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Win a Solo Exhibition in April 2026!
Win a Solo Exhibition in April 2026!
Ralf Peters
Ralf Peters
Ralf Peters

Ralf Peters

Country: Germany
Birth: 1960

In the series "24 Hours" Peters reflects on the moment of simultaneousness. He dissolves the visual antagonism between the moment before and afterwards in each image. The works represent the light cycle of one day, starting from the left at night, passing daylight and ends again in the darkness of the night. The time states are not superimposed one upon the other but set side by side. In an extraordinary technique Ralf Peters obtains that the transition of the different daytimes is shown as in fast motion and is continued without any cuts, but can be noticed in the brightness and the illumination of the motif. Day and night are united in one image and at the same time, appearing invisible and visible. The variety of subjects going from exotic landscapes to cool architecture allows a reflection about our own world and foreign surroundings referring to a superior relationship of time and space.

(Source: Diana Lowenstein Gallery)

Ralf Peters is a conceptual photographer who creates visual studies of places and objects, often in thematic series. Playfully navigating between fantasy and reality, Peters manipulates digital images to challenge the viewer’s conception of traditional photography, raising the question as to whether something is a realistic rendering or a skillfully manipulated vision. Through the creation of portraits of everyday locations like supermarkets, gas stations, and swimming pools, Peters explores the possibilities for the photographic medium. Manipulating the focus, lighting, and composition of his images, Peters creates photographs that obscure the traditional notion of capturing an individual’s perspective on reality, favoring, instead, constructed works that comment on the aesthetic relationship we have to our surrounding environment. Peters’s works have been shown at notable institutions including the Hamburg Kunsthalle and Museu de Arte Moderna de São Paulo.

(Source: Art Space)

Represented by:
Diana Lowenstein Gallery
Galerie Kornfeld
Galerie Bernhard Knaus Fine Art
Galerie Martin Mertens
Galerie Andres Thalmann

 

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More Great Photographers To Discover

Formento & Formento
United States/United Kingdom
BJ Formento is the light. Richeille Formento is the pigment. This dynamic husband-wife team have made an art of their unique strain of photography. Exuding an eerie sensuality combined with a narrative cinematic sensibility, the ambiguous nature of the characters and scenarios remind us of David Lynch and Hopper-esque landscapes. They couldn’t have landed in the photographic landscape at a more opportune moment. With the enormous interest in their work—success is eminent. Vogue Italia has been a forerunner and loyal supporter of their work, as well as cutting edge magazines like Aesthetica, Blink, Musee and L’oeil de la Photographie. 2012 was a breakthrough year for F+F. They were nominated top finalist to American Vogue’s New Exposure Competition working with Bottega Venetta and Red Digital Camera. In 2014 their works were selected by Alessia Glaviano, photo editor of Vogue Italia and L’Uomo Vogue for a “Glimpse at Photo Vogue” at Carla Sozzani Gallery and in 2015 for “45 Frames from Photo Vogue” at Leica Milan Gallery. Amazing response from the shows at Art Basel Miami Beach, Aipad and Armory NYC. Solo exhibitions across Europe starting in Paris, London, Berlin, Stuttgart and Dusseldorf. Their work also been exhibited in New York at Edelman Arts Gallery in February 2013. The most notable event this year is the publication of their first coffee table book by YK editions, as well as a film to promote the book which has been shown this fall at the Pompidou in Paris. Fahey Klein Gallery has offered them the coveted summer slot and the inaugural exhibition of Japan Diaries. A Photo Shanghai booth dedicated to their works Circumstance, September 2014. The inaugural exhibition of “She is Cuba” at Art Miami 2014 was received with great applause as well as the celebrity studded opening at Miami Fahey Klein and Chrome Hearts during Art Basel 2014. BJ Formento was born in Hawaii and grew up in the Philippines, studied in San Francisco and moved to New York in 1999. Richeille Formento was born in London and attended the prestigious Central St. Martins College of Art before working as an art director and designer in the fashion industry. They split their time between NYC and Miami with their 3 siamese cats.
Larry Louie
Canada
1961
International award winning documentary photographer Larry Louie leads a dual career. In his optometry clinic, he is Dr. Larry Louie, working to enhance the vision of people from all walks of life in the urban core of a North American city. On his travels, he is a humanitarian documentary photographer, exploring the lives of remote indigenous people, and documenting social issues around the world. As an optometrist, Larry adjusts people’s visual perception. As a photographer, he seeks to adjust people’s view of the world. Either way, he is interested in things that exist outside the regular field of vision. Larry’s photographs have often been described as realism at its best. There is a story waiting to be told in every image. Sarah Cho, competition director of the IPA/Lucie Awards describes Larry’s photographs as “captivating and sincere and reflect his passion for the medium,” adding, “Larry Louie has a very distinctive style, straddling the fine line of a photo journalist and documentarian. His images are as rich and evocative as the subjects (on) which he focuses.” His photographs show the strength and perseverance that mark people the world over, revealing the light sometimes found in dark places. Larry' s work to document the lives of people around the world has resulted in a vast archive of images. His work has received international recognition and awards including the IPA Lucie Award; National Geographic Photo Essay Award; and Humanitarian Documentary Grant with the World Photography. As an optometrist and photographer, Larry is avid supporter of Seva Canada, an international non-profit organization who is a part of VISION 2020, the global initiative for the elimination of preventable and avoidable blindness in the world by year 2020. Source: www.larrylouie.com Interview with Larry Louie All About Photo: When did you realize you wanted to be a photographer? Larry Louie: I knew when I was about 16 when I received my first real camera and I was experimenting exposures. AAP: Where did you study photography? LL: Self taught. AAP: Do you have a mentor or role model? LL: I do not have a mentor, but I have master photographers whose work I greatly admire and I study their amazing portfolio of works: Josef Koudelka, Sebastiao Salgado, James Natchwey. AAP: How long have you been a photographer? LL: I have been regularly photographing since 18 years of age but in regards to the documentary work, only for the last 8 years. AAP: Do you remember your first shot? What was it? LL: My first shot that I liked was the color image of 2 women taken in Jodphur, India. I call it the Blue City image because of the predominating blue color of the city. This image was placed second in a National Geographic Traveler magazine photo competition. AAP: What or who inspires you? LL: Great work that has passion in the subject. That is why I like the works of the above artists I mentioned. AAP: How could you describe your style? LL: I like B&W documentary work that evokes one's curiosity about mankind and his struggle with the surrounding environment. AAP: Do you have a favorite photograph or series? LL: I like 2 of my latest series: "A Working Day in Dhaka" and my latest series "Tondo, Manila" (will be up on the web within this month). AAP: What kind of gear do you use? Camera, lens, digital, film? LL: I use Canon 5D Mark3 bodies, 24mm f1.4 prime lens, 85mm f/1.2 prime lens, and 24-105mm f/4 zoom lens. AAP: Do you spend a lot of time editing your images? For what purpose? LL: I don't do too much editing. I do not crop my images and very minimal photoshop besides converting it into black and white and some burning and dodging. I do most of my editing the week after I return on a trip. The images are used for my website, to produce prints, calendars for fund raising purposes. AAP: What are your projects? LL: Please go to my website. My latest projects have been concentrated on the working poor and people who are stuck in the bonds of poverty, especially children born into poverty and child laborers. AAP: Favorite(s) photographer(s)? LL: Josef Koudelka, Sebastiao Salgado, James Natchwey. AAP: What advice would you give a young photographer? LL: Photograph what gives you passion. The best work will come through. Shoot, shoot, shoot. AAP: What mistake should a young photographer avoid? LL: Being cliché. One should be original. AAP: An idea, a sentence, a project you would like to share? LL: My wife and I are working presently with an organization named "Philippines Community Fund" whose goal is through education to enable a generation of children to escape from the cycle of poverty to which they are born into, and in doing so create a better and more sustainable life for them and their family. PCF today funs a four storey school in Tondo, Manila providing education, food, healthcare, and other support services for nearly 600 children from the nearby garbage dump and cemetery. AAP: Your best memory as a photographer? LL: To be able to help and raise funds and bring attention to issues that makes a significant difference in the lives of the people we photograph. AAP:The compliment that touched you most? LL: A thank you and a smile from the people who we touched during our visits and who in return touched us with their graciousness. AAP:If you were someone else who would it be? LL: I am happy with who I am and what I do. AAP: Your favorite photo book? LL: "The Sahel" by Sabastiao Salgado. AAP: Anything else you would like to share? LL: No, I would like to thank you for your interest in my photography.
Chris Steele-Perkins
United Kingdom
1947 | † 2025
At the age of two, Chris Steele-Perkins moved to England from Burma with his father. He went to school at Christ's Hospital. At the University of Newcastle-upon-Tyne, he studied psychology and worked for the student newspaper; he graduated with honors in 1970 and started to work as a freelance photographer, moving to London in 1971. Apart from a trip to Bangladesh in 1973, he worked mainly in Britain in areas concerned with urban poverty and subcultures. In 1975 he worked with EXIT, a collective dealing with social problems in British cities. This involvement culminated in the book Survival Programmes in 1982. He joined the Paris-based Viva agency in 1976. In 1979 he published his first solo book, The Teds; he also edited the Arts Council of Great Britain's book, About 70 Photographs. Steele-Perkins joined Magnum Photos in 1979 and soon began working extensively in the developing world, in particular in Africa, Central America and Lebanon, as well as continuing to take photographs in Britain: The Pleasure Principle explores Britain in the 1980s. In 1992 he published Afghanistan, the result of four trips over four years. After marrying his second wife, Miyako Yamada, he embarked on a long-term photographic exploration of Japan, publishing Fuji in 2000. A highly personal diary of 2001, Echoes, was published in 2003, and the second of his Japanese books, Tokyo Love Hello, in March 2007. He continues to work in Britain, documenting rural life in County Durham, which was published as Northern Exposures in 2007. In 2009 he published a collection of work from 40 years of photographing England - England, My England. A new book, on British centenarians, Fading Light will be published at the end of July. Steele-Perkins has two sons, Cedric, born 16th November 1990, and Cameron, born 18th June 1992. With his marriage to Miyako Yamada he has a stepson, Daisuke and a grand-daughter, Momoe. Source Magnum Photos
Polly Gaillard
United States
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Polly Gaillard is a fine art photographer, writer, and educator. She is part-time Professor of Art at Furman University and has taught photography workshops and college courses for more than ten years including summers abroad teaching American students in Prague, Czech Republic, and Cortona, Italy. Polly received a Master of Fine Arts in Visual Arts from Vermont College of Fine Arts in 2010. She has exhibited her fine art photographs nationally and published a limited edition artist book, Pressure Points, with a foreword by actress Jamie Lee Curtis. Polly's photographic skills traverse contemporary art, documentary, portrait, and traditional photographic practices. She lives in Greenville, SC with her daughter. You, From a Distance Making portraits in a pandemic is challenging if you like to get closer than six feet to your subject. 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You, From a Distance reflects the way I have experienced life during the Covid-19 pandemic- a personal feeling of distance and loss but with a desire to hold onto normalcy of making pictures, albeit without influence over the outcome. I am interested in these new ways of seeing each other and being together without being together - I look at you on my computer, in return, you look back at me through a phone or laptop while you can also see yourself in the frame. Who are we looking at - ourselves or others? The intersection of gazes is countless at times; it excites and confuses me. The process of looking and seeing divided by screens changes everything I have learned about image-making. The portraits become my memory of shared moments across time zones with distant faces; the four walls of my house expand into the space of others' homes. The intimacy I feel with the subject ironically is far greater than the portraits I make in-person in a time before social distance. In the span of one month, I have virtually traveled to five countries, five states, and homes nearby in South Carolina. Although more than the required physical distance is maintained through these portrait sittings, the mutual human connection is undoubtedly rich with meaning and unlimited possibility. December and Everything After
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