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Kamil Vojnar
Kamil Vojnar
Kamil Vojnar

Kamil Vojnar

Country: Czech Republic
Birth: 1962

Kamil Vojnar was born in the former Czechoslovakia in 1962. He studied at the School of Graphic Arts in Prague and began his career as a Graphic Designer. He left the country illegally (still Communist at the time) and moved to Vienna, and then eventually became a US citizen and finished his studies at the Art Institute of Philadelphia. He continued his career in Graphic Design which later led to illustration and imagery based on photography, working mostly for book and music publishing houses in New York City. At the same time, he continued to make his own imagery. After meeting his partner and having children, going back and forth between France and New York, they finally settled in St. Remy de Provence in South France where Vojnar has concentrated on his own work since 2005. He opened up an Atelier in St. Remy and then one in Paris in 2009, both of which carry his own work.
His work consists of images digitally layered from many different photographs and textures. They are mixed-media archival prints on fine art paper or mounted on canvas. Some of his images are layered pictures printed on semitransparent Thai paper. These unique photomontages are then varnished with oil and wax, and on occasion painted with oil paints. Kamil, as a painter, points out, “In a painting, you can paint anything you want. In the photographic [medium], it must, on some level, exist first. That tension between what exists and what is made up is what interests me.” Thus, his images are often subject to very different interpretations

(Source: Verve Gallery)

About Elsewhere
Well, … why … why "e l s e w h e r e"…?
Because, … not really here, because not there or … over there, because … somewhere else, … "e l s e w h e r e"!!!

In thousand years old small town in south France, I have little studio, tiny Gallery, up on the main street.
People from all around the world come to this town. They walk it's ancient streets. Some see my place, some walk in and look around.
And they ask … why, … the sky outside is blue, … the buildings ochre yellow, the olive trees pale green, … why are those pictures musty, sepia, dark. Why is their soul heavy? What happened? What has happened to me!
And I say … I don't know, … they come to me that way. They are not really from here, they are not so much from there. They arrive from ..."elsewhere". I am just a pair of hands making them happen.
I didn't look for them, I didn't choose them. They came to me, … they choose me!
Artist? No. … Common' I am no Artist! I just make those little pictures. Just because they happen to me.
And because … I cannot do anything else. I cannot do anything else, at least, until every last of them is out, … done.
Just a pair of hands I am. Always struggling to let the image out. Always behind in my ability to execute on the paper what pours from ..."elsewhere", via my mind, my heart.
It feels like, … really I have no personal connection to those pictures. I am not guilty.
Don't ask me what they are, … what they mean. I don't know.
Like orphaned kids, I collect them, feed them to grow.
They have to be done. They have to get out there.
If not me, … then who?

Some are easy. Impatiently they bursting out into the open
Others play hide and seek. They leave a hint, they take me all over wrong paths, all around. They let me sweat, they let me freeze. They drag me through dry, dusty deserts, soak me in deepest seas. My shirt is bloody. My face is wet. Sometimes … sometimes I cry. Pure impossibility overwhelms me. Impossibility to make them happen as they appear to me. In their translucent light, through the tears, I see them, … I almost see them.
No, I am no Artist. I just … I am just trying to do, … what I … almost … see.

Yes, it's true! … I am making one picture over and over again.
The same sofa, the same dress, the same image of Jesus on the wall in the background, as I have had throughout my childhood.
Wings? … Yes, sometimes, there are wings. But those who carry them, they are no angels.
They just want to be free. Pair of wings is like a passport to get away. To get to … elsewhere.

E l s e w h e r e, … they say, it's not the destination, it's the journey, that counts.
Therefore my little pictures are the humble documentation of that journey.
They are the journey!
Journey to … e l s e w h e r e!

 

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More Great Photographers To Discover

Arja Katariina Hyytiäinen
Arja Katariiina Hyytiäinen was born in 1974 in Turku, Finland. She is a graduate of the Department of Documentary Photography at FAMU (Prague, Czech Republic). Hyytiäinen is interested in self-experienced stories. Thanks to her classical documentary background, her works often reflect a combination of self-experienced subjective reality and fictional intuitive storytelling. She has published two books ‘Distance Now’ and ‘Arja Hyytiäinen – Cahiers’. She is the recipient of the Critical Photography Prize, Prix Kodak in France 2006, as well as the Grand Prix at the 2007 Lodz Festival. Since 2006, Arja Hyytiäinen’s work has been distributed by Agence VU’. She has been based in La Rochelle, France, since 2010.Source: EPEA For the Finn Arja Hyytiäinen photography is a means of entering into the lives of others. It is an echo of personal experiences that help enlarge her understanding – and ours. The often sombre black and white photographs that she took in the port city of Marseille underscore the feeling that she got there, as if the residents had an almost permanent mental hangover. She shows the disfigured faces of people in illegal bars, she evokes the sound of fans, wind and footsteps that echo against shuttered windows, and depicts the restless energy of the night, which shades into a day where the heat envelopes your body like a second skin. The city, she says, left an emotional mark behind on her soul. With her subjective images she does the same for the viewer. In the space of only a couple years Arja Hyytiäinen (Finland, 1974) has made a name for herself as a contemporary street photographer, with a subjective, cinematographic style. She spent considerable time in Eastern Europe and was awarded the Kodak Prize for Critical Photography and the Polish Fotofestival Grand Prix. Hyytiäinen lives by turns in Paris and Berlin.Source: Noorderlicht "Completely contemporary, free and demanding, the work of Arja Katarrina Hyytiäinen is part of the today’s school, from the tradition of the street photography, and that has replaced its form to claim the author status. Saying its necessity and its singularity, devoting itself to subjectivity, and influenced by cinematographic aesthetic, the whole work, extremely respectful for representing people, is from a new contemporary humanism," according to Christian Caujolle. In just a few years, she has acquired a reputation throughout Europe, particularly where she has lived in Eastern Europe, and become known through her solo exhibitions (Czech Republic, Poland, Hungary, Moldavia, Slovenia). In 2006 she was awarded by the Kodak Prize for Critical Photography and the Fotoestiwal (Poland) Grand Prix in 2007.Source: Agence VU
Fabio Bucciarelli
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In addition to his coverage of conflicts and humanitarian crises, he has reported on a range of global events, including the devastating wildfires in Brazil, the protests against the neoliberal economic system in Chile, and the mass migration of Central Americans to the United States. In 2020 and 2021, he covered the COVID-19 pandemic at its epicenter in Italy for The New York Times. Most recently, he returned to Ukraine to document the Russian invasion as a special correspondent for Italian TV News TG3/Rai3, as well as on assignment for leading international publications, including Die Zeit and Il Fatto Quotidiano. Fabio Bucciarelli’s unwavering commitment to telling important stories through vivid imagery and detailed reporting has earned him widespread recognition and respect within the industry. His reporting on the Syrian War earned him the prestigious Robert Capa Gold Medal from the Overseas Press Club of America. 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Ludovica Limido
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Nhien Hong Do
Vietnam
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I got into street photography as a passion after long days of work. I started exploring it in 2016, and I’ve found that street photography allows me to tell daily stories through images, capturing people with my vision and emotions. It’s about seeing each character through my lens and presenting them in a carefully chosen frame. I don’t focus too much on the technical side of my Fujifilm camera; instead, I focus intensely on discovering something unique or even unsettling in each person’s character to convey a story. Street photography brings me joy by letting me capture fleeting moments that reveal something about the people in my images. Over time, I’ve learned a lot by studying photo books and award-winning photography. I take time to appreciate each photo from other photographers, often wondering, "How did they capture this? What made them choose this specific moment?" Through this reflection, I realized that every photographer has their own way of seeing and capturing street life, and I respect their individual approaches. I’ve adopted bits of their skills into my work, but instead of copying, I’ve built my own unique style. In the end, my goal is to create street life photography that brings what I see to your soul. My talent in street photography has been recognized and featured in several publications and exhibitions. My work captures the essence of urban life and has found its place in notable books and projects dedicated to the art of street photography. In 2023, my photography was included in Urban Unveils the City and Its Secrets – Volume 08, a project by the Urban Photo Awards in Italy, which highlights the hidden sides of urban landscapes. In 2017, I was featured in Soul of Street – Volume 12, published by Photography & Philosophy Magazine in Germany, showcasing street photography that resonates with human stories and philosophical insights. That same year, my work was included in Street Photography in the World – Volume 1, a collection from Italy celebrating street photography from across the globe. Back in 2016, I contributed to Street Photography from Around the Globe in collaboration with the We Street collective, a project dedicated to street photographers worldwide. Additionally, in 2016, I had the opportunity to exhibit my work in Bucharest, Romania, where my photographs were displayed as part of a curated exhibition. Awarded Photographer of the Week - Week 46
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