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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
 Liliroze
 Liliroze
 Liliroze

Liliroze

Country: Switzerland/France
Birth: 1972

Liliroze was born in Geneva in 1972. Her passion for photography began when she was young whilst discovering the images of her father. Only after having obtained a degree in econometry did she decide to consecrate her life to the art.

She moved to Paris and became a diplomee of the ENS Louis Lumière school in 1997. She assisted famous photographers at the beginning. Liliroze nourished her work in her travels, with the colors, shadows and people that happened into view or crossed her path in unexpected encounters. In the changing light, in the heart of her apparatus, in total confidence, she transcends intimacy as a tableau which surges forth from the time of centuries.

First public Leica Prize of Les Indépendances laureate in the 2006, she now works as an independent photographer and follows her personal research.
 

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More Great Photographers To Discover

Isabel Muñoz
Spain
1951
Born in Barcelona in 1951, she moved to Madrid in 1970 where nine years later, she registered at PhotoCentro to completely dedicate herself to professional photography. She worked for the press and advertising sector in 1981, and made various still photos during film shoots. After a spell in New York to further her training, she returned to Madrid in 1986 where she produced Toques, her first exhibition. She travelled the world between 1990 and 2007, discovering and immersing herself in different artistic and cultural expressions, before producing her following series and exhibitions: Shaolín, Camboya Herida, Capoeira, Contorsionistas, Tanger, Tango and Toros. She usually works in black and white. She received the Gold Medal for Merit in Fine Arts in 2009 for her work. Source: Spain Culture When she was 20 years old, she moved to Madrid and started studying photography in 1979 in Photocentro. In 1986, she made her first exhibition, Toques and she has already made more exhibitions in several countries of the world for more than 20 years. Her black-and-white photos are a study of people through pieces of the human body or pictures of toreros, dancers or warriors, by using a handmade and meticulous process of developing. Her works are in the Maison Européenne de la Photographie, in Paris, the New Museum of Contemporary Art, in New York City, the Contemporary Arts Museum in Houston or private collections. Source: Wikipedia Isabel Muñoz stands out as an assertive photographer. Platinum developments and extra-large formats are favourite techniques used in order to strengthen her message of passion for the body as a means of approaching the study of human beings. Tango and Flamenco (1989) are considered the starting point of her unremitting search of the sentiments and emotions of world groups and cultures in an attempt to capture the expressions of beauty of the human body. When Muñoz focuses her camera on dancers, wrestlers, warrior monks, bullfighters or deprived children she does it with a strong sense of commitment. Her first individual exhibition, Toques, in 1986 at the French Institute in Madrid and her participation in the Mois de la Photographie in Paris in 1990, set her international projection as a high profile photographer without boundaries. These will be the first of many exhibitions throughout the main cities of Europe, the Americas and Asia. Her photographs are shown at the Museo Nacional Centro de Arte Reina Sofía (Madrid), Foto Colectania (Barcelona), Fundación Canal (Madrid), Maison Européenne de la Photographie (París), New Museum of Contemporary Art (New York) and Instituto Cervantes (Mexico, Guatemala, Bolivia, Shanghai, Tokio). Isabel Muñoz work has been widely recognized with numerous honours and distinctions. Recent awards include Fundación DEARTE (2012), the UNICEF Spain Awareness Rasing Award in 2010, Bartolomé Ros Prize (PHotoEspaña 2009), the Spanish Ministry of Culture Gold Medal to Fine Arts in Spain (2009), the first prize in photography by Comunidad de Madrid (2006), the two World Press Photo prizes (2000 and 2004), the Biennial of Alexandria Gold Medal (1999), Isabel Muñoz was born in Barcelona in 1951 and lives in Madrid since 1970. Source: LensCulture
Sven Delaye
France
1984
Sven Delaye, a digital nomad and videogames translator, has been traveling around the world for nine years. Throughout his journey, he always enjoyed capturing moments of life, but everything changed in early 2020: for a long time, he kept his street photography private, convinced it wouldn't interest others. In 2020, he submitted some landscape photos for the cover of a Guatemalan magazine. These photos were declined. However, the publisher explored his Instagram account and discovered the sole street photo he had shared. That single image was selected for the magazine's cover. Encouraged by this recognition, Sven began sharing his street photography, which quickly gained international acclaim in countries such as the USA, Mexico, Italy, the UK, Greece, France, and South Korea. For several years now, Sven has dedicated himself to street photography. Through his travels, it became a way to capture fleeting moments of everyday life, rediscover the poetry hidden in the mundane, and avoid the artificial clichés often propagated by social media. His inspiration comes from the simplicity of daily life: a stranger passing by, a fleeting glance, the curve of a smile, or the beauty of a quiet scene at a street corner. Sven finds poetry in unexpected places—a gutter, a park, or the shadow of a feeling in a small gesture. He believes this beauty surrounds us constantly, yet it often goes unnoticed. Whether it's because people choose to ignore it or have grown desensitized to it, he doesn’t know. What he does know is that his camera allows him to capture these overlooked moments and reveal the richness of life to those willing to see. Awarded Photographer of the Week - Week 03
Debbie Miracolo
United States
1953
Debbie Miracolo is a photo-based artist interested in transition and passage of time. A former graphic designer with a fine art education, she creates inventive images with a sharp attention to detail and composition, often with a generous sprinkling of emotion and whimsy. She attributes her outlook to memories of an introverted childhood infused with make-believe worlds and storybooks. By transforming rather than documenting truth, her interpretations of humanity, nature, and train travel serve as seductive invitations to linger, question, and weave a story of one's own. Growing up as an only child in a home with her European parents and grandmother made her childhood reality different from that of her friends. She was introverted, shy, and intimidated by the world around her, but found that creating art alleviated some of the loneliness she felt and helped her to express her feelings. By the time she finished high school she had become skilled at drawing and painting. At Rochester Institute of Technology she earned a BFA, studying printmaking, photography, and art history, and later moved to New York City to pursue her artistic dreams. There she began a 15-year career as a graphic designer in the busy publishing and advertising industries. With the birth of her two sons and subsequent move to a Victorian house in a suburban New York town, she shifted all of her energy, diving into motherhood, and for several years the creative spirit within her lay patiently dormant. As most artists know however, that spirit never truly leaves, and as her children approached adolescence she could sense it regaining strength. Feeling drawn to photography once again, Debbie made the decision to revisit the medium as an art form. She began taking classes and workshops at the International Center of Photography, gaining mastery of the craft and honing her own personal vision. From there, there was no turning back, and she has been making and focusing on her art ever since. Debbie's work has been published, notably on the cover of Geo Wissen Magazine and most recently, in F-Stop Magazine. Her images have been exhibited in a number of galleries in New York City, Boston, St. Petersburg, Fl. and Middlebury, Vt. as well as online media. About Imagined Moments from the Porch "It was a bewildering, absurd world I found myself in during the first chaotic months of the Covid-19 outbreak. Through incongruous juxtapositions, metaphor and a bit of whimsy, these photo composites of my neighbors portray the surreal, confused and off-kilter feeling I had then, and which still lingers today. With many of us sheltering in place, pedestrian traffic had increased remarkably in my quiet town. People paraded by on the street, some of whom I'd never seen before; young and old, parents with children, and more and more dogs as the weeks went by. I began to photograph what I observed from the steps of my front porch and, over a period of four spring and summer months, the project evolved. The idea to reconstruct the photographs came to me when I needed to switch out a person, and with that one manipulation, it became clear that I would take the series in a more imaginative direction. As the virus numbers increased and the news became more alarming by the day, I digitally rearranged my characters in more unlikely ways. It was as if my wish to change reality and my doubts about what to believe were coming through in my images. Imagined Moments from the Porch is a kind of theatrical narrative made up of fictional scenes I compose to depict my off-beat version of these dark, confusing, and upside-down days." -- Debbie Miracolo
Carmen Winant
United States
1983
