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FINAL Deadline Today: WIN A Solo Exhibition this December!
FINAL Deadline Today: WIN A Solo Exhibition this December!
Fritz Liedtke
Fritz Liedtke
Fritz Liedtke

Fritz Liedtke

Country: United States

Fritz began photographing as a teen, carrying his Kodak 110 Instamatic around on a US tour with his father at age 14, in their little blue Datsun B210. Twenty-five years later, he continues to explore the world, camera in hand. In the intervening years, Fritz acquired a BFA in Photography; won numerous awards and grants for his work; enjoyed artist residencies in various places; had photographs published, collected, and shown in galleries and museums; wrote articles and essays for various publications; lectured and taught workshops on photography and the artistic life; and balanced both commercial and fine art practices. He also loves to travel. He is constantly looking for new ways to approach the world through art. Portland, Oregon is his home, along with his wife and daughter and their bright orange house.

About Astra Velum: April, a freckled woman in this series, told me a story from her childhood: One day after playing outside, her grandmother asked her to go wash up. She went to the bathroom and did so, but grandma wasn’t satisfied. “Your face isn’t clean! Go scrub it some more!” The young girl was distraught, for all that was left on her skin were her freckles, and no amount of scrubbing would make them go away. In a world that flaunts flawlessness as the ideal, can we find real beauty in the blemishes? More than once, while photographing for this series, women thanked me for making something beautiful out of what they often viewed as an imperfection. At its essence, Astra Velum explores the beauty of flawed human skin, with its freckles and scars, overlaid upon us like a thin veil of stars. This series is hand-printed by the artist as a limited edition set of photogravures.
 

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More Great Photographers To Discover

Taisuke Sato
Japan
1969
Taisuke was born in Nagoya, Japan in 1969. After graduating from the Department of Sociology at Ritsumeikan University, Kyoto, Japan, he worked in housing sales and management for a major Japanese housing company. When he turned 50, he chose to spend his life exploring arts, photography and its philosophy, then turned to be a photographer. He takes pictures in the style of street photography. They have some feelings, lonely, surreal, and humorous. He also has a unique sensitivity to the distance between society and people, and the perspective from which he views them. This is because when he was a boy, he moved every three years due to his father's job transfer. As a result, he learned how to blend in quickly and get along with the existing community by observing closely and understanding the distance and atmosphere between people. This is because in Japan's collectivist and relationship-oriented society, it is difficult to join an existing group. In addition, the fact that he himself is an existence that "Appears one day and disappears the next" has given him a subjective and objective perspective and thinking, but even so, in Japanese society dominated by the exclusivity of the community and "the Atmosphere of the place", his identity without a hometown or geographical ties is very uncertain and unstable. For this reason, his works are photographed with a unique sensibility, and their atmosphere reflects his worldview. His main theme is the relationship between himself, people, and society. In his work, he presents a methodology that takes a multifaceted view of human life and society and transforms it into a "Acceptance of impermanence". And more, he has deep insights into social behavioral psychology, social science, mental health, social class, Japanese organizational philosophies, housing and family, which are largely reflected in his work.
Karine Coll
France
1973
Madly in love with the arts in the broad sense, greedy for words, stories, eager for esthetic experiences, passionate about theater, writing, full-time professor of letters, photographer-poet in my spare time, human being forever, Woman above all. For me, photography is the medium that allows me to get down to the essence of things, a three-step frenzied waltz in which scenography, esthetics and text all come together to create a powerful message. Driven by a desire to delve deep into the possible, i see the photo as responding to a need to go straight to the soul, with all its diversity of approaches, a way of looking at the body as a sculptured tool, a fragment of a human being, as a dreamlike narration, pictorial reality, the shots linked but not all alike, a perpetual exploration of the possible, malleable according to my desires, giving rise to sensation, to hypersensitivity. Fragments The hands, the hands as witnesses of a too long forgotten body, metonymic fragments of a neglected soul, given as food to the monster lurking in the shadows. The hands which twist in silence, those which counter blows, which protect themselves, those which heal wounds in the half-light without ever daring, cruel pantomime smothered in the hollow of a fist. A black and white, dark, realistic series featuring hands, in close-up, the body is erased, the hands alone carry the message. The image is soiled, a grain comes to invade the cliché, to soil it, drowning all humanity, all femininity. Silence, taboo, shut up! Suddenly, the hands are there, referees of the last chance, standing up timidly in a final attempt, the last ramparts against hatred ... do not lower your guard, stand up, the hands finally come together, ally because together they make sense. A glimmer of hope that seeps through clenched fingers, gradually the woman regains body, the fist crushes in an act of assumed resistance, an unexpected force at hand, carried by a desire to wake up the sorority of all . Peaux d'ombre Because the body is only a conception of the mind, a fantasy projection of our eye, erotic or plastic mass, the body dissolves in the image, becomes a play of curves, a chimera. It is in the shadow of time that the male body reveals its power, sublimating our shadow areas.
Franco Fontana
Italy
1933 | † 2023
Franco Fontana is an Italian photographer, born in Modena, Italy. He is best known for his abstract colour landscapes. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time Magazine, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and the New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Fotofestival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as dialectical landscapism. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language...By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography...The way Fontana shoots, dematerialises the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. Fontana's photographs have also been used as album cover art for records produced by the ECM Records jazz label.Source: Wikipedia Fontana's style was shaped in the late 1960s under the influence of Abstract Expressionism and Minimalism. In that his teachers were his older contemporaries, Mark Rothko, Barnett Newman and Ed Reinhardt. Fontana's work with its focus on form and color was quite different from the classical black-and-white art photography that was predominant at that time. His work is in more than 50 museums in the world, including Tokyo Metropolitan Museum of Photography, George Eastman House International Museum of Photography and Film (Rochester), Ludwig Museum (Cologne), San Francisco Museum of Modern Art, the Museum of Fine Arts (Boston), Museum of Modern Art (Paris), The Pushkin Museum of Fine Arts (Moscow), National Gallery of Victoria (Melbourne), Victoria and Albert Museum (London), Galleria d’Arte Moderna - Torino, Museum of Fine Arts, Houston-Texas - USA, Deutch Bank, Banca Unicredit, Italia, UBS Unione Banche Svizzere, Museo Nacional de Bellas Artes- Buenos Aires, Muscadelle Museum of Art - Williamsburg, USA, Mus e WWestlicht, Vienna, IVAM, Museo Internazionale d’Arte Moderna, Valencia, Mus e de l’Elys e, Losanna, Maxxi, Roma, Macro, Roma.Source: francofontanaphotographer.com
Saul Bromberger
Israel/United States
1957
Saul was born in Israel in 1957 and emigrated to America with his family when he was 9-years old, and learned about the American culture and way of life through his work as a newspaper photographer. He has worked with his wife Sandra Hoover as a photography team for 35+ years. Throughout their years of working together they have produced documentary and personal projects with the first one being their 7-year photo essay project 'Pride - Hearts of the Movement: The San Francisco Gay & Lesbian Freedom Day Parade: 1984-1990,' when the LGBTQ community was marching for its civil rights and uniting in fighting the horror of AIDS. Their other documentary photo essays include 'House of Angels-Living with AIDS at the Bailey-Boushay House: 1992-1995, 1997,' about the lives of people in their last months of life at the first AIDS hospice in America in Seattle, WA., scenes of daily life in American communities with 'Our American Portraits: 1978-2006,' and are currently working on an ongoing project about the men and women who are long term HIV survivors with 'Portrait of the AIDS Generation.' They've had solo exhibits at PhotoCentral Gallery in Hayward, CA., and at Moorpark College, CA., and been part of numerous group shows in galleries that include the Harvey Milk Photo Center in San Francisco, CA. Their work is currently being archived by the Dolph Briscoe Center of American History, at the University of Texas in Austin, TX., and starting on 9.14.2021, they will be represented by ffoto.com in Toronto, Canada. American Portraits: 1978-2006 Many years later now that I am 63 years old, I have learned that it was in my early 20's when I had found my voice. It was then that I realized that my point of view had value and that I had something important to say and share with the world. I was capturing poignant scenes in our communities that I felt were significant for how they described the American culture, moments that captured American as well as universal sensibilities. Scenes that captured essential truths about people's hopes and their successes, their challenges and despair, their individuality and their relationships, during their day to day lives in our American communities. Scenes that defined an American way of life for me. Over the 28 years of this documentary project, from 1978-2006, this is what drove me to create a portrait of America that I had observed as an outsider, because of my experiences as an immigrant where I never really fit into American society. I was born in Israel in 1957, immigrated to America as a 9-year-old with my family in 1967, and as a teenager I helped my parents run our restaurant, while in high school I barely said a word in 4-years. It was through photography then that I found myself, as I discovered over time that I could connect with people, reveal my personality, express my opinion, interpret what I saw and felt, and be recognized and honored for my way of seeing. Starting in the late 1970's, I found myself gravitating to scenes that pulsated with American themes and values. I had become a photo-journalist working for several newspaper photography staffs in California and Washington State, and oftentimes during my assignments I also captured these scenes in social gatherings, parades, business events, political receptions, at county fairs, and much more, scenes that excited me for how they captured an America that I was beginning to understand. Scenes where many people, often white and wealthy, have a life of excess and privilege, while many other people struggle just to survive. People who live in small rural towns and in the larger cities, each group with its own pace of life and traditions, with American values that are vastly different from one another. An America that I found fascinating and perplexing, that I was documenting from an outsider's point of view. Solo Exhibition September 2021 American Portraits: 1978-2006
Alessandra Sanguinetti
United States
1968
Alessandra Sanguinetti is an American photographer. A number of her works have been published and she is a member of Magnum Photos. She has received multiple awards and grants, including the esteemed Guggenheim Fellowship. Her first solo show in the United States was in 2005 at Yossi Milo. Born in New York City, Sanguinetti moved to Argentina at the age of two and lived there until 2003. Currently, she lives in San Francisco, California. Her main bodies of work are The Adventures of Guille and Belinda and the Enigmatic Meaning of their dreams twenty + years long documentary photography project about two cousins—Guillermina and Belinda—as they grow up in the countryside of Buenos Aires; On the Sixth Day which explores the cycle of life and death as through farm animals lives; Sorry Welcome, a meditative journal on her family life; Le Gendarme sur la Colline, documenting a road trip through France in 2018. She has been a member of Magnum Photos since 2007 and is a Magnum Workshop teacher.Source: Wikipedia An ICP graduate, she began a series of works in 1999 about the relationship between two nine-year-old cousins, Belinda and Guille, who live on a farm outside of Buenos Aries. Sanguinetti photographed them for ten years, charting their evolution from girls to young women. The girls collaborated with Sanguinetti on the series, The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams, to construct images that evoke the fantasies and fears that accompany the physical and psychological transition from childhood to adulthood. The photographs use costumes and props, as well as references to art and literature, to explore the diffuse boundary between fantasy and reality. As the girls age, the photographs become more meditative as they start exploring their adult lives. Sanguinetti is a member of Magnum Photos, and her photographs are held in museums including the Museum of Modern Art; the Museum of Fine Arts Boston; the Museum of Fine Arts Houston; and the San Francisco Museum of Modern Art.Source: International Center of Photography "I was born in NYC in 1968. Two years after that, my family and I moved to Buenos Aires, where I grew up, worked and lived until 2002. I'm based in California now. I've been a photographer since I'm ten years old and made half of my work in a small area 200 km south of Buenos Aires. I've also made and are making work in many other parts of the world. To do so, I've had the support of the Guggenheim Foundation, The Hasselblad Foundation, the National Fund for the Arts of Argentina, the Harvard Peabody Museum/Robert Gardner Foundation, the Aperture/Hermes Foundation, the MacDowell Colony, and the John Gutman, Alicia Paterson and the Magnum Foundation."
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