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Thomas Dodd
Thomas Dodd
Thomas Dodd

Thomas Dodd

Country: United States

Thomas Dodd is a visual artist and photographer based out of Atlanta, Georgia who has developed a style that he calls "painterly photo montage" - a method he employs during principal photography and in editing software with which he crafts elaborately textured pieces that have a very organic and decidedly non-digital look to them.

His work often has mythic and quasi-religious themes that pay homage to Old Master art traditions while at the same time drawing from psychological archetypes that evoke a strong emotional response from the viewer.

Although his artwork resembles paintings, his pieces are entirely photographic in nature, fusing many images into a cohesive whole. His larger works are often presented in a mixed media form that adds a depth and texture that complements the photography beautifully.

Thomas has had numerous exhibitions of his works in many cities in the USA and around the world. He has had recent shows in New York City, Paris, Mexico City, New Orleans, Tokyo, San Antonio, Seattle, and in his hometown of Atlanta. Dodd's photographs have been featured in many magazines, on book and album covers and he frequently teaches workshops and webinars on photo-editing and marketing for artists.

Thomas began his career as a visual artist in 2005. Before that, he was best known as the harpist and songwriter for the 1990s musical group Trio Nocturna, a Celtic Gothic ensemble that put out three critically-acclaimed albums ("Morphia", "Tears of Light" and "Songs of the Celtic Night") and performed at author Anne Rice's annual Halloween balls in New Orleans, as well as spawning an offshoot band called the Changelings. Thomas also played harp on two albums by Michael Gira (the driving force behind the influential post-punk band the Swans): "the Body Lovers" and the Angels of Light "New Mother".

The images that Thomas creates are basically a visual equivalent of the music he composed in the 1990s. Mythic themes and their relation to emotions and psychological states continue to be his primary subjects and motivations.

Source: thomasdodd.com



Interview with Thomas Dodd

All About Photo: When did you realize you wanted to be a photographer?
Thomas Dodd: There was a period in my early teens where I was inspired by seeing a gallery show of Ansel Adams’ work, and for a short time thereafter I was compelled to study black and white film photography (of course, digital did not exist back then in the 1970s), but that inspiration quickly was replaced by the kick in the ass I received when I heard the Sex Pistols (in 1977) which made me run out and get a guitar so I could take out my teen angst upon the (non-listening) world!

AAP: Where did you study photography? With whom?
TD: My father taught me the basics of the camera back in the 1970s. I also took a darkroom course in high school. My reemergence as a photographer in 2006 (after a 25 year musical career playing the Celtic harp) was basically a self-taught one with quite a few online tutorials along the way!

AAP: Do you have a mentor?
TD: My father was a great influence on me- both as a photographer and a human being.

AAP: How long have you been a photographer?
TD: Since 2006. My brief dabbling in photography in the 70s barely counts!

AAP: Do you remember your first shot? What was it?
TD: My first real photoshoot was of my friend (and first Muse) Halley dressed in a beautiful Rococo-themed dress she made. We wandered through the streets of downtown Decatur Ga. at around midnight searching for street light to shoot in.

AAP: What or who inspires you?
TD: Beauty inspires me. Great painters inspire me. An artistic or chameleonesque model inspires me...

AAP: How could you describe your style?
TD: “Painterly” photo montage with an artistic approach

AAP: Do you have a favorite photograph or series?
TD: My favorite photo is always the one I am currently working on!

AAP: What kind of gear do you use? Camera, lens, digital, film?
TD: I really am not one of those photographers who likes to talk about gear because I think the most important tool that an artist possesses is their imagination... but I shoot with a Sony A57 using a 18-70mm lens.

AAP: Do you spend a lot of time editing your images? For what purpose?
TD: I seem to spend ALL my time editing photos - What purpose? Self expression and sometimes' client satisfaction!

AAP: Favorite(s) photographer(s)?
TD: Jan Saudek - for the way he created such boldly erotic personal imagery while hiding from a repressive Communist regime... He also used texture and color in a very painterly way which has influenced me a great deal.

AAP: What advice would you give a young photographer?
TD: Don't be in a hurry to "succeed", and shun advice like "Fake it ‘til you make it". It takes TIME and PATIENCE to develop your own style. Always follow your own voice and don't be swayed by what is currently popular, and don't forget to ENJOY it - this is not supposed to feel like work!

AAP: What mistake should a young photographer avoid?
TD: Becoming an imitation or a copy of another photographer. Being in a hurry to get published or displayed in galleries is another common mistake. Take the time and develop your craft for a few years before you start thinking about sharing it with the world!

AAP: Any quotes you would like to share?
TD: "I am steadily surprised that there are so many photographers that reject manipulating reality, as if that was wrong. Change reality! If you don't find it, invent it!" - Pete Turner

AAP: What current projects are you working on?
TD: Nothing I can tell you about, but I will drop a hint and say it involves shattering some commonly held preconceptions about a "marginalized" segment of society.

AAP: Your best memory as a photographer?
TD: There have been so many, it's hard to choose an absolute best but I will say my first solo show, my first print sale and my first publication were all high points!

AAP: Your worst souvenir as a photographer?
TD: My broken D50 which gasped it’s last breath 5 clicks into a nude shoot! Or maybe the memory card and external hard drive that I irretrievably lost data from. Here is some more good advice - ALWAYS use an online backup in addition to discs and hard drives!

AAP:The compliment that touched you most?
TD: When my 92 year old Mother came to my first big gallery show in Atlanta (featuring some very large nude images) and said she was proud of me...

AAP: Your favorite photo book?
TD: Bob Carlos Clarke's "The Dark Summer" and Helmut Newton's "White Women".

AAP: An anecdote?
TD: I long ago learned as a model photographer that the crucial things to pack in your camera bag are not extra lenses, filters and light meters, They are instead bobby pins, safety pins, hair ties, insect repellent and sun block. Oh yeah, and a few model releases too!

AAP: Anything else you would like to share?
TD: Please feel free to "like" my Facebook page and introduce yourself.

 

Thomas Dodd's Video

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United KIngdom
1979
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Fokion Zissiadis
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Johnny Kerr
United States
1982
Johnny Kerr is a fine art photographer based in the West Valley of Arizona’s Phoenix Metropolitan Area. Johnny is self-taught in the craft of photography but entered into his study of the medium with many years of art education and design experience. In 2003 he earned a Bachelor’s degree in Media Arts from the Art Institute of Phoenix and went on to make his living as a graphic designer. Johnny began learning and experimenting with photography in 2011 and in 2013 decided to shift his focus, pursuing photography as his primary medium of expression. He cites his graphic design experience, along with his appreciation for minimalist design, as having the largest influence on his vision as a fine art photographer. After deciding to change careers Johnny went back to school, earning his Master of Arts in Education degree in 2010. Johnny currently makes his living as a photography teacher in the greater Phoenix area, where he lives with his wife and daughter. STATEMENT Growing up in Arizona has certainly given me an appreciation for the unique beauty of the desert. However, I have never found my desert surroundings to be particularly inspiring in my artistic endeavors. Lacking the inspiration to capture my natural surroundings in a representational manner, I have found freedom and gratification in abstraction. I found architecture to be an inspiring subject matter for its graphic qualities, but my photographs are not really about the buildings. Each photograph is a study of the rudimentary elements that catch my attention: shape, space, volume, line, rhythm, etc. Drawing heavily from my graphic design experience, each architecture photograph represents an exercise in isolating those basic elements and trying to present them in a harmonious design. Often I have incorporated long exposure techniques to create images that seem to exist outside of the reality our eyes perceive on a daily basis. My goal has not been to abstract the subject beyond recognition, but to simplify, to pull it out of its usual context, and try to see the ordinary surroundings of city life in a new way. The lessons I learned from my exercises in abstracting architecture have also carried through into other subject matter, including landscape and seascape, helping me to find solace and inspiration in unexpected places.
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Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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