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Henry Horenstein
Henry Horenstein
Henry Horenstein

Henry Horenstein

Country: United States
Birth: 1947

Born in Massachusetts in 1947, Henry Horenstein was on a path to becoming a historian when he discovered photography. Captivated by the work of Robert Frank and Danny Lyon, Horenstein entered the Rhode Island School of Design (RISD) where he studied with Harry Callahan and Aaron Siskind. After completing his MFA at RISD in 1973, Horenstein's first major project was a documentary survey of the people and character of country music. As a long-time fan, Horenstein recognized that the culture of country music was changing, losing the homey, down-to-earth character of "hillbilly" music, and adopting the slicker nature of contemporary country music. His goal was to preserve a vanishing culture by capturing it in photographs, and for nearly a decade, he traveled throughout the United States, documenting the artists and audiences at honky-tonk bars, outdoor festivals, and community dances. The body of work that Horenstein created (published in 2003 as Honky Tonk) is a remarkable portrait of a distinct period in American cultural history. Some of Horenstein's later work has followed a similar theme, creating documentary portraits of distinct American sub-cultures, such as the worlds of horse racing, boxing clubs, and baseball. In recent years, Horenstein has also developed an extensive body of work that combines elements of portraiture, abstraction, clinical documentation, and landscape photography. Working with animals as well as human subjects, Horenstein creates compelling and frequently ambiguous images that explore the patterns, textures and geography of skin, scales and hair. Mixing the exotic and the ordinary, and making it difficult to tell which is which, Horenstein causes the viewer to pause and look closely. In doing so, we are made to re-examine ourselves as well as the world around us. Horenstein's work has been exhibited in galleries and museums both nationally and internationally, including the Smithsonian Institution's National Museum of American History, Washington, D.C.; the International Museum of Photography, George Eastman House, Rochester, New York; the Museum of Fine Arts, Boston; and Fabrik der Kunste, Hamburg, Germany. Photographs by Henry Horenstein can be found in many public and private collections including the Library of Congress, the Museum of Fine Arts, Houston, and the High Museum of Art in Atlanta, Georgia. Horenstein is the author of over 30 books including several monographs and a series of highly successful photography textbooks that have been used by hundreds of thousands of students around the country. Horenstein currently lives in Boston and is a professor of photography at RISD.

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More Great Photographers To Discover

Anna Laza
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"I started to be in photography about 15 years ago. At that time I used to model and participate in shootings. But quite quickly I got bored with posing and was becoming more curious to stand on the other side of the camera. So slowly, but certainly I started my own way in the big universe of photography. I have principles in my shootings and always keep in focus my own style. It’s very important for an artist to both keep his/her unique style and progress in it at the same time. When I shoot women I avoid sexualizing them and even photographing naked bodies there’ll be no sexual vision in the image, but sensual and sophisticated." Anna Laza is an influential visual artist working in Art and Fashion photography. Her projects are focused on finding new innovative styles both shooting and post-processing. Her work has been rewarded and been exhibited internationally, she has won in a number of famous photo contests, including LensCulture, MonoVisions and Minimalist Awards. She is often published in photography magazines and regularly appears on prestigious jury lists for photographic events. Besides her own photography, she is also a creator of the magazine FotoSlovo, which highlights every year new emerging talents in photography from Russia & CIS counties. Metaphysical Body Landscapes "My childhood I've spent at my grandmother's house in Romania, near the Carpathian Mountains. Seeing human's strong bond with the earth, observing nature, landscapes around influenced my understanding of earth beauty and men's connexion with it. All being is something whole, indivisible. Earth, sky, plants, fruits, mountains, rivers, men, women, day, night- all merged together and flow into each other. This process is infinite and harmonious. Men came from the earth, lives on earth and will return to earth. And landscapes of the earth are seen in body curves. Growing up I moved to live in big cities, my grandmother passed away and I felt the loss of spiritual connexion with nature. To reconnect, I start to search the Landscapes in body in my photography."
Elise Boularan
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Elise Boularan grew up in the South of France and has a Master's degree in Creation and Artistic Research from the University of Toulouse. She also studied photography at the Toulouse School of Photography. After finishing her academic research and studies, she moved to Paris. She currently lives between Paris and Toulouse, pursuing a career as a photographic artist.She develops a photographic work turned to the story, realizing images loaded with ellipses and silences. This work does not shy away from the world, but intends to build an interpretation, where something deaf, undefinable is very present. Her preoccupations concern the human reality of our time, trying to reveal what can be secret at the individual's.She has been published extensively and has exhibited in Europe and the USA, notably in Madrid, Denmark, and New York, as well as the French Institute of Ukraine, The Museum of New Art (Mona) and The Russell Industrial Center (Mona Detroit) in Detroit; the Instituto Cultural de México, San Antonio, Texas Hill Country, Usa. Her work is in several private collections.Elise Boularan works also for international & national press and collaborates with musicians and other artists, making the universe of songs match perfectly with her poetical vision.All about photo: When did you realize you wanted to be a photographer?I had already done specialized studies in photography, but I remember I really got caught by the photographer' syndrome when I was in Belgium.Do you spend a lot of time editing your images? For what purpose?After the shooting. there is a lot of work. I don't retouch a lot my images or give this impression... But I spend a great deal of time to select and to see which images work together. It's a difficult and very interesting work.The compliment that touched you most?Indeed, there is a compliment which particularly touched me some years ago in Paris. A compliment coming from one of my references photograph, a famous photographer who has a remarkable work. When we met us, she wanted to discover my work and it was unexpected for me to have compliments on my work from her. And the next day, she phoned me to thank me, because my work had motivated her to boost in her creations again. Is there another job you could have done?No, I don't think so. But it's a good question because we should make no mistake about it, the artistic crafts aren't easy so we can have this kind of questions. But my answer is no.
Nicolas Dhervillers
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Stephen Shore
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Stephen Shore (born October 8, 1947) is an American photographer known for his images of banal scenes and objects in the United States, and for his pioneering use of color in art photography. His books include Uncommon Places (1982) and American Surfaces (1999), photographs that he took on cross-country road trips in the 1970s. In 1975 Shore received a Guggenheim Fellowship. In 1971, he was the first living photographer to be exhibited at the Metropolitan Museum of Art in New York City, where he had a solo show of black and white photographs. In 1976 he had a solo exhibition of color photographs at the Museum of Modern Art. In 2010 he received an Honorary Fellowship from the Royal Photographic Society. Shore was born as sole son of Jewish parents who ran a handbag company. He was interested in photography from an early age. Self-taught, he received a Kodak Junior darkroom set for his sixth birthday from a forward-thinking uncle. He began to use a 35 mm camera three years later and made his first color photographs. At ten he received a copy of Walker Evans's book, American Photographs, which influenced him greatly. His career began at fourteen, when he presented his photographs to Edward Steichen, then curator of photography at the Museum of Modern Art (MoMA) in New York. Recognizing Shore's talent, Steichen bought three black and white photographs of New York City. At sixteen, Shore met Andy Warhol and began to frequent Warhol's studio, the Factory, photographing Warhol and the creative people that surrounded him. In 1971, he was the first living photographer to be exhibited at the Metropolitan Museum of Art in New York City, with a show of black and white, sequential images. Shore then embarked on a series of cross-country road trips, making "on the road" photographs of American and Canadian landscapes. In 1972, he made the journey from Manhattan to Amarillo, Texas, which provoked his interest in color photography. Viewing the streets and towns he passed through, he conceived the idea to photograph them in color, first using 35 mm hand-held camera and then a 4×5" view camera before finally settling on the 8×10 format. The change to a large format camera is believed to have happened because of a conversation with John Szarkowski. In 1974 a National Endowment for the Arts (NEA) grant funded further work, followed in 1975 by a Guggenheim Fellowship. Along with