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Win the First Solo Exhibition of 2026! Submit your best project now. Open Theme
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Souichi Furusho
Souichi Furusho
Souichi Furusho

Souichi Furusho

Country: Japan
Birth: 1977

I live in Kumamoto-Japan, and work as a graphic designer in the field of advertising media. I discovered iPhoneography on Facebook and Flickr a couple of years ago, about the same time I bought my iPhone. That was followed by a variety of delightful encounters with people online. I have since participated in exhibitions in "Spain, The Netherlands, and California" along with iPhonegraphers from various countries. Although I had no prior experience whatsoever as a photographer, I was familiar with working with photographs as part of my career in graphics. My style is what I call "freedom & simple", and I approach it from many different angles. This style is the result of pursuing my own vision, which is represented by my works. iPhoneography has provided interesting opportunities for my new form of representation.

The umbrella has become a symbol essential to my work. For me, the umbrella embodies the thoughts and dreams of people. This is a series of images using the umbrella as “a vehicle which carries a dream.
 

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More Great Photographers To Discover

Brett Foraker
United States
Brett Foraker began his career as a painter before turning to photography and filmmaking. All of his projects are imbued with a lyrical and at times surreal point of view. His early years were spent developing the lauded brand identities of channels such as TCM, Film4, and E4. He was appointed the youngest-ever Creative Director of Channel 4 (UK) where he directed the multi-award-winning C4 Idents and Faces of 4 campaigns. Since then, he has been making adverts through Ridley Scott Associates where he has directed award-winning campaigns for Toyota, Sony, British Heart Foundation, and Syfy, to name a few. Among his many accolades are awards from Cannes Lion, Creative Circle, BTAA, and the coveted Black Pencil from D&AD. He was the guiding force behind the 4Creative, and has been on Campaign's A-List as one of the world's leading creative thinkers. His work has appeared frequently in Creative Review, Boards, Shots, and was featured in Saatchi's Young Directors' Showcase in Cannes. Later he collaborated with brands such as Lexus, Puma, and Samsung+Rihanna. He lives and works in Los Angeles. As well as being an in-demand director and screenwriter, Foraker has been working on several portfolios of abstract and experimental photography. These are presented here for the first time. We asked him a few questions about his life and work. Statement I am a gestural photographer. I want to push beyond traditional image-making to incorporate abstraction and the energy of movement into my pictures. On some level I am trying to break photography or at least our previous ideas about what makes a beautiful picture. This started with experimentations in abstracting the everyday: people merging with the architecture of the city, spectral palm trees in the morning fog. It evolved into arresting the motion of common occurrences: exploding waves, rippling flags, the sculptural moment where a bridge and an onramp converge. I still felt the need to push further. I have long been intrigued by the errors that are generated by intentionally misusing our cameras and phones. By forcing these devices to act against their programming, we can replicate and even extend some of the experiments that were conducted in the early days of photography. Back then it was the use of long-exposure or even multi-exposure within individual frames that led to such accidents. Now, we can use these techniques as the building blocks for creating a kind of digital expressionism. The camera itself can record our gestures, acting as both brush and canvas, warping reality in a way that is at once controlled and randomized. I now apply these techniques to some of our oldest forms: landscapes, portraits, floral still lifes-everything is up for grabs. The fact that these images often express what it feels like to inhabit an increasingly fragmented digital world is more than a happy coincidence. It is what I was striving for all along. Exclusive Interview with Brett Foraker
Lu Nan
China
1962
Lu Nan is a contemporary photographer who was born in Beijing, China in 1962. After working for National Pictorial for 5 years, he decided to become an independent photographer. From 1989 to 1990, he shot a series of images of the living conditions of patients in Chinese mental hospitals. From 1992 to 1996, he shot a series of images about Catholicism in China. From 1996 to 2004, he shot a series of images of the daily life of Tibetan farmers. Lu Nan is known as "the most legendary photographer in China". He is also the only Chinese contemporary photographer chosen by Aperture magazine as a topic colon. Lu Nan is constantly invited to participate in numerous exhibitions; however, he is extremely selective about the exhibitions he is involved with. Lu also refused to have his portrait taken by others, so it’s very rare to see any photo documentations of him. For fifteen years, Lu has been leading a life that is almost like a monk, spending his time working and studying, as he believes that “good stuff comes out of reticence.” Since 1989, Lu Nan has spent 15 years completing his trilogy of photographic series: The Forgotten People, China's Catholicism and Four Seasons in Tibet. These images have allowed Nan to place himself in the international spotlight. But perhaps more importantly, he became one of the first people who exposed another side of Chinese society; people often considered outcasts. “I just respect them and care about them… They are the same as us,” said Lu as a reminder that all human beings are equal and deserve dignity. His black and white photographs depict people within their own environment by using a rather straight glance, which is yet associated with delicate contrasts and elegant compositions.Source: Wikipedia Correspondent for the prestigious international cooperative Magnum Photos since the 1990s, Lu Nan 呂楠 (born in 1962 in Beijing) is an independent photographer who has been documenting marginalized people in China. His pivotal series started in 1989 with The Forgotten People: The Condition of China’s Psychiatric Patients. Pursing his intentions to document Chinese people from the margins of society, his subsequent series captured members of the Catholic Faith (On The Road: The Catholic Faith in China, 1992-1996), peasants’ life in Tibet (Four Seasons: Everyday Life of Tibetan Peasants, 1996-2004), and prisoner’s conditions (Prisons of North Burma, 2006).Source: photographyofchina.com “In 15 years, not a day went by when I didn’t question my own work,” says Chinese photographer Lu Nan, in an interview included in his new book Trilogy. “That’s why I scrutinize what I was doing by means of reading. This mode of assessing action through thought and assessing thought through action helped me to complete these projects." “The trilogy is concerned with human beings. I hope that by looking into real life, I’ll find something fundamentally and enduringly human.” Lu Nan isn’t well known outside China but this book, his first in English, should change all that. It collects together three projects he shot over 15 years – The Forgotten People, a look at the lives of Chinese psychiatric patients, shot from 1989-1990; On the Road, a look at the lives of Catholics in China, shot from 1992-96; and Four Seasons, a look at the lives of rural Tibetans, shot from 1996-2004. These microcosms are apparently very different and yet, to Lu Nan, they’re intimately interrelated. Inspired by image-makers such as Josef Sudek and Sebastiao Salgado and extremely well-read, Lu Nan says the three projects represent the three states of life – The Forgotten People is about suffering and adversity, On the Road purification, and Four Seasons about a blessed, serene state.Source: British Journal of Photography
Anton Gorlin
Australia
Anton Gorlin is a landscape and real estate photographer, who tries to capture the essence of the moment and beauty of shapes and forms. Originally from Ukraine, he now lives and works in Gold Coast, Australia. Anton enjoys the beauty of Australian nature and does several trips a year to keep his portfolio growing. Prints of his photos landed in Ukraine, Russia, Germany, Australia, USA and other countries. Anton's works have been published in various magazines and newspapers internationally. Photography for Anton started off as a hobby when he was sent to Australia for the first time for business. He got a compact camera and became involved instantly. After a short course to get into the techie stuff, he bought his first DSLR Nikon D80 and it served him well for years - until it got drowned in the ocean. Anton is mostly self-taught. After that short initial course, he gained 99% of his knowledge through the internet, articles and later digital editing course by Sean Bagshaw. Editing was always harder to master and Sean's course appeared to be a game changer for him. Anton has been freelancing since 2011 as a real estate photographer and in 2018 he's started growing his business, getting more clients and getting more involved in the real estate photography. Anton runs a photography blog with educational guides and tutorials and some free 4K wallpapers for download. He also performs landscape photography workshops in Gold Coast, Australia and editing lessons both online and offline.
Debbie Miracolo
United States
1953
Debbie Miracolo is a photo-based artist interested in transition and passage of time. A former graphic designer with a fine art education, she creates inventive images with a sharp attention to detail and composition, often with a generous sprinkling of emotion and whimsy. She attributes her outlook to memories of an introverted childhood infused with make-believe worlds and storybooks. By transforming rather than documenting truth, her interpretations of humanity, nature, and train travel serve as seductive invitations to linger, question, and weave a story of one's own. Growing up as an only child in a home with her European parents and grandmother made her childhood reality different from that of her friends. She was introverted, shy, and intimidated by the world around her, but found that creating art alleviated some of the loneliness she felt and helped her to express her feelings. By the time she finished high school she had become skilled at drawing and painting. At Rochester Institute of Technology she earned a BFA, studying printmaking, photography, and art history, and later moved to New York City to pursue her artistic dreams. There she began a 15-year career as a graphic designer in the busy publishing and advertising industries. With the birth of her two sons and subsequent move to a Victorian house in a suburban New York town, she shifted all of her energy, diving into motherhood, and for several years the creative spirit within her lay patiently dormant. As most artists know however, that spirit never truly leaves, and as her children approached adolescence she could sense it regaining strength. Feeling drawn to photography once again, Debbie made the decision to revisit the medium as an art form. She began taking classes and workshops at the International Center of Photography, gaining mastery of the craft and honing her own personal vision. From there, there was no turning back, and she has been making and focusing on her art ever since. Debbie's work has been published, notably on the cover of Geo Wissen Magazine and most recently, in F-Stop Magazine. Her images have been exhibited in a number of galleries in New York City, Boston, St. Petersburg, Fl. and Middlebury, Vt. as well as online media. About Imagined Moments from the Porch "It was a bewildering, absurd world I found myself in during the first chaotic months of the Covid-19 outbreak. Through incongruous juxtapositions, metaphor and a bit of whimsy, these photo composites of my neighbors portray the surreal, confused and off-kilter feeling I had then, and which still lingers today. With many of us sheltering in place, pedestrian traffic had increased remarkably in my quiet town. People paraded by on the street, some of whom I'd never seen before; young and old, parents with children, and more and more dogs as the weeks went by. I began to photograph what I observed from the steps of my front porch and, over a period of four spring and summer months, the project evolved. The idea to reconstruct the photographs came to me when I needed to switch out a person, and with that one manipulation, it became clear that I would take the series in a more imaginative direction. As the virus numbers increased and the news became more alarming by the day, I digitally rearranged my characters in more unlikely ways. It was as if my wish to change reality and my doubts about what to believe were coming through in my images. Imagined Moments from the Porch is a kind of theatrical narrative made up of fictional scenes I compose to depict my off-beat version of these dark, confusing, and upside-down days." -- Debbie Miracolo
Ernie Luppi
United States
1954
San Francisco native Ernie Luppi became involved with photography in 1973 when he started using his mother's Instamatic 126 camera that he and his brothers had given to her as a Christmas gift the previous year. During this time, Ernie was attending the City College of San Francisco and decided to switch his major to photography. The CCSF Photography Department offered one of the finest programs in the area and it helped Ernie unearth the creativity within him. To this day, Ernie is an avid black and white film and darkroom enthusiast. In 1975, Ernie graduated from CCSF with an Associate of Science degree in Photography and has spent the past 39 years in retail photography sales, first working at Adolph Gasser, Inc. for 23 years, followed by 16 years at Keeble and Shuchat in their respective film and darkroom supply departments. Ernie's photographic vision is varied. It ranges from travel, portraiture, street, and the urban landscape. Ernie has often quoted, “I am a jack of all trades and a master of none,” but really he is just curious about everything that he sees through his camera lens. An association with RayKo Photo Center was established in June of 1992 when Ernie had a solo exhibition of photographs, all of them gelatin silver prints, that he had taken during trips to Italy in 1981 and 1991. For the past decade, with the guidance of gallery director Ann Jastrab, Ernie has been a member of RayKo's Photographers Marketplace. Ernie's images have also been selected for RayKo exhibitions such as the documentary show "With Our Own Eyes", "The Perimeter of the World: Contemporary Travel Photography", as well as several Plastic Camera Show exhibits. He continues to photograph daily and can usually be found in his darkroom.
Werner Bischof
Switzerland
1916 | † 1954
Bischof was born in Zürich, Switzerland. When he was six years old, the family moved to Waldshut, Germany, where he subsequently went to school. In 1932, having abandoned studies to become a teacher, he enrolled at the Kunstgewerbeschule in Zürich, where he graduated cum laude in 1936. From 1939 on, he worked as an independent photographer for various magazines, in particular, du, based in Zürich. He travelled extensively from 1945 to 1949 through nearly all European countries from France to Romania and from Norway to Greece. His works on the devastation in post-war Europe established him as one of the foremost photojournalists of his time. He was associated into Magnum Photos in 1948 and became a full member in 1949. At that time Magnum was composed of just five other photographers, its founders Robert Capa, Henri Cartier-Bresson, George Rodger, David Seymour, and Ernst Haas. The focus of much of Bischof's post-war humanist photography was showing the poverty and despair around him in Europe, tempered with his desire to travel the world, conveying the beauty of nature and humanity. In 1951, he went to India, freelancing for Life, and then to Japan and Korea. For Paris Match he worked as a war reporter in Vietnam. In 1954, he travelled through Mexico and Panama, before flying to Peru, where he embarked on a trip through the Andes to the Amazonas on 14 May. On 16 May his car fell off a cliff on a mountain road in the Andes, and all three passengers were killed. Source: Wikipedia Werner Bischof was born in Switzerland. He studied photography with Hans Finsler in his native Zurich at the School for Arts and Crafts, then opened a photography and advertising studio. In 1942, he became a freelancer for Du magazine, which published his first major photo essays in 1943. Bischof received international recognition after the publication of his 1945 reportage on the devastation caused by the Second World War. In the years that followed, Bischof traveled in Italy and Greece for Swiss Relief, an organization dedicated to post-war reconstruction. In 1948, he photographed the Winter Olympics in St Moritz for LIFE magazine. After trips to Eastern Europe, Finland, Sweden and Denmark, he worked for Picture Post, The Observer, Illustrated, and Epoca. He was the first photographer to join Magnum with the founding members in 1949. Disliking the ‘superficiality and sensationalism’ of the magazine business, he devoted much of his working life to looking for order and tranquility in traditional culture, something that did not endear him to picture editors looking for hot topical material. Nonetheless, he found himself sent to report on the famine in India by Life magazine (1951), and he went on to work in Japan, Korea, Hong Kong and Indochina. The images from these reportages were used in major picture magazines throughout the world. In the autumn of 1953, Bischof created a series of expansively composed color photographs of the USA. The following year he traveled throughout Mexico and Panama, and then on to a remote part of Peru, where he was engaged in making a film. Tragically, Bischof died in a road accident in the Andes on 16 May 1954, only nine days before Magnum founder Robert Capa lost his life in Indochina. Source: Magnum Photos
Jürgen Schadeberg
South Africa
1931 | † 2020
Jürgen Schadeberg was a German-born South African photographer and artist. He photographed key moments in South African history, including iconic photographs such as Nelson Mandela at Robben Island prison. He also lived, worked and taught in London and Spain, and photographed in many African countries. Jürgen Schadeberg was born in Berlin, Germany, in 1931 where he grew up during the Nazi regime and World War II. In the aftermath of the war, his mother began a relationship with a British officer in the army of occupation and emigrated with him to South Africa in 1947. Schadeberg learned to be a photographer at the Deutsche Presseagentur (German Press Agency). He moved to South Africa to rejoin his family in 1950 and, the following year, found employment on Drum magazine as an official photographer and layout artist. Schadeberg became the senior figure of the group and a teacher and mentor to some of the most creative South African photographers of his time, including Bob Gosani, Ernest Cole, and later Peter Magubane. As one of the few white photographers who photographed daily life among the black community, he became knowledgeable about black life and culture. As a result, he captured on film the beginnings of the freedom movement, the effects of apartheid, and the vibrancy of township life. Schadeberg photographed many historic and pivotal events in the 1950s among them the Defiance Campaign of 1952, the 1956 Treason Trial, the Sophiatown removals of 1955, the Sophiatown jazz and social scene, the Sharpeville funeral of 1960, and pictures of Robben Island inmates. Some of the famous people he photographed include Nelson Mandela, Walter Sisulu, Oliver Tambo, Trevor Huddleston, and Govan Mbeki. He also documented 1950s jazz legends such as Thandi Klaasen, Hugh Masekela, Kippie Moeketsi and Miriam Makeba. He made documentation of everyday life. When Drum wanted the singer Dolly Rathebe to be the cover girl for one of their issues, Schadeberg took her to a Johannesburg mine dump and photographed her in a bikini. The two were arrested for contravening the Immorality Act which forbade interracial relationships. In 1959, Schadeberg left Drum to become a freelancer. He was part of an expedition led by Professor Phillip V. Tobias from the University of the Witwatersrand to study the Bushmen, publishing images in The Kalahari Bushmen Dance in 1982. Schadeberg felt forced by increasing civil unrest to leave South Africa, and in 1964 went to London, where he was picture editor of Camera Owner magazine (forerunner of Creative Camera), into which he incorporated a stronger sense of design and increased its pictorial content, and from April to July 1965 he was its editor. He also taught and curated photographic exhibitions in England, notably for the Whitechapel Art Gallery. He then moved to Spain where he focused on a career as an artist. In 1972, he returned to Africa where he accepted a position as a photographer for Christian Aid in Botswana and Tanzania. In 1973 he traveled to Senegal, Mali, Kenya, and Zaire, taking photographs. In 1985, Schadeberg returned to South Africa, where he lived with his wife Claudia. He continued to work as a photojournalist, and also made documentaries about the black community until 2007 when he returned to Europe. Schadeberg died from a stroke at his home in La Drova [ca], Valencia, Spain, on 29 August 2020, aged 89. His work is held in the collections of the UK Arts Council, National Portrait Gallery, Tate and the Victoria and Albert Museum in London.Source: Wikipedia Jurgen has edited and published over 30 photographic books including The Finest Photos from the Old Drum, The Fifties People of South Africa, Mandela & The Rise of the ANC, Voices from Robben Island, Sof’town Blues, The Black & White Fifties, The San of the Kalahari & Soweto Today 2002, Witness - 52 years of pointing lenses at Life 2004, Voices from the Land 2006. Jazz, Swing & Blues – 56 years of SA Jazz and Tales from Jozi 2007– Six decades of documentary photography in Europe, Africa and America published by Hatje Cantz 2008, Great Britain 1964/84 , 2011 Jurgen Schadeberg visits Germany – 6 decades 2012, and Six decades of South African Photography 2014. Together with his producer wife Claudia, Jurgen established The Schadeberg Movie Company to produce a series of some 15 documentaries and dramas about South African social, cultural and political history. Jurgen Schadeberg, sometimes known as “The Father of South African Photography”, is a principle figure in South African and World Photography. His major body of work, which spans 70 years and incorporates a collection of some 200,000 negatives, captures a wealth of timeless and iconic images.Source: www.jurgenschadeberg.com
Rip Hopkins
United Kingdom
1972
Born in England in 1972, Rip Hopkins studied industrial design at ENSCI (Ecole Nationale Supérieure de Création Industrielle) in Paris. Working with Médecins Sans Frontières (Doctors Without Borders) he has made photoreportages and documentaries in numerous countries including South Sudan, Bosnia, Liberia, Uganda, Ingushetia, and East Timor. He joined Agence VU in 1996 and the following year received the Mosaïque Scholarship, the Kodak Young Photo-Reporter Award, the Observer Hodge Award and the Monographies Prize. In 2000, he was awarded the Fondation Hachette Scholarship to pursue his photographic work in Tajikistan. This led to his receiving the 2002 Fondation HSBC Award and the publication of Tajikistan Weaving (Actes Sud Editions). His book Displaced (Textuel Editions 2004) was produced with the support of the FIACRE Scholarship. Hopkins started photography when he was ten years old. It is his way of recording and documenting moments of his life and those of others. He sees photography as a tool presenting vast possibilities for intellectual and aesthetic expression. He combines his personal art work with the necessity of making a living, thus drawing on various means of support such as exhibitions, books, press work and films. This produces an on-going cycle: if a person sees a photograph then they know that it exists, so they can buy it, so the photographer can produce work and survive. So what is a photographer exactly? Ethnographer, artist, advertiser, teacher, crook, journalist, artistic director? Few professions are so diverse and so vague. A photographer is constantly confronted with questions such as: what is an image today? How long will it survive? How should it be made? Who wants it? What technique should be used? Should there be a point of view or a stand point? With each new project Rip asks himself these questions again and re-evaluates his role in today’s world. Rip Hopkins is a member of Agence Vu and is represented by Galerie Le Réverbère and by LT2. Source: www.riphopkins.com
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AAP Magazine #54 Nature
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