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Bert Stern
Bert Stern

Bert Stern

Country: United States
Birth: 1929 | Death: 2013

Bertram Stern (October 3, 1929 – June 26, 2013) was a self-taught American commercial photographer. He was the son of Jewish immigrants and grew up in Brooklyn. His father worked as a children’s portrait photographer. After dropping out of high school at the age of 16, he gained a job in the mail room at Look magazine. He became art director at Mayfair magazine, where Stern learned how to develop film and make contact sheets, and started taking his own pictures. In 1951, Stern was drafted into the US Army and was sent to Japan and assigned to the photographic department. In the 1960s Stern's heavy use of amphetamines, led to the destruction to his marriage to Balanchine ballerina, Allegra Kent. By the late 1970s Stern returned to the U.S. to photograph portraits and fashion. He was the subject of the 2010 documentary, "Bert Stern: Original Madman," directed by his secret wife, Shannah Laumeister. Ms. Laumeister and Stern never lived together, and Stern had a long standing relationship of 20+ years with Lynette Lavender who was his constant and devoted companion. His first professional assignment was in 1955 for a Madison Avenue advertising agency for Smirnoff vodka. His best known work is arguably The Last Sitting, is a collection of 2,500 photographs taken for Vogue of Marilyn Monroe over a three-day period, six weeks before her death. Stern's book The Last Sitting was published in 1982 and again in 2000. He has photographed Audrey Hepburn, Elizabeth Taylor, Madonna, Kylie Minogue, Drew Barrymore and Lindsay Lohan (recreating The Last Sitting), among others, in addition to his work for advertising and travel publications.

(Source: en.wikipedia.org)

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Argus Paul Estabrook
South Korea/United States
1977
I'm a biracial Korean-American photographer who works in both South Korea and the USA. Frequent travel between these two countries has provided me a unique perspective of Korean identity and its relationship to both global and regional communities. As an artist, I'm interested in creating work that gives voice to others and I often volunteer my efforts to marginalized communities. My work has been awarded by the Magnum Photography Awards, Sony World Photography Awards, LensCulture, IPA, MIFA, TIFA, as well as exhibited at the Aperture Summer Open: On Freedom. I've also been twice selected as a Critical Mass Top 50 artist by Photolucida and a three-time recipient of PDN's Annual Exposure Award. Additionally, I am an alumnus of the prestigious Eddie Adams Workshop and was named the 2017 Dorothy Liskey Wampler Eminent Professor in the School of Art, Design and Art History at James Madison University. Losing Face "Losing Face," documents the energy and emotions surrounding the impeachment protests of South Korean President Park Geun-hye. In October 2016, her relationship with a shadowy advisor from a shaman-esque cult was revealed to extend to acts of extortion. Protests were then held every weekend until Park was formally removed from office in early March 2017. This is what it looks like when the South Korean President loses face. This Is Not an Exit "This Is Not an Exit," bears witness to my father's unexpected struggle with Stage 4 pancreatic cancer as well as documents my mother's grief after his passing. Tying my photography to my mother's narration of events, we weave an intimate family record- one of vision and voice. Bound together through a personal process of grief, I hope "This Is Not an Exit" creates an emotional map, one that reveals our connectedness to each other while also furthering an understanding for all those navigating the loss of a loved one. More about Losing Face
James Van Der Zee
United States
1886 | † 1983
James Van Der Zee was an American photographer best known for his portraits of black New Yorkers. He was a leading figure in the Harlem Renaissance. Aside from the artistic merits of his work, Van Der Zee produced the most comprehensive documentation of the period. Among his most famous subjects during this time were Marcus Garvey, Bill "Bojangles" Robinson and Countee Cullen. Born in Lenox, Massachusetts, Van Der Zee demonstrated an early gift for music and was initially aspired to a career as a professional violinist. Van Der Zee's second interest was in photography. He bought his first camera when he was a teenager, and improvised a darkroom in his parents' home. He took hundreds of photographs of his family as well as his hometown of Lenox. Van Der Zee was one of the first people to provide early documentation of his community life in small-town New England. In 1906, he moved with his father and brother to Harlem in New York City, where he worked as a waiter and elevator operator. By now Van Der Zee was a skilled pianist and aspiring professional violinist. He would become the primary creator and one of the five performers in a group known as the Harlem Orchestra. In March 1907, Van Der Zee married Kate L. Brown and they moved back to Lenox to have their daughter, Rachel, born in September. Soon after, they moved to Phoebus, Virginia. In 1908, their son, Emile, was born but died within a year from pneumonia. In 1915, he moved to Newark, New Jersey, where he took a job in a portrait studio, first as a darkroom assistant and then as a portraitist. That same year, he converted to Catholicism and began taking assignments from the Church. He returned to Harlem the following year, just as large numbers of Black immigrants and migrants were arriving in that part of the city. He set up a studio at the Toussaint Conservatory of Art and Music with his sister, Jennie Louise Van de Zee, also known as Madame E Toussaint, who had founded the conservatory in 1911. In 1916, Van Der Zee and Gaynella Greenlee launched the Guarantee Photo Studio on West 125th Street in Harlem. They married in 1918. His business boomed during World War I, and the portraits he shot from this period until 1945 have demanded the majority of critical attention. In 1919, he photographed the victory parade of the returning 369th Infantry Regiment, a predominantly African American unit sometimes called the "Harlem Hellfighters." During the 