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William Wegman
William Wegman

William Wegman

Country: United States
Birth: 1943

William Wegman is an artist best known for creating series of compositions involving dogs, primarily his own Weimaraners in various costumes and poses. Wegman reportedly originally intended to pursue a career as a painter. He received a Bachelor of Fine Arts in painting from Massachusetts College of Art in 1965 and a Master of Fine Arts degree in painting from the University of Illinois at Urbana-Champaign in 1967. While teaching at California State University, Long Beach, he acquired the first and most famous of the dogs he photographed, a Weimaraner he named Man Ray (after the artist and photographer). Man Ray later became so popular that the Village Voice named him "Man of the Year" in 1982. He named a subsequent dog Fay Ray (a play on the name of actress Fay Wray). On January 29, 1992, Wegman appeared on The Tonight Show Starring Johnny Carson and showed a video clip of Dog Duet, a short which he made in 1975 featuring Man Ray and another dog slowly and mysteriously peering around. Wegman explained that he had created the video by moving a tennis ball around, off-camera, thus capturing the dogs' attention. The same year, he did 3 network ID's for Nickelodeon starring the dogs on pedestals. William Wegman was artist-in-residence at Phillips Academy in Andover, Massachusetts in spring 2007 where his work featured on campus in the Addison Gallery of American Art. Wegman has also been an artist in residence at Massachusetts College of Art in Boston, Massachusetts where his Circus series was created with the College's 20x24 inch Polaroid camera. He received the College's Distinguished Alumni Award in 1987. William Wegman made his appearance on Animal Planet's "Dogs 101".

(Source: en.wikipedia.org)

 

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Rodney Smith
United States
1947 | † 2016
Rodney Smith was a New York-based fashion and portrait photographer. Smith primarily photographed with a 35mm Leica M4 before he transitioned to a 120/6x6 (medium format) Hasselblad with an 80mm lens. He preferred natural light to illuminate his subjects, but occasionally used continuous lighting. Smith shot predominantly in black and white, until 2002, when he first began to experiment with color film. His work is commonly referred to as classic, minimalistic, and whimsical. Rodney Smith was born December 24, 1947 in Manhattan, New York. His father, Sanford Smith, was president of fashion industry giant. Smith recalls, "A sense of style, a sense of proportion and a sense of beauty and a sense of grace – all of those things were very important in my upbringing." After he studied English Literature and Religious Studies at University of Virginia in 1970, Smith went for his graduate degree in Theology at Yale University in 1973. Smith said in an interview with Kodak, "I absolutely knew I wanted to be a photographer, but I didn't feel that studying in an art school or a photography department full time was the way to address the issues that were interesting to me – so I sort of entwined the two." While at Yale, he also studied under photographer, Walker Evans. In 1976 Mr. Smith spent 100 days photographing the people of the Holy Land, in Jerusalem. From the 88 Rolls of film shot, Smith ended up compiling two portfolios, which later became his first book: In the Land of the Light: Israel, a Portrait of Its People (1983). Published by Houghton Mifflin Company in Israel. After returning from Jerusalem, Smith spent a short time as an adjunct professor of photography at Yale University. As Smith continued his career into the nineties he slowly shifted from corporate executives to fashion photography. "My feelings about photography are exactly the same today as when I was 20. That is, I have a love/hate relationship with making pictures." Looking at pictures is one thing, he qualifies, "But making pictures – making pictures for me is hard, hard work." Rodney Smith's work has been featured in The Wall Street Journal to Martha Stewart, from Time to Bloomingdales. In addition to his work as a photographer, Smith lectured and gave workshops. Rodney Smith lived and worked in New York City, with his wife, Leslie Smolan, and daughter, Savannah, and son Jonah Smith. His wife, Leslie, is co-founder of graphic design and branding firm, Carbone Smolan Agency. He is currently represented by a number of galleries both in the US and internationally; acte2galerie of Paris, France, The PhotoGallery AB of Halmstad, Sweden, FOST Gallery of Singapore, Fahey Klein Gallery of Los Angeles, California, Galerie Greenwich of Greenwich, Connecticut, Galerie Sono of Norwalk, Connecticut, Gilman Contemporary of Ketchum, Idaho, and Staley-Wise Gallery of New York, New York. In the past 25 years, Smith received 50+ awards including First Prize for his book The End from International Photography Awards (IPA). He has also received several Communication Arts and Photo District News (PDN) awards. Smith died in his sleep on December 5, 2016 at the age of 68.Source: Wikipedia
Jérôme Sessini
Canon Ambassador Jérôme Sessini is a Magnum photographer who has covered some of the most significant events of the past 20 years. He also takes on long-term projects, studying the drug cartel wars on the Mexican/US border, the crisis in Ukraine and America's ongoing battle with opioid addiction. Through his lens, Jérôme has shot political upheaval, social rebellion and human struggle. His move to reportage came in 1998 when he was asked by the Gamma photo agency to cover the conflict in Kosovo. He's since been immersed in some of the most significant events of recent years, including the Iraq War, the fall of Haitian President Jean-Bertrand Aristide in 2004, the seizure of Somalian capital Mogadishu by Islamic militias, the war in Lebanon in 2006 and the ongoing conflict in Syria. His photographs have one common thread – they seek to dig below the news to capture scenes representing wider issues. Born in Vosges, France in 1968, Jérôme was inspired by the works of the great American street documentary photographers Diane Arbus, Lee Friedlander and, in particular, Mark Cohen. He came to photography late, at the age of 23, and is now a leading photojournalist in his own right, joining Magnum in 2012 and becoming a full member in 2016. Photographing the victims of war has long been a driving force for Jérôme. "Ever since I was a kid, I've been interested in images, and when I was a teenager I also became fascinated by history," he explains. "Plus, I remember sitting with my parents and watching the wars of the time on the news. So photography seemed like the best way for me to be an artist on the one hand and a journalist on the other." As well as his 'day job', Jérôme photographs people around his hometown in eastern France, shifting between their daily lives and the landscapes around them. He also takes part in longer-term projects, such as his So far from God, too close to the USA series, which focused on the impact of violence from the war between drug cartels in Mexico. Sessini reveals that although each visit to a conflict zone has been challenging – with the time he spent in Syria in 2012 being particularly notable for how tough it was, both emotionally and in terms of danger – it has been the stories that he has followed in Mexico that have been most emotionally involving. So far from God, too close to the USA received a number of awards and was published in a book, The Wrong Side, in 2012. Since 2014, Jérôme Sessini has been regularly covering the conflict in eastern Ukraine. Jérôme's work has also been published in distinguished publications such as Time, De Standaard, Le Monde and Stern, and he has exhibited at the Visa pour l'Image International Festival of Photojournalism in Perpignan, France, at the Rencontres d'Arles festival, and the French Ministry of Culture. His photographs are more than photojournalism, as he is keen to point out: "I don't like rigid categories. Sometimes there is art in journalism and journalism in art. Conscience, heart, beauty, balance and loss of balance are essentials for me." Jérôme Sessini has also been nominated for a number of prestigious awards throughout his career, including the news category of the Visa d'Or awards for his work on Libya. His coverage of the crash site of Malaysia Airlines Flight 17, which was taken out of the sky by a surface-to-air missile over the Ukraine in July 2014, saw him receive honours at the World Press Photo Awards 2015 (first prize, Spot News, Stories) and The Olivier Rebbot Award from the Overseas Press Club of America. Remarkably, Jérôme also won second prize in the same category at the World Press Photo Awards 2015 for his harrowing Final Fight for Maidan image. Sessini believes in the strength of photographs more than video when it comes to pricking the conscience of people, and he has led workshops designed to help a new generation of photographers to develop their own visual language for documentary and social photography.Source: Canon Europe Jérôme Sessini is one the world’s most prolific and respected names working in the sensitive field of conflict zones and has been dispatched to war-torn countries like Palestine, Iraq, Lebanon, Syria and Libya for international publications. As well as reporting on the frontlines, he has covered social issues such as the drug-related violence on the streets of Mexico, the anti-government protests in Ukraine and indigenous minorities in Cambodia facing forced eviction. Through his work, he is constantly learning, adapting and evolving. Since 2018, Sessini has been documenting the opioid crisis in the United States, where he has travelled to Ohio and Philadelphia to create intimate portraits of the people and places ravages by drug misuse. In 2017, Sessini travelled to remote villages in Cambodia with Samrith Vaing, documenting the life of indigenous minorities facing forced eviction. In 2016, Sessini documented the Kurdish Peshmerga offensive against Islamic State (IS) in the city of Bashiq before crossing the region to cover Iraqi forces pushing towards Mosul. His work has been published by prestigious newspapers and magazines, including Newsweek, Stern, Paris-Match as well as Le Monde and the Wall Street Journal. It has been shown in multiple solo exhibitions around the world including the Visa Photo Festival in Perpignan, at the Rencontres d’Arles, the Bibliothèque Nationale François-Mitterrand, as well as with the French Ministry of Culture. Sessini become Magnum Photos nominee in 2012 and a full member in 2016.Source: Magnum Photos
Dorrie Mcveigh
United States/United Kingdom
1975
"I am a British fashion, portrait and art photographer, born in New York into a family of artists, my family emigrated to London in the late 70s where I grew up in an around west London. I have travelled a lot over the years, perhaps always searching for my allegorical "homeland". I finally settled in Marseille, a city I love more than any other and I have been living and working here for the last 8 years. My photography has become a means for me to forage into my unconscious and reveal the world as I see it. Having grown up in a country that is not my homeland, I am fascinated by what unites, separates and defines us humans and I am aware that my images are born from this. Since a young age I have always been captivated by the classical elements of tragedy. At school I studied the plays of Sophocles and Euripides, seduced and fascinated by the notions of hubris and hamartia and how even the most powerful amongst us can be just a breath away from fragility and loss. I fell in love with the plays of Shakespeare in my final years at school, my favourite being Macbeth. There is something acutely touching in watching the fall of somebody great. I am drawn to the idea that as their ego and influence crumble and the mirrors of the ego fall away we can find that beneath humanity that has so much more potential for beauty, tenderness and creativity then when we are alone on the pedestal of power. Whilst I am drawn to the iconography and sheen of modern life, I find what really interests me is to strip this back to reveal the fragile, quiet and sometimes empty spaces that lie beneath. I have always loved the paintings of Edward Hopper whose work encapsulates so perfectly the constant possibility for loneliness and vulnerability in our fast lives whilst also reminding us that it is these moments that are perhaps the most poignant. I work as a fashion and portrait photographer but essentially I am an artist and I am always looking for opportunities to express myself through my photography whether it be through my commercial work or in my personal projects. " -- Dorrie Mcveigh Exclusive Interview with Dorrie Mcveigh
Klavdij Sluban
France
1963
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