All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Souichi Furusho
Souichi Furusho
Souichi Furusho

Souichi Furusho

Country: Japan
Birth: 1977

I live in Kumamoto-Japan, and work as a graphic designer in the field of advertising media. I discovered iPhoneography on Facebook and Flickr a couple of years ago, about the same time I bought my iPhone. That was followed by a variety of delightful encounters with people online. I have since participated in exhibitions in "Spain, The Netherlands, and California" along with iPhonegraphers from various countries. Although I had no prior experience whatsoever as a photographer, I was familiar with working with photographs as part of my career in graphics. My style is what I call "freedom & simple", and I approach it from many different angles. This style is the result of pursuing my own vision, which is represented by my works. iPhoneography has provided interesting opportunities for my new form of representation.

The umbrella has become a symbol essential to my work. For me, the umbrella embodies the thoughts and dreams of people. This is a series of images using the umbrella as “a vehicle which carries a dream.
 

Inspiring Portfolios

Call for Entries
AAP Magazine #59 Shapes
Publish your work in our printed magazine and win $1,000 cash prizes
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Laura Berson
France
1987
Laura Gwenaëlle Berson was born in Paris in 1987. She studies Applied Arts, then comedy,script-wrinting and cinema. It is a few years later that she is moving towards a more intuitive photographic, plastic and writing work, enabling her to express everything she doesn't know just as much as the others, with the aim of finding the essence of something. Her conceptualized artistic practice allows her to play on forms, bodies whatever they are, by diving into the heart of the infinitely large and the infinitely small, to try to connect the sensitive but not palpable part that binds the two . Her work oscillates between everything and nothing, here and there, where she moves, like an atom (or electron it depends) free, among others. It is through her raw and spontaneous hypersensitivity that she directs her work towards an intimate questioning, playing on the different strata of reality that accompany it to identify a multi-variable essence. She exhibited solo in 2015 at the Maison de la Mixité in Paris and was present at Fotofever Emerging Talent in November 2016. She got an honorable mention for the Chromatics Photography awards in the landscape section. In 2018, she appeared publicly in a Science Shakers - Mixology session - around the imaging of science, organized by the Institute of Complex Systems in partnership with the CNRS, and won the Moscow Foto awards silver price for her serie Some Seeds. In her series The Intolerante, she tries to highlight the effect of food intolerance on the body, its destructuring of the body see its modification, via its own body damaged and tired by daily pain. Through the Myth of the Endometrium, she traces the course of the disease of endometriosis from which it is reached, passing painful menstruation and infertility to the possibilities of operations in order to be able to transmit life. In her series Silentium, she tries to transcribe relationships to others, difficult, tempestuous, whose links fade or weave over time, in a carnal and organic way.
Michael Kenna
United Kingdom
1953
Michael Kenna was born in Widnes, England in 1953. As one of 6 children born to a working class Irish-Catholic family, he initially aspired to enter the priesthood but his passion for the arts led him to The Banbury School of Art where he studied painting and then photography. Later he attended The London College of Printing and began working as a photographer and artist. He moved to San Francisco in 1977 where he was astounded by the number of galleries the city housed which allowed artists to showcase and sell their work. San Francisco has remained his home ever since. Michael Kenna's work has often been described as enigmatic, graceful and hauntingly beautiful much like the Japanese landscape. Kenna first visited Japan in 1987 for a one-person exhibition and was utterly seduced by the country's terrain. Over the years he has traveled throughout almost the entire country constantly taking photographs. From these many treks the book Japan, featuring 95 of these photographs, was conceived. The simplicity and clarity of Kenna's Japan alludes to rather than describes his subject allowing the viewer to have a completely unique and tailored interpretation. He has described this body of work as, "more like a haiku rather than a prose"; his work being like photographs written in short poem form. Kenna's photographs are often made at dawn or in the dark hours of night with exposures up to 10 hours. Kenna has said "you can't always see what's otherwise noticeable during the day... with long exposures you can photograph what the human eye is incapable of seeing". Michael Kenna's prints have been shown in numerous exhibitions throughout the world with permanent collections in the Bibliotheque, Paris; The Museum of Decorative Arts, Prague; The National Gallery of Art, Washington DC; and the Victoria and Albert Museum, London. Kenna has also done a great deal of commercial work for such clients as Volvo, Rolls Royce, Audi, Sprint, Dom Perignon and The Spanish Tourist Board. Japan is one of 18 books of Kenna's photography to have been published to date. Source: Supervision With more than fifty monographs documenting his travels, Michael Kenna shows no signs of slowing down in his endless pursuit of nature's haunting beauty. Whether working in his native England, Easter Island, the coastal towns of France or the islands in Japan, Kenna seeks places of solitude which speak volumes about humanity. Barren seascapes, abandoned fishing nets, fragmented piers, mysterious horizons, trees emerging from under snow drifts – these are just some of the images which dominate Michael Kenna's work from Japan. The result of his efforts can be seen in two books, Hokkaido (2006) and Japan (2002), both published by Nazraeli Press. His newest book, Mont St Michel, continues his passion for solace. Originally built as a community for Benedictine monks, Mont St Michel became a place of prayer, meditation and silence. Kenna made may journeys to Mont St Michel, staying for days at a time, living among the residents, following