exhibitions at the Cleveland Museum of Art, and the Kemper Museum of Contemporary Art in Kansas City, and are included in numerous museum collections, including the Whitney Museum of Art, Guggenheim Museum, San Francisco Museum of Modern Art, and the Los Angeles County Museum of Art as well as in many other public and private collections. His work has been featured in Artforum, The New York Times Magazine, Eyemazing, Metropolis, The Face, I-D, and Vanity Fair. In 2001 an award-winning monograph of his work titled House Hunting was published by Nazraeli Press and a companion monograph, Outskirts, was published in 2002. His third book, Roaming, was published in 2004. Between the Two, focusing on portraits and nudes, was published in 2007. His latest book of landscapes, A Road Divided, was published in 2010. In May of 2013 Excerpts from Silver Meadows was published by Nazraeli Press. He is an adjunct professor at the California College of Art, San Francisco, California. Source: Rose Gallery Drawing from childhood memories as a creative wellspring, Hido wanders endlessly, taking lengthy road trips in search of imagery that connects with his own recollections. For his landscapes the artist chooses to photograph during overcast days and often frames his images through the vantage point of his car, using the windshield as an additional lens. Through this unique process and signature color palette, he alludes to the quiet and mysterious side of suburban America, where uniform communities provide for a stable façade, while concealing the instability that lies within its walls. While Hido is notorious for photographing suburbia from the outside as his pictures of well-worn dwellings evidence, he has also entered the interiors of these houses and integrated the human form into his work. His ability to capture the inherent tensions of both the human body and landscapes marks his work as a starting point of a broader discussion. Any narrative inferred form his work is entirely a construct of the viewer’s imagination heightened by Hido’s power of sequencing photographs and his fascination with a cinematic style of image making. Hido was born in 1968 in Kent, Ohio. He received his B.F.A. from the School of the Museum of Fine Arts, Boston, and Tufts University. In 1996 he earned his M.F.A. from the California College of Arts and Crafts where he was mentored by Larry Sultan. He is now an adjunct professor at the California College of Art, San Francisco. Hido has been the recipient of the Eureka Fellowship, Fleishhacker Foundation, Wallace Alexander Gerbode Foundation Visual Arts Award, and the Barclay Simpson Award. His latest show with Bruce Silverstein Gallery, Bright Black World is the artist's fourth solo exhibition with the gallery. His photographs have been the subject of solo exhibitions at the Cleveland Museum of Art, and the Kemper Museum of Contemporary Art in Kansas City. Other major institutions that have previously exhibited Hido’s work include the Carnegie Museum of Art, Pittsburgh, Pennsylvania; Corcoran Gallery of Art, Washignton D.C.; Museum of Contemporary Photography, Chicago; Miami Art Museum, Florida; Netherland Architecture Institute, Rotterdam; Palazzo Ducale, Genova, Italy; Samsung Museum of Modern Art in Korea; and the San Francisco Museum of Modern Art. Work by Hido is held in public and private collections including the Guggenheim Museum, New York; Los Angeles County Museum of Art; San Francisco Museum of Art; and the Whitney Museum of Art. In 2001 an award-winning monograph of his work titled House Hunting was published by Nazraeli Press, followed by a companion monograph, Outskirts, published in 2002. His third book, Roaming, was published in 2004. Between the Two, focusing on portraits and nudes, and A Road Divided were respectively published in 2007 and 2010. A full volume of Silver Meadows, mined from Hido’s own experience growing up in Kent, was launched at Paris Photo 2012. Intimate Distance, published in 2016, is the first comprehensive monograph charting the career of the artist. Hido’s most recent publication, Bright Black World, will be released in late autumn 2018. This newest publication highlights the artist’s first significant foray extensively photographing territory outside of the United States, chronicling a decidedly new psychological geography. The artist lives and works in the San Francisco Bay Area. Source: Bruce Silverstein
Jeff Rothstein
Jeff Rothstein
United States
1950
Armed with 35mm cameras and black and white film, Jeff Rothstein has been chronicling New York City's streets for many decades. He considers himself an urban observer, capturing the city's environment, and most of all, those fleeting moments that will soon disappear into thin air. His photos have appeared in numerous publications, culminating with the 2017 release of his photobook, Today's Special, New York City Images, 1969-2006. The book is in the collection of many institutional libraries. Art historian and critic Robert C. Morgan considers Rothstein's photos as appearing casual, but, in fact, filled with a paradoxical magnitude of intimacy combined with historical empathy. He's still out there shooting his home city almost every day. A followup photobook is now in the planning stages. Today's Special, New York City Images 1969-2006
Vicky Martin
Vicky Martin
United Kingdom
Vicky Martin is an award winning fine art photographer based in the UK. Although she studied art and photography in the 1990s it was not until 2008 when she was awarded a prestigious Rhubarb Bursary that she was able to pursue photography full time. Since then Vicky has had her work published and exhibited nationally and internationally: from Europe to the USA in solo and group shows. Her work continues to garner many awards and nominations, including Winner of Single Image in the Professional Fine Art Category at the 2018 12th Julia Margaret Cameron Awards, Directors Choice Award in the Portrait Exhibition at Praxis Gallery, Winner of the Professional Fine Art Category in the 2016 Fine Art Photography Awards, nominations and honorable mentions in the Julia Margaret Cameron Awards, IPA ,TIFA, IPOTY, PX3 Color Red, Neutral Density Awards, CHROMATIC International Color Photography Awards, La Grande Photo Awards, International Color Awards, Siena International Photo Awards, Photography Grant Award, the Aesthetica Art Prize and 1st place winner AAP Magazine Colors. Throughout Vicky's practice she explores her fascination with identity and the emotions that are created by considered scenarios that are based in both fantasy and reality. Her work explores identity through staging and creating realities for characters who often display conflicting emotions with situations. Vicky seeks to encourage the viewer to ask questions of her work to which ultimately the answers depend on the viewer's own personal identity and perceptions. Discover Vicky Martin's Interview
Andrea Abrego
Andrea Abrego
El Salvador
1998
I was born in El Salvador on December 10, 1998. I lived with my parents for a short amount of time, where I kept moving and changing schools every three years until I was 10. I moved in with my aunt where she kept cabinets of photos, where I used to spend a lot of hours looking at them. On those four years I lived with my aunt, I was exposed to life experiences, where the only thing I really had was what I called 'home' and a relationship with my cousins and siblings. I moved in with my mother to California, where I was exposed to a lot of diversity, different perspectives and expressions. After I went back to El Salvador for my father's funeral, I realized that whatever made you who you are and where you come from is something unforgettable. However, I still took what I thought it was right from here, one of those things was to show through photography who I am by not being obvious about it, because in my life I had to work hard to achieve what I wanted, which made it more valuable, photographs can mean more if they are really look through. I like who I am, and every single perfection and imperfection about my life. I want to keep moving, expanding my ideas and expressing them, at the end being able to find what I once called 'home'. Andrea Abrego is the winner of the first edition of the YPA, Young Photographer Award organized by Beatrice Chassepot, Founder and Editor of be-Art magazine.
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Win A Solo Exhibition in March
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