Carmen Winant is a writer and visual artist who explores representations of women through collage, mixed media and installation. She is the Roy Lichtenstein Endowed Chair of Studio Art at The Ohio State University and a 2019 Guggenheim Fellow in photography. Winant utilizes installation and collage strategies to examine feminist modes of survival and revolt. Her recent projects have been shown at the Museum of Modern Art, Sculpture Center, The Columbus Museum of Art, and The Wexner Center of the Arts. Winant’s artist books — My Life as a Man and My Birth — were published by Horses Think Press, SPBH Editions, and ITI press; her forthcoming artist book will be published by Printed Matter Inc. Winant’s work has been written about in The New York Times, The Wall Street Journal, BOMB, The Guardian, and Art in America. In 2019, Winant published with Printed Matter the book Notes on Fundamental Joy; seeking the elimination of oppression through the social and political transformation of the patriarchy that otherwise threatens to bury us. She lives in Columbus, OH, with her partner Luke Stettner and her two and four-year-old sons, Rafa and Carlo. About My Birth In the final spread of Carmen Winant’s book, My Birth—a moving interplay of collected photographs and personal writings on the confounding process of labor—a black-and-white image shows a new mother gazing into a hand mirror. On the opposite page Winant offers her own reflection: “By the time you are reading this, cracked open and flimsy, I will have birthed again. I am no closer to understanding who takes possession of this process, or locating the words to make it known.” The first part is true: Winant delivered her second son two months ago. But the rest? After a yearlong dive into the subject—combing for vintage pamphlets, sourcing materials from “OG midwives,” and reading Margaret Atwood, Sylvia Plath, Adrienne Rich, and so many others—the artist seems to have come as close to grasping the unknowable as one can get, thanks to twin projects that have debuted this week. If the book skews intimate (snapshots of her mother’s own home deliveries weave in a rare thread of autobiography), Winant’s debut installation at the Museum of Modern Art is monumental. Part of “Being: New Photography 2018,” the collage, also titled My Birth, takes over two facing walls in a narrow 20-foot-long gallery. There, Winant has taped up more than 2,000 found images of women careening through the full, uncensored continuum of birth. “I’ve never been inside of a project in quite the same way,” Winant says by phone from Ohio, where she is an assistant professor at the Columbus College of Art & Design, referring to the way that real-life experience blurred with the flood of images taking over her studio: women weeping into pillows, collapsing into partners’ arms, submitting to medical devices (bane or blessing of modernity?), and bringing bodies out of their bodies.Source: Vogue
Argus Paul Estabrook
South Korea/United States
1977
I'm a biracial Korean-American photographer who works in both South Korea and the USA. Frequent travel between these two countries has provided me a unique perspective of Korean identity and its relationship to both global and regional communities. As an artist, I'm interested in creating work that gives voice to others and I often volunteer my efforts to marginalized communities. My work has been awarded by the Magnum Photography Awards, Sony World Photography Awards, LensCulture, IPA, MIFA, TIFA, as well as exhibited at the Aperture Summer Open: On Freedom. I've also been twice selected as a Critical Mass Top 50 artist by Photolucida and a three-time recipient of PDN's Annual Exposure Award. Additionally, I am an alumnus of the prestigious Eddie Adams Workshop and was named the 2017 Dorothy Liskey Wampler Eminent Professor in the School of Art, Design and Art History at James Madison University. Losing Face "Losing Face," documents the energy and emotions surrounding the impeachment protests of South Korean President Park Geun-hye. In October 2016, her relationship with a shadowy advisor from a shaman-esque cult was revealed to extend to acts of extortion. Protests were then held every weekend until Park was formally removed from office in early March 2017. This is what it looks like when the South Korean President loses face. This Is Not an Exit "This Is Not an Exit," bears witness to my father's unexpected struggle with Stage 4 pancreatic cancer as well as documents my mother's grief after his passing. Tying my photography to my mother's narration of events, we weave an intimate family record- one of vision and voice. Bound together through a personal process of grief, I hope "This Is Not an Exit" creates an emotional map, one that reveals our connectedness to each other while also furthering an understanding for all those navigating the loss of a loved one. More about Losing Face
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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