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Win a Solo Exhibition this February. Juror: Harvey Stein
Win a Solo Exhibition this February. Juror: Harvey Stein
Patrick Joust
Patrick Joust
Patrick Joust

Patrick Joust

Country: United States
Birth: 1978

Patrick Joust is a 32 year old photographer living in Baltimore, Maryland. Born in Oroville, California, Patrick has gone back and forth between both coasts of the United States, before settling permanently in Baltimore in 2006 where he works as a librarian for the city library system. He started to take photography seriously about 8 years ago, but it wasn’t until he lived in Baltimore that he finally started to regularly capture and convey something close to what he wanted. Within his own city and in his travels, photography has helped Patrick to place reality within context. The complex nature of a photograph, of how it can be both truthful and false to its subject, sometimes at the same time, is part of the reason why he finds the work so fascinating. He mostly shoots film and enjoys playing around with multiple cameras in multiple formats and he enjoys following the work of others.
 

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More Great Photographers To Discover

Joseph Szabo
United States
1944
What strikes us first in the photographs of Joseph Szabo is a quiet shock of recognition. His poignant images of the life of American teens present a nostalgic portrait of those tumultuous years between childhood and adulthood. We remember our own high school years - first loves, classic rock, hanging out. We see ourselves in his photographs. Born in Toledo, Ohio, Joseph Szabo discovered his passion for photography as a student at New York's Pratt Institute. By the early 1970s, he was teaching art and photography at Malverne High School in a working-class neighborhood on Long Island. As he struggled to connect with his students, Szabo began using his camera to bridge the gap between teacher and student. In the classroom or on school grounds, and with the neutral eye of a documentary photographer, Szabo depicted his subjects as they were - preening and posing, showing off and goofing around, kissing, smoking - without judgment. What emerges is a dignified, compassionate, and tender view of teenage life rarely seen by adults. Although Szabo's portrait of adolescence in America is specific to suburban Long Island in the 1970s and 1980s, the images are universal and timeless. They capture the bravado and vulnerability, the joy and exuberance, the angst and fear, and the blossoming self-confidence and emerging sexuality of those complex years at the cusp of adulthood. Describes as a "chronicler of teenage life," Szabo's work actually comprises several distinct series - adolescents, Rolling Stones fans, Jones Beach and hometowns - that share a common aesthetic. Wether his camera is focused on his students, the "melting pot of humanity" at Jones Beach, fans at a rock 'n' roll concert, or the suburban streets of the East Coast and Ohio, Szabo's interest is in capturing quintessential American experiences, familiar to all of us, no matter where we grew up. He taught at the International Centre of Photography (ICP). Szabo is the recipient of a National Endowment for the Arts Fellowship and his work resides in the permanent collections of the Metropolitan Museum of Art, International Center of Photography and the Bibliothèque Nationale de France in Paris. Szabo is most notable for his photographs of American youth taken during the 1970s and collected in the books Almost Grown and Teenage. His photograph Priscilla was featured as the cover of alternative rock band Dinosaur Jr's 1991 album Green Mind. Szabo made a body of work on Rolling Stones Fans photographed at a concert in Philadelphia in 1978. Joseph Szabo currently lives in Amityville, New York with his wife Nancy.Source: Wikipedia Joseph Szabo is a teacher, photographer and author. He taught photography and art at Malverne High School on Long Island for 27 years and for over 20 years at the International Center of Photography in Manhattan. His 1978 book, Almost Grown, featured many of his students and was acclaimed as one of the “Best Books of the Year” by the American Library Association. In the book’s forward, legendary photojournalist and Founder of the International Center of Photography Cornell Capa, wrote that “…in Szabo’s hands, the camera is magically there, the light is always available, the moment is perceived, seen, and caught.” Throughout the 80s and 90s, Almost Grown attained cult classic status in the fashion world, prompting Vogue editor Grace Coddington to notice that “all the young fashion photographers were looking at Joe’s photographs as their bible.” In 2003, Szabo released Teenage his more complete view of adolescents coming of age. His most recent book Jones Beach captures his forty year exploration of summer at New York’s most popular beach. Szabo’s evocative black and white images have won him worldwide recognition and admiration, from photographers including Bruce Weber and filmmakers Cameron Crowe and Sofia Coppola. He is the recipient of a photography fellowship from the National Endowment for the Arts and his images reside in the collections of the Bibliothèque Nationale de France in Paris, the George Eastman House museum in Rochester, the Museum of Modern Art in New York, and the San Francisco Museum of Modern Art, among many others. His photographs have been published in The New York Times, the Los Angeles Times, The Times, French Vogue, Women’s Wear Daily and exhibited at galleries in Paris, London, Japan, New York, Atlanta and Los Angeles.Source: josephszabophotos.com Galleries Jackson Fine Art Michael Hoppen Gallery Gitterman Gallery M+B Gallery
Astrid Verhoef
Netherlands
Astrid Verhoef is a fine art photographer based in Amsterdam. She graduated from the Arts Academy “Hoogeschool voor de Beeldende Kunsten Utrecht” in 1998. Astrid started as a classic landscape photographer, inspired by photographers like Ansel Adams, but gradually felt the need to express herself differently, in a manner that more reflected her imagination and creativity. She started building a new portfolio around 2007, and by 2010 she had fully adopted the theatrical visual language we can recognise in her photography today. Her work can since be defined as surreal compositions, showing figures and objects that seem to be at odds with the desolate environments they find themselves in. Astrid aims to emphasize the contrast between the human presence and the landscape, while exploring her personal relationship with the natural world. Throughout her career Astrid also worked as a curator, and has produced exhibitions in New York, Amsterdam, Leiden and Tokyo. She’s collaborated with Photoville New York and was a program manager and curator for photography platform Photo31 from 2018 until 2024. But her main focus will always be her autonomous artwork which leads her to magnificent landscapes, from The Netherlands and Spain to Australia and the USA, to explore her personal relationship with the natural world. Astrid usually works solo and therefore is also the model in most of her images. If needed she uses basic collage techniques in her artworks top achieve the desired image, but she never adds any components by using AI. The props and figures are all actually photographed, which makes every artwork a cherished memory as well. Astrid’s artworks have been internationally awarded, and have been exhibited in London, Amsterdam, Los Angeles, Berlin, Cannes, Milan, New York, Paris, Rotterdam, Sydney, and Tokyo. Her artwork is included in the collection of the Société Nationale des Beaux Arts in Paris. Statement: As a fine art photographer Astrid Verhoef explores her personal connection to the natural world. The complicated relationship between human and nature is a common thread throughout her work, from the ‘Inscapes’ and ‘Human//Nature’ series up to the more recent single images. When she photographs herself in these desolate landscapes an anonymous character arises that wants to connect with her surroundings. However, her roots in contemporary modern life often remain visible in the form of an unnatural element. The serene images can be seen as emotional translations where the desire for synergy is challenged by an urge to control. The long-term project 'Human//Nature' is a logical continuation of Verhoef’s well known 'Inscapes' series. With an increasing minimal visual language and a more geometrical approach to composition, she aims to emphasize the contrast between the human presence and the natural. With her latest work, At the same time she wants to create moments or scenes that can only exist because of the combination of the two. Her theatrical photography is also an ode to imagination itself. For these images Astrid Verhoef works solo on location, all elements are photographed and she acts as a model in her own images. These images do not contain any AI generated components. Only basic Photoshop tools were used, such as color /contrast adjustments, collage technique (if needed). Astrid Verhoef has photographed on locations in Australia (Northern Territory, Southern & West Australia), Spain (mainland & Canary Islands), USA (Utah, Nevada, Arizona & California) and The Netherlands.
Tim Flach
United Kingdom
1958
Tim Flach is an animal photographer with an interest in the way humans shape animals and shape their meaning while exploring the role of imagery in fostering an emotional connection. Bringing to life the complexity of the animal kingdom, his work ranges widely across species, united by a distinctive stylisation reflecting an interest in how we better connect people to the natural world. He has four major bodies of work concerning different subjects: Equus (2008) focusing on the horse, Dogs Gods (2010) on canines, More Than Human (2012) a broad exploration of the world’s species, and Endangered (2017) a powerful document of species on the edge of extinction. He has published five books; Endangered (2017), Evolution (2013), More than Human, (2012), Dogs Gods (2010) and Equus (2008). Flach is an Honorary Fellow of the Royal Photographic Society, and was awarded an Honorary Doctorate from University of the Arts London in 2013. He lives and works in London with his wife and son. Source: timflach.com Over the past decade, Flach's work has increasingly focused on animals, ranging widely across species but united by a distinctive style that is derived from his concerns with anthropomorphism and anthropocentrism. His interests lie in the way humans shape animals, and shape their meaning. He has three major bodies of work: More Than Human, Dogs Gods, and Equus. Through the related books and exhibitions, Flach has attracted international interest. His images have been acquired by major public and private collections. Commissions by leading editorial and commercial clients have also garnered multiple awards, including three Cannes Lions. He has won the International Photography Award's Professional Photographer of the Year for fine art, and in 2013 was conferred with an Honorary Doctorate from Norwich University of the Arts, in recognition of his contribution to photography.
Ludovica Limido
Born in 1995 in Varese, Italy, Ludovica Limido is a documentary photographer whose work centers on countercultures and human connection. After graduating from art school, her travels through Australia and Southeast Asia deepened her need for photography. In 2019, Ludovica was awarded a photography scholarship at Milan’s John Kaverdash Academy, which led to new collaborations and recognition. Her projects explore diverse themes, from life in small Italian villages to European body suspension subcultures, folklore, and the experiences of adolescence in provincial settings. Her work delves into the complexities of belonging, identity, and the interplay between individuality and group dynamics. In 2023, she discovered an online community in the world of love dolls, inspiring her project The Doll Next Door, which focuses on the companionship between humans and their synthetic counterparts. Her photography has earned her recognition in several competitions and festivals. In 2024, Ludovica was a finalist at the InCadaqués Photo Festival, the Indian Photo Festival, the ND Awards, the Golden Shot Awards, Les Boutographies, and was shortlisted for the 2024 Un/Fund Artist Grant. In addition, she received honorable mentions at both the Passepartout Photo Prize and the International Photography Awards, and was a finalist at the Gomma Grant Awards. The Doll Next Door: For centuries, humanity has been intrigued by the idea of artificial companionship. Rumors suggest that as far back as the 1600s, sailors carried early versions of sex dolls crafted from cotton and fabric on their long sea voyages. Despite the ambiguity surrounding their origins, the allure of these synthetic companions has persisted through time. In the modern era, the landscape of synthetic relationships has undergone a profound transformation. Since 2018, catalyzed further by the upheavals of the Covid era, the adult doll market has seen rapid growth, fostering a global community of individuals who opt for “synthetic” relationships. Far from fitting the stereotype of isolated introverts, doll owners defy easy categorization. They come from diverse backgrounds, span various age groups, and pursue a range of professions, challenging societal norms with their embrace of unconventional connections. Their homes become gateways to a secret, private world dedicated to their dolls; neat, compact spaces filled with accessories, clothes, jewelry, shoes—everything their dolls might need if only they were alive. Despite the undeniable significance of these relationships, most remain shrouded in secrecy. Fueled by societal stigma and misconceptions, many who are part of this subculture often find themselves hiding it from even their closest friends and family. Through private forums, blogs, and social media, doll enthusiasts build connections, share advice, and celebrate the intricacies of their lives. These online networks serve as lifelines, offering a sense of belonging in a world that often fails to understand their reality. As technology advances, love dolls represent the brink of a new era—the emergence of genuine robot companionship. With each innovation, the line between fantasy and human reality blurs, offering a glimpse into a future where the boundaries of intimacy are redefined. “The Doll Next Door” explores the deep emotional connections formed between individuals and their synthetic counterparts, revealing how companion dolls serve as confidants, companions, and even surrogate family members. Moreover, it delves into the concept of identity for both doll owners and their synthetic companions. Through this project, I aim to highlight the depth within these unconventional relationships and bring to life a contemporary, romantic story that reflects something deeply human: our need for connection, acceptance, and the desire to feel understood.
Sam Abell
United States
1945
Sam Abell is an American photographer known for his frequent publication of photographs in National Geographic. His love of photography began due to the influence of his father who was a geography teacher who ran a photography club. In his book The Photographic Life, Abell mentions a photograph he made while on an outing with his father, a photograph that subsequently won a small prize in a photo contest. He credits that prize as being a major influence on the direction his life would take. Abell was the photographer and co-editor for his high school yearbook and newspaper. Abell graduated from the University of Kentucky in Lexington where he majored in English, minored in Journalism, and was the editor of the Kentuckian Yearbook. He is also a teacher, an artist and an author. He received an honorary Doctor of Letters degree from the University of Toledo in 2009. Sam Abell's book The Life of a Photograph is one of three volumes begun in 2000 with Seeing Gardens, followed in 2002 with The Photographic Life and Sam Abell Library in 2013.Source: Wikipedia Photography, alone of the arts, seems perfected to serve the desire humans have for a moment—this very moment—to stay. -- Sam Abell National Geographic photographer Sam Abell has defined his career with patience. There is no dull section of a Sam Abell photograph, the frame is layered from back to front with compelling imagery. This can be a slow process, it can take days, weeks, or in some cases months for the right opportunity to present itself. His photographs are considered to be amongst some of the best images to have appeared in the esteemed publication. Somehow, Sam agreed to sit down with us and have a chat about his life, work and photographic philosophy.Source: The Adventure Handbook Above all, it’s hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made. -- Sam Abell
Carol Beckwith
United States
Thirty years of work on the African continent have carried Carol Beckwith and Angela Fisher across 270,000 miles and through remote corners of 40 countries in exploration of more than 150 African cultures. In the process, this team of world-renowned photographers has produced fourteen widely acclaimed books and made four films about traditional Africa. They have been granted unprecedented access to African tribal rites and rituals and continue to be honored worldwide for their powerful photographs documenting the traditional ceremonies of cultures thousands of years old. As an intrepid team of explorers, they are committed to preserving sacred tribal ceremonies and African cultural traditions all too vulnerable to the trends of modernity. The Beckwith-Fisher images are the result of a long, enduring and deeply respectful relationship with African tribal peoples. This, combined with their photographic skills, creates an intimate portrayal of ceremonies long held secret that might have never been recorded. Their work preserves and presents the power, complexity and celebration found within the rituals of African tribal life. Their extraordinary photographs are recorded in fourteen best-selling books and in their films. Their new book “Painted Bodies” (2012) follows “Maasai” (1980), “Nomads of Niger” (1983), “Africa Adorned” (1984), “African Ark” (1990), “African Ceremonies” (1999), “Passages” (2000), “Faces of Africa” (2004), “Lamu: Kenya’s Enchanted Island” (2009), and “Dinka” (2010). The special limited-edition books, hand printed in Santiago, Chile, are titled “Surma,” “Karo,” “Maasai,” and “Dinka.” “African Ceremonies,” their defining body of work, is a double volume, pan-African study of rituals and rites of passage from birth to death, covering 93 ceremonies from 26 countries. This book won the United Nations Award for Excellence for “vision and understanding of the role of cultural traditions in the pursuit of world peace.” Honored twice with the Annisfield-Wolf Book Award in race relations for “outstanding contributions to the understanding of cultural diversity and prejudice,” Angela and Carol are also winners of the Royal Geographical Society of London’s Cherry Kearton Medal for their contribution to the photographic recording of African ethnography and ritual. The photographers have made four films about traditional Africa, including Way of the Wodaabe (1986), The Painter and the Fighter, and two programs for the Millennium Series Tribal Wisdom and the Modern World. Numerous exhibitions of their photography and films have been shown in museums and galleries around the world. In 2000 their Passages exhibition opened at the Brooklyn Museum of Art featuring 97 mural photographs, six video films and a selection of African masks, sculpture and jewelry. This exhibition has traveled to seven museums on three continents. Aware that traditional cultures in Africa are fast disappearing, Carol and Angela are working with an urgency to complete the third volume of their ongoing study of African Ceremonies with the goal of covering the remaining traditional ceremonies in the 13 African cultures in which they have not yet worked.Source: carolbeckwith-angelafisher.com
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All About Photo Awards 2026
Win a Solo Exhibition in February
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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry