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FINAL DAYS TO ENTER AAP MAGAZINE B&W: PUBLICATION AND $1,000 CASH PRIZES
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Michal Karcz
Michal Karcz
Michal Karcz

Michal Karcz

Country: Poland
Birth: 1977

I was born in 1977 in Warsaw, Poland. I had graduated from the High School of Art in Warsaw. My journey into the world of photography began in the early 90's, but at that time my biggest passion was painting. Painting helped me develop vision that was hard to create. Unfortunately I had to leave the paintbrush and canvas. A few years ago, I opened "the door" to my own world with help of a different key... My early fascinations of painting and photography was combined into one piece, with use of digital tools. This digital photography and software gave me the opportunity to generate unique realities that are impossible to create with ordinary dark room techniques. Most of my work is the journey to the places which don't exist, places from my dreams, desire and imagination. I'm taking my inspiration from many artists and it doesn't matter if they get across to me by sense of vision or hearing I always try to make an extraordinary picture and my goal is to make a viewer stop for a minute, to influence on emotions and take away from reality. Am I making it happen?. appraise yourself.
 

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More Great Photographers To Discover

Arthur Tress
United States
1940
Arthur Tress (born November 24, 1940) is an American photographer. He is known for his staged surrealism and exposition of the human body. Tress was born in Brooklyn, New York. The youngest of four children in a divorced family, Tress spent time in his early life with both his father, who remarried and lived in an upper-class neighborhood, and his mother, who remained single after the divorce and whose life was not nearly so luxurious. At age 12 he began to photograph circus freaks and dilapidated buildings around Coney Island in New York City, where he grew up. Tress studied at Abraham Lincoln High School in Coney Island, and gained a Bachelor of Fine Arts at Bard College in Annandale-on-Hudson, New York. After graduating from Bard College in 1962, Tress moved to Paris, France to attend film school. While living in France, he traveled to Japan, Africa, Mexico, and throughout Europe. He observed many secluded tribes and cultures and was fascinated by the roles played by the shaman of the different groups of people. The cultures to which he was introduced would play a role in his later work. Tress spent the spring and summer of 1964 in San Francisco, documenting the Republican Convention that nominated Barry Goldwater, civil rights demonstrations at segregated car dealerships on Van Ness Avenue, and the Beatles launching their 1964 tour. Tress took over 900 photographs that were put away and re-discovered in 2009, and featured in a show at San Francisco's deYoung Museum. He currently resides in San Francisco, California. Source: Wikipedia Arthur Tress began his first camera work as a teenager in the surreal neighborhood of Coney Island where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mostly in Asia and Africa, he developed an interest in ethnographical photography that eventually led him to his first professional assignment as a U.S. government photographer recording the endangered folk cultures of Appalachia. Seeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children's dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach. Beginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York's Welfare Island. This led to a smaller scale exploration of narrative still life within a children's toy theater and a portable nineteenth-century aquarium. Around 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist's sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers. Source: www.arthurtress.com
Sandro Miller
United States
1958
Born in 1958 in Elgin, Illinois, Sandro Miller is an American photographer (working professionally as "Sandro") known for his expressive images and his close work with actor John Malkovich and the other ensemble members of Chicago’s Steppenwolf Theatre Company. Sandro is married to multi-media artist Claude-Aline Nazaire and is the father of two children, Nathan and Natalia. As a young teen, Sandro embraced the idea of making photographic portraits after seeing the portrait imagery of Irving Penn. He began photographing in Chicago at the age of sixteen and has since devoted his thirty-plus-years career to creating expressive images from his elegant Ukrainian Village studio. With numerous award-winning commercial campaigns to his credit, Sandro is one of today's most respected commercial and fine art photographers. He has photographed many national advertising campaigns for a long alphabetical list of clients including: Adidas, Allstate Insurance, American Express, Anheuser-Busch, BMW, Champion, Coca-Cola, Dove, Gatorade, Honda, Milk, Microsoft, Miller/Coors, Motorola, Nike, Nikon, Pepsi, Pony, UPS, and the US Army. In 2001 Sandro was invited by the Cuban government to photograph that country's greatest national treasure – its athletes. This project was the first US‑Cuban collaboration since the diplomatic and trade embargo was imposed in 1960. Sandro's editorial work has been featured in Communication Arts, Details, Esquire, ESPN Magazine, Eyemazing, Forbes, GQ, Graphis, Newsweek, The New York Times Magazine, The New Yorker, Russian Esquire, Stern, TIME Magazine, Vibe, Wired and has been exhibited worldwide. Sandro has a working relationship with the camera giant Nikon and is responsible for introducing their latest technology to the professional photographic world. He has worked on many award-winning projects with Nikon: a portrait session with actor John Malkovich in Croatia; a series of motorcycles racing in Brainerd, Minnesota; a still and video shoot of the roller derby team The Windy City Rollers; a video of the world-renowned high-wire artist Philippe Petit; and most recently, a short cinematic video entitled "Joy Ride”, featuring a motorcyclist racing through the early morning streets of Chicago on a mysterious mission. Throughout his career, Sandro has contributed his talents and staffed studio time to community-based and national charitable organizations by creating compelling campaigns that solicit contributions for such organizations as the AIDS Chicago, AIDS New Jersey, American Cancer Society, American Heart Association, Arts for Life, Big Brothers and Big Sisters of Milwaukee, Dance for Life, Evans Life Foundation, Food Depository of Chicago, The Good City, Marwen Foundation, The Maestro Cares Foundation and Off The Street Club. At the Cannes Lions International Festival of Creativity in France, in July 2011, Sandro was presented a Saatchi & Saatchi Best New Director Award for his short video "Butterflies" featuring John Malkovich. Sandro traveled to Morocco in November 2013 and shot portraits of two hundred thirty tradesmen, nomadic people, snake charmers, fossil diggers, and Gnawa musicians. In 2014 Sandro re-created forty-one hallowed photographs in homage to the world’s greatest photographers. The project, titled Malkovich, Malkovich, Malkovich: Homage to Photographic Masters, has a costumed John Malkovich as the subject in each image. On November 2, 2014, in New York’s Carnegie Hall, the Lucie Foundation honored Sandro with the International Photographer of the Year award for his achievements in photography. On October 27, 2015, for the 2nd year in a row, Sandro was honored with the Lucie Foundation’s International Photographer of the Year award for his photography of the Malkovich, Malkovich, Malkovich: Homage to Photographic Masters images. For the past five years, in juried competitions within the industry, Sandro has been voted one of the top 200 advertising photographers in the world.Source: www.sandrofilm.com
Martin Miklas
Slovakia
1982
Lisbon-based documentary photographer from Bratislava /Slovakia whose primary focus is on sociological changes in Eastern Europe and socioeconomical and ecological impact on the fishing industry in Portugal. Presently one of the alumni of the 2022-23 VII Photo Agency Masterclass, proud father and Visual Storytelling Masterclass by The Raw Society participant. Dive into the Depths: Unveiling the Ocean's Soul In the realm of the vast and ever-shifting oceans, where mystery and beauty intertwine, lies an industry of profound significance: the fishing industry. It is here, amidst the ebb and flow of tides, that I have embarked on a long-term photographic project, driven by a deep fascination and a sense of responsibility for the issues plaguing our oceans. Like a deep-sea explorer, I navigate through layers of metaphor and reality, capturing the resilience of fishermen, the fragile ecosystems, and the pressing issues afflicting our waters. I aim to spark awareness and action, exposing the consequences of overfishing, climate change, pollution, and habitat destruction. Through my lens, I strive to reveal the untold stories that unfold in the fishing communities, the fragile ecosystems, and the human-nature interplay intrinsic to the fishing industry. My intention is to shine a light on the multifaceted aspects of this complex web, delving into its triumphs, struggles, and the urgent need for awareness and action. Oceanic ecosystems, fragile and exquisite, teem with life that sustains not only the fishing communities but also our entire planet. It is disheartening to witness the ecological imbalance and the ripple effect of overfishing, climate change, pollution, and habitat destruction. My photographs aim to depict these adversities, not only to evoke empathy but also to instigate conversations about the choices we make and the consequences we collectively bear. I aspire to generate a profound emotional response that transcends mere aesthetics. Compositions seek to immerse viewers in the world beneath the surface, inviting them to explore the enigmatic beauty and the precarious state of our oceans. I aim to foster a deep sense of connection, nurturing a responsibility towards the marine environment and fostering a collective call for sustainable practices. It is my hope that these visual narratives will inspire viewers to question, to engage, and to take meaningful action, for the wellbeing of our oceans, the communities that rely on them, and the future of our planet. In the ever-evolving dialogue between art and environmental activism, I believe that images have the power to evoke change. Together, let us navigate the depths, expose the challenges, and illuminate a path towards a more harmonious relationship with the oceans that sustain us all. AAP Magazine Winner of AAP Magazine 32 B&W
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