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LAST CALL: Win a Solo Exhibition in June 2026 + An Exclusive Interview!
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Oleg Dou
Oleg Dou
Oleg Dou

Oleg Dou

Country: Russia
Birth: 1983

As his mother was a painter and his father was a dress designer, in his childhood Oleg Dou used to gather with the artists and to spend a lot of time reading is father’s fashion magazines. At the age of 13, his parents offered him his first computer set up with an old version of Photoshop with which he already began to transform his schoolfriends or teachers faces. After studying design, he worked as a web designer. In 2005, he buys his first professional camera.

Discovered in 2006 by Liza Fetissova, Oleg Dou is represented today by galleries in France, Belgium, Netherlands, Spain, Russia and United States. His worked has been published in a lot of international reviews. He is one of the most promising artist of his generation. In 2011, the Artprice company, leader of the information on art value, has graded Oleg Dou in the top 3 of the under 30 years old photographers the best saled in public auctions. One of his images will make the cover of an extensive " Frozen Dream, contemporary art from Russia" book, from TransGlobe Publishing and Thames & Hudson. Oleg Dou lives and works in Moscow.

From Art and Haze
Oleg Dou grew up in an artistic environment, with a mother and a father as artists. With 13 years, the young man gets a computer with Photoshop. He then begins to transform photographs, especially the faces of his classmates and teachers. After studying design in 2005 he bought his first professional camera. In a very short time, the artist attracted professionals from the world of art and collectors with a specific and recognizable universe. It is also noticed in 2006 by Liza Festissova, gallery to the Russian Tea Room. Between 2007 and 2008, he won the 1st prize of the International Photography Awards with his Toy Story series, doing portraits of children with extreme whiteness and exposed during the FIAC in 2008. Represented by galleries around the world, Oleg Dou is surely one of the most promising young Russian artists . In 2011, the company information on the art market on Artprice ranks him as one of the top three photographers under 30. “A game,” said Oleg Dou, 28, while summarizing his new exhibition titled “Another Face”. Very comfortable, this Muscovite in silhouette – editing pictures with a software to sublimate his thoughts. And these faces cover a multitude of dressings graceful as a plastic surgeon on acid looking for indulgence. These digital collages, quite confusing when watched closely, causing some embarrassment.

Source: RTR Gallery

 

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Robert Farber
United States
1944
Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence of composition in every genre, including nudes, still life, landscapes and architecture. His ten photo art books have sold over half a million copies. Jacqueline Kennedy Onassis brought Farber into Doubleday for the publication of his book “By The Sea,” which won the Art Director’s Award for color photography. Aside from numerous creative awards, Robert Farber also received the Photographer of the Year from PMA (Photographic Manufacturers Association), ASP International Award from the PPA (Professional Photographers of America) and The American Society of Photographers. This award was given to those who’ve made a significant contribution to the science and art of photography. Some previous recipients of this award include Dr. Edwin Land (inventor of the Polaroid), George Hurrell, and National Geographic. Farber’s work with nudes in fine art as well as in the commercial realm is known and respected. He has lectured for Ogilvy & Mather on the “Nude in Advertising.” ASMP requested to use Farber’s nudes as an examples of the artistic application in support of the National Endowment of Arts, after its backing of the controversial Mapplethorpe/Serrano exhibit. His book, “Farber Nudes,” was also included the Jacqueline Kennedy Onassis estate collection. Farber’s fine-art photographs have been published in virtually every form. Farber has exhibited in galleries and museums world-wide. He’s lectured at the Smithsonian Institute, The George Eastman House, as well as Universities and professional groups throughout the United States, Japan, Australia and Europe. Aside from his fine art photography, Robert Farber’s work encompasses major campaigns for fashion, beauty and advertising, as well as directing for TV and film. A documentary highlighting Farber’s life and career, is in development for PBS.Source: www.farber.com Robert Farber has become renown for his depictions of the female form, although his painterly, impressionistic photographic style captures the essence of composition in many genres. Farber’s unique compositions allow the viewer to see the subject from a different perspective and in his words, “to evoke a feeling of romance. That the viewer wants to be there, be a part of it, get lost in it, whether it is a still life or landscape.” A pioneer in many ways, Robert Farber has been a leading force in the world of photography, particularly in his treatment of the subject of the nude. His work has paved the way for the female form to be shown in fine art, publishing, and advertising in a way that he describes only as “respectfully.” Delighting the viewer with his natural approach and fully embracing the female form with a fine art approach, Farber began introducing nudes in his advertising work in the 1970s. He brings the romance depicted in his fine art photographs to his renowned commercial work that has been celebrated over for their captivatingly composed settings. Robert Farber is a New York City native whose artistic career began with art shows in 1970 just after college. At the start of his career, his most moving memory was when he was forced to leave an art show since photography was not widely accepted as an art form at that time. Persisting with his passion, he was eventually discovered at an Upper East Side art show. Both a publishing company and an advertising agency approached him, allowing his fine art career and fashion photography career to take off simultaneously. Farber also brings his romantic style to landscapes through his Americana series. By forcing the viewer to look at the images in a different way the artist hopes to show the heart and soul of America; a perspective he also applies to his New York Series. He hopes that his unique take on composition and style allow the viewer to experience the excitement, nostalgia, the grit and the elegance of the city. Aside from numerous other creative awards, Robert Farber has received the distinctive Photographer of the Year award from the Photographic Manufacturers Association. He has also received the ASP International Award from the Professional Photographers of America and The American Society of Photographers. Farber has lectured at the Smithsonian Institute, The George Eastman House, as well as universities and professional groups throughout the United States, Japan, Australia and Europe. Jackie Kennedy Onassis recruited Farber during her time working for the publisher Doubleday that resulted in the publication of his notable book By the Sea which would be the first of many others. Recently, Canon presented Farber's work in a solo exhibition at Art Miami in 2013, while a documentary highlighting the artist is currently in development for PBS and will air in September of 2014 chronicling this artist’s amazingly elegant work over the past four decades.Source: Holden Luntz Gallery
Pavlos Evangelidis
Marina Lauar
Brazil
1993
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Benjamin Dimmitt
United States
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Wendel Wirth
United States
1966
Wendel Wirth is an American contemporary fine art photographer. Originally from New York City and Chicago, Wirth lives in the mountains of Ketchum (better known as Sun Valley), Idaho. She in interested in the space between minimalist art and photography, ultimately pushing the viewers attention beyond the subject matter and celebrating the most essential and elemental aspects of the photograph. Wirth is an Idaho Commission on the Arts Fellow and is represented by Gilman Contemporary in Ketchum, Idaho and Dimmitt Contemporary in Houston, TX. THIS IS THE PLACE THIS IS THE PLACE is a photographic exploration of minimalist art as found in the landscape of our fading farmland. Driving highway twenty through central Idaho, the ground stretches for miles, expanding space. The linear landscape feels curated. In the winter months, the muted horizon parades elemental forms; barns and grain elevators, cow houses, cowsheds, granges as they have been called. My mind, in its road trip haze, translates the landscape into fields of Donald Judd's concrete blocks. As a photographer, I flatten the plane, calling to mind Judd's woodblock prints. The structures fade into a cluster of modest rectangles. A perfectly centered horizon line juts from a singular form. Repetition, as found in minimalist art, is used to draw attention to the subtle details & linear interests. As I peer through my viewfinder, I am not only deeply engaged with form and texture, line, color and atmosphere, I am also contemplating the rate at which our farmland in disappearing. It is urgent for me to capture a place that historically has served as a source of health and ecosystem before it is gone. Through intersecting my obsession of minimalist art, photography and farmland, my intent is to inspire you to visually play in and to conserve this precious land. THIS IS THE PLACE I am telling you about.
Ada Trillo
United States
1976
Ada Trillo is a photographer based in Philadelphia, PA, and Juarez, Mexico. Trillo holds degrees from the Istituto Marangoni in Milan and Drexel University in Philadelphia. Trillo's work is concerned with human rights issues facing Latin America. Trillo has documented forced prostitution in Juarez, Mexico, the infamous La Bestia train, the migrant caravans of 2018 and 2020, and the struggles of asylum seekers directly affected by Trump's Remain in Mexico policy. Trillo has exhibited internationally at Saint Josephs University in Philadelphia, The Photo Meetings in Luxembourg, The Passion for Freedom Art Festival in London, Festival Internazionale di Fotografia in Cortona Italy and at the Anya and Andrew Shiva Gallery at the John Jay College in New, York. In 2017, Trillo received a Leeway Foundation Art and Change Grant. Her work has been featured in The British Journal of Photography, The Guardian, and Smithsonian Magazine. Trillo was recently awarded a CFEVA Fellowship by The Center For Emerging Visual Artists and was named the Visual Artist-in-Residence for Fleisher Art Memorial in Philadelphia. Her work is included in the permanent collection of the Philadelphia Museum of Art and The West Collection. Trillo was awarded First Place in Editorial Photos with the Tokyo International Foto Awards. She was recently awarded the ME&Eve grant with the Center of photographic arts in Santa Fe. Statement I was born in El Paso, Texas but I was raised in Juarez, Mexico. As a teenager, I traveled back and forth between the two cities so I could attend school in the states. Witnessing life on the border as a young adult had a strong influence on my worldview and art practice. After years of working as a painter, I picked up a camera and started making pictures. For the past four years, I've been documenting the journey migrants take to reach the US-Mexico border. In 2017, I photographed aboard the infamous La Bestia, a dangerous journey by a freight train that migrants from Mexico and Central America ride every year to reach the border. In 2018 & 2019 I photographed overpopulated migrant shelters in Juarez and Tijuana. I also traveled with the migrant caravans of 2018 and 2020, from Honduras, through Guatemala, and into Mexico. In 2019, I photographed asylum seekers who were barred entry into the US under Trump's, Remain in Mexico Policy. While the media often covers what is happening at the border, they all too often overlook the individual trials, struggles, and humanity of those seeking to escape violence in pursuit of a better life. Spending countless days and nights living alongside those I photograph, I hope to present an honest, unadulterated view of migrant life. I photograph exclusively with a 35mm camera and fixed lenses. My process of making pictures is about creating real connections with my subjects in search of depth and intimacy in my work. My goal is to humanize their struggle and share their stories with the world.
James Van Der Zee
United States
1886 | † 1983
James Van Der Zee was an American photographer best known for his portraits of black New Yorkers. He was a leading figure in the Harlem Renaissance. Aside from the artistic merits of his work, Van Der Zee produced the most comprehensive documentation of the period. Among his most famous subjects during this time were Marcus Garvey, Bill "Bojangles" Robinson and Countee Cullen. Born in Lenox, Massachusetts, Van Der Zee demonstrated an early gift for music and was initially aspired to a career as a professional violinist. Van Der Zee's second interest was in photography. He bought his first camera when he was a teenager, and improvised a darkroom in his parents' home. He took hundreds of photographs of his family as well as his hometown of Lenox. Van Der Zee was one of the first people to provide early documentation of his community life in small-town New England. In 1906, he moved with his father and brother to Harlem in New York City, where he worked as a waiter and elevator operator. By now Van Der Zee was a skilled pianist and aspiring professional violinist. He would become the primary creator and one of the five performers in a group known as the Harlem Orchestra. In March 1907, Van Der Zee married Kate L. Brown and they moved back to Lenox to have their daughter, Rachel, born in September. Soon after, they moved to Phoebus, Virginia. In 1908, their son, Emile, was born but died within a year from pneumonia. In 1915, he moved to Newark, New Jersey, where he took a job in a portrait studio, first as a darkroom assistant and then as a portraitist. That same year, he converted to Catholicism and began taking assignments from the Church. He returned to Harlem the following year, just as large numbers of Black immigrants and migrants were arriving in that part of the city. He set up a studio at the Toussaint Conservatory of Art and Music with his sister, Jennie Louise Van de Zee, also known as Madame E Toussaint, who had founded the conservatory in 1911. In 1916, Van Der Zee and Gaynella Greenlee launched the Guarantee Photo Studio on West 125th Street in Harlem. They married in 1918. His business boomed during World War I, and the portraits he shot from this period until 1945 have demanded the majority of critical attention. In 1919, he photographed the victory parade of the returning 369th Infantry Regiment, a predominantly African American unit sometimes called the "Harlem Hellfighters." During the 1920s and 1930s, he produced hundreds of photographs recording Harlem's growing middle class. Its residents entrusted the visual documentation of their weddings, funerals, celebrities and sports stars, and social life to his carefully composed images. Quickly Van Der Zee became the most successful photographer in Harlem. Among his many renowned subjects were poet Countee Cullen, dancer Bill ("Bojangles") Robinson, Charles M. "Daddy" Grace, Joe Louis, Florence Mills, and black nationalist leader Marcus Garvey. By the early 1930s, Van Der Zee found it harder to make an income from his work in photography, partly because of the strained economic circumstances of many of his customers and partly because the growing popularity of personal cameras reduced the need for professional photography. Van Der Zee worked predominantly in the studio and used a variety of props, including architectural elements, backdrops, and costumes, to achieve stylized tableaux vivant in keeping with late Victorian and Edwardian visual traditions. Sitters often copied celebrities of the 1920s and 1930s in their poses and expressions, and he retouched negatives and prints heavily to achieve an aura of glamour. He also created funeral photographs between the wars. These works were later collected in The Harlem Book of the Dead (1978), with a foreword by Toni Morrison. In 1982, at age 96, Van Der Zee photographed 21-year-old painter Jean-Michel Basquiat for the January 1983 issue of Interview magazine. Van Der Zee died in Washington, D.C. on May 15, 1983. Ten years later the National Portrait Gallery exhibited his work as a posthumous tribute. In 1984 Van Der Zee was inducted into the International Photography Hall of Fame and Museum. It’s a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don’t have the balance. The main thing is to get the camera to see it the way you see it. -- James Van Der Zee Works by Van Der Zee are artistic as well as technically proficient. His work was in high demand, in part due to his experimentation and skill in double exposures and in retouching negatives of children. One theme that recurs in his photographs was the emergent black middle class, which he captured using traditional techniques in often idealistic images. Negatives were retouched to show glamor and an aura of perfection. This affected the likeness of the person photographed, but he felt each photo should transcend the subject. His carefully posed family portraits reveal that the family unit was an important aspect of Van Der Zee's life. "I tried to see that every picture was better-looking than the person ... I had one woman come to me and say 'Mr. VanDerZee my friends tell that's a nice picture, but it doesn't look like you.' That was my style", said VanDerZee. Van Der Zee sometimes combined several photos in one image, for example by adding a ghostly child to an image of a wedding to suggest the couple's future, or by superimposing a funeral image upon a photograph of a dead woman to give the feeling of her eerie presence. Van Der Zee said, "I wanted to make the camera take what I thought should be there." Van Der Zee was a working photographer who supported himself through portraiture, and he devoted time to his professional work before his more artistic compositions. Many famous residents of Harlem were among his subjects. In addition to portraits, Van Der Zee photographed organizations, events, and other businesses.Source: Wikipedia
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