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Frank Horvat
Frank Horvat
Frank Horvat

Frank Horvat

Country: Italy
Birth: 1928 | Death: 2020

Frank Horvat is an internationally renowned fashion photographer, who has recently celebrated fifty years experience in the field. Throughout these years he has not only embraced fashion photography, but also been unafraid to experiment and adapt to new technologies, transcending the confines of photographic borders. His photography is diverse and considerably more complex than a cursory glance could reveal. He is perhaps best known for his spontaneity, trust and empathy, qualities that express themselves in his sophisticated photographs.

Frank Horvat was born in Italy in 1928. He first started photographing at age fifteen with a 35 mm Retinamat camera, and moved to Milan to study art in 1947. By 1950 he was doing freelance work for Italian fashion magazines; Epoca published his first photographic essay in 1951. Horvat was one of the first artists to apply the 35mm film camera and reportage techniques to fashion art photography. He created a new and more realistic style that revolutionized the development of fashion-based photography in England, France, and the United States. He stylistically combined realism and artifice, movement, and inventive locations, which won him immediate success as a French fashion photographer. His photographs have appeared in leading European and American magazines including Life, Elle, Vogue, Harper’s Bazaar, Glamour and Jardin des Modes from 1951-61.

Horvat initially worked for the American picture agency, Magnum, but since he “posed” his subjects he left for Realities and Black Star. He moved to Paris three years later and currently divides his time between the city and the south of France. Horvat’s work with French fashion photography has been exhibited around the world and can be found in the permanent collections of numerous prestigious museums including Bibliothèque Nationale, Musée National d’Art Moderne, Kunst-bibliothek, Museum of Modern Art, and the George Eastman House, and numerous other collections.

Source: Holden Luntz Gallery

 

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Jeremy Cowart
United States
At his core, Jeremy is an artist. Starting out as a painter first, Jeremy fell in love with the creative process. He then went on to study graphic design in college and founded his own graphic design company, Pixelgrazer, in 2001. Jeremy really only began taking pictures to bring texture into his design work. But before he knew it, he realized that photography was his true passion. So in April of 2005, Jeremy switched over to it full time and he has never looked back. In a relatively short amount of time, Jeremy earned the respect of artists, photographers, and celebrities alike. Now hailed as one of the trailblazers in the industry, Jeremy sees photography as a natural extension of his passion for the arts. Jeremy has taken portraits of many familiar names such as Taylor Swift, Tim Tebow, The Kardashians, Sting, Maggie Gyllenhaal, Heidi Klum, Gwyneth Paltrow, The Civil Wars, Emma Stone, Courtney Cox, and Ryan Seacrest, just to name a few. His clients, mostly entertainment based, include ABC, FOX, A&E, F/X, Discovery Channel, ESPN, People, US Weekly, VIBE, E!, Universal Records, Sony Records and Warner Brothers Records. His work has been published in Rolling Stone, ESPN Magazine, People Magazine, USA Today, Fast Company, NYTimes, TIME, Nylon and more. There's always something interesting going on in Jeremy's world. His humanitarian projects have been featured on CNN.com as international leading headlines twice, he shot the cover of Tim Tebow's NY Times best-selling autobiography, and he recently starred in an episode of The Real Housewives of Beverly Hills. In addition to all that, Jeremy is something of a social media/technology guru. He's a featured user on Google+ with over a million followers, he won the Celebrity TwitChange campaign last year that raised thousands of dollars to fight global poverty, and he's currently working on his first iPhone app to be released Summer 2012. Photography has taken Jeremy to six continents. He traveled with Britney Spears in 2009 as her "Circus World Tour" photographer, documented seventeen countries with the Passion World Tour in 2008, and has been on numerous trips to Africa and Haiti with various organizations. From all his travels, Jeremy has released 3 Photography books, "Hope in the Dark", "The Poor Will Be Glad" and "Awakening", and he's currently working on a 4th new book, "What's Your Mark?" with Zondervan Publishers due out Fall 2012. Jeremy also spends his time on community projects, brainstorming innovative ways to use his camera to make an impact. In January 2010, after the devastating earthquake in Haiti, Jeremy responded with his "Voices of Haiti" photo essay, letting the people of Haiti write their own thoughts and prayers on found rubble. This project was displayed prominently at the entrance of a very important gathering of world leaders at the United Nations in March of 2010. They were meeting to discuss the rebuild of Haiti and they ended up pledging ten billion dollars to the effort. On that day, Jeremy's "Voices of Haiti" project proved that art can help change the world. In August of 2011, Jeremy traveled to Rwanda with filmmaker Laura Waters Hinson to document survivors and perpetrators of genocide who have reconciled and are living life together peacefully in the same community. Inspired by the "Voices of Haiti" photo essay, the portraits in this series captured genocide survivors standing with the killers of their families, who they've now forgiven. Many of the portraits were captured at the scene of the crime to help display the power of true forgiveness. The series ended up being featured on CNN.com as a worldwide leading headline on Monday, November 7th, 2011. Knowing the value that a photograph can have in just one person's life, Jeremy also founded Help-Portrait, a worldwide movement of photographers using their time, equipment, and expertise to give back to those less fortunate. On December 12, 2009, the first world-wide Help-Portrait event provided free portraits for over 40,000 people in 42 Countries. Those numbers have increased significantly over the last 2 years, with 169,523 photos given to date in at least 56 countries. Help-Portrait continues to grow, encouraging all photographers to use their platform to make a difference with their cameras. Lastly, Jeremy's speaking and teaching career has taken off as he spends his time annually traveling around the country speaking at conferences like TEDx, Catalyst Conference, Photoshop World, WPPI, Google Plus Photographers Conference, Photo Plus Expo and many more. He has also hosted 2 of his own LifeFinder Tour's that have taken him all across the country. His LifeFinder Tour is based on his educational DVD, LifeFinder. Jeremy is also an instructor for Scott Kelby's "Kelby Training" and has released 3 classes on the Kelby Training website. Jeremy is a crock pot of ideas, always on low simmer. He doesn't sleep enough. His mind won't let him. Whether it's the next shoot, the next talk, the next book, the next app, or the next humanitarian project, Jeremy just doesn't stop. And that's why his career keeps moving forward. Bouncing back and forth between Nashville and LA, Jeremy draws a lot of inspiration from his amazing wife, Shannon, and their two ridiculously cute and utterly fantastic kids, Adler and Eisley. They also have a dog and a cat, but they are not as inspirational.Source: jeremycowart.com
Édouard Baldus
France
1813 | † 1889
Édouard Baldus was a French landscape, architectural and railway photographer, born on June 5, 1813 in Grünebach, Prussia. He was originally trained as a painter and had also worked as a draughtsman and lithographer before switching to photography in 1849. In 1851, he was commissioned for the Missions Héliographiques by the Historic Monuments Commission of France to photograph historic buildings, bridges and monuments, many of which were being razed to make way for the grand boulevards of Paris, being carried out under the direction of Napoleon III's prefect Baron Georges-Eugène Haussmann. The high quality of his work won him government support for a project entitled Les Villes de France Photographiées, an extended series of architectural views in Paris and the provinces designed to feed a resurgent interest in the nation's Roman and medieval past. In 1855, Baron James de Rothschild, President of Chemin de Fer du Nord, commissioned Baldus to do a series of photographs to be used as part of an album that was to be a gift to Queen Victoria and Prince Albert as a souvenir of their visit to France that year. The lavishly bound album is still among the treasures of the Royal Library at Windsor Castle. In 1856, he set out on a brief assignment to photograph the destruction caused by torrential rains and overflowing rivers in Lyon, Avignon, and Tarascon. He created a moving record of the flood without explicitly depicting the human suffering left in its wake. Baldus was well known throughout France for his efforts in photography. One of his greatest assignments was to document the construction of the Louvre museum. He used wet and dry paper negatives as large as 10x14 inches in size. From these negatives, he made contact prints. To create a larger image, he put contact prints side by side to create a panoramic effect. He was renowned for the sheer size of his pictures, which ranged up to eight feet long for one panorama from around 1855, made from several negatives. Despite the documentary nature of many of his assignments, Baldus was inventive in overcoming the limitations of the calotype process (described here). He often retouched his negatives to blank outbuildings and trees, or to put clouds in white skies; in his composite print of the medieval cloister of St. Trophime, in Arles (1851), he pieced together fragments of 10 different negatives to capture focus in-depth in a panoramic view of the interior space and also render detail in the brightly lit courtyard outside. He died in 1889 in Arcueil, France.Source: Wikipedia Baldus was one of the great calotypists of the 1850s, producing works of an unprecedented range and scale. He moved to Paris in 1838 to study painting alongside other future photographers such as Le Gray, Le Secq, and Nègre. He frequently retouched his paper negatives, adding pencil and ink, to add clouds or clarify details, then printing his own large-scale negatives. He was also adept at stitching several negatives together to re-create architectural views, most famously in his views of the cloisters of Saint Trophime. Famed especially for his depiction of architecture, Baldus not only documented the modernization of Paris but also traveled widely through France recording modernity and new construction - including new railways and aqueducts, as well as the building of the new Louvre. In 1851 the Commission des Monuments Historiques cited Baldus as one of the five best architectural photographers and he was commissioned to record the monuments of France for what became known as the Mission heliographic. His beginnings in photography are not well documented before his participation in the Mission héliographique, although it is known that he took photographs of Montmajour in 1849.Source: James Hyman Gallery "Everyone knows Mr. Baldus," a reviewer wrote in 1859. By the mid-1850s, Édouard-Denis Baldus was the most successful photographer in France and at the height of his career. He began as a painter, turning to photography in 1849 when paper negatives were just becoming popular. Throughout much of his life, he listed himself in city directories as "peintre photographe" (painter photographer), in reference more to his training than to his practice. In 1851 Baldus became one of the forty founding members of the Société Héliographique, the first photographic organization in the world. Baldus specialized in images of the landscape, architecture, and railways. In 1851 the Commission des Monuments Historiques (Historic Monuments Commission) asked Baldus to document architecture in France. These assignments, which were awarded to several photographers, were called missions héliographiques. In 1855 Baldus received his largest commission to document the construction of the Musée du Louvre. Photographic enlargements were not yet possible in the 1850s, so Baldus's photographs were contact prints from negatives as large as 10 x 14 inches. He often joined together several negatives to produce panoramas, creating images on an even grander scale.Source: The J. Paul Getty Museum
Erik Johansson
Sweden
1985
Erik Johansson (born 1985) is a photographer and visual artist from Sweden based in Prague, Czech Republic. His work can be described as surreal world created by combining different photographs. Erik works on both personal and commissioned projects with clients all around the world. In contrast to traditional photography he doesn't capture moments, he captures ideas with the help of his camera and imagination. The goal is to make it look as realistic as possible even if the scene itself contains impossible elements. In the end it all comes down to problem solving, finding a way to capture the impossible. To Erik it's always important with a high level of realism in his work. He want's the viewer to feel like they are part of the scene. Although his work consists of a lot of work in post-production and combining photogaphs he always tries to capture as much as possible in camera. "No one can tell you that it doesn’t look realistic if you actually captured it for real." Light and perspective are crucial parts when combining images in a realistic way and if some parts are not possible to shoot on location, a similar scene has to be built up in a controlled environment. Having an understanding of both photography and post production is very important to make everything come together seamlessly. Every photograph and part has its purpose. Erik always do all the post production himself to be in complete control of the end result. The idea, photography and post production are all connected. The final image doesn’t become better than the photographs used to capture it. Just like the photographs don’t become stronger than the idea. There are no computer generated-, illustrated- or stock photos in Erik's personal work, just complex combinations of his own photographs. It's a long process and he only creates 6-8 new images a year (excluding commissioned work). Artist Statement "My name is Erik Johansson, I was born in 1985 outside a small town called Götene in the middle of Sweden. I grew up on a farm with my parents and two younger sisters. For as long as I can remember I have liked drawing. Probably because of my grandmother who was a painter. Early I also got interested in computers, escaping to other worlds in computer games. At the age of 15 I got my first digital camera which opened up a new world. Being used to drawing it felt quite strange to be done after capturing a photo, it wasn’t the process of creating something in the same way. Having an interest in computers made it a quite natural step to start playing around with the photos and creating something that you couldn’t capture with the camera. It was a great way of learning, learning by trying. But I didn’t considered it as a profession until years later. In 2005 I moved to Gothenburg to study Computer engineering at Chalmers University of Technology. During my time studying I took up my interest for retouch once again. I had a lot of ideas that I wanted to realize and I saw it as problem solving trying to make it as realistic as possible. After publishing some of my images online I started to get requests about commissioned work from some local advertisement agencies. I started out freelancing in parallel with my studies while still working on personal projects. I got more and more jobs and at the time I finished my studies with a master in Interaction Design I felt like I rather wanted to try out the photography path. I moved to Norrköping in the eastern part of Sweden to start working full time as a freelance. I made new friends and got to work on interesting projects, both local and abroad. In early 2012 it was time for something new as I moved to Berlin, Germany. A very artistic city with lots of inspiration. Today I work with both personal and commissioned projects and I also started doing photography street illusions."Source: www.erikjo.com/
Burk Uzzle
United States
1938
Burk Uzzle is an American photojournalist, previously member of Magnum Photos and president from 1979 to 1980. Burk Uzzle has spent his life as a professional photographer. Initially grounded in documentary photography when he was the youngest contract photographer hired by Life magazine at age 23, his work continues to reflect the human condition. For sixteen years during the 1970s and 1980s, he was an active contributor to the evolution of Magnum and served as its President in 1979 and 1980. While affiliated with the cooperative, he produced the iconic and symbolic image of Woodstock (showing Nick Ercoline and Bobbi Kelly hugging), helped people grasp an understanding of the assassination and funeral of Dr. Martin Luther King Jr., and powerfully projects comprehension of what it means to be an outsider - from Cambodian war refugees to disenfranchised populations without voice or agency to portraits of communities not identified on a roadmap. His life, philosophy, and continuing work was explored in the critically acclaimed 2020 documentary feature film F11 and Be There by director Jethro Waters. His archive spans more than six decades and captures much of the history of analog and digital photography. His current bodies of work rest deep in issues of social justice. A dozen years ago, Uzzle returned to North Carolina and now lives and works in two-century-old industrial buildings located in downtown Wilson not far from where he was born.Source: Wikipedia Burk Uzzle’s career, like his pictures, is a nuanced composition blending American culture, individual psyches of particular places and people, and an atypical way of seeing ourselves, our values, and our community. Always respectful yet locating the poignant or quirky, the history of his narrative belongs to all of us. Initially grounded in documentary photography when he was the youngest photographer hired by LIFE magazine at age 23, his work grew into a combination of split-second impressions reflecting the human condition during his tenure as a member of the prestigious international Magnum cooperative founded by one of his mentors Henri Cartier-Bresson. For 15 years, Uzzle was an active contributor to the evolution of the organization and served as its President in 1979 and 1980. During the 16 years, he was associated with Magnum, he produced some of the most recognizable images we have of Woodstock (album cover and worldwide reproduction of its iconic couple hugging at dawn) to the assassination and funeral of Martin Luther King Jr. to our comprehension for the experience of Cambodian war refugees. His archive spans almost six decades. His current work rests deep in photographic appreciation of the quiet, strong, and eloquent beauty he discovers in America’s small towns and its people. It is along small back roads, limned with feelings and a surety of surprise for the heart wide open, that continue to support his understanding of how America keeps its personality out on a limb. Uzzle’s current bodies of work are artful and constructed reflections of his subjects, many of whom are African-American residents proximal to his studio in North Carolina — a 100-year-old industrial building that hosted the production of automobiles to the manufacture of caskets. Their shared layers of experience are representatives of the now. In this space, individual transcendence offers history a look at contemporary life. Conjoined with Uzzle’s fundamental appreciation for unseen characteristics, he ably captures each in a collaborative, interpretive context with his eye and his heart. On the road and between the walls, his hope is for a graphic presentation of something universal within the particular, and all the better when involving a gentle chuckle and knowing smile.Source: www.burkuzzle.com
R.J. Kern
United States
1978
Manuela Thames
German
1975
Manuela Thames is a photographic artist based in Saint Paul, Minnesota where she lives with her husband and two children. Born and raised in Germany, she moved to the US in 2004 after marrying her American husband. Her background is in nursing and alternative health, but around 2008 she began to focus solely on photography after two life changing events happened within one year, the birth of her first son and the death of her brother. Manuela uses various photographic techniques to explore themes around loss and grief, her personal experience with generational trauma, as well as the notions of belonging, connection and what it means to be human. Within that she continues to explore human ways of coping, the strength that evolves out of suffering and our common desire for healing and journey towards wholeness. Much of her work consists of black and white, conceptual self-portraits. Manuela’s photography has been described as contemplative, evocative, and cinematic and has been widely exhibited nationally as well as internationally. Her “Trauma” series won 1st place conceptual series of the year in the Monovisions Award in 2019, and in the same year she won the 13th Julia Margaret Cameron Award in the Self-Portrait Category. In addition, her work has been published online and in print in such places as Black and White Magazine, Sun Magazine, Dohdo Magazine and Shots Magazine. She teaches workshops privately and through various places such as Santa Fe Workshops, LA Center of Photography, SE Center of Photography, and offers mentoring services as well.
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Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
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Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
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Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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