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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
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Frank Horvat
Frank Horvat
Frank Horvat

Frank Horvat

Country: Italy
Birth: 1928 | Death: 2020

Frank Horvat is an internationally renowned fashion photographer, who has recently celebrated fifty years experience in the field. Throughout these years he has not only embraced fashion photography, but also been unafraid to experiment and adapt to new technologies, transcending the confines of photographic borders. His photography is diverse and considerably more complex than a cursory glance could reveal. He is perhaps best known for his spontaneity, trust and empathy, qualities that express themselves in his sophisticated photographs.

Frank Horvat was born in Italy in 1928. He first started photographing at age fifteen with a 35 mm Retinamat camera, and moved to Milan to study art in 1947. By 1950 he was doing freelance work for Italian fashion magazines; Epoca published his first photographic essay in 1951. Horvat was one of the first artists to apply the 35mm film camera and reportage techniques to fashion art photography. He created a new and more realistic style that revolutionized the development of fashion-based photography in England, France, and the United States. He stylistically combined realism and artifice, movement, and inventive locations, which won him immediate success as a French fashion photographer. His photographs have appeared in leading European and American magazines including Life, Elle, Vogue, Harper’s Bazaar, Glamour and Jardin des Modes from 1951-61.

Horvat initially worked for the American picture agency, Magnum, but since he “posed” his subjects he left for Realities and Black Star. He moved to Paris three years later and currently divides his time between the city and the south of France. Horvat’s work with French fashion photography has been exhibited around the world and can be found in the permanent collections of numerous prestigious museums including Bibliothèque Nationale, Musée National d’Art Moderne, Kunst-bibliothek, Museum of Modern Art, and the George Eastman House, and numerous other collections.

Source: Holden Luntz Gallery

 

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More Great Photographers To Discover

José Ney Milá Espinosa
José Ney Milá Espinosa, of Cuban nationality, was born in Havana on March 4, 1959. He is a self-taught photographer, recognized within documentary photography and auteur photography since the mid-1980s. Initially trained as a technical drawer, artisan artist, civil designer, and finally abandoned his career in architecture for photography. He received several awards in his country in drawing, painting, applied arts and photography, but his greatest achievements were from the early 90s, in international photography salons, achieving numerous awards and distinctions throughout his career. Much of his work is in permanent collections such as the Southeast Museum of Photography Daytona; Palmer Museum of Art, Pennsylvania; Houston Museum of Fine Arts; Lehigh University Art Galleries / Museum Operation, Bethlehem, PA; Inés María Galerie, Houston; Mother Jones International. Fund for Documentary Photog, San Francisco; Fotofest, Houston, USA; Museum of Fine Arts of Santo Domingo. Dominican R.; Toscano Photographic Archive, Italy; UNESCO / ACCU, Tokyo. Japan; World Press Photo Foundation. Holland; University of La Rabida, Huelva. Spain; Media Library, INAH, Mexico; Galerie Bilderwelt Reinhard Schultz. Berlin Germany; National Museum of Photography, Pachuca, Mexico, and Fototeca de Cuba among others. His dedication and innovation in the chemical processes of analog photography led him to develop new formulas for film development that surpassed the results and practices of the Black and White laboratory, of the avant-garde of the time such as Tetenal, Ilford, and Kodak. . He presented his inventions at the Spanish Patent and Trademark Office and marketed them at Casanova Profesional (specialized store in Barcelona) in partnership with Luis Casademunt (photographer) in 1997 and later in 1998, with Isaac Donoso (businessman in Madrid) to guarantee industrial production by a commercial contract signed with the international company JOBO, well known for its laboratory instruments (Labortechnik, GmbH & Co. KG. Gmbh) of Cologne, Germany. His new formulas were published in the catalog of the year of JOBO products as New fine art line “The new generation fine art B / N chemistry” Page 70 and back cover, presented during the International Festival "FOTOKINA 2000" Kolonia, Germany, with the technical support of various specialists on the subject, such as the English John Tisley and the North American, John Sexton among others. In addition, various tests were published in various specialized magazines of the time, such as SCHWARZWEISS 27 (Das magazin für fotografie) "Auf anderer Wellenlänge", November, Germany. 2000; F.V. Nº 149. “Jobo: new Classic Line products”, Spain. 2001; Super Photo. No. 67. "Diary of a personalized development" Spain. 2001 and Super Photo. No. 70. "Diary of a personalized development (II)", Spain. 2001.
Manuel Besse
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Manuel Besse is a versatile photographer, renowned for his black-and-white portraits - imbued with a universal resonance - captured across the USA, Brazil, Canada and Eurasia. His exacting quest for authenticity is reflected in the finesse with which he captures faces, silhouettes and atmospheres. Influenced as a child by Don McCullin's documentary on the Vietnam War, he began his photographic career in the early 1980s, winning the Polaroid First Prize at the École Nationale Supérieure Louis-Lumière. He then enriched his skills in photography, videography, fine arts and ethnology at the Académie Charpentier and the École du Louvre, under the guidance of Maurice Bitter, an emblematic figure in journalism. His ongoing exploration took him to Brazil, Central America and the Amazon, where, in 1987, he was the first Frenchman to document the Serra Pelada gold mines. A freelance photographer for Cosmo International and Sipa Press, he joined Colombian army missions against drug traffickers in the Amazon. These experiences enriched his perspective and led him through French Guiana, Argentina, Venezuela and Suriname, where he sailed the Maroni River with the Foreign Legion, exploring little-known territories. In the 1990s, he travelled to the Dolomites, Canada and the Arctic Circle, consolidating his commitment to the preservation of nature and local cultures. Awarded a prize in 1994 for his documentary "À quoi ça rime?", Manuel Besse continues his travels, capturing and restoring its diversity through striking images that reflect his own reading of the world. Article A L'Origine by Manuel Besse Exclusive Interview with Manuel Besse All About Photo Competitions AAP Magazine 32 B&W All About Photo Awards 2024 AAP Magazine 40 Portrait AAP Magazine 41 B&W All About Photo Awards 2025
Mike Brodie
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1985
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David Hurn
United Kingdom
1934
David Hurn is a British documentary photographer and member of Magnum Photos. Hurn was born on 21 July 1934 in Redhill, Surrey, England. He was raised in Cardiff, Wales. Because of his dyslexia he joined the school camera club. After leaving school he headed for London, hoping to become a photographer. Hurn is a self-taught photographer. He began his career in 1955 when he worked for Reflex Agency. He gained his reputation as a photojournalist for his documentation of the Hungarian revolution of 1956, and is featured in two of Ken Russell's films for the Monitor television arts' series, A House in Bayswater (1960), and Watch the Birdie (1963). In 1965 he became associated with Magnum Photos and became a full member in 1967. In 1963, Hurn was commissioned by the producers of the James Bond films to shoot a series of stills with Sean Connery and the actresses of From Russia with Love. When the theatrical property Walther PPK pistol didn't arrive, Hurn volunteered the use of his own Walther LP-53 air pistol. The pistol became a symbol of James Bond on many film posters of the series. In 1967 Dino de Laurentiis asked Hurn to travel to Rome to shoot photos of Jane Fonda in Barbarella. Hurn returned to Wales in the late 1960s, initially living in a van for a year photographing the country. He was married from 1964-71 to American actress Alita Naughton (1942-2019), best known for her role in Ken Russell’s French Dressing (1964). In 1973 he set up the School of Documentary Photography in Newport, Wales. Eventually, he turned away from documentary photojournalism, bringing a more personal approach to his image making. He says, "There are many forms of photography. I consider myself simply a recorder of that which I find of interest around me. I personally have no desire to create or stage direct ideas." His book, Wales: Land of My Father (2000), illustrates the traditional and the modern aspects of Wales. In 2001 he was diagnosed with colon cancer but made a full recovery. He continues to live and work in Wales, and has donated a collection of photographs taken by him and other leading contemporary photographers, including Henri Cartier-Bresson, Eve Arnold, and Bill Brandt, to the National Museum of Wales. Hurn has been an avid collector of photography. Remarkably, he has amassed his private collection by swapping works with other photographers. The collection National Museum Cardiff comprises approximately 700 photographs. Swaps: Photographs from the David Hurn Collection, National Museum Cardiff, Wales, September 2017 – April 2018. In 2017 Hurn donated 1500 of his photographs, and 700 of other peoples' photographs, to Amgueddfa Cymru – National Museum Wales. He built his private collection of other peoples' work by swapping prints with them. National Museum Cardiff held an exhibition of the latter collection in 2017/2018, entitled Swaps: Photographs from the David Hurn Collection.Source: Wikipedia
Esther Bubley
United States
1921 | † 1998
Esther Bubley was an American photographer who specialized in expressive photos of ordinary people in their everyday life. She worked for several agencies of the American government and her work was also featured in multiple news and photographic magazines. Bubley was born in Phillips, Wisconsin, the fourth of five children of Russian Jewish immigrants Louis and Ida Bubley. In 1936, while Esther was a senior at Central High School in Superior, Wisconsin, the photo magazine Life first hit the newsstands. Inspired by the magazine, and particularly by the pictures of the Great Depression produced by the Farm Security Administration, she developed a passion for photojournalism and documentary photography. As editor-in-chief of the yearbook, she sought to emulate the style of Life. After high school, Bubley spent two years at Superior State Teachers College (now the University of Wisconsin–Superior) before enrolling in the one-year photography program at the Minneapolis School of Art (now the Minneapolis College of Art and Design). After college in 1941, Bubley moved to Washington, D.C. seeking work as a photographer. Failing to find a job in Washington, Bubley moved to New York City. During the 1941 Christmas season, she landed a position at Vogue in New York, but she didn't like the work. Early in 1942, she returned to Washington when she was offered a job as a microfilmer for the National Archives and Records Administration. In the fall of 1942, Roy Stryker hired her as a darkroom assistant at the Office of War Information (OWI), where his photographic unit had recently been transferred from the Farm Security Administration. With the encouragement of Stryker, and some of the more senior photographers, she moved to take pictures for the OWI historical section, documenting life on the home front during the war. Her most challenging assignment was a noted series on the bus system in the Midwest and South. In late 1943, when Stryker left the OWI to work on a public relations project for the Standard Oil Company (New Jersey), she accompanied him, along with other photographers, including Gordon Parks and John Vachon. The Bus Story series she produced for Standard Oil, a reprise of her earlier Bus Story for the OWI, earned the award for Best Picture Sequence in the Encyclopædia Britannica/University of Missouri School of Journalism "News Pictures of the Year" in 1948. During this period, she was briefly married to Edwin Locke, Stryker's administrative chief, but they soon divorced. By 1947, Bubley was expanding her horizons beyond Stryker and Standard Oil. She began working for the Children's Bureau, a federal child welfare agency. Over the next several years, she contributed thousands of images to their files, and her work appeared on more than thirty covers of their journal The Child. In 1949, Bubley's photo essay on mental illness for the Ladies' Home Journal was given the first place award for a feature in the Encyclopædia Britannica/University of Missouri School of Journalism contest, winning Bubley a second set of the Encyclopedia. She continued working for the Ladies' Home Journal, producing a dozen photo stories for their celebrated series "How America Lives," which ran intermittently between 1948 and 1960. In 1951, Bubley began to freelance for Life, eventually contributing 40 photo stories, including two cover stories. Bubley was one of the first women to successfully support herself by working as a freelance photographer for major magazines. In 1951, she also produced a series on the Pittsburgh Children's Hospital for Stryker, who was then establishing the Pittsburgh Photographic Library. Edward Steichen, Directory of Photography at the Museum of Modern Art (MoMA), used 13 prints from this series in the 1952 exhibition Diogenese with a Camera. He also mounted and displayed her contact sheets to show how she used every frame. This series led to medical themes becoming a major part of her portfolio. In 1953, she was hired by UNICEF and the French government to travel to Morocco to photograph a program to treat trachoma, an infectious disease that causes blindness. Bubley entered a photo from this assignment in the international division of a contest sponsored by Photography magazine in 1954. She became the first woman to win first place, and she received a trophy depicting a male photographer. In 1955, Steichen included her work in his monumental The Family of Man exhibition. A year later, Pepsi-Cola International hired Bubley to cover Latin America for their company magazine Panorama. In the mid-1960s, Pan American World Airways sent her around the world twice to make images for their corporate photographic library. In the late 1960s, Bubley reduced her workload as sales of photographic magazines declined, and she wearied off the grueling travel schedule. She spent more time at home in New York City where she pursued projects of personal interest, producing two children's books about animals and a book featuring macro photography of plants. A devoted animal lover, she spent her mornings in Central Park walking her dog, taking photographs, and making notes that she hoped to turn into a book about the park. In 1991 the Minneapolis College of Art and Design awarded Bubley an honorary doctorate. She died in New York City, of cancer, on March 16, 1998. In 2001 a retrospective exhibition of Bubley's work appeared at the UBS Art Gallery in New York City. In 2005 Aperture Foundation published a monograph about Bubley, Esther Bubley: On Assignment by photographic historian Bonnie Yochelson with Tracy A. Schmid, archivist for the Bubley Estate. In 2010, the Library of Congress published the monograph Fields of Vision: The Photographs of Esther Bubley.Source: Wikipedia
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