others, especially William Eggleston, Shore is recognized as one of the leading photographers who established color photography as an art form. His book Uncommon Places (1982) was influential for new color photographers of his own and later generations. Photographers who have acknowledged his influence on their work include Nan Goldin, Andreas Gursky, Martin Parr, Joel Sternfeld, and Thomas Struth. Stephen Shore photographed fashion stories for Another Magazine, Elle, Daily Telegraph and many others. Commissioned by Italian brand Bottega Veneta, he photographed socialite Lydia Hearst, filmmaker Liz Goldwyn and model Will Chalker for the brand's spring/summer 2006 advertisements. Shore has been the director of the photography department at Bard College since 1982. His American Surfaces series, a travel diary made between 1972 and 1973 with photographs of "friends he met, meals he ate, toilets he sat on", was not published until 1999, then again in 2005. In recent years, Shore has been working in Israel, the West Bank, and Ukraine.Source: Wikipedia Shore emerged in the 1970s as one of the major exponents of color photography, shooting bleak yet lyrical scenes of the North American landscape. Documenting everyday settings and objects, from hotel swimming pools and televisions to parking lots, gas stations, and deserted roads, Shore exhibited an ability to transform commonplace surroundings into compelling works of art, working with a subject matter similar to Walker Evans. Between 1973 and 1979, Shore made a series of road trips across North America, documenting the vernacular landscape through his view camera, and taking a more formal approach to photographing than in his earlier work. A number of these images later formed Shore's now-classic book, Uncommon Places (first published by Aperture in 1982 and republished in 2004 and 2007). These images arouse recollections of experiences, but in an artful, carefully crafted and calculated manner. His images are made with a large-format camera, which gives his photographs a precise quality in both color and form that has become a signature trait of his work. Shore's use of the large-format camera and innovative color printing has made him one of the most influential photographers to emerge in the last half of the twentieth century, credited with inspiring numerous contemporary photographers.Source: International Center of Photography
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Flip Schulke
United States
1930 | † 2008
Flip Schulke was an American photographer, born Graeme Phillips Schulke. He grew up in New Ulm, Minnesota. Schulke's nickname "Flip" came about from his interest in gymnastics. He graduated from Macalester College, then moved to Miami. He taught briefly at the University of Miami, then began working as a freelance photographer. He worked for Life , and covered a variety of events, including the Cuban revolution. In 1962, he visited and photographed the Berlin Wall. Schulke began photographing the civil rights movement in the American south as early as 1956. He formed a bond with civil rights activist Martin Luther King, Jr. after an all-night conversation in 1958, and began photographing him. King invited Schulke to photograph secret planning meetings of the Southern Christian Leadership Conference, though not all of the activists trusted him being there. He also photographed the 1963 March on Washington and the 1965 Selma to Montgomery March. They traveled together until King's death in 1968, which upset Schulke so much that he stopped covering the civil rights movement and began to work on more commercial projects. In all, he took around 11,000 photographs of King, including some of his funeral. Schulke photographed Muhammad Ali, Jacques Cousteau, Fidel Castro and John F. Kennedy. He also was a photographer for the Environmental Protection Agency's Documerica program in the early 1970s. Schulke died on May 15, 2008 at age 77. The Dolph Briscoe Center for American History at the University of Texas at Austin holds 300,000 of his photographs. His photographs are also held in a variety of museums, including the Harvard Art Museums, the Cleveland Museum of Art, the National Museum of American History, the University of Michigan Museum of Art, the Minneapolis Institute of Art, and the Lehigh University Art Galleries.Source: Wikipedia My biggest problem with young photographers is that they don't think about context. They think about drama. You've got to know where to point your camera. -- Flip Schulke When the Berlin Wall came down, thousands of people from around the world converged to celebrate the end of over 40 years of a divided Europe. Among them was American photojournalist Flip Schulke, who had visited the wall many times since it was erected in 1961 in an attempt to document what he described as "man's physical ability to build a bastion between himself and his own dignity, if he tries hard enough". As he mingled with the crowd, he heard on their lips not a German protest song, but the famous American civil rights anthem "We shall overcome". It was a song he knew well. As a photojournalist in the 1950s and 1960s, Schulke captured many significant moments in the nation's struggle for civil rights in the 1960s, such as the marches to end segregation from Selma to Montgomery, Alabama, and Martin Luther King's funeral in 1968. After the Berlin Wall went up in 1961, Schulke brought his civil rights experiences with him as he attempted to capture the wall's symbolic and physical power. "This is the wall that fear built," Schulke wrote in notes during his visit to the wall in 1962. "This was the wall where hate stood guard, and men stooped much lower than angels. On one side it was bright and clean from the sun of freedom. (On) the other dark and bitter - the rot of slavery." Comprised of bricks, mortar, steel wire and jagged glass fragments to deter climbers, the wall both appalled and shocked Schulke, who described it as having a "jerry built" look. "It just can't be real," he noted, adding that the wall was a "monument to human misery" that "splits the world in half like a melon". He recalled how on the western side German children played tag in the shadows of tank traps while on the other side children stood "dull-eyed and pinch-faced in darkened doorways - wondering how one learns to laugh". As East German guards looked at him through their binoculars, Schulke observed recent East German escapees in West Berlin standing near the wall and signaling to friends and relatives back in East Berlin or waiting for relatives to appear. "One woman waited five hours to see her mother who never turned up," Schulke wrote. "Another couple stood by the River Spree, the girl crying softly, trying to catch a glimpse of her mother across the river." During Schulke's early coverage of the civil rights movement, he had a relatively balanced journalistic outlook and tried to see both sides, says Gary Truman, a long-time friend and former colleague. "But that faded quickly because he said that sometimes there is no other reasonable opposite view, there was only right and wrong," Truman says. "I think his coverage of the Berlin Wall stated immediately: this simply is wrong." Schulke saw both the wall and the civil rights movement as part of "a greater conflict over universal human freedoms," says Truman, who became the archivist of Schulke's photo collection after the photographer's death in 2008. "Similarities always exist in the artist's eyes." Schulke was far from alone in seeing the parallels between division in America and in Berlin. Even before the famous "Ich bin ein Berliner" speech by President John F Kennedy, his brother Robert Kennedy came to Berlin as US Attorney General in February 1962. "For a hundred years, despite out protestations of equality, we had, as you know, a wall of our own - a wall of segregation erected against Negroes," Kennedy said. "That wall is coming down."Source: BBC
Marjolein Martinot
The Netherlands
1965
Marjolein Martinot is a Dutch photographer, based in France. She has always been drawn to photography from an early age, and has continued using and exploring the medium throughout her life, while raising a family of six children. Her photography touches on the poetic, while striving to remain authentic and true at the same time. She aims to evoke sentiments by using and mixing different photographic approaches and analogue cameras. The prime focus of Marjolein’s work is on everyday life: family, friends, and the places and things that touch her. She has participated in various photography classes and workshops, and works on personal projects and commissions. Statement "Over the last years, photography has taken a very important place in my life. Although I didn’t realise it at the time when I started taking photo’s (years ago), it has now become a life-changing activity for me, and especially during the last couple of years. While photographing, I find that I am able to create some kind of outlet for myself. A way to travel, to step away from everyday life. Immersing in something - into another world, yet without physically having to go anywhere. I also discovered that I love taking portraits. When taking a portrait, the exchange/interaction with someone (often a stranger) is so intimate and special - hard to describe really. That tiny instance of someone’s personality coming through - managing to capture that, is truly an amazing experience. Those moments are always swift and evanish almost instantly though. Being a naturally shy person, these one-on-one encounters give me a real boost, a particular energy and a sense of confidence that I very much enjoy. With all my photography-work, I often try to evoke inner sentiments and feelings, while observing and drawing parallels to my own life. In my last photo-series, Riverland, I attempt to portray the way a meandering river compares to the always unexpected and unknown course life takes, and flows..."
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AAP Magazine #59 Shapes
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