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Frank Horvat
Frank Horvat
Frank Horvat

Frank Horvat

Country: Italy
Birth: 1928 | Death: 2020

Frank Horvat is an internationally renowned fashion photographer, who has recently celebrated fifty years experience in the field. Throughout these years he has not only embraced fashion photography, but also been unafraid to experiment and adapt to new technologies, transcending the confines of photographic borders. His photography is diverse and considerably more complex than a cursory glance could reveal. He is perhaps best known for his spontaneity, trust and empathy, qualities that express themselves in his sophisticated photographs.

Frank Horvat was born in Italy in 1928. He first started photographing at age fifteen with a 35 mm Retinamat camera, and moved to Milan to study art in 1947. By 1950 he was doing freelance work for Italian fashion magazines; Epoca published his first photographic essay in 1951. Horvat was one of the first artists to apply the 35mm film camera and reportage techniques to fashion art photography. He created a new and more realistic style that revolutionized the development of fashion-based photography in England, France, and the United States. He stylistically combined realism and artifice, movement, and inventive locations, which won him immediate success as a French fashion photographer. His photographs have appeared in leading European and American magazines including Life, Elle, Vogue, Harper’s Bazaar, Glamour and Jardin des Modes from 1951-61.

Horvat initially worked for the American picture agency, Magnum, but since he “posed” his subjects he left for Realities and Black Star. He moved to Paris three years later and currently divides his time between the city and the south of France. Horvat’s work with French fashion photography has been exhibited around the world and can be found in the permanent collections of numerous prestigious museums including Bibliothèque Nationale, Musée National d’Art Moderne, Kunst-bibliothek, Museum of Modern Art, and the George Eastman House, and numerous other collections.

Source: Holden Luntz Gallery

 

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Jürgen Schadeberg
South Africa
1931 | † 2020
Jürgen Schadeberg was a German-born South African photographer and artist. He photographed key moments in South African history, including iconic photographs such as Nelson Mandela at Robben Island prison. He also lived, worked and taught in London and Spain, and photographed in many African countries. Jürgen Schadeberg was born in Berlin, Germany, in 1931 where he grew up during the Nazi regime and World War II. In the aftermath of the war, his mother began a relationship with a British officer in the army of occupation and emigrated with him to South Africa in 1947. Schadeberg learned to be a photographer at the Deutsche Presseagentur (German Press Agency). He moved to South Africa to rejoin his family in 1950 and, the following year, found employment on Drum magazine as an official photographer and layout artist. Schadeberg became the senior figure of the group and a teacher and mentor to some of the most creative South African photographers of his time, including Bob Gosani, Ernest Cole, and later Peter Magubane. As one of the few white photographers who photographed daily life among the black community, he became knowledgeable about black life and culture. As a result, he captured on film the beginnings of the freedom movement, the effects of apartheid, and the vibrancy of township life. Schadeberg photographed many historic and pivotal events in the 1950s among them the Defiance Campaign of 1952, the 1956 Treason Trial, the Sophiatown removals of 1955, the Sophiatown jazz and social scene, the Sharpeville funeral of 1960, and pictures of Robben Island inmates. Some of the famous people he photographed include Nelson Mandela, Walter Sisulu, Oliver Tambo, Trevor Huddleston, and Govan Mbeki. He also documented 1950s jazz legends such as Thandi Klaasen, Hugh Masekela, Kippie Moeketsi and Miriam Makeba. He made documentation of everyday life. When Drum wanted the singer Dolly Rathebe to be the cover girl for one of their issues, Schadeberg took her to a Johannesburg mine dump and photographed her in a bikini. The two were arrested for contravening the Immorality Act which forbade interracial relationships. In 1959, Schadeberg left Drum to become a freelancer. He was part of an expedition led by Professor Phillip V. Tobias from the University of the Witwatersrand to study the Bushmen, publishing images in The Kalahari Bushmen Dance in 1982. Schadeberg felt forced by increasing civil unrest to leave South Africa, and in 1964 went to London, where he was picture editor of Camera Owner magazine (forerunner of Creative Camera), into which he incorporated a stronger sense of design and increased its pictorial content, and from April to July 1965 he was its editor. He also taught and curated photographic exhibitions in England, notably for the Whitechapel Art Gallery. He then moved to Spain where he focused on a career as an artist. In 1972, he returned to Africa where he accepted a position as a photographer for Christian Aid in Botswana and Tanzania. In 1973 he traveled to Senegal, Mali, Kenya, and Zaire, taking photographs. In 1985, Schadeberg returned to South Africa, where he lived with his wife Claudia. He continued to work as a photojournalist, and also made documentaries about the black community until 2007 when he returned to Europe. Schadeberg died from a stroke at his home in La Drova [ca], Valencia, Spain, on 29 August 2020, aged 89. His work is held in the collections of the UK Arts Council, National Portrait Gallery, Tate and the Victoria and Albert Museum in London.Source: Wikipedia Jurgen has edited and published over 30 photographic books including The Finest Photos from the Old Drum, The Fifties People of South Africa, Mandela & The Rise of the ANC, Voices from Robben Island, Sof’town Blues, The Black & White Fifties, The San of the Kalahari & Soweto Today 2002, Witness - 52 years of pointing lenses at Life 2004, Voices from the Land 2006. Jazz, Swing & Blues – 56 years of SA Jazz and Tales from Jozi 2007– Six decades of documentary photography in Europe, Africa and America published by Hatje Cantz 2008, Great Britain 1964/84 , 2011 Jurgen Schadeberg visits Germany – 6 decades 2012, and Six decades of South African Photography 2014. Together with his producer wife Claudia, Jurgen established The Schadeberg Movie Company to produce a series of some 15 documentaries and dramas about South African social, cultural and political history. Jurgen Schadeberg, sometimes known as “The Father of South African Photography”, is a principle figure in South African and World Photography. His major body of work, which spans 70 years and incorporates a collection of some 200,000 negatives, captures a wealth of timeless and iconic images.Source: www.jurgenschadeberg.com
Scott Bourne
United States
Brad Walls
Australia
1992
Brad Walls is an Australian aerial photography based in Sydney. Best known for his use of close up top downs, Brad specialises in aerial portraiture and a minimalistic approach to aerial photography. Utilising one of the first consumer drones, Brad Walls stumbled across his passion for aerial content through stitching small video clips together taken during his extensive travels. 18 months on, Brad has refined his skillset, with a vision to strive and see the world from a different angle creating the perfect metaphor for his work. Pools From Above Pools From Above is an ode to the beauty found in the shapes, colours and textures of swimming pools. This unique and never-before-seen perspective uses Walls' clean, minimal aesthetic to visually showcase interesting pools from around the world. Inspired by his travels throughout Southeast Asia and within his own home country of Australia, Walls' journey initially began by capturing the bodies of water simply to document holiday memories. It wasn't until picking up the bestselling Annie Kelly coffee table book Splash: The Art of the Swimming Pool, however, that Walls would start investing time and passion into curating a series, stating that "As I turned each page of Kelly's book, a wave of childhood nostalgia washed over me, spending hours in the pool over summer." Paying powerful homage to Kelly, Walls' series chooses to keenly focus on pools' elements of composition from a bird's eye view. "I fell in love with the lines, curves and negative space of the pools, which - without alternate perspective from a drone - would have been lost." Pools From Above is also an integral part of a much larger project which is aimed at a book release in the not-too-distant future, as Walls says "The response from viewers has been positive, asking for the series to be amongst their coffee table books." Looking ahead, once the world finally re-opens, Walls has no plans of slowing down. He plans to capture even more world-renowned swimming pools across an array of idyllic locations, including Palm Springs, Mexico and the Mediterranean. Since bursting onto the photography scene in early 2019, Walls has gone on to produce award-winning photographs and garner worldwide media attention, with a primary focus on capturing aerial portraits of sportspeople like synchronized swimmers, gymnasts and ice skaters from unique perspectives and angles that audiences are normally unable to see.
Newsha Tavakolian
Newsha Tavakolian (born 1981) is an Iranian photojournalist and documentary photographer. She has worked for TIME Magazine, The New York Times, Le Figaro, and National Geographic. Her work focuses on women's issues and she has been a member of the Rawiya women's photography collective which she co-established in 2011. Tavakolian is a full member of Magnum Photos. Born and brought up in Tehran, at age 16, Tavakolian took a six-month photography course, after which she began working as a professional photographer in the Iranian press. She started at the women's daily newspaper Zan, and later worked for other nine reformist dailies, all of which have since been banned. She covered the July 1999 student uprising, using her Minolta with a 50mm lens, and her photographs were published in several publications. However, she was forced to go on hiatus from her photojournalist work following the "chaos" of Iran’s presidential election in 2009. During this time, she began other projects focusing on art using photography as well as social documentary. Tavakolian’s photographs became more artistic and involved social commentary. She got her international break in 2001 at age 21, when she met J.P. Pappis, founder of Polaris Images, New York at a photography festival in Perpignan, France. She began covering Iran for Polaris Images, in the same year, and started working as a freelancer for The Times in 2004. Tavakolian has worked internationally, covering wars, natural disasters and social documentary stories in Iraq, Lebanon, Syria, Saudi Arabia, Pakistan and Yemen. Her work has been published by international magazines and newspapers such as TIME Magazine, Newsweek, Stern, Le Figaro, Colors, New York Times Magazine, Der Spiegel, Le Monde, NRC Handelsblad and National Geographic. Common themes in her work are photo stories of women, friends and neighbors in Iran; the evolving role of women in overcoming gender-based restrictions; and contrasting the stereotypes of western media. Her photo projects include Mother of Martyrs (2006), Women in the Axis of Evil (2006), The Day I Became a Woman (2010) and Look (2013). Tavakolian was part of the 2006 Joop Swart Masterclass organized by World Press Photo. In 2007 she was a finalist for the Inge Morath Award. Her work has been exhibited and collected at institutions such as the British Museum, the Victoria and Albert Museum, the Los Angeles County Museum of Art, the Museum of Fine Arts, Boston and Somerset House, London. (April 2014), where she was one of eight Iranian photographers featured in the critically acclaimed Burnt Generation exhibition. In June 2015 Tavakolian became a nominee member of Magnum Photos and in 2019 a full member. She lives and works in Tehran and is married to the Dutch journalist Thomas Erdbrink. In 2019, the Iranian authorities barred her from working in the country.Source: Wikipedia Newsha Tavakolian is known for her powerful work covering wars in Iraq and social issues in her native Iran. With clarity and sensitivity, Tavakolian has photographed female guerilla fighters in Iraqi Kurdistan, Syria and Colombia, prohibited Iranian female singers and the lives of people living under sanctions. Over the years, her practice has shifted from photojournalism to photography as art. A self-taught photographer, Tavakolian began working professionally in the Iranian press at the age of 16, at women’s daily newspaper Zan. At the age of 18, she was the youngest photographer to cover the 1999 student uprising, which was a turning point for the country’s blossoming reformist movement and for Tavakolian personally as a photojournalist; a year later she joined New York-based agency Polaris Images. In 2003, she started working internationally, covering the war in Iraq. She has since covered regional conflicts, natural disasters and made social documentary stories. Her work has been published in international magazines and newspapers such as Time Magazine, Newsweek, Stern, Le Figaro, Colors, The New York Times, Der Spiegel, Le Monde, NRC Handelsblad, The New York Times Magazine and National Geographic. Commercial clients include Qatar foundation, who commissioned her to make a book about education around the world and Shiseido, who commissioned a two-year assignment looking at the meaning of beauty in Paris, France.Source: Magnum Photos
Tamara Dean
Australia
1976
Tamara Dean (b. 1976, Sydney, Australia) is a photographic artist whose works explore the informal rites of passage and rituals of young people within the natural world.Her solo shows include Ritualism, Divine Rites, This too Shall Pass and Only Human.Dean has received numerous awards including a $10,000 High Commendation prize in the 2013 Moran Contemporary Photographic Award, the 2011 Olive Cotton Award and 2009 Sydney Life: Art & About.Dean’s works have been widely exhibited both nationally and internationally. Her works have featured in ‘Dangerous Beauty’ curated by Stephan Stoyanov, Bulgaria 2013, the 2013 Aspettando FotoLeggendo festival in Rome, Fotofever Brussels Art Fair, 2012 and Pingyao Photography Festival, China, 2012 as well as at leading Australian galleries including Inheritance 2009 and Hijacked 2 – New Australian & German Photography 2010, both at the Australian Centre for Photography; Sydney Now – New Australian Photojournalism, Museum of Sydney 2007; Terra Australis Incognita at Monash Gallery of Art.Dean has been awarded artist residencies with ArtOmi, New York (2013), and previously Taronga Zoo, Montsalvat and repeatedly in the remote gold-mining town of Hill End, NSW.For a decade Dean was a member of Oculi photographic collective.Dean’s work is held in a number of public and private collections including Artbank, Sydney; The Francis J. Greenburger Collection, New York; the Mordant Family Collection, Australia; and is represented by Olsen Irwin Gallery Sydney and James Makin Gallery Melbourne.Source: www.tamaradean.com
Annick Donkers
Annick Donkers is a documentary photographer from Antwerp, Belgium. After obtaining a Master’s degree in Psychology, she decided to specialize in photography. She has received a grant from the Mexican Ministry of Foreign Affairs and was selected to participate in the Seminar on Contemporary Photography at the Centro de la Imagen in Mexico City (2008). Her work has been exhibited and published internationally. She was one of the winners at the Survival International Competition (2015), won an award at the San José Photo Festival in Uruguay (2016), the Sony Awards in UK (2016), the MIFA awards in Russia (2016), the IPA awards in USA (2016), the TIFA awards in Tokyo (2016), received an honorable mention at the Px3 Prix de la Photo in Paris(2016), was selected at Latin American Photography vol.5 (2016), on the cover of Dodho magazine (2016), shortlisted for the Kolga Tbilisi Awards and Athens Photo Festival (2017). She currently lives and works as a freelance photographer in Mexico City.About Lucha Libre Extrema The Lucha Libre Extrema series emerged from a growing interest I had in Mexican professional wrestling. I was soon drawn towards sub-genres of the sport such as Lucha Libre Exótica and Lucha Extrema. This semi-clandestine hardcore genre is currently prohibited in Mexico City because of how dangerous it is, but events still take place outside the capital, notably at a car wash-turned-arena in Tulancingo, the village where El Santo, Mexico’s most famous pro wrestler, was born. The participants receive professional training and are paid a little bit more because of the risks they take. They perform with a variety of weapons: chairs, thumbtacks, wire, and fluorescent lights, turning the ring into a war zone. Yet the community of luchadores “extremos” is closely knit and few outsiders have gained access. Mexico has been a very violent place in recent years. As such, I found it fascinating that people were drawn to the dangerous world of Lucha Libre Extrema and turned my camera to the audience in an attempt to understand their reasons. About Afromexican HealersAt the end of last year my attention was drawn to the coastal region of Guerrero known as Costa Chica, located to the south of Acapulco. This region is home to Mexicans descended from African slaves that identify themselves as being “black”. But outside this region they are little-known and they are currently fighting to be officially recognized by the Mexican State. The Costa Chica is also a place rooted in traditional beliefs that include appearances of trolls, the devil and spirit animals. The legend tells that when a baby is born, a member of the family brings the child to a crossroads up in the mountains where lots of wild animals pass by. The first creature to approach the child will be the child's spirit animal, or tono in Spanish, since there is now a dependency created between child and animal. This means that when the animal is hurt, wounded or dies, the person is too. In the Afromexican communities there are healers that will cure these "animal"-related illnesses, since conventional medicine will not work in these cases. The person is cured with herbs selected by the healers and also according to the needs of the animal. They call these healers curanderos del tono and there are only a small number of them left. I went to the Costa Chica region in an attempt to capture what remains of this Afromexican tradition.
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