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LAST CALL TO Win a Solo Exhibition in July 2026 + An Exclusive Interview!
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Jon Kolkin
Jon Kolkin
Jon Kolkin

Jon Kolkin

Country: United States

Jon Kolkin has rapidly drawn the attention of the art world due to his ability to look at his subject matter from a very fresh, original and unique vantage point. He is known for his minimalist style, stripping away all distractions and focusing on the sole of his subject matter. Each body of work typically contains numerous plots and subplots, often with a socially relevant underlying theme. Like many artists before him, Jon has had a love affair with both the arts and the sciences. He was first introduced to photography as a young boy working in his father’s darkroom. He expanded his artistic horizons, becoming a nationally recognized clarinetist who toured Europe with the National Youth Symphony. These passions, combined with his fascination with the sciences, resulted in Jon’s decision to pursue a major in chemistry at Emory University with a minor in the Arts. After college he received a degree in Medicine. However, he never abandoned his love for the arts, taking photography courses at night while simultaneously completing his residency in Orthopedics. He is the only professional photographer from the Southeastern United States to serve on the faculty of both the Santa Fe and Maine Media Workshops. Jon is also a trained health coach who is nationally recognized as a guest speaker and educator on topics related to finding wisdom and a healthy balance within our lives.
Selected Books on Available on Amazon
Inner Harmony: Living in Balance
Inner Harmony: Living in Balance
Jon Kolkin

Galleries

Lumiere Gallery

Carver Hill Gallery

The Mahler Fine Art

Website

kolkinphotography.com

 

Jon Kolkin's Video

Selected Book

Inner Harmony: Living in Balance
Inner Harmony: Living in Balance
Jon Kolkin

Inspiring Portfolios

Aleksander Rodchenko
© Aleksander Rodchenko
Fabien Dendiével
© Fabien Dendiével
Umberto Verdoliva
© Umberto Verdoliva
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More Great Photographers To Discover

Mike Magers
Mike Magers
United States
1976
Michael Magers is a documentary photographer and journalist based in New York City. He is a frequent collaborator with the highly acclaimed team at Roads & Kingdoms and served as the lead photographer on their award-winning books, Rice Noodle Fish and Grape Olive Pig (as well as contributing to the 3rd book in the series Pasta Pane Vino) published by Harper Collins/Anthony Bourdain. His images are exhibited both internationally and in the U.S. and have appeared in a wide range of digital and print publications including TIME, Smithsonian, Vogue Italia, Huck Magazine, Outside, The California Sunday Magazine, CNN's Explore Parts Unknown, Saveur, New York Times - T Magazine (Instagram Takeover), Grantland, Barron's, The Guardian.com, and L'oeil de la Photographie. Michael's work documenting craftsmanship in Japan was named a 2016 Critical Mass Finalist. About Independent Mysteries Independent Mysteries (pub. November 2019) is the first monograph from documentary photographer Michael Magers. In it, Magers exposes the persistent tension between connection and disconnection -- a feeling of "intimate distance" -- he grappled with while traveling to places like Japan, Haiti, and Cuba for various assignments and personal projects. Drawing on nearly a decade of work, each image can be viewed as a film-still, with little context other than light brushes of human contact, fleeting intimacy, solitude and vulnerability. Every one of the grainy, black-and-white photographs in this book carries with it a secret to be discovered and explored. Read More about Independent Mysteries Book
Werner Bischof
Werner Bischof
Switzerland
1916 | † 1954
Bischof was born in Zürich, Switzerland. When he was six years old, the family moved to Waldshut, Germany, where he subsequently went to school. In 1932, having abandoned studies to become a teacher, he enrolled at the Kunstgewerbeschule in Zürich, where he graduated cum laude in 1936. From 1939 on, he worked as an independent photographer for various magazines, in particular, du, based in Zürich. He travelled extensively from 1945 to 1949 through nearly all European countries from France to Romania and from Norway to Greece. His works on the devastation in post-war Europe established him as one of the foremost photojournalists of his time. He was associated into Magnum Photos in 1948 and became a full member in 1949. At that time Magnum was composed of just five other photographers, its founders Robert Capa, Henri Cartier-Bresson, George Rodger, David Seymour, and Ernst Haas. The focus of much of Bischof's post-war humanist photography was showing the poverty and despair around him in Europe, tempered with his desire to travel the world, conveying the beauty of nature and humanity. In 1951, he went to India, freelancing for Life, and then to Japan and Korea. For Paris Match he worked as a war reporter in Vietnam. In 1954, he travelled through Mexico and Panama, before flying to Peru, where he embarked on a trip through the Andes to the Amazonas on 14 May. On 16 May his car fell off a cliff on a mountain road in the Andes, and all three passengers were killed. Source: Wikipedia Werner Bischof was born in Switzerland. He studied photography with Hans Finsler in his native Zurich at the School for Arts and Crafts, then opened a photography and advertising studio. In 1942, he became a freelancer for Du magazine, which published his first major photo essays in 1943. Bischof received international recognition after the publication of his 1945 reportage on the devastation caused by the Second World War. In the years that followed, Bischof traveled in Italy and Greece for Swiss Relief, an organization dedicated to post-war reconstruction. In 1948, he photographed the Winter Olympics in St Moritz for LIFE magazine. After trips to Eastern Europe, Finland, Sweden and Denmark, he worked for Picture Post, The Observer, Illustrated, and Epoca. He was the first photographer to join Magnum with the founding members in 1949. Disliking the ‘superficiality and sensationalism’ of the magazine business, he devoted much of his working life to looking for order and tranquility in traditional culture, something that did not endear him to picture editors looking for hot topical material. Nonetheless, he found himself sent to report on the famine in India by Life magazine (1951), and he went on to work in Japan, Korea, Hong Kong and Indochina. The images from these reportages were used in major picture magazines throughout the world. In the autumn of 1953, Bischof created a series of expansively composed color photographs of the USA. The following year he traveled throughout Mexico and Panama, and then on to a remote part of Peru, where he was engaged in making a film. Tragically, Bischof died in a road accident in the Andes on 16 May 1954, only nine days before Magnum founder Robert Capa lost his life in Indochina. Source: Magnum Photos
Emilie Arfeuil
Emilie Arfeuil
France
1983
Emilie Arfeuil is a visual artist and photographer, with a background in cinema at Sorbonne University. She questions the complexity of representation of identities and their perception, the transformation of the gaze from the invisible to the visible, and the relationship between nature and unnatural. Her artworks are mainly presented in the form of photographs and installations, multimedia and sound creations or objects. She has won the Prix SAIF Les Femmes s'exposent 2022 and the 2nd Prize Gomma Grant 2021 with her project « Hylé ». Her work has been exhibited at the Promenades Photographiques, Boutographies, Map Toulouse, Quinzaine Nantaise, Fictions documentaires, Focus Festival in Bombay, as well as in galleries and institutions in France, Berlin, London, Phnom Penh and Brussels. His photographs have been published in Libération, Muze and Néon. The film "Scars of Cambodia" (co-written with Alexe Liebert) has received 8 awards and has been selected in about 20 international festivals. She lives in the south of France.
George Dambier
George Dambier
France
1925 | † 2011
Born in 1925, Georges Dambier first went to work for painter Paul Colin, where he learnt drawing and graphic design. Then he landed a job as assistant to Willy Rizzo, a famous portraitist photographer (Harcourt’s Studio, Paris Match). There, he discovered photography and was taught the fundamentals of this art, especially lighting. Georges Dambier was 20 when the Second World War came to an end, a moment when the social scene in Paris suddenly took off. Nightlife, subdued during the Occupation, exploded. Le Bœuf sur le toit, Le Lido, la Rose Rouge, Le Lorientais, Le Tabou : he frequented cabarets and jazz clubs in Saint Germain des Prés, where famous artists and celebrities organised glittering parties and balls. One night, he managed to take pictures of Rita Hayworth who had come incognito to a famous night club, Le Jimmy’s. He sold the exclusive images to France Dimanche, a daily magazine recently created by Max Corre and Pierre Lazareff, and won himself a job on the magazine as a photo-reporter. In his new post, he was sent to all over the world to cover current events. However, with his predilection for graphic design and aesthetics, his liking for refined mise-en-scene, and at the urging of many friends, such as Capucine, Suzy Parker, Jacques Fath, Bettina, Brigitte Bardot, Jean Barthet, he was lead towards fashion photography. As Georges Dambier built and perfected his craft, he was hired by Helene Lazareff, director of ELLE, the fashion magazine. She encouraged him and gave him his first assignment as a fashion photographer. Georges Dambier did not conform to the standard technique of taking fashion pictures, with models standing emotionless and seemingly indifferent to the camera. Instead, he showed models smiling, laughing and often in action. His models were surrounded by local people in a market place in Marrakech, or in a village in Corsica, or – and above all – in his beloved Paris. Most of all, it was Georges Dambier’s ability to put his subjects at ease (many of them were friends) that helped him create true, intimate and lasting images. With his delicate style, and refined technique, his work revealed a reality of great elegance. As his career blossomed, he became widely known for his ability to capture the essence of feminine chic and glamour in his images. In 1954, Robert Capa asked him to lead a fashion department at the Magnum Photo Agency. Unfortunately, Capa died a few weeks later, while covering the Indochinese war. Meanwhile, Georges Dambier set up his own studio in Paris, Rue de la Bienfaisance. As a freelance photographer, he continued to contribute to ELLE and other magazines: Vogue, Le Jardin des Modes, Marie France…He also collaborated with Françoise Giroud and Christine Collanges at L’Express. Big advertising campaigns (Synergie, Havas, Publicis), and contracts for many brands such as L’Oréal, Carita, Jacques Dessange followed. In addition to his work in advertising, Georges Dambier did portraits for record covers and posters for his great friend, the producer Eddie Barclay and Jacques Canetti. As his reputation grew, so did opportunities to meet and photograph celebrities from different worlds. He captured the faces of the most notable artists of the 60’s: Sacha Distel, Zizi Jeanmaire, Dalida, Jeanne Moreau… His impressive client list included celebrities (Cerdan, Cocteau…), singers (Johnny Hallyday, Sylvie Vartan, Charles Aznavour...), actors (Alain Delon, Françoise Dorléac, Catherine Deneuve…) and many others. In 1964, Georges Dambier launched his own project: a magazine for young people, dedicated to culture and fashion: TWENTY. He hired young artists and photographers: Just Jaeckin, Jean Paul Goude, Philippe Labro, Copi, Bosc and many others who would later become famous in their own right. Twenty lasted two eventful years. In 1976, he created the magazine VSD with his old friend Maurice Siegel. Georges Dambier led the artistic side of the magazine and headed the photographic section. VSD was an instant success. In the late eighties, Georges Dambier retired to a quieter life in the countryside. He died in May, 2011. Source: Peter Fetterman Gallery
Rupert Chambers
Rupert Chambers
United States
1944
Rupert Chambers enjoyed only episodic involvement in his passion for photography until he retired. In retirement, he is the fine arts photographer he always wanted to be. He initially focused on candid street photography, especially in Mexico and Guatemala, until Covid masked his subjects, chased them indoors, and limited his travel. That reoriented him toward the rich landscape and “new topographic” opportunities close to his Taos home in northern New Mexico, at least until the shortage of oxygen at high altitudes transported him to the California coast. He now creates intimate, intertidal landscapes within the threshold between sea and land — the liminal in the littoral. On the Pacific coast, twice each day it is sea, and twice each day it is land. It belongs to both; it belongs to neither. His work owes an obvious intellectual debt to California Impressionism and to the West Coast Photographic Movement. Now in his eighties, he has been drawn increasingly to the patience of intertidal rocks as subjects. He shares Edward Weston’s objective “to photograph a rock, have it look like a rock, but be MORE than a rock.” The past year he has increasingly employed long exposures on a tripod to emphasize the fluidity of the sea in contrast to the sculptural geology of seastacks, especially backlit at negative low tides. All About Photo Competitions AAP Magazine 56 Shadows
S. Gayle Stevens
S. Gayle Stevens
United States
S. Gayle Stevens has worked in antiquarian photographic processes for over fifteen years. Her chosen medium is wet plate collodion for its fluidity and individuality. She exhibits extensively across the United States, United Kingdom, the Netherlands and China. Ms. Stevens received an MFA from the School of the Art Institute of Chicago in 1999. She is an educator, speaker, juror, curator and an active member of the photographic community. Named one of the Critical Mass Top Fifty Photographers for 2010, she received second place in the Lens Culture International Exposure Awards in 2011 and was named a finalist for the Clarence John Laughlin Award in 2012. Her work has been featured in Fraction, Square, Shots, Diffusion, B + W Photography, South by Southeast and Fuzion magazines and in the recently published book Inventing Reality, New Orleans Visionary Photography. North Light Press published a book of Stevens’ work, Calligraphy, in their 11 + 1 Signature series. Christopher James will feature her work in the third edition of The Book of Alternative Photographic Processes. Stevens’ work is widely collected and is part of the permanent collection of the Ogden Museum of Southern Art, the Rockford Museum of Art and the Center for Fine Art Photography among others. A member of the Posse photo collective, she divides her time shooting in Pass Christian, Mississippi and Downers Grove, Illinois, where she resides. Stevens is represented by Tilt Gallery.
Joseph Szabo
Joseph Szabo
United States
1944
What strikes us first in the photographs of Joseph Szabo is a quiet shock of recognition. His poignant images of the life of American teens present a nostalgic portrait of those tumultuous years between childhood and adulthood. We remember our own high school years - first loves, classic rock, hanging out. We see ourselves in his photographs. Born in Toledo, Ohio, Joseph Szabo discovered his passion for photography as a student at New York's Pratt Institute. By the early 1970s, he was teaching art and photography at Malverne High School in a working-class neighborhood on Long Island. As he struggled to connect with his students, Szabo began using his camera to bridge the gap between teacher and student. In the classroom or on school grounds, and with the neutral eye of a documentary photographer, Szabo depicted his subjects as they were - preening and posing, showing off and goofing around, kissing, smoking - without judgment. What emerges is a dignified, compassionate, and tender view of teenage life rarely seen by adults. Although Szabo's portrait of adolescence in America is specific to suburban Long Island in the 1970s and 1980s, the images are universal and timeless. They capture the bravado and vulnerability, the joy and exuberance, the angst and fear, and the blossoming self-confidence and emerging sexuality of those complex years at the cusp of adulthood. Describes as a "chronicler of teenage life," Szabo's work actually comprises several distinct series - adolescents, Rolling Stones fans, Jones Beach and hometowns - that share a common aesthetic. Wether his camera is focused on his students, the "melting pot of humanity" at Jones Beach, fans at a rock 'n' roll concert, or the suburban streets of the East Coast and Ohio, Szabo's interest is in capturing quintessential American experiences, familiar to all of us, no matter where we grew up. He taught at the International Centre of Photography (ICP). Szabo is the recipient of a National Endowment for the Arts Fellowship and his work resides in the permanent collections of the Metropolitan Museum of Art, International Center of Photography and the Bibliothèque Nationale de France in Paris. Szabo is most notable for his photographs of American youth taken during the 1970s and collected in the books Almost Grown and Teenage. His photograph Priscilla was featured as the cover of alternative rock band Dinosaur Jr's 1991 album Green Mind. Szabo made a body of work on Rolling Stones Fans photographed at a concert in Philadelphia in 1978. Joseph Szabo currently lives in Amityville, New York with his wife Nancy.Source: Wikipedia Joseph Szabo is a teacher, photographer and author. He taught photography and art at Malverne High School on Long Island for 27 years and for over 20 years at the International Center of Photography in Manhattan. His 1978 book, Almost Grown, featured many of his students and was acclaimed as one of the “Best Books of the Year” by the American Library Association. In the book’s forward, legendary photojournalist and Founder of the International Center of Photography Cornell Capa, wrote that “…in Szabo’s hands, the camera is magically there, the light is always available, the moment is perceived, seen, and caught.” Throughout the 80s and 90s, Almost Grown attained cult classic status in the fashion world, prompting Vogue editor Grace Coddington to notice that “all the young fashion photographers were looking at Joe’s photographs as their bible.” In 2003, Szabo released Teenage his more complete view of adolescents coming of age. His most recent book Jones Beach captures his forty year exploration of summer at New York’s most popular beach. Szabo’s evocative black and white images have won him worldwide recognition and admiration, from photographers including Bruce Weber and filmmakers Cameron Crowe and Sofia Coppola. He is the recipient of a photography fellowship from the National Endowment for the Arts and his images reside in the collections of the Bibliothèque Nationale de France in Paris, the George Eastman House museum in Rochester, the Museum of Modern Art in New York, and the San Francisco Museum of Modern Art, among many others. His photographs have been published in The New York Times, the Los Angeles Times, The Times, French Vogue, Women’s Wear Daily and exhibited at galleries in Paris, London, Japan, New York, Atlanta and Los Angeles.Source: josephszabophotos.com Galleries Jackson Fine Art Michael Hoppen Gallery Gitterman Gallery M+B Gallery
Alessandro Deluigi
Alessandro Deluigi
Italy
1975
I was born in Rimini, Italy, where I live. I have always been a silent observer of life and people with a strong passion for the visual arts. I worked for years as an advertising graphic designer and now, for the last 10 years or so, I have been working in healthcare. At the age of 25, I attended a photography course at the European Institute of Design in Turin. As an amateur photographer I have experimented with several photographic genres and since 2018 I have approached street photography, a genre I prefer: I find it stimulating and at the same time I have a lot of fun. I like capturing those moments of everyday life, hidden from distracted eyes, sometimes surreal and poetic, sometimes funny and grotesque, always with an eye on composition. In short, I think I have found my way on the road. Since 2023 I have been a member of Collettivo.21, an Italian collective of street photographers. Some of my works have been selected by magazines and competitions in Italy and abroad, winning awards including third place at Moment Street Photo Awards 2022, best author at City of Follonica Trophy, second place at Kaaf Photography Contest (street category), Special Mention “photo of the year” at Paris Street Photo Awards in 2023, first place at Dublin Street Photography Festival 2024.
Anna Laza
Anna Laza
Romania
"I started to be in photography about 15 years ago. At that time I used to model and participate in shootings. But quite quickly I got bored with posing and was becoming more curious to stand on the other side of the camera. So slowly, but certainly I started my own way in the big universe of photography. I have principles in my shootings and always keep in focus my own style. It’s very important for an artist to both keep his/her unique style and progress in it at the same time. When I shoot women I avoid sexualizing them and even photographing naked bodies there’ll be no sexual vision in the image, but sensual and sophisticated." Anna Laza is an influential visual artist working in Art and Fashion photography. Her projects are focused on finding new innovative styles both shooting and post-processing. Her work has been rewarded and been exhibited internationally, she has won in a number of famous photo contests, including LensCulture, MonoVisions and Minimalist Awards. She is often published in photography magazines and regularly appears on prestigious jury lists for photographic events. Besides her own photography, she is also a creator of the magazine FotoSlovo, which highlights every year new emerging talents in photography from Russia & CIS counties. Metaphysical Body Landscapes "My childhood I've spent at my grandmother's house in Romania, near the Carpathian Mountains. Seeing human's strong bond with the earth, observing nature, landscapes around influenced my understanding of earth beauty and men's connexion with it. All being is something whole, indivisible. Earth, sky, plants, fruits, mountains, rivers, men, women, day, night- all merged together and flow into each other. This process is infinite and harmonious. Men came from the earth, lives on earth and will return to earth. And landscapes of the earth are seen in body curves. Growing up I moved to live in big cities, my grandmother passed away and I felt the loss of spiritual connexion with nature. To reconnect, I start to search the Landscapes in body in my photography."
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Latest Interviews

Exclusive Interview with Susan Anthony
Interview
Exclusive Interview with Susan Anthony
American photographer Susan Anthony brings a painter’s eye to documentary photography, creating nuanced portraits of people and places shaped by time, community, and tradition. Her work is rooted in observation, empathy, and a deep curiosity about the lives of others. Through long-term projects, she explores the relationship between individuals and the environments they inhabit, revealing the stories that connect people to a place and to one another.
Read the full interview
Exclusive Interview with Carole Mills Noronha
Interview
Exclusive Interview with Carole Mills Noronha
Carole Mills Noronha is an Australian photographer whose deeply personal work explores memory, family, loss, and the fragile nature of identity. Living with epilepsy and a lifelong sensitivity to light, she has developed a distinctive photographic language rooted in observation, empathy, and emotional connection. Her images are shaped by lived experience, revealing intimate stories with remarkable honesty and tenderness.
Read the full interview
Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
Interview
Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
Read the full interview
Exclusive Interview with Frank Meo
Interview
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
Read the full interview
Exclusive Interview with Carolyn Moore
Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Read the full interview
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Read the full interview
Exclusive Interview with Matthew Finley
Interview
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Read the full interview
Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Read the full interview
Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Read the full interview
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