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Burt Glinn
Burt Glinn
Burt Glinn

Burt Glinn

Country: United States
Birth: 1925 | Death: 2008

Born in Pittsburgh, Pennsylvania, Burt Glinn served in the United States Army between 1943 and 1946 before studying literature at Harvard University where he edited and photographed for the Harvard Crimson college newspaper. From 1949 to 1950, Glinn worked for Life magazine before becoming a freelancer. Glinn became an associate member of Magnum in 1951 along with Eve Arnold and Dennis Stock - the first Americans to join the young photo agency - and a full member in 1954. He made his mark with spectacular color series on the South Seas. Japan, Russia, Mexico and California. In 1959 he received the Mathew Brady Award for Magazine Photographer of the Year from the University of Missouri. In collaboration with the writer Laurens van der Post, Glinn published A Portrait of All the Russias and A Portrait of Japan. His reportages have appeared in Esquire, Geo, Travel and Leisure, Fortune, Life and Paris-Match. He has covered the Sinai War, the US Marine invasion of Lebanon and Fidel Castro's takeover of Cuba. In the 1990's he completed an extensive photo essay on the topic of medical science. Versatile and technically brilliant, Glinn was one of Magnum's great corporate and advertising photographers. He received numerous awards for his editorial and commercial photography, including the Best Book of Photographic Reporting from Abroad from the Overseas Press Club and the Best Print Ad of the Year from the Art Directors Club of New York. Glinn served as president of ASMP from 1980 - 1981. Between 1972 and 1975 he was president of Magnum, and was re-elected to the post in 1987. In 1981, Burt married Elena Prohaska and their son Samuel Pierson Glinn was born in 1982.

Source: burtglinn.com

 

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More Great Photographers To Discover

