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Esmeralda Ruiz
Esmeralda Ruiz
Esmeralda Ruiz

Esmeralda Ruiz

Country: United States

Artist Statement: "My childhood was different then most. Growing up with nothing but artists was one thing, but having actually flat lined during a surgery after being diagnosed with a kidney infection changed my life forever. It wasn’t that it left me weak or prevented me from going outside and playing or even going to school with other children but the images that I saw when that moment occurred is what I strive to show in my work today.

A wonderful world where the air was crisp and refreshing, with all of its flowers in bloom, my journey begins down a path with little yellow homes on each side. Beyond the path, a valley flowers appeared. On the right there were rocky mountains so enormous that clouds covered their midsection with their snow covered summits peering through. To my left the sound of the ocean was relentlessly crashing into a cliff. As I crossed my valley of flowers and ascended the cliff, I felt a cool yet, strong breeze off the ocean forcing me back. As I looked up into the vast skies above, I was overcome by the ever so omnipotent clouds with their glorious rays of sunlight beaming through. The feeling of leaping into the breeze and flying towards the light was more then overwhelming. Instead, I greeted it with a smile and made my way back to the valley. Relaxed, laying across its delicate wild flowers, my tranquil body curled up and fell into a deep sleep. Awaking to my mother at my bedside, disappointment overcame me with the realization that it was all just a dream.

Weeks passed, the pain healed but my dream still reigned true. Numerous sketches and endless rants of my new world was all that was real. Having to transition from a world of such perfection to a life of obscurity seemed almost inconceivable. As such, a minor state of depression would set in as my life slowly began to drift back into its regular routine. During this time my only solace came from the amazing work found in books from various art movements and even my favorite childhood cartoons. However, as my healing process dragged on, much of what I know about color (and how I use it today) came from all the extra time spent in my parent’s studio. Watching them work and being surrounded by various mediums helped better understand art as a form of expression. This would inevitably forge my desire to show the world what I had experienced on that fateful day.

As the years pass, my dream still lives within me. My thesis project has only driven my need to share my moment with the world in ways I never thought possible. After much soul searching and numerous critiques, I have come to the realization that my utopia isn’t just a dream; it is in the landscapes that have always surrounded me. Those three minutes had and will always have a tremendous impact on my life. If anything, I learned how fragile life is and to always appreciate the beautiful things in life. Photography has allowed me to show what stands out in my eyes by glorifying it in a photograph. It is the best way that I can communicate what I saw and what I felt at that particular moment. It is the bridge between my past and my present.

Source: Esmeralda Ruiz Website

 

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Dejan Mijović
Slovenia
1976
Slovenian freelance photography journalist Dejan Mijović, born on 18 September 1976 and based in Ljubljana, is assistant photo editor of the Delo.si web portal. Mijović has been involved in photography for the past 20 years, ever since undertaking studies of graphic technology at the Faculty of Natural Sciences and Engineering. In 2010, Mijović sustained an injury and was left completely paralysed from the neck down. Through amazing luck, strong willpower and lengthy rehabilitation, and driven by his as yet unfulfilled desire to pursue photography, the tetraplegic was back in the saddle, and has since held several one-man shows and participated in a number of group exhibitions in Slovenia and abroad. Recently, he has been polishing his photography skills with Klavdij Sluban, a French photographer of Slovenian descent based in Paris. Developing his photographic idiom, Mijović first focused on the wide landscapes of the Caribbean and South America, the poetic Tuscany, the magical Lake Cerknica, and explored hidden gems in his immediate vicinity and further afield. Mijović's great flair for composition and light contrasts renders his portraits of random individuals far more than simply frozen moments in time but, rather, perceptive accounts of his life stories. His black-and-white photographs, a preoccupation of recent years, aim to capture diverse moods of his closest family and long-standing friends also in their most intimate moments. All photos in this project were taken after the injury. About 9 years 9 months "The greatest desire of most couples around the world is to start a family. Unfortunately, this is a big problem in developed countries today, as every sixth couple suffers from infertility. These data also apply to Slovenia. Our story began ten years ago when I became quadriplegic after falling on a slippery ramp which led to the sea and was overgrown with algae. After spinal surgery and a six-month recovery in the Rehabilitation Center Soča, I returned home on crutches. A good year after the accident, my wife and I began to think intensely about starting a family. Due to my medical condition (spastic quadriplegia, also known as spastic tetraplegia), we had to seek medical help. We decided for the infertility clinic in Postojna. This is where our nine-year odyssey began, full of ups and downs, joy, tears, mental distress, depression but most of all, getting to know each other and learning about life. Our relationship was put to the test for the entire period, but we realised time and time again that each painful experience created an even stronger bond between us and we were even more determined to succeed sooner or later. In Postojna, the first three attempts with IVF, better known as in vitro fertilization, were unsuccessful. This was a very painful experience for both of us. Naturally for women this is much more traumatic as all the processes take place in their body. Men can only support them, but in reality we do not experience the whole process as intensely as women do. In one phase, the procedure is also physically extremely painful for women (puncture of follicles or removal of eggs from the ovaries). After the doctor performs the artificial insemination (he usually inserts a five-day-old embryo into the uterus which developed in the laboratory under the watchful eye of an embryologist), a long fourteen-day wait begins before a pregnancy test can be done. When the moment of truth comes and you see a minus instead of a much desired plus, your heart breaks. It seems like a piece of you dies with every negative pregnancy test. The bad news was followed by a depressing break of several months, during which we decided to try our luck at an infertility clinic in Maribor. Each clinic has its own methods. They are basically the same, with minor differences. Despite eight embryo transfers, all attempts were unsuccessful here as well. We were especially crushed after the first pregnancy which unfortunately ended in miscarriage in the initial phase. When, after years of unsuccessful attempts, you finally see the desired plus on a pregnancy test, you instantly forget about all previous painful experiences. All of a sudden you are overwhelmed by positive energy and you come to life again, both emotionally and physically. But as the saying goes, life is not a box of chocolates. Suddenly, the joy was over and a time of great sorrow and crocodile tears came instead. Such events cut into your heart forever. Despite the pain, we did not give up and we tried to move on. In order to forget the past events, full of distress and failures, but also because a symbolic wedding had already been quietly planned all along, we decided to get married unofficially in Thailand. After a few more relaxed months, it was time for action again. But what could we do after having used all the six free procedures (multiple transfers are possible in each procedure, depending on the amount of embryos) provided by our healthcare system? We had no choice but to find an infertility clinic abroad on our own which is, among other things, also a big financial burden. However, which clinic to choose and where? A shorter period of research followed. In the Czech Republic alone, which is a very interesting and quite affordable destination for Slovenian couples, there are about 40 such clinics. We decided for an infertility clinic in Brno. After two more unsuccessful attempts and eight extremely exhausting years, my wife gave up. She simply could no longer see the light at the end of the tunnel. We started thinking about adoption more and more intensely. However, this procedure also required a lot of energy and research. Above all, the social work center first had to obtain a certificate proving that we were a suitable candidates for adoption. At the same time we had to obtain a psychological assessment from a psychologist. It took more than ten hearings at the social work center and a visit from a social worker at our home to obtain the certificate. We also found out during the procedure that in most countries where adoptions take place, applicants are required to be officially together for at least ten years before they apply for adoption. In addition, they must be officially married. We therefore had to get married officially, this time in Slovenia. With all the papers we obtained and with the help of our acquaintances, a possibility arose to adopt a child in one of the African countries. We were the tenth on the waiting list. It would have taken at least a year before we could adopt a child. However, since we still had some frozen embryos in Brno, we decided to try our luck in Brno for the last time while waiting for the adopted child. We thought that we would only be able to get the desired child through adoption and that we would soon become parents in any case. Finally, the wheel of fortune was on our side. After nine long years our biggest wish came true. My dear wife got pregnant and despite a risky pregnancy and a long nine-month wait, our son was born and we named him Lev (Lion in English). He was born healthy in mid-March, during the coronavirus pandemic. We can proudly say that we are the happiest parents in the world. We wish to share the story with others to encourage all the couples who are facing a similar situation as we did last 9 years." -- Dejan Mijović
Peter Allert
Peter Allert co-founded Munich-based Allert&Hoess Photography in 1989, specializing in still life , technical and scientific photography. This brought him while his study of biology before, to start as self-taught photographer. After setting up its own studio in 1991 and establishing its own light, lab and print facilities, the company made its breakthrough in 1992 with a photo series for the portfolio „Joop! – women’s shoes“. Its subsequent client list is long and prestigious: Mercedes Benz, Audi, VW, BMW, Ford, Philip Morris, McDonalds, Ballantines, Wrigleys, Veltins, Wella, Miele, Bosch, Dresdner Bank, Deutsche Bahn AG, Siemens, LogiTech, MAN, Microsoft, GREENPEACE... to name a few. Today his photography actually is artistic. His works now are altogether advanced elaborations. He is working with multiple-exposures and different focus adjustments within a photograph. Additionally he highlights his subjects with spotlights (DEDO Lights) for every individual exposure in different adjustments and configurations.Source: www.peterallert.de Interview with Peter Allert All About Photo: Where did you study photography? Peter Allert: At the age of 7, I've been fascinated by photography. I got my first camera for his birthday and it went right now with this new adventure. During the whole period of schooling and youth I was obsessed with the possibilities of this medium... it was back then to my great passion. My love of nature and my subsequent study of biology, were another fertile ground for the expansion of my photographic works in new and fascinating areas. Later, I got access to advertising photography. I worked very successfully for 17 years in advertising, primarily for the automotive industry and in fashion. Ten years ago, then started my burnout, I was too other-directed and under constant pressure. Finally I lost my soul - I fell emotionally in a Coma, which never ended and I lost all my passion for photography! Only after many painful and difficult years, then a miracle, my miracle! In September 2013, I suddenly felt a new and ever expectant strength in me. She became stronger and stronger and I got my second chance! I quickly realized that I may never work externally determined with photography again - so I had a strong desire to completely new and original ways to go in photography. And so the desire as an artist within the photograph was made to work. AAP: Do you have a mentor? PA: I am self-educator and have teach me everything completely yourself. I have been doing all learned to make all analog laboratory processes such as color negative films and slide films to develop or color enlargements and edit. But also all black & white I have processes teach me ... Method as bromoil print have inspired to my digital workflow in today's time to orient myself to it. I grew up with analog photography and this has shaped me first of all. Thus, I am now very well be able to touch this analog in my image processing to achieve! AAP: How long have you been a photographer? PA: I have worked for over 20 years as a professional photographer. Before that, I financed my studies in Biology with smaller photo jobs. My first photos were nature photography, macro photography of animals and plants. After this the portrait photograph was added. AAP: What or who inspires you? PA: Edward Steichen & Robert Mapplethorpe! Both have always touched my soul in a special way!But in general I consider myself away from These kinds of inspiration! It would be too manipulative and determined by others, to allow more of it than I do this currently... AAP: How could you describe your style? PA: My style has only an analog touch, which often is derived from the early days of analog photography. I am fascinated by this authenticity that has shaped this wonderful photography. The soul of this unique works is always a great motivator for my own photography! AAP: What kind of gear do you use? Camera, lens, digital, film? PA: I'm using a Canon EOS mark II and a zoom ED 21-70 mm and a 100 mm lens for portraits. Lately I have been photographing with the camera of my Gallaxy S4 smartphones .. just for trying new. AAP: Do you spend a lot of time editing your images? For what purpose? PA: My image processing is very complex and requires a lot of time, which I'm taking. Often I need this more than a week! It is a process, similar to an adventure through your own soul. I have to feel all this, sometimes in a painful way - they are pure emotions of myself, which I will in this work with integrate into my images. There is no motivation necessary because it is the pure passion, if the appropriate moment has arrived! It's all about that moment, that when my emotions are ready and my soul opens up entirely! AAP: Favorite(s) photographer(s)? PA: Edward Steichen & Robert Mapplethorpe! AAP: What advice would you give a young photographer? PA: My main advice is: Stay always hear and feel your self-determined and soul in your work! Everything should come from your heart and your soul and feed into your work. AAP: An idea, a sentence, a project you would like to share? PA: Photography is the dierekte wire to my soul - my pictures are the direct reflection of my soul .. this my pictures tell of my feelings and my emotions. Each photo tells its own to profound story. Each image is thus a profound adventure of a portion of my own soul! This means to me that photography today! AAP: Anything else you would like to share? PA: As a little boy I dreamed of good spirits and fairies - I was intrigued by this mystical world! And so this dream accompanied my life ... When I felt my soul again in September 2013, I knew very quickly with this message deal. I was aware that puts a special soul in some, few people! And this I felt ever again. So this new photography had to include this topic. "Ghosts & Fays" and "Souls"!
Luigi Ghirri
Italy
1943 | † 1992
Luigi Ghirri, born on January 5, 1943, in Scandiano, Emilia-Romagna, Italy, was a trailblazing photographer renowned for his innovative use of color. Ghirri's early life in this picturesque region profoundly influenced his artistic vision. Initially trained as a surveyor, he began experimenting with photography in the early 1970s, a time when the medium was predominantly monochrome and used mainly for documentation and advertising. Ghirri diverged from the norm by embracing color photography as a legitimate artistic form. His work delved into the social and cultural changes sweeping through Italy during the 1970s, particularly the infiltration of advertising and the rise of leisure activities. His images often feature everyday scenes, landscapes, and urban environments, infused with a sense of nostalgia and contemplation. He had an uncanny ability to find beauty in the mundane, transforming ordinary moments into profound visual narratives. One of Ghirri's most significant contributions was his ability to convey the evolving identity of post-war Italy. His photographs from this era provide a vivid chronicle of the shifting social landscape, marked by consumerism and modernity, yet always maintaining a deep connection to the region's history and traditions. In 1978, Ghirri published his first book, "Kodachrome," which became a seminal work in the field of color photography. This collection showcased his unique perspective and solidified his reputation as a visionary artist. He continued to produce influential works throughout the 1980s, including notable projects like "Il Profilo delle Nuvole" and "Viaggio in Italia," which further explored themes of travel, memory, and the passage of time. Ghirri's approach was both methodical and poetic. He meticulously composed his shots, paying close attention to light, color, and composition. His photographs often feature elements of surrealism and irony, inviting viewers to see the world through his distinctive lens. Despite his untimely death on February 14, 1992, Ghirri's legacy endures. His work has been celebrated in numerous exhibitions and retrospectives worldwide, influencing generations of photographers. Luigi Ghirri remains a pivotal figure in the history of photography, revered for his pioneering use of color and his profound ability to capture the essence of a changing Italy.
Julien Coomans
Julien Coomans is a Brussels based amateur photographer with a passion for photographing the natural world. He is a highly artistic individual which led him to pursue a career as an Architect. In his free time he loves to explore his artistic side through the medium of photography and has been commended for his images in several photographic publications. ​ Through experimenting with his camera settings and techniques, Julien seeks to capture scenes of tranquillity and minimalism in a bid to counter the hustle and bustle of his daily city life. ​ He travels widely in Europe, whether it be to the expansive northern beaches of Flanders or the rugged mountains of northern Italy, Julien is happiest when at one with nature. His camera is simply an excuse to get out there, discover beautiful places and capture stunning images. Fishing Huts, Fouras, France I traveled to Fouras on the west coast of France to photograph some unusual but picturesque fishing huts that are dotted along the coast line. Central to my vision was to take a series of long exposures in order to set a tranquil scene and emphasise the elegant wooden structures. The first day was miserable - windy and a lot of rain - yet despite this I was amazed by the beauty of the huts. Undeterred, I used my time to study the scene and find my compositions, ready to pounce when conditions were just right. The hardest part about finding the right compositions was avoiding stretches of land on the horizon as the bay curves quite dramatically. I had to find the perfect balance between fishing hut, weather conditions and the horizon line beyond. After finding my compositions my next challenge was to watch out for the tide times. I had to shoot as the tide was going out not only to physically be able to take the shot but to be sure I was safe. On the second day the conditions improved and I had my window between outgoing and incoming tides. The wind had died down making the water much calmer which was better as I could keep the exposure down to a few minutes to try and improve my chance of avoiding any tripod wobble. After shooting my pre-scouted compositions and checking the LCD screen for sharpness I packed up and went for a well earned beer!
Alexander Anufriev
Alexander Anufriev is a Russian photographer, born in Ukhta (Komi Republic, Russia) in 1988. Before photography, Anufriev worked in international advertising agencies. Currently, he is a Moscow-based photographer who works on projects describing and analysing social landscape of contemporary Russia. Alexander Anufriev’s Russia Close-Up series is a zoomed-in look at what makes a modern Russia, through a highly subjective lens. He got the idea for it while he was studying at The Rodchenko Art School in Moscow, after becoming disillusioned with documentary photography. “At the time, it was important for me to tell stories and for them to be the truth, but it started to feel like a little bit of a lie,” he explains. “Even if you’re trying to be totally objective, it is always a bit subjective." “I stopped shooting for six months, and I was about to quit photography, but then I thought, ‘What if I tried to be completely subjective?’ So I cropped the images very tightly, and included only the elements I wanted to show. It was a farewell to convention.” Unconventional it may be, but the series has already had some success, exhibited in Cardiff, Sydney, and Saint Petersburg, and winning third place in the Moscow Photobookfest Dummy book award. Anufriev’s past projects have included a series on homeless people celebrating New Year’s Eve in a Moscow train station, and portraits of market sellers on the city’s streets. But for this project, he wanted find a way to visualise the mood of a whole country. Born in 1988, he doesn’t remember life in the Soviet Union, behind the Iron Curtain. But over the last few years, against a backdrop of political apathy, he has began to realise the underlying forces of patriotism and nationalism in modern Russia. This series is an attempt to bring the image of Russia up to date, he says. “There are inner processes that are not obvious to the rest of the world,” he adds, “the strengthening of censorship and propaganda. This series is an attempt to visualise these processes.”Source: British Journal of Photography
Tianhu Yuan
China
1986
Tianhu Yuan (Tales Yuan) is a self-taught Chinese visual artist based in Chengdu and Chongqing. He has a long-standing interest in ACG-related generalized Nijigen subcultural community, and aims to build a dialogue between mainstream society and subculture through his work. He also focuses on the progress of society to explore the relationship between current technology and future developments. His work has been exhibited at China 29th National Photographic Art Exhibition, RPS IPE165, Galerie Huit Arles, PHOTO IS:RAEL International Photo Festival, Jakarta International Photo Festival, PhEST Festival, Head On Photo Festival and Lishui Art Museum. He was also awarded or shortlisted from Sony World Photography Awards, Fine Art Photography Awards, BJP OpenWalls Arles, BJP Portrait of Humanity, Lucie Foundation Scholarships, PhMuseum Photography Grant, the Meitar Award for Excellence in photography and Head On Photo Awards. Self Iterating of Chongqing A traditional neighbourhood is demolished to make way for bustling shopping districts. People are digging tunnels and building bridges to build railways, leaving behind the mountains and rivers that once defined the city's character. Citizens cope with the extremes of summer in the city known as the furnace of China. It is a city of tradition, but it is also a city looking to the future. In choosing to develop, human beings leave something behind and gain something new. People believe in moving towards a better future at the moment of choice. By capturing these moments of transition and transformation, I aim to highlight the complexities of urban development and the challenges that societies face when balancing progress with environmental preservation. I try to contemplate the role of human beings in shaping our cities and the environment, and to consider the choices we make as we look towards the future. AAP Competitions All About Photo Awards 2025
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