their codes of silence and prayer. Armed with a camera, Kenna walked the halls, crypts and towers, watching shadows sneak their way around columns and spires, recording the passing of time. Mont St Michel is dedicated to Michael's father who recently passed away. As Kenna states in his introduction: "My dad was a quiet man, he didn't seem to have a need to talk very much...We walked pretty much everywhere, and I liked to walk with my Dad...I think the time in-between destinations was most special for me. We didn't need to say very much to each other. Walking, observing, listening, waiting. Somehow I associate those walks with my time at Mont St Michel...He taught me that it's alright to walk alone sometimes." Whether photographing in Mont St Michel, Japan, China, or the United States, Michael Kenna invites the viewer to walk along with him as he captures moments between events, when human presence seems right around the corner and silence is always present... Source: Catherine Edelman Gallery
Wendel Wirth
United States
1966
Wendel Wirth is an American contemporary fine art photographer. Originally from New York City and Chicago, Wirth lives in the mountains of Ketchum (better known as Sun Valley), Idaho. She in interested in the space between minimalist art and photography, ultimately pushing the viewers attention beyond the subject matter and celebrating the most essential and elemental aspects of the photograph. Wirth is an Idaho Commission on the Arts Fellow and is represented by Gilman Contemporary in Ketchum, Idaho and Dimmitt Contemporary in Houston, TX. THIS IS THE PLACE THIS IS THE PLACE is a photographic exploration of minimalist art as found in the landscape of our fading farmland. Driving highway twenty through central Idaho, the ground stretches for miles, expanding space. The linear landscape feels curated. In the winter months, the muted horizon parades elemental forms; barns and grain elevators, cow houses, cowsheds, granges as they have been called. My mind, in its road trip haze, translates the landscape into fields of Donald Judd's concrete blocks. As a photographer, I flatten the plane, calling to mind Judd's woodblock prints. The structures fade into a cluster of modest rectangles. A perfectly centered horizon line juts from a singular form. Repetition, as found in minimalist art, is used to draw attention to the subtle details & linear interests. As I peer through my viewfinder, I am not only deeply engaged with form and texture, line, color and atmosphere, I am also contemplating the rate at which our farmland in disappearing. It is urgent for me to capture a place that historically has served as a source of health and ecosystem before it is gone. Through intersecting my obsession of minimalist art, photography and farmland, my intent is to inspire you to visually play in and to conserve this precious land. THIS IS THE PLACE I am telling you about.
Lisa Thomas
United States
1974
Lisa Thomas is a self-taught Atlanta-based photographer with a passion for creating unique, abstract images. Born in Virginia in 1974, she holds a degree in physical therapy from the University of Oklahoma and has spent over 20 years in the healthcare industry. She began studying photography in 2020 as a creative outlet to cope with stress and to connect with others during a time of social isolation. Initially drawn to representational imagery, her journey as an artist has been an evolution, leading her to embrace the enchanting realm of abstract photography. Thomas’s current work, Studies in Oil and Water, is a macro view of the interplay between oil and water set against a variety of backdrops. Thomas’s distinctive style combines vibrant colors, playful compositions, and the use of light to create images that are emotionally uplifting and encourage viewers to embark on a visual journey. Studies in Oil and Water My photographic work is an exploration of two seemingly incompatible elements, oil and water. Through my lens, I capture their intricate interactions giving rise to mesmerizing abstract compositions allowing viewers to immerse themselves in a realm of color and fluidity. In this chaos, I find harmony in the hues and patterns that emerge and an appreciation for the beauty in the everyday. From bold and intense to tranquil and serene, my photographs mirror the kaleidoscope of emotions that define our lives. My aim is not only to captivate the eye but also to inspire curiosity and contemplation in the viewer.
B Jane Levine
United States
B Jane Levine was raised in the suburbs of New Jersey, a short bus ride from New York City. She has a PhD in Biochemistry from Columbia University, but left the field of molecular biology research to raise her family. After leaving research, she took an interest in photography and began taking classes at ICP and other online platforms. She further honed her skills through many photography trips all over the world. Her photography spans many genres including street photography, landscape photography, and long exposure cityscapes. Currently, her focus is a series of candid portraits of strangers captured on the streets of New York City. Statement I prefer to capture moments on the street without the knowledge of the subject so that the expression, gesture and/or movement are authentic. Sometimes I get caught and a subject will give me that nod of recognition at the moment of the shot or after I press the shutter. I often go out with no expectations of subject matter other than looking for a moment, which elicits some emotion that I respond to with the subject, it is mainly driven by an internal signal that connects me to the subject or situation. Experimentation keeps me in the moment. I try to respect the subjects that I photograph. People show themselves on the street the way they want others to perceive them. I take an image of a moment, which I observe with no other intent other than to memorialize the moment, which I recognize is real for the subject as well as myself. The people in the photographs all possess a characteristic, gesture, or physical trait that I identifies as part of my own story. The series is a composite of pieces of my life – a self-portrait.
Advertisement
AAP Magazine #59 Shapes
Win a Solo Exhibition in July
AAP Magazine #59 Shapes

Latest Interviews

Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Call for Entries
Win A Solo Exhibition in July
Get International Exposure and Connect with Industry Insiders