Bert Stern
United States
1929 | † 2013
Bertram Stern (October 3, 1929 – June 26, 2013) was a self-taught American commercial photographer. He was the son of Jewish immigrants and grew up in Brooklyn. His father worked as a children’s portrait photographer. After dropping out of high school at the age of 16, he gained a job in the mail room at Look magazine. He became art director at Mayfair magazine, where Stern learned how to develop film and make contact sheets, and started taking his own pictures. In 1951, Stern was drafted into the US Army and was sent to Japan and assigned to the photographic department. In the 1960s Stern's heavy use of amphetamines, led to the destruction to his marriage to Balanchine ballerina, Allegra Kent. By the late 1970s Stern returned to the U.S. to photograph portraits and fashion. He was the subject of the 2010 documentary, "Bert Stern: Original Madman," directed by his secret wife, Shannah Laumeister. Ms. Laumeister and Stern never lived together, and Stern had a long standing relationship of 20+ years with Lynette Lavender who was his constant and devoted companion. His first professional assignment was in 1955 for a Madison Avenue advertising agency for Smirnoff vodka. His best known work is arguably The Last Sitting, is a collection of 2,500 photographs taken for Vogue of Marilyn Monroe over a three-day period, six weeks before her death. Stern's book The Last Sitting was published in 1982 and again in 2000. He has photographed Audrey Hepburn, Elizabeth Taylor, Madonna, Kylie Minogue, Drew Barrymore and Lindsay Lohan (recreating The Last Sitting), among others, in addition to his work for advertising and travel publications.(Source: en.wikipedia.org)
Alexis Pichot
France
1980
In 2011, I made the bold decision to redirect my professional life into my self-guided passion, photography. I worked as an interior designer in Paris for more than ten years. Throughout that time I was very focused on the use of space and acquired a sensitivity that has greatly influenced my approach to volume in photography. At night, light and space are my sources of inspiration, experimentation and confrontation - but above all, of fulfilment. I pierce the night using physical movement, as well as using light in order to see beyond what is visible, to a place where the blackness has not yet absorbed everything. I have accomplished various large-scale artistic projects, often in partnership with private and public institutions. Notably, my project with the Hotel National des Invalides - which granted me access to all of the military sites in Ile de France - enabled me to bring to light this fragment of history in a large exposition in the moat of the Invalides. I also had the opportunity to work with the RATP, who commissioned me to enter a disused marshalling yard where their entire collection of rolling stock is preserved, covering 100 years of history. The images created were exhibited during "Les Journées du Patrimoine" (the Heritage Days) within their workshop-museum. The cities and their nocturnal vestiges have been sacred fields of investigation for me, as much for their architectural lines as for the histories to which they bear witness. Arising from an awareness of and sensitivity to modern society - alongside the fact that I live in a city - nature has become my source of regeneration.
Pascal Maitre
France
1955
Born in Buzançais, France, in 1955, Pascal Maitre studied psychology before beginning a career in photojournalism in 1979. His numerous assignments have taken him all over the Earth, from Afghanistan to South America. His books, In the Heart of Africa and Madagascar: Travels in a World Apart, gather images from 15 years of work in Africa. His photographs have been published in publications around the world, including GEO, Le Figaro Magazine, Newsweek, Life, and many others. His photographs first appeared in National Geographic in a September 2005 article on oil in Africa. Maitre is based in Paris, France. Source: National Geographic After studying psychology, he starts his carrier as photojournalist with the Jeune Afrique press group. In 1984 he joins the Gamma staff and then in 1989, he cofounds the Odyssey Images agency. From 1994 to 2018, he was a member of Cosmos Agency. He is now represented by MYOP. He has worked with many prestigious international magazines including, the Figaro Magazine, Geo, Paris Match, Stern, Brigitt and the National Geographic. In 2000, he published My Africa, a book that compiles 15 years of his work on this continent, with Aperture in the USA and Geo in Germany. In September 2001, the French version is released by Vents de Sable editions. In 2012 he publishes Amazing Africa, a compilation of 30 years of his work on Africa, with edition Lammerhuber and Unesco. Pascal Maitre has worked in over 40 countries in Africa, while tackling many different aspects, men and their way of life, politics, conflicts, tradition or the environement. He received numerous awards, including some World Press Photo awards, the AFD/Polka Prize for the Best Photo Report Project, the VISA D’Or 'Honneur for Lifetime Achievement'. He had eight personal exhibitions at Visa pour l'Image in Perpignan, two personal exhibitions at the Maison Européenne de la Photographie in Paris and a personal exhibition about his work at The Arche de la Défense in Paris.Source: MYOP
Pol Viladoms
Spain
1981
As an artist, his work is based on the documentation of the territory in its broadest sense. Showing a special interest in the representation of landscape and architecture as symbols of territorial and cultural identity, his photographs show a delicate attention to the desolate and inhospitable space. Peripheries, forgotten and obsolete places, ruins... all of them testimony and memory of human activity. His work, halfway between the past and the present, tries to reformulate the intentions of the documentary image, trying to balance form and content. Through a personal approach, he shows the relationship between human beings and nature in a world with a disturbing and uncertain future. In 2010 he self-published the book of photographs “Home” exhibited at the Centro de Arte Reina Sofía in Madrid, and which is currently part of its Library. The government of the Canary Islands awarded him the first prize in the Septenio International photographic competition “El suelo” (2012). Between 2014 and 2024 he has been awarded 6 LUX prizes from the AFP (Association of Professional Photographers of Spain). His work on Casa Bloc was exhibited at the Fundació Miró (2016) and he participated in the group exhibition “El Gran Tour” (Finalist at Joan Casablancas Award 2017). In 2018 he received the second prize in the photographic contest “Paisajes cuotidianos” of the Urban Landscape Institute of Catalonia. Among others, he has participated in the art fairs Art Fair Cologne and Affordable Art Fair Amsterdam (2019). In 2020 he was a finalist for the Vila Casas Photography Award. In 2021 he was awarded in the Photography Exhibition of the XV Spanish Biennial of Architecture and Urbanism as well as finalist of the ENAIRE Foundation Award. In 2022 he was finalist of the International Photography Award ECA Espai d’Art Contemporani in Riba-Roja de Túria. He has participated in several collective and individual art exhibitions in Spain as well as in France and the USA (New York and Detroit).
Stephen Wilkes
United States
1957
Since opening his studio in New York City in 1983, photographer Stephen Wilkes has built an unprecedented body of work and a reputation as one of America's most iconic photographers, widely recognized for his fine art, editorial and commercial work. His photographs are included in the collections of the George Eastman Museum, James A. Michener Art Museum, Houston Museum of Fine Arts, Dow Jones Collection, Carl & Marilynn Thoma Art Foundation, Jewish Museum of NY, Library of Congress, Snite Museum of Art, The Historic New Orleans Collection, Museum of the City of New York, 9/11 Memorial Museum and numerous private collections. His editorial work has appeared in, and on the covers of leading publications such as the New York Times Magazine, Vanity Fair, Time, Fortune, National Geographic, Sports Illustrated , and many others. Wilkes' early career interpretations of Mainland China, California's Highway One, and impressionistic "Burned Objects" set the tone for a series of career-defining projects that catapulted him to the top of the photographic landscape. In 1998, a one-day assignment to the south side of Ellis Island led to a 5-year photographic study of the island's long abandoned medical wards where immigrants were detained before they could enter America. Through his photographs and video, Wilkes helped secure $6 million toward the restoration of the south side of the island. A monograph based on the work, Ellis Island: Ghosts of Freedom, was published in 2006 and was named one of TIME magazine's 5 Best Photography Books of the Year. The work was also featured on NPR and CBS Sunday Morning. In 2000, Epson America commissioned Wilkes to create a millennial portrait of the United States, "America In Detail," a 52-day odyssey that was exhibited in New York, Chicago, Los Angeles, and San Francisco. Day to Night , Wilkes' most defining project, began in 2009. These epic cityscapes and landscapes, portrayed from a fixed camera angle for up to 30 hours capture fleeting moments of humanity as light passes in front of his lens over the course of a full day. Blending these images into a single photograph takes months to complete. Day to Night has been featured on CBS Sunday Morning as well as dozens of other prominent media outlets and, with a grant from the National Geographic Society , was extended to include America's National Parks in celebration of their centennial anniversary and Bird Migration for the 2018 Year of the Bird. Most recently a new grant was extended for Canadian Iconic Species and Habitats at Risk in collaboration with The Royal Canadian Geographic Society. Day to Night : In the Field with Stephen Wilkes was exhibited at The National Geographic Museum in 2018. Day to Night was published by TASCHEN as a monograph in 2019. Wilkes' work documenting the ravages of Hurricanes Katrina and Sandy has brought heightened awareness to the realities of global climate change. He was commissioned by the Annenberg Space for Photography to revisit New Orleans in 2013 after documenting Hurricane Katrina for the World Monuments Fund. And, his images were exhibited with his photographs on Hurricane Sandy in the 2014 Sink or Swim, Designing for a Sea of Change exhibition. Wilkes directorial debut, the documentary film, Jay Myself , world premiered at DOCNYC in November 2018. The film is an in depth look into the world of photographer Jay Maisel and his move out of his 35,000 sq. foot building at 190 Bowery. Oscilloscope Laboratories has acquired the North American rights and the film opened at Film Forum in New York in July, 2019 Wilkes was a speaker at the TED2016: Dream Conference on his Day to Night series. The talk has over 1.6 million views. In 2017 Wilkes was commissioned by the US Embassy, Ottawa to create a Day to Night photograph of Canada's 150th anniversary of Confederation. Despite his intense dedication to personal projects, Wilkes continues to shoot advertising campaigns for the world's leading agencies and corporations, including: Netflix, OppenheimerFunds, SAP, IBM, Capital One, The New Yorker, Johnson & Johnson, DHL, American Express, Nike, Sony, Verizon, IBM, AT&T, Rolex, Honda. He has a robust following on Instagram of more than 500,000. Wilkes' extensive awards and honors include the Alfred Eisenstaedt Award for Magazine Photography, Photographer of the Year from Adweek Magazine, Fine Art Photographer of the Year 2004 Lucie Award, TIME Magazine Top 10 Photographs of 2012, Sony World Photography Professional Award 2012, Adobe Breakthrough Photography Award 2012 and Prix Pictet, Consumption 2014. His board affiliations include the Advisory Board of the S.I. Newhouse School of Communications; Save Ellis Island Board of Directors, on which he served for 5 years; and the Goldring Arts Journalism Board. Wilkes was born in 1957 in New York. He received his BS in photography from Syracuse University S.I. Newhouse School of Public Communications with a minor in business management from the Whitman School of Management in 1980. Wilkes, who lives and maintains his studio in Westport, CT, is represented by Bryce Wolkowitz Gallery, New York; Fahey Klein Gallery, Los Angeles; Monroe Gallery of Photography, Santa Fe and Holden Luntz Gallery, Palm Beach..
Ave Pildas
United States
1939
Thank God I had a really good education. - Ave Pildas Ave Pildas began his arts education as an architecture student, designing department stores, government and medical buildings. Before long, this path felt too conservative and constricting, so he changed majors to design. Creating products, packaging and graphics provided enough diversity, to seem like "complete freedom" at the time. Concurrently, Ave was designing exhibits, displays, graphics and publications for the Cincinnati Public Library. After studying at the University of Cincinnati and graduating from the Cincinnati Art Academy inn 1962, Ave headed east to Pittsburgh, where he worked designing collateral for U.S. Steel, Alcoa, Pittsburgh Plate Glass, Koppers, and Westinghouse. At Westinghouse he met renowned graphic designer Paul Rand. With encouragement from Rand and well-known typographer Noel Martin, Ave traveled to Switzerland and enrolled at the Kunstgewerbeshule, studying typography and graphic design during the Cold War. As a student, he visited every country in Europe and parts of North Africa, often by car. It was at this time that Ave set the lofty goal of "raising the visual conscience" of the world, and, at the conclusion of his studies, accepted a position as assistant professor at Philadelphia College of Art, now the University of the Arts in Philadelphia. Since then, he has taught at Layton School of Art, Leicester Polytechnic in Britain, Cal Arts, Art Center College of Design, UCLA, USC, as well as Otis College of Art and Design, where he served as Chair of the Communication Arts Department. He is currently Professor Emeritus at Otis. "Although Pildas was formally trained in Swiss design, he developed an early love for photography in the '60s when he photographed jazz legends like Thelonious Monk, John Coltrane and Dizzy Gillespie for Downbeat Magazine," writes Mae Ryan of Southern California Public Radio/KPCC. For over 50 years, Ave's been taking pictures of diverse subject matter. Many of his images of Hollywood Boulevard from the 1970s reside in the permanent collections of museums and libraries including LACMA and the New York Public Library. He has published three books: Art Deco LA, Movie Palaces, and Bijou, which was released in December 2016 by Nazraeli Press. Ave Pildas provides a fascinating glimpse into how, over the span of four decades, the streets and people of Hollywood Boulevard have both changed and remained curiously the same, writes Haley Evans for Beautiful Decay Magazine. In the studio, Ave is working on a still-life series based on circles, squares, and triangles, substituting geometric objects like pyramids, cubes, and spheres for the typical vase of flowers or table setting. Outside the studio, Ave shoots "Paper Movies". These collages of multiple images are shot in public spaces and allow him to interact with passers by, encouraging them to participate with the photographer and the background. After collecting hundreds of photos, he edits them to tell a visual story, combining them into a single piece. He is also producing short, stop-action videos using still images from "Paper Movies" to promote the series. One of the videos, "Stairway to Heaven," assembled from images of a staircase at The Getty Museum, garnered 40,000 views in a week. Galleries Joseph Bellows Gallery Richard Moore Photographs Tufenkian Fine Arts Rock Photography Museum Small Books & Small Prints
Ragnar Axelsson
Iceland
1958
For over 40 years, Ragnar Axelsson, Rax, has been photographing the people, animals, and landscape of the most remote regions of the Arctic, including Iceland, Siberia, and Greenland. In stark black-and-white images, he captures the elemental, human experience of nature at the edge of the liveable world, making visible the extraordinary relationships between the people of the Arctic and their extreme environment – relationships now being altered in profound and complex ways by the unprecedented changes in climate. A photojournalist at Morgunbladid since 1976, Ragnar has also worked on free-lance assignment in Latvia, Lithuania, Mozambique, South Africa, China, and Ukraine. His photographs have been featured in LIFE, Newsweek, Stern, GEO, National Geographic, Time, and Polka, and have been exhibited widely. Ragnar has published 7 books in various international editions. His most recent, Jökull (Glacier) was published in 2018, with a foreword by Olafur Eliasson. Andlit Nordursins (Faces of The North), was published in 2016, with a foreword by Mary Ellen Mark, and won the 2016 Icelandic Literary Prize for non-fiction. Other awards for Ragnar's work include numerous Icelandic Photojournalist Awards; The Leica Oskar Barnack Award (Honorable Mention); The Grand Prize, Photo de Mer, Vannes; and Iceland's highest honor, the Order of the Falcon, Knight's Cross. Ragnar is currently working on a 3-year project documenting people's lives in all 8 countries of the Arctic. At this pivotal time, as climate change irrevocably disrupts the physical and traditional realities of their world, Ragnar is bearing witness to the immediate and direct threat global warming poses to their survival. Must Read Article Photography and Climate Change Awareness
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