All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
FINAL CHANCE to enter All About Photo Awards: $5,000 Cash Prizes - Juror Steve McCurry
FINAL CHANCE to enter All About Photo Awards: $5,000 Cash Prizes - Juror Steve McCurry
Jim Dow
Jim Dow

Jim Dow

Country: United States
Birth: 1942

Jim Dow (b. 1942, Boston, Massachusetts) is an American photographer who specializes in photographing places, not people. In the tradition of Walker Evans, Dow examines both high and low - baseball stadiums, universities, court houses, Americana, private clubs in New York. His exquisitely detailed work is printed from 8x10" negatives and brings the richness of texture and light to the forefront. Dow photographs urban and rural architectural sites--from drive-in fruit stands to Gothic cathedrals. 8x10" negatives provide extraordinary clarity and precision in his prints, either contact prints or 20x24." His newest series is called "American Studies."

Source: Wikipedia

 

Inspiring Portfolios

Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

David Plowden
United States
1932
David Plowden was a renowned American photographer known for his evocative and poignant images of America's vanishing landscapes. Plowden's work documented the changing face of the American landscape, particularly the decline of small towns, historic structures, and industrial sites, with a deep sense of reverence for the past. Plowden's interest in photography began at a young age, and he honed his skills while studying at the Institute of Design at the Illinois Institute of Technology, where he was mentored by renowned photographer Harry Callahan. Plowden's work was influenced by the work of Edward Steichen and Walker Evans, and he developed a distinct style that combined technical precision with emotional depth that resonated with viewers. Plowden's photography focused on capturing the essence and character of a rapidly disappearing America throughout his career. His black-and-white photographs were hauntingly beautiful, providing a glimpse into the past while raising questions about progress and preservation. Plowden's documentation of small towns and rural landscapes is one of his most notable bodies of work. He sought out areas untouched by modern development, photographing the fading facades of main streets, weathered barns, and decaying structures. He revealed the stories etched into the architectural details through his lens, conveying a sense of nostalgia and longing for a simpler time. David Plowden’s work is sometimes compared to that of the great WPA photographers—Walker Evans, Bernice Abbot, Russell Lee, Dorothea Lange—but he’s been in the field decades longer than any of them were. What he has done is nothing less than capture a whole nation passing through fifty years of changes as momentous as those unleashed by the Industrial Revolution. -- Richard Snow (from the forward of Vanishing Point) Plowden also focused on America's disappearing industrial landscape. He chronicled the decline of once-thriving industries like steel mills, factories, and coal mines. His photographs captured the stark beauty and melancholy atmosphere of these abandoned spaces, conveying the human impact of industrial decline and its toll on communities. Plowden's work was not limited to photography. He was a successful author, having written a number of books that combined his stunning images with thoughtful narratives. His books, such as "Vanishing Point: Fifty Years of Photography," provided an extensive visual record of his lifelong investigation of disappearing landscapes. Plowden's work received critical acclaim and was shown in prestigious galleries and museums around the world throughout his career. He received numerous honors for his contributions to photography, including a Guggenheim Fellowship. David Plowden's photographs are a visual testament to the importance of preserving our common history and America's vanishing landscapes. His photographs convey a sense of loss, prompting viewers to consider the impact of progress and the fragility of our built environment. The legacy of Plowden as a master photographer lives on, inspiring future generations to document and appreciate the landscapes and structures that define our collective memory.
Philippe Chancel
Over the past twenty years Philippe Chancel’s photography has explored the complex, shifting and fertile territory where art, documentaries and journalism meet. His is a constantly evolving project, focusing on the status of images when they are confronted with what constitutes “images” in the contemporary world.Born in 1959, Philippe Chancel now works and lives in Paris. He was introduced to photography at a very young age, took an economics degree at the University of Paris (Nanterre) followed by a post-graduate diploma in journalism at the Cfpj in Paris.Philippe Chancel’s work has been widely exhibited and published in France and abroad in a number of prestigious publications. These include « Regards d’artistes » – portraits of contemporary artists –, « Souvenirs » – a series of portraits of great capital cities (Paris, London, New York, Tokyo, Brussels) glimpsed through shop windows - produced in collaboration with Valérie Weill, and, lastly, his North Korean project, which brought him international recognition.« DPRK », in which Chancel offers a revealing and original vision of North Korea, was first shown in 2006 at the « Rencontres d’Arles », then at the C/O Berlin. It was also exhibited at the Photographers’ Gallery in London, as part of the Deutsche Borse photography prize exhibition, where it won the visitors’ poll. « DPRK » also appeared in book form, published by Thames and Hudson. His Emirates project was initially presented at the 53rd Venice Biennale in the Abu Dhabi pavilion, curated by Catherine David, and was part of the « Dreamlands » exhibition at the Pompidou Centre from May 2010 followed by many others all over the world. « Desert sprit » published by Xavier Barral and « Dubai » published by be-pôles already present this project in book form. « Workers Emirates », published by Bernard Chauveau Editeur, is his latest photo essay book.Philippe Chancel is currently working on a new long-term project entitled « Datazone » that aims to explore the many-faceted aftermaths within the documentary field, revealing some of the world’s most singular lands which are recurrently in the news or, conversely, hardly ever picked up by the media radar. This visionary quest has already taken him from Port au Prince to Kabul via Fukushima, Niger's delta, Pyongyang or Astana. His work is included in many permanent public collections as well as private collections.
García De Marina
Born in Spain in 1975. Since the year 2012 uses the object like expression way. This Poet of the Prosaic made the leap from social networking to the galleries in a few months' time. His creativity has not gone unnoticed in Spain as well as the foreign media, having his work published in several countries in the world. He has made a number of individual exhibitions and taken part in different collective exhibits, in addition to diverse art fairs. His lens is profoundly irreverent with the real: it seeks to transform and stamp objects with new identities; it challenges the obvious, and pays heed to the grandeur of the everyday. The bareness of his photography endows objects with a leading role, while they are stripped of their essence to be reinvented. The artist does not carry out any photographic manipulation on the images. From the minimalist perspective, the inventiveness of his gaze lays claim to another reality. In 2015 the artist was one of the chosen ones, by the Spanish Embassy, to participate in the "Photo Week Washington D.C.". In 2017, the Contemporary Art Museum of Castilla León in Spain (MUSAC) selected three of his pieces for the "Constellations" exhibition, experimental poetry in Spain (1963-2016), where for the first time, the presence of visual and experimental poetry in Spain from the 1960s to the present is addressed. During last years the artist has participated in some Festivals of photography, in Spain and abroad as Photo Week D.C. in Washington (2015), Photo Romania Festival (2015), Photometria Festival in Greece (2016), Festival of the light in Argentina (2016), Bucharest Foto Week (2016), Addis Foto Fest in Ethiopia (2016), Uppsala Foto Festival in Sweden (2017) and Yangon Photo Festival in Myanmar (2018). In 2018 presented his exhibition "Diálo2" in the Barjola's Museum in Spain together with one the most important visual poets of the 20th century in Spain, Joan Brossa."
Sid Avery
United States
1918 | † 2002
Sid Avery (October 12, 1918 – July 1, 2002) was an American photographer and director who was best known for capturing the private moments of legendary Hollywood celebrities like Elizabeth Taylor, Rock Hudson, James Dean, Marlon Brando, Humphrey Bogart and Audrey Hepburn as showcased in his book Hollywood at Home. Avery was born in Akron, Ohio on October 12, 1918. He was only nine months old when they decided to move out to Los Angeles, California, which is where he grew up. Sid Avery received his high school education at the institution of Roosevelt High School. He discovered his love and talent of photography when he was young due to the fact that he was able to work with his uncle, Max Tatch, who was a landscape and architectural photographer. His uncle was able to teach him the skills required to use cameras, film, and darkrooms. After he graduated from high school, Sid Avery worked in a camera store on Sunset Boulevard, Hollywood where he further gained love and inspiration for photography. While working in the shop, he had opportunities to meet many famous photographers. This also encouraged him to take more photography classes. He also gained the experience of being a darkroom assistant. He served in the Army in World War II. When he returned from the war, he began his work of photographing celebrities. Sid Avery eventually became one of the top advertising photographers in Los Angeles. He was also a director of television commercials. Sid Avery was married to Diana Avery. Together they had three children named Sandra Guttman, Marc Avery, and Ron Avery. Sid Avery also had three grandchildren. He founded the Hollywood Photographer's Archive (HPA) and which is known today as mptvimages.com in an effort to preserve the work of the early Hollywood photographers. Sid Avery's work was commonly featured in publications such as Life, Look, Colliers and The Saturday Evening Post. There is a collection of his work, Hollywood at Home: A Family Album 1950-1965, that was published by Crown in the year of 1990. He is most famous for his work of photography that captured the home life of famous celebrities at the time. He captured the celebrities in their own element aside from the glamour of fame. Sid Avery died at the age of 83 on July 1, 2002, in Los Angeles, California.Source: Wikipedia One of six children, Sid Avery was born in 1918 in Ohio and moved to Los Angeles at a young age. Avery repaired a broken brownie box camera that he had found, and with the tutelage of his architectural photographer uncle he began to learn the basics of the photographic profession. By the time he entered Roosevelt High School, Avery’s talent in photography won him numerous prizes and after graduation he landed a job at Morgan’s Camera store on Sunset Boulevard. Avery was pursuing various odd photography jobs when World War II intervened. He was drafted into the Army, assigned to the Signal Corps, and selected to receive six months of training at Life magazine in New York before being sent overseas. Avery was stationed in London and was placed in charge of the Army Pictorial Service Laboratory, where all the stills and combat footage that came out of the European Theater of Operations passed through his hands. This included the detailed, highly classified photomontages of the French coast which were produced for the Normandy invasion. In order to handle this special material, Avery was granted an immediate commission by General Eisenhower himself. Photojournalism publications proliferated during the post-war years, and interest in film stars and their private lives grew to an all time high. During the 1950’s and early 1960’s, Avery photographed screen legends such as Humphrey Bogart, Lauren Bacall, Clark Gable, James Dean, Marlon Brando, James Stewart, and Alfred Hitchcock. His photographic essays appeared in the pages of The Saturday Evening Post, Look, Photoplay, Collier’s, Reader’s Digest, and many others. Avery’s characteristically low key, unobtrusive manner struck a sympathetic chord with reclusive and difficult personalities like Humphrey Bogart, who generally refused to be photographed. Bogart would eventually allow himself to be photographed by Avery with his pregnant wife Lauren Bacall and his son Stephen at their home. Sid Avery photographs have been exhibited and have been included in the permanent collections of the Museum of Modern Art in New York and San Francisco, the International Center of Photography in New York, the Smithsonian Institute in Washington, D.C., and the Los Angeles County Museum of Art in California.Source: Wikipedia
Bill Gekas
Australia
Australia-based photographer Bill Gekas has a real knack for portraiture, particularly the kind that results in an homage to many Old Masters of classic paintings, including artists like Vemeer and Rembrandt. Using his five-year-old daughter as the model, Gekas recreates many mid-18th century settings that are inspired by portraits of adults from famous paintings. He styles the environment and his daughter to fit the time period, and uses strobe lights to maintain the appearance of soft, natural lighting. The self-taught photographer learned on 35mm and has since turned to digital techniques. He uses post-processing to put the final touches on each of his photographs. Through hard work, experimentation, and a grand vision, the talented artist has successfully produced an extensive collection—a tribute to both the well-known artists as well as to his young daughter. As Gekas has evolved as a photographer, so has his unique style. He says "Don’t be scared of taking certain elements from different works and molding them into something to call your own. You might like the lighting from a photo you saw somewhere, a prop from another photo, colors from another. The key is not to limit yourself with the excuse, ‘It’s all been done before.’ Yes, many things have been done before, but with some careful thought you can adjust a concept to give it your signature. Experiment!”From www.billgekas.comMy name is Bill Gekas and I was born and live in Melbourne, Australia. A self taught photographer that learnt the technicals of photography using a 35mm film slr camera from the mid 90's and switched to digital in 2005, practicing the art of photography and constantly refining my style. Source: My Modern Met
Robert Rutöd
Robert Rutöd was born 1959 in Vienna, Austria. Early pursuit of painting; from 1978 on photography. Works from these years later appeared with some of his absurd texts in the book grayscales. early b&w photographs 1978-1988. Between 1979 and 1993, Robert Rutöd wrote screenplays and directed short films. In the mid-90s, he increasingly devoted himself to the design of books and applications for digital media. In 2004 he returned to photography; since 2009, he presents these images to a wider audience. In his projects, Robert Rutöd investigates the paradox Human with its sometimes tragicomic aspects. In 2009 the photo book Less Is More resulted from that and three years later, the series Right Time Right Place has been finished. For this he received several awards including the New York Photo Award 2012, the Special Prize of the Czech Center of Photography, and most recently Artist of the Year at Dong Gang International Photo Festival in South Korea. In 2017 he completed his series Fair(y) Tales, retelling an almost ten-year expedition through the burlesque realm of trade fairs and exhibition areas. Rutöd’s photographs have been shown worldwide at numerous photography festivals and exhibitions; his work has been widely published in magazines and on blogs. Robert Rutöd lives and works in Vienna. (Source: Robert Rutöd Website) Right Time Right PlaceBeing at the right place at the right time is usually associated with happiness and success. But what happens when we are at the right place at the wrong time? Do we even know that this is the right place? And what if it turns out that it is the wrong place after all? But the right time! “Right Time Right Place” is a collection of photographs I made in the last five years on my travels through Europe. The images revolve around the question of whether it is possible for a person to be in the right place at the right time. Is the ideal state of space and time something we are awarded or is it a state we have long been living in without being aware of our good fortune? I hope I have not succeeded in answering this question. Nothing fails more pathetically than an artist’s attempt to explain the world and its relationships. Rather, my work leads to the conclusion that the world cannot be explained. Once an exhibition visitor in New York told me that, when viewing my photos, she felt that the protagonists seemed to be kind of disobedient. I really liked that interpretation. "What Robert Rutöd brings to the contemporary photographic dialogue is that intangible ability to see the world with a skewed lens - a lens that is compassionate and at the same time, unkind. It is a lens that is the stuff of operas and nightmares, comedies and slapstick. Robert finds that split second of humor or truth telling and that instant of social documentation or absurdity that makes us not only laugh at ourselves, but also laugh and feel embarrassed all at the same time. Or should I say, at The Right Time." (Aline Smithson, from the foreword to the book „Right Time Right Place“) “Right Time Right Place” was awarded the Special Prize of the Czech Center of Photography at the Photo Annual Awards 2012. A photo from the series won the New York Photo Award 2012 in the category Fine Art. Exclusive Interview with Robert Rutöd:AAP: When did you realize you wanted to be a photographer?At a certain point I can't remember. I guess, at the moment when I was pleased with my photographs.AAP: Where did you study photography?I'm self-taught...AAP: How long have you been a photographer?In total, maybe twenty years, with shorter and a long breaks and also a hiatus for more than ten years.AAP: Do you remember your first shot? What was it?Tough question, my very first photographs were still largely staged. That reminds me of the corpse of a young man, with countless clothespins on the upper body, or a self-portrait in which I am seen with a pair of shoes on my shoulders.AAP: How could you describe your style?Style is not something that you choose; it happens, to a certain extent, over time. In photography, a signature style is often more difficult to discover, sort of like in painting. A graphologist might interpret my works thusly: "Easy to read, no scrawling, he's going on rapidly and purposefully in problem-solving and asks the right questions at the right moment." I could then add: "Regarding the content, rather puzzling over long distances."AAP: What kind of gear do you use? Camera, lens, digital, film?One digital camera, one good lens.AAP: What or who inspires you?Since my work is not staged, I'm only inspired when the photographic event unfolds before my eyes, a reverse brainstorming so to speak.AAP: Do you spend a lot of time editing your images?Yes, to edit my own photographs is sometimes a lengthy process. The pictures have to go through some tests to be integrated into an ongoing project. This decision-making is sometimes damn hard to reach; it helps to let a few weeks or even months pass.AAP: What advice would you give a young photographer?Not to listen to any advice...AAP: What mistake should a young photographer avoid?None! Because there is no such thing as error, in fact, and consequently no recipe for success.AAP: Your best memory as a photographer?A fair for undertakers and the fashion show taking place there, including a coffin on the stage.AAP: Your worst souvenir as a photographer?The cluelessness of so many "experts."AAP: If you could have taken the photographs of someone else who would it be?I am satisfied so far with my work, as I want to get into the skin of others. Of course there's truly great work that I would like to see in my portfolio, "Royal Harare Golf Club" by Martin Parr for example, one or two pictures by Helen Levitt.AAP: An idea, a sentence, a project you would like to share?First the bad news: The publication date of my book "Milky Way" has been moved to next year. Now the good: I'm very happy about the positive echo that my series "Right Time Right Place" caused since its release about a year ago, including my participation in festivals in Los Angeles, Copenhagen, Delhi, or recently at the Miami Street Photography Festival. In January 2014, my project will be a solo exhibition to be seen. “eigensinnig“ (stubborn) is the name of the new gallery in Vienna, whose founder Toni Tramezzini, is aiming to show something that is rarely seen in this city: something that's not serial, not conceptual, not staged photography.
Gordon Parks
United States
1912 | † 2006
Gordon Roger Alexander Buchanan Parks was an American photographer, musician, writer and film director. He is best remembered for his photographic essays for Life magazine and as the director of the 1971 film, Shaft. At the age of twenty-five, Parks was struck by photographs of migrant workers in a magazine and bought his first camera, a Voigtländer Brillant, for $12.50 at a Seattle, Washington, pawnshop. The photography clerks who developed Parks' first roll of film, applauded his work and prompted him to seek a fashion assignment at a women's clothing store in St. Paul, Minnesota, that was owned by Frank Murphy. Those photographs caught the eye of Marva Louis, the elegant wife of heavyweight boxing champion Joe Louis. She encouraged Parks to move to Chicago in 1940, where he began a portrait business and specialized in photographs of society women. Over the next few years, Parks moved from job to job, developing a freelance portrait and fashion photographer sideline. He began to chronicle the city's South Side black ghetto and, in 1941, an exhibition of those photographs won Parks a photography fellowship with the Farm Security Administration (FSA). Working as a trainee under Roy Stryker, Parks created one of his best-known photographs, American Gothic, Washington, D.C., named after the iconic Grant Wood painting, American Gothic. The photograph shows a black woman, Ella Watson, who worked on the cleaning crew of the FSA building, standing stiffly in front of an American flag hanging on the wall, a broom in one hand and a mop in the background. Parks had been inspired to create the image after encountering racism repeatedly in restaurants and shops in the segregated capitol city. Upon viewing the photograph, Stryker said that it was an indictment of America and that it could get all of his photographers fired. He urged Parks to keep working with Watson, however, which led to a series of photographs of her daily life. Parks said later that his first image was overdone and not subtle; other commentators have argued that it drew strength from its polemical nature and its duality of victim and survivor, and so has affected far more people than his subsequent pictures of Mrs. Watson. After the FSA disbanded, Parks remained in Washington, D.C. as a correspondent with the Office of War Information. Finally, disgusted with the prejudice he encountered, however, he resigned in 1944. Moving to Harlem, Parks became a freelance fashion photographer for Vogue. He later followed Stryker to the Standard Oil Photography Project in New Jersey, which assigned photographers to take pictures of small towns and industrial centers. The most striking work by Parks during that period included, Dinner Time at Mr. Hercules Brown's Home, Somerville, Maine (1944); Grease Plant Worker, Pittsburgh, Pennsylvania (1946); Car Loaded with Furniture on Highway (1945); and Ferry Commuters, Staten Island, N.Y. (1946). Parks renewed his search for photography jobs in the fashion world. Despite racist attitudes of the day, the Vogue editor, Alexander Liberman, hired him to shoot a collection of evening gowns. Parks photographed fashion for Vogue for the next few years and he developed the distinctive style of photographing his models in motion rather than poised. During this time, he published his first two books, Flash Photography (1947) and Camera Portraits: Techniques and Principles of Documentary Portraiture (1948). A 1948 photographic essay on a young Harlem gang leader won Parks a staff job as a photographer and writer with Life magazine. For twenty years, Parks produced photographs on subjects including fashion, sports, Broadway, poverty, and racial segregation, as well as portraits of Malcolm X, Stokely Carmichael, Muhammad Ali, and Barbra Streisand. He became "one of the most provocative and celebrated photojournalists in the United States." Parks was born in Fort Scott, Kansas, the son of Sarah (née Ross) and Jackson Parks. He was the last child born to them. His father was a farmer who grew corn, beets, turnips, potatoes, collard greens, and tomatoes. They also had a few ducks, chickens, and hogs. He attended a segregated elementary school. The town was too small to afford a separate high school that would facilitate segregation of the secondary school, but blacks were not allowed to play sports or attend school social activities, and they were discouraged from developing any aspirations for higher education. Parks related in a documentary on his life that his teacher told him that his desire to go to college would be a waste of money. When Parks was eleven years old, three white boys threw him into the Marmaton River, knowing he couldn't swim. He had the presence of mind to duck underwater so they wouldn't see him make it to land. His mother died when he was fourteen. He spent his last night at the family home sleeping beside his mother's coffin, seeking not only solace, but a way to face his own fear of death. At this time, he left home, being sent to live with other relatives. That situation ended with Parks being turned out onto the street to fend for himself. In 1929, he briefly worked in a gentlemen's club, the Minnesota Club. There he not only observed the trappings of success, but was able to read many books from the club library. When the Wall Street Crash of 1929 brought an end to the club, he jumped a train to Chicago, where he managed to land a job in a flophouse. Parks was married and divorced three times. Parks married Sally Alvis in Minneapolis during 1933 and they divorced in 1961. He married Elizabeth Campbell in 1962 and they divorced in 1973. Parks first met Genevieve Young in 1962 when he began writing The Learning Tree. At that time, his publisher assigned her to be his editor. They became romantically involved at a time when they both were divorcing previous mates, and married in 1973. They divorced in 1979. For many years, Parks was romantically involved with Gloria Vanderbilt, the railroad heiress and designer. Their relationship evolved into a deep friendship that endured throughout his lifetime. Parks fathered four children: Gordon, Jr., David, Leslie, and Toni (Parks-Parsons). His oldest son Gordon Parks, Jr., whose talents resembled his father, was killed in a plane crash in 1979 in Kenya, where he had gone to direct a film. Parks has five grandchildren: Alain, Gordon III, Sarah, Campbell, and Satchel. Malcolm X honored Parks when he asked him to be the godfather of his daughter, Qubilah Shabazz. Gordon Parks received more than twenty honorary doctorates in his lifetime. He died of cancer at the age of 93 while living in Manhattan, and is buried in his hometown of Fort Scott, Kansas.Source: Wikipedia
Advertisement
All About Photo Awards 2026
Win a Solo Exhibition in March
All About Photo Awards 2026

Latest Interviews

Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry