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Win a Solo Exhibition this February. Juror: Harvey Stein
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Jim Dow
Jim Dow

Jim Dow

Country: United States
Birth: 1942

Jim Dow (b. 1942, Boston, Massachusetts) is an American photographer who specializes in photographing places, not people. In the tradition of Walker Evans, Dow examines both high and low - baseball stadiums, universities, court houses, Americana, private clubs in New York. His exquisitely detailed work is printed from 8x10" negatives and brings the richness of texture and light to the forefront. Dow photographs urban and rural architectural sites--from drive-in fruit stands to Gothic cathedrals. 8x10" negatives provide extraordinary clarity and precision in his prints, either contact prints or 20x24." His newest series is called "American Studies."

Source: Wikipedia

 

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More Great Photographers To Discover

Nicholas White
United Kingdom
1989
Nicholas JR White is a photographer based in the UK. His work examines our relationship with landscape and the ways in which we interact with our natural spaces. He has been featured in numerous publications internationally as well as being named in notable photographic awards such as the Magenta Foundation Flash Forward, Royal Photographic Society IPE, Landscape Photographer of the Year and the World Photography Organisation ZEISS Photo Awards. In 2017 Nicholas was awarded the Royal Photographic Society Under 30's Environmental Bursary in association with The Photographic Angle and was a winner in the Lens Culture Emerging Talent Awards. His debut monograph, 'Black Dots', was published by Another Place Press in February 2018. About Black Dots 'Black Dots' is an exploration of mountain bothies and bothy culture throughout the United Kingdom. Far from civilisation and mostly accessible only by foot, bothies are secluded mountain shelters scattered across the British Isles and tirelessly maintained by volunteers from the Mountain Bothies Association. Unlocked and free to use, they provide a refuge from the vast terrain that surrounds them and have become an iconic feature of the British landscape over the past fifty years. Bothies are synonymous with the outdoor experience in the UK and from day trippers to mountaineers, the growing community of bothy-users is hugely diverse. 'Black Dots' is the result of almost three years spent traversing our most remote landscapes in an attempt to better understand what these buildings are, where they're located and the culture that surrounds them. Drawn not only by the primitive beauty of the bothies and the landscapes they sit within, the work also investigates the human element to the bothy story, capturing the faces of those who trek for hours to temporarily inhabit these spaces, many miles from the nearest settlements.
Cecil Beaton
United Kingdom
1904 | † 1980
Born in 1904 in London and coming of age at the peak of the 20's, Cecil Beaton was in love with the worlds of high society, theater, and glamour. Beauty in his hands was transformed into elegance, fantasy, romance, and charm. His inspired amateurism led to a following among fashionable debutantes and eventually a full fledged career as the foremost fashion and portrait photographer of his day. He was so attunded to the changes of fashion that his career maintained its momentum for five decades; from the Sitwells to the Rolling Stones. Beaton died in 1980.Source: Staley-Wise Gallery Sir Cecil Beaton, in full Cecil Walter Hardy Beaton, photographer known primarily for his portraits of celebrated persons, who also worked as an illustrator, a diarist, and an Academy Award-winning costume and set designer. Beaton’s interest in photography began when, as a young boy, he admired portraits of society women and actresses circulated on picture postcards and in Sunday supplements of newspapers. When he got his first camera at age 11, his nurse taught him how to use it and how to process negatives and prints. He costumed and posed his sisters in an attempt to re-create the popular portraits that he loved. In the 1920s Beaton became a staff photographer for Vanity Fair and Vogue magazines. He developed a style of portraiture in which the sitter became merely one element of an overall decorative pattern, which was dominated by backgrounds made of unusual materials such as aluminum foil or papier-mâché. The results, which combined art and artifice, were alternately exquisite, exotic, or bizarre, but always chic. Many of these portraits are gathered in his books The Book of Beauty (1930), Persona Grata (1953, with Kenneth Tynan), and It Gives Me Great Pleasure (1953). During World War II, Beaton served in the British Ministry of Information, covering the fighting in Africa and East Asia. His wartime photographs of the siege of Britain were published in the book Winged Squadrons (1942). After the war Beaton resumed portrait photography, but his style became much less flamboyant. He also broadened his activities, designing costumes and sets for theatre and film. He won Academy Awards for his costume design in Gigi (1958) and for both his costume design and his art direction in My Fair Lady (1964). Several volumes of his diaries, which appeared in the 1960s and ’70s, were summarized in Self Portrait with Friends: The Selected Diaries of Cecil Beaton, 1926–1974 (1979). Beaton was knighted in 1972.Source: www.britannica.com © All photographs wer scanned and released by the Imperial War Museum on the IWM Non Commercial Licence. The work was created by Cecil Beaton during his service for the Ministry of Information during the Second World War as an official photographer of the Home Front.
Pedro Jarque Krebs
Pedro Jarque Krebs is an award winning photographer born in Lima, Peru, graduated in Philosophy of Science from the Sorbonne University in Paris. His photos have won more than 100 photography awards internationally, 31 gold medals, 10 silver medals, 6 bronze medals and many honorable mentions. Among these awards are the Sony World Photography Awards, whose Peru National Award he won 3 times, in 2016, 2018 and 2019; the 2018 Bird Photographer of the Year competition (United Kingdom), where he was the overall winner; First place at: Montier Festival Photo (France) in 2018, Oasis Photo Contest (Italy) in 2017; the Sente-Antu Cup (China) in 2018, and the Trierenberg Super Circuit (Austria) in 2018. He was a finalist four years in a row of the Smithsonian Annual Photo Contest (United States). In October 2016, he was named photographer of the month by National Geographic, France. Statement There's no doubt that we, the human beings, have many problems to resolve as a species, and that our societies are far from having achieved the justice and equality we crave for, but to deal with the animal world, far from being a mere levity, has turned into a major problem of great magnitude which directly affects our survival as a species. It is no longer just about the loss of their diversity and beauty; it is an issue that affects our entire ecosystem, causing a serious imbalance. Our expansion has meant the disappearance of hundreds of thousands of living species. This artistic-photographic project aims to help breaking the barrier that we have built in our relationship with the animal life, showing animals in a closer, even intimate, way, isolated from any context, trying to rebuild with our look these destroyed bridges, as well and giving back to the animals part of its stolen dignity.
Sasha Stone
Russia/United States
1895 | † 1940
Sasha Stone was a Russian artist. A stateless photographer, he and his first wife, Cami Stone (born Wilhelmine Schammelhout 1892-1975), were successful photographers during the 1920s and 1930s. One of his most known work is the cover of Walter Benjamin's book One-Way Street published in 1928. Sasha was born as Aleksander Steinsapir to Jewish parents, Natan Steinsapir and Bella Meerson, in Saint Petersburg, Russia. He studied electrical engineering at Warsaw Technical Institute in Poland from 1911 to 1913. In 1913, he immigrated to New York and spent a few years working briefly at the Edison Company in New Jersey. In 1917, Sasha enlisted in the United States Army, served in WWI and was honorably discharged on June 14, 1919. While in the United States Army he was granted a stay at the American Expeditionary Forces (AEF) Art Training Centre in Paris after the war. After his military discharge, Sasha lived in the Rue de Plantes, Paris, and worked as a sculptor. In 1918, Sasha and Cami moved to Berlin together and later married in 1922. When he moved to Berlin, he kept his studio in Rue de Plantes for his cousin Harry Ossip Meerson to use; however, Meerson failed to pay rent and was evicted. In Berlin, Sasha was associated with the sculptor Aleksandr Archipenko, and was a contributor to the magazine G-Material für elementare Gestaltung. His work was published in Die Form, Das Kunstblatt, UHU, Berliner Illustrirte Zeitung, Der Querschnitt, Gebrauchsgraphik, and Die Dame as well. In 1924, Sasha and Cami opened their own studio in Berlin, named Atelier Stone, meaning “Studio Stone”. In 1928, he officially changed his name to Sasha Stone and became a painter. He had little success as an artist. Due to an economic downturn in Europe during this period, Sasha focused on photography as a main source of income. Sasha had become an extremely versatile photographer, working with portraits, journalism, feature images, advertising, property, fashion, and architecture photos. His photos appeared in Adolf Behne's edition of Berlin in Bildern, and Paul Cohen–Portheim's travel guide Paris. Sasha took images for surrealist journals like Varietés in Belgium and Bilfur in Paris. His work was presented in the first international photography exhibition called Fotografie der Gegenwart in Essen, Germany, and Werkbund's exhibition Film und Foto in Stuttgart, Germany. In 1931, Sasha and Cami moved to Brussels, Cami's hometown, where they lived until they divorced. In 1933, the couple were part of the Exposition Internationale de la Photographie in Brussels. A collection of nudes by Sasha and Cami Stone was published in Les Femmes through the French magazine Arts et Metiers Graphique in 1933. Throughout this time Sasha was connected with artists, celebrities and intellectuals of that period. Sasha and Cami divorced on February 15, 1939. They continued to work together until Sasha remarried. On April 29, 1939, Sasha Stone remarried, to Lydia Edens (born Alida Anna Edens). Sasha, Lydia and other families fled the German attack on Brussels on May 14, 1940. Their goal was to reach Spain and then go to the United States for safety. The group was en route through the Pyrénées in Perpignan, France. On August 6, 1940, Sasha died in Perpignan due to a serious ailment. The exact location of his grave is unknown. The only thing left is the graveyard book entry.Source: Wikipedia Best known for his photomontage reproduced on the cover of Walter Benjamin's book One-Way Street (1928), Stone was closely associated with the New Objectivity movement of the 1920s in Germany. From 1924 to 1931, he operated a successful photographic studio in Berlin. He contributed photo reportage to many of the major illustrated magazines, including Uhu, Die Dame, and Berliner Illustrierte Zeitung and was celebrated for his innovative advertising work. In 1933 the French magazine Arts et Metiers Graphique published Femmes, a portfolio of Stone's studies of female nudes, as the first in a series of three planned portfolios on the human body. (The other two, Hommes and Adolescents, were never realized.) Stone's photographs, with their fragmented figures, angular compositions, and use of raking light, are superb examples of avant-garde photographic aesthetics in Europe between the world wars.Source: The Met
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry