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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Pierre Baëlen
Pierre Baëlen
Pierre Baëlen

Pierre Baëlen

Country: France
Birth: 1981

Pierre Baëlen was born in 1981 in South of France. His interest in photography began when his best friend promised him to have good fun in jumping in devastated buldings during photography courses when he was 14 years old. Surprising by the discover of the The 6x6 camera, his first love quickly became the darkroom where he began experimenting with printing and developing in the family's bathroom.He attended Orthez's photography School for Performing & Visual Arts and, from there, went on to attend photography report and experimental in illustration work. He moved to Paris in 2001. In October 2001, he began shooting small assignments as freelance photographer. Next winter he met a car advertising photographer, with wich one he spent about 8 years working and traveling all arround the world as first freelance assistant. During the evolution from large format and digital shooting experimentation in assignement works as first assistant gave him the priceless experience in comptempory photography. Summer 2011, he became a full time photographer. The main theme of his work revolves arround imaginary landscapes, a journey between onirism and comtempory reality.

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Thomas Annan
Scotland
1829 | † 1887
Thomas Annan was a Scottish photographer, notable for being the first to record the bad housing conditions of the poor. Born in Dairsie, Fife he was one of seven children of John Annan, a flax spinner. After his initial apprenticeship as a lithographic writer and engraver at the Fife Herald in Cupar, he moved to Glasgow in 1849 and worked as a lithographer and engraver for Joseph Swan until 1855. He set up business with George Berwick at 40 Woodlands Road, Glasgow, listing in the 1855 - 56 Glasgow post office directory as calotypists, practitioners of this early form of photography. In 1855, he photographed the ship RMS Persia, under construction on the Clyde, which was probably a commission by engineer, Robert Napier. This photograph was part of a group of images sent to the Photographic Exhibition in connection with the British Association. After dissolving his previous partnership, he established himself in a photographic studio at 116 Sauchiehall Street during 1857. In 1859, the business moved to 200 Hope Street and he was also able to establish a printing works in Hamilton in 1863. First interested largely in architectural photography and then portraits, as well as photographing artworks and maps, in 1866 Annan photographed slum areas of the city. These images were used by Glasgow City Improvement Trust to document the overcrowded, unhygienic conditions ahead of extensive redevelopments. It was this series of photographs, created between 1868 and 1871, entitled Old Closes and Streets of Glasgow, that ensured his posterity. In 1869, Annan purchased the contents of Rock House, which belonged David Octavius Hill, which included many of Hill's photographs and negatives. These were eventually exhibited by Thomas' son, James Craig Annan, and reproduced in photogravure in Alfred Stieglitz's journal Camera Work. Annan's photographs of the Loch Katrine Waterworks were praised in the British Journal of Photography: "The views by Mr. Annan could scarcely fail to be attractive, for in a country so beautiful a clever artist is bound to produce results in keeping with the nature of the subject, and this Mr. Annan has done." Indeed, Annan's work was often praised not only for its aesthetics, but also for its technical virtuosity. Twenty years later, Annan's studio would be singled out by Baden Pritchard for its accomplishments in carbon printing and "beautiful pictures of exteriors and interiors of Scotch strongholds." Thomas Annan purchased the rights to the photogravure process in Britain from Karel Klíč of Vienna in 1883 after visiting the city with his second son, James Craig Annan. James was a noted photogravurist and associated with late nineteenth-century art photography continued in his father's profession, receiving a Royal Warrant as Photographers and Photographic Engravers to Her Majesty in Glasgow. Thomas Annan died on 14 December 1887 at his home in Lenzie. Before his death by suicide, he had experienced a month-long period of "mental aberration". The family business survives to the present day in the form of the Annan Fine Art Gallery, located on Woodlands Road in the West End of Glasgow. A selection of prints from the Glasgow Improvements act 1868 series were displayed in the Scottish National Portrait Gallery from 2011 to 2012. In 2017, the J. Paul Getty Museum curated an exhibition entitled Thomas Annan: Photographer of Glasgow, the first to survey his career and legacy as photographer and printer.Source: Wikipedia
Lenka Klicperová
Czech Republic
1976
Journalist and photographer. She obtained a master's degree at the University of Hradec Králové and immediately after that started working as a journalist. From 2004 to 2018 she was the editor-in-chief of the leading Czech travel magazine Lidé a Země. Since 2018 she has been working as a freelance reporter and photographer focused on war zones. She has worked in a number of African countries, including conflict zones of Democratic Republic of Congo. She visited Afghanistan several times, as well as Somalia, plagued by several decades of war. Since 2014, she has focused on the issue of the war with the ISIS in Iraq and Syria. She is the co-author of several documentaries (Tears of the Congo, Latim – the Circumcised, Iraqui Women, Women in the Land of Taliban, Unbroken) and a number of television reports. She has won a number of prizes and nominations in the Czech Press Photo competition - both for photography and video. In 2020 she was included in the prestigious Women Photograph database, she was shortlisted for the International Women In Photo Association Award. She is the co-author of nine books about Africa and about the wars in the Middle East and Nagorno Karabakh. Her work from Syria resulted in two books entitled In Sight of the Islamic State I and In Sight of the Islamic State II, which were co-authored by Markéta Kutilová. Together with Kutilová she also wrote other books on the wars in Syria and Iraq: In the War (2018) and War is My Fate (2020). In 2019, a book called AK47 was published, which depicts the dramatic life of the world-famous Czech war photographer Antonín Kratochvíl. Klicperová wrote the text of the book based on Kratochvíl's narration. In September 2020, war broke out in Nagorno Karabakh. Lenka Klicperová and Markéta Kutilová quickly moved to the center of events. The war in the Caucasus was captured by both reporters in many reports, but also in a book The Last One Sets the Village on Fire (2021). Klicperová cooperates with a number of Czech media. She also lectures at the University of Hradec Králové. Statement Twelve years ago I first came to a war zone, to the eastern part of the Democratic Republic of the Congo. My goal was to document the drastic effects of the protracted war on women. The local militias are committing mass rape of women and children; rape is a weapon of war. It was my first encounter with war. I understood that I wanted to bear witness to the injustices of this world, the way they fall on innocent victims who have nothing to do with them. I returned to the Congo several times and started working in Afghanistan. Then the war in Syria and Iraq started. I spent six years traveling to these areas watching and documenting how the Islamic State terrifies the world. And how it is gradually being defeated with the generous contribution of the Syrian Kurds. The city of Kobani, the center of the Kurds, has been indelibly engraved in my heart, defending itself against the enormous superiority of the Islamists. At the cost of high casualties. I have been on the front lines, in refugee camps, documenting the lives of the wives of ISIS fighters and their children. I managed to get in the prison where ISIS fighters who survived the fighting are being held. When the war broke out in Nagorno Karabakh, I knew I had to go there immediately. I followed the war to the end and documented the lives of civilians sentenced to live suddenly in a war zone. I saw their exodus. War zones have thus become a part of my life... Lost War
Isabel Muñoz
Spain
1951
Born in Barcelona in 1951, she moved to Madrid in 1970 where nine years later, she registered at PhotoCentro to completely dedicate herself to professional photography. She worked for the press and advertising sector in 1981, and made various still photos during film shoots. After a spell in New York to further her training, she returned to Madrid in 1986 where she produced Toques, her first exhibition. She travelled the world between 1990 and 2007, discovering and immersing herself in different artistic and cultural expressions, before producing her following series and exhibitions: Shaolín, Camboya Herida, Capoeira, Contorsionistas, Tanger, Tango and Toros. She usually works in black and white. She received the Gold Medal for Merit in Fine Arts in 2009 for her work. Source: Spain Culture When she was 20 years old, she moved to Madrid and started studying photography in 1979 in Photocentro. In 1986, she made her first exhibition, Toques and she has already made more exhibitions in several countries of the world for more than 20 years. Her black-and-white photos are a study of people through pieces of the human body or pictures of toreros, dancers or warriors, by using a handmade and meticulous process of developing. Her works are in the Maison Européenne de la Photographie, in Paris, the New Museum of Contemporary Art, in New York City, the Contemporary Arts Museum in Houston or private collections. Source: Wikipedia Isabel Muñoz stands out as an assertive photographer. Platinum developments and extra-large formats are favourite techniques used in order to strengthen her message of passion for the body as a means of approaching the study of human beings. Tango and Flamenco (1989) are considered the starting point of her unremitting search of the sentiments and emotions of world groups and cultures in an attempt to capture the expressions of beauty of the human body. When Muñoz focuses her camera on dancers, wrestlers, warrior monks, bullfighters or deprived children she does it with a strong sense of commitment. Her first individual exhibition, Toques, in 1986 at the French Institute in Madrid and her participation in the Mois de la Photographie in Paris in 1990, set her international projection as a high profile photographer without boundaries. These will be the first of many exhibitions throughout the main cities of Europe, the Americas and Asia. Her photographs are shown at the Museo Nacional Centro de Arte Reina Sofía (Madrid), Foto Colectania (Barcelona), Fundación Canal (Madrid), Maison Européenne de la Photographie (París), New Museum of Contemporary Art (New York) and Instituto Cervantes (Mexico, Guatemala, Bolivia, Shanghai, Tokio). Isabel Muñoz work has been widely recognized with numerous honours and distinctions. Recent awards include Fundación DEARTE (2012), the UNICEF Spain Awareness Rasing Award in 2010, Bartolomé Ros Prize (PHotoEspaña 2009), the Spanish Ministry of Culture Gold Medal to Fine Arts in Spain (2009), the first prize in photography by Comunidad de Madrid (2006), the two World Press Photo prizes (2000 and 2004), the Biennial of Alexandria Gold Medal (1999), Isabel Muñoz was born in Barcelona in 1951 and lives in Madrid since 1970. Source: LensCulture
David Stewart
United Kingdom
1958
David Stewart began his career by photographing punk bands including The Clash and The Ramones. He also took to photographing the passing parade of colourful characters on Morecambe Promenade with squirrel monkey's Joey and Queenie. After graduating at Blackpool and The Fylde College, Stewart moved to London in 1981 where he persued a career in photography, rapidly establishing himself as one of the UK's most highly accomplished photographers. In 1995 he directed and produced a short film "Cabbage" which was nominated for a BAFTA. Accompanying the film is a series of surrealist photographic images in tribute to the much-maligned vegetable. In 2001 he published a body of work titled Fogeys comprising of kitsch, cartoon-like photographs of people growing old disgracefully. Exhibited at the Institute of Contemporary Art London "Fogeys" won a Silver Award at the Art Directors Club of New York. The book "Thrice Removed" was published in 2009. While still singular and mischievous, the book includes works that are more muted in colour and personal in tone. The projects "Indecision" and "Intension" return once again to the surreal providing an intriguing study of young women. "Teenage Pre-occupation" which takes a look at teenagers and the changes they go through and was published in May 2013. The short film "Stray" 2013 was screened at the London Short Film festival. Stewart won The Taylor Wessing portrait prize in 2015. He had been previously shortlisted for the Photographic Portrait Prize in 2007 and accepted a further fourteen times between 1995 and 2012 each time exhibited at the National Portrait Gallery, London. In 2016 Stewart was presented with The Royal Photographic Society award for outstanding achievement and excellence in the fields of Editorial, Advertising and Fashion Photography. 2018 saw the publication of "Paid Content" which uses the setting of the advertising agency to explore the changing face of workplace culture and the wider dehumanising effect that is occurring due to the growth of large, faceless corporations and globalisation. 2020 saw the publication of "Geoffrey Valentine" which presents unflinching portraits of his dead father lying in a coffin in a chapel of rest. Geoffrey Valentine at Wren London
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