All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win a Solo Exhibition this February. Juror: Harvey Stein
Win a Solo Exhibition this February. Juror: Harvey Stein
Dennis Stock
Dennis Stock

Dennis Stock

Country: United States
Birth: 1928 | Death: 2010

Dennis Stock (July 24, 1928 – January 11, 2010) was an American photojournalist and documentary photographer and a member of Magnum Photos. He was born in New York City and died in Sarasota, Florida. Stock served in the United States Army from 1947-1951. Following his discharge, he apprenticed under photographer Gjon Mili. In 1951, he won a first prize in a Life magazine competition for young photographers. That same year, he became an associate member of the photography agency Magnum. He became a full partner-member in 1954. In 1955, Stock met the actor James Dean and undertook a series of photos of the young star in Hollywood, Dean's hometown in Indiana and in New York City. He took a photograph of Dean in New York's Times Square in 1955 (the year Dean died) that became an iconic image of the young star. It appeared later in numerous galleries and on postcards and posters and was one of the most reproduced photographs of the post-war period. The black and white photograph shows the actor with a pulled up collar on a casual jacket and a cigarette in his mouth on a rain-soaked, gray day. From 1957 until the early 1960s, Stock aimed his lens at jazz musicians, photographing such people as Louis Armstrong, Billie Holiday, Sidney Bechet, Gene Krupa and Duke Ellington. With this series of photographs he published the book Jazz Street. In 1962, he received the first prize at the International Photo Competition in Poland. In 1968, Stock left Magnum to start his own film company, Visual Objectives Inc., and made several documentaries, but he returned to the agency a year later, as vice president for new media and film. In the mid-1970s, he traveled to Japan and the Far East, and also produced numerous features series, such as photographs of contrasting regions, like Hawaii and Alaska. In the 1970s and 1980s he focused on color photography of nature and landscape, and returned to his urban roots in the 1990s focusing on architecture and modernism.

(Source: en.wikipedia.org)

Dennis Stock was born in 1928 in New York City. At the age of 17, he left home to join the United States Navy. In 1947 he became an apprentice to Life magazine photographer Gjon Mili and won first prize in Life's Young Photographers contest. He joined Magnum in 1951. Stock managed to evoke the spirit of America through his memorable and iconic portraits of Hollywood stars, most notably James Dean. From 1957 to 1960 Stock made lively portraits of jazz musicians, including Louis Armstrong, Billie Holiday, Sidney Bechet, Gene Krupa and Duke Ellington for his book Jazz Street. In 1968 Stock took a leave of absence from Magnum to create Visual Objectives, a film production company, and he shot several documentaries. In the late 1960s he captured the attempts of California hippies to reshape society according to ideals of love and caring. Then throughout the 1970s and 1980s he worked on color books, emphasizing the beauty of nature through details and landscape. In the 1990s he went back to his urban origins, exploring the modern architecture of large cities. His recent work was mostly focused on the abstraction of flowers. Stock generated a book or an exhibition almost every year since the 1950s. He taught numerous workshops and exhibited his work widely in France, Germany, Italy, the United States and Japan. He worked as a writer, director and producer for television and film, and his photographs have been acquired by most major museum collections. He served as president of Magnum's film and new media division in 1969 and 1970.

(Source: Magnum Photos)

 

Selected Books

Inspiring Portfolios

Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Alain Laboile
France
1968
I was born on the 1st of May, 1968, in Bordeaux. After an half-hearted schooling, I live of odd jobs until 1990, the year I met Anne. It was the time of my opening to art.I accompanied Anne, student in Art History, to her lectures.It is in the darkness of the crowded amphitheatres that I witnessed heatedly the dissection of the Italian Renaissance artworks. Drawing being my ally since childhood, I can let myself drift into this third dimension by making plaster portaits in a corner of the studio we share. Then came, through a random reading, my fascination for insects. Jean-Henri Fabres's Souvenirs entomologiques will inspire me and accompany me for several years.Plaster and stone slowly fade away to let the rusty iron turn into shaggy insects.On the top of a hill near Bordeaux ,in Gironde, our house fills up with kids.My activity is taking off, and I need to take some photos of my sculptures. That's precisely at that moment, in 2004, that I accidently dive into photography, or more accurately macrophotography, were insects are predominant.Three years later, insects went into hiding under the leaves, my six children are born, and we have left the hill for the stream on the edge of the world. My photo-diary was established without my really noticing, It now seems vital and everlasting. About "La famille" I'm a father of six. Through my photographic work I celebrate and document my family life:A life on the edge of the world, where intemporality and the universality of childhood meet. Day to day I create a family album that constitues a legacy that I will pass on to my children.My work reflects our way of life,revolving around their childhood. My photographs will be the testimony of that. In a way my approach can be considered similar to the one of an ethnologist. Though my work is deeply personal, It's also accessible,addressing human nature and allowing the viewer to enter my world and reflect on their own childhoods. Fed everyday and shared with the world via the internet, my photographic production has became a mean of communication, leading to a questionning about freedom, nudity, being and having. Exclusive Interview with Alain Laboile: All About Photo: When did you realize you wanted to be a photographer?I was working as a sculptor. In 2004 I bought my first camera to photograph my sculptures and my passion for insects drove me to practice macrophotography. After the birth of my last two daughters I raised little by little my lens towards my family. The passion was born and did not leave me any more since 9 years.Where did you study photography?I am totally self-taught. When I began, I had a very limited photographic culture, no technique. I learned by sharing my photos on forums on the web, by receiving critics which allowed me to progress.Do you have a mentor or role model?I met the famous American photographer Jock Sturges during the summer 2012. He became a good friend, a kind of spiritual father who accompanies me in my artistic route. I owe him a lot. Do you remember your first shot? What was it? I think It was a macrophotography showing a mating of slugs. What or who inspires you? My work is extremely personal because it concerns my family life and our little offbeat lifestyle. I try to be inspired by nobody. It is the spectators of my work, that sometimes establish comparisons. Sally Mann’s work is often mentioned. How could you describe your style? An Internet user compared one day my photographic style with street photography. I think that if indeed I lived in town I would practise street photography. But living in the countryside, I photograph my family in its close environment, on the deep. Do you have a favorite photograph or series? I like very much the work of joseph-Philippe Bevillard, His series of portraits of Irish gypsies is fascinating. What kind of gear do you use? Camera, lens, digital, film? I worked for a long time with a Canon 5 D Mark III camera and 35 mm f1,4 lens. I now own a Leica M monochrom which I use with a 35 mm f1,4 Leica lens. Do you spend a lot of time editing your images? For what purpose?I am very selective. I do not hesitate to delete all the photos which do not satisfy me totally. What advice would you give a young photographer?I would say to him that he should not focus on the equipment nor to be intimidated by the lack of technique, all this is secondary. It is necessary to let speak its instinct, accept the criticism. What are your projects?I will publish a book with Steidl Verlag in 2014. An exciting project! Your best memory as a photographer?My publication in the NY times in 2012. I had made several interviews before and I made a lot since but that this has a real symbolic value ! AYour worst souvenir as a photographer?In 2009, I had to stop photography for several months. I needed money and I sold my photographic stuff. A nightmare! The compliment that touched you most?One day Jock Sturges let this comment on one of my photos: "It's wonderful images like this that reinforce my realization that you are my favorite living photographer. Amen " If you were someone else who would it be?I am not certain to want to be somebody else but I would have liked to began to practise photography 20 years earlier. An anecdote?I won a big Canon competition. I left exploring the canopy in the rainforest of kakamega in Kenya. I was accompanied by a crew managed by Peter Webber the director of the movie “Girl with a pearl earring” and “Hannibal Lecter”. We ate spaghetti bolognese together in the middle of the jungle. Fabulous memories a little bit crazy! Anything else you would like to share?I published my first book "Waiting for the postman" in november 2012 . My next exhibition will take place in Santa Monica (California) at dnj Gallery from november 2nd ( 2013) to January 4 th( 2014)
Avarino Caracò
My Love for Photography comes from an anthropological background that over the years has led me to observe every aspect of the cultural expressions that I happened to observe. The leitmotif of each of my projects always has an identity basis, whether it is collective or individual expressions, through travel or personal experiences, conceptual representations or close portraits. I live my photographic experiences as a continuous revolution, as if it were a magnet that projects me towards a future, partly visible, but mostly to be discovered. The commitment in my projects is mainly to establish a relationship with a social context, through the technique of participating observation, trying each time to establish an honest balance between what my gaze is able to see and what the subject that photographer wants to convey. T Life T life is a very intimate project in which I wanted to know the daily life of some transgender people in Palermo (Sicily). The aim of my project is to emphasize the dignity and strength that the people I present here have every day facing all the difficulties that there are in their social contexts that have a binary structure of gender identity. Gabriel is 22 years old and has just undergone a mastectomy, the very important support of his mother Caterina has made this path very serene and she herself declared that her son's body must be shown to the world to allow them to understand what it means to face a path of identity reassignment. Rashmi is 19 years old and is a non-binary person, she recognizes herself as both a man and a woman. During my interview I got to know the different aspects of her personality, her way of seeing herself as a woman and a man, the most problematic aspects of her relationship with her family and her dreams. Fed and Giorgia are 18 years old. Fed is a transgender person in a pre-hormonal phase, but his family does not allow him to complete the transition by putting a deep communication barrier between them. Giorgia is cisgender and bisexual but has not come out with her family because she is afraid in their violent reaction. They live a hidden love and are planning to go and live in France where they can study at university and feel freer.
 Atom
Japan
1980
ATOM is a Japanese photographer, born in 1980, based in Tokyo. ATOM spent years travelling around the world to take pictures; he visited 64 countries in total and encountered many cultures and many people. The experience gained from the trip raised many questions for himself. What does it mean to life, coexistence with nature, happiness and purpose of living for? And the fundamental question is, "Why am I born in Japan in this age?" By leaving Japan, he reconsidered his homeland and pondered about living as a Japanese and a modern people. Conscious of his identity as a Japanese, he uses the motifs of symbols that symbolize Japan, takes a photo of the present age, and prints it on the most precious handmade Japanese paper in Japan. Using these media, ATOM decided to deliver the message to the world. In today's diverse world, ATOM hope that you will face yourself and think about the future through the work of ATOM. ATOM has been active as a photographer in the world. His works have been published internationally in publication such as Washington Post(USA), My Modern Met(USA), Weather Channel(USA), 20minutos(Spain), incredibilia(Italy), Hong Kong and others. He also won many international awards. ATOM will continue to experience many things, and explore and express the meaning of living in the present age as a Japanese. HINOMARU, KIMONO and TORII HINOMARU is an alias name of the Japanese flag. KIMONO is a Japanese traditional costume. TORII is a gate commonly found at the shrine. In the photos, ATOM use the Japanese flag, traditional costume and shrine to symbolize money (economic power), declining birthrate and dilution of community. For some, they may seem to represent Japanese religion (Buddhism, Christianity, and Shinto). For others, they may associate the "red circle" with harmony, coins (money), countries or peace; the "red kimono" with their lover, health or cross (religion); the "red torii" with home or relationship with their family. This minimalistic photo is two colors red and white. The colors of red and white represent Japan's national color. And in this photo, he shoot it so that it looks like a Japanese painting without a shadow. This minimalistic photography series raises questions to the modern society, makes the viewer face and think about the present age as well as imagine the future. Today, we live in a rational, material world; we have too much information, and too much stuff. We can get almost anything with a single click. In exchange, however, there are things we have lost: health, appreciation for things we are given, time to spend with our families, time to think and question ourselves, the definition of happiness... Get promoted. Be rich. Become famous. Are you not bound by these stereotypes? How long will you keep pretending to be something you are not, just to gratify your vanity? What is happiness to you? What does abundance mean to you? What is it that you really need? From the age of materialism to the age of mind. Look at these minimal photos. How do they look to you?
Advertisement
All About Photo Awards 2026
Win a Solo Exhibition in February
All About Photo Awards 2026

Latest Interviews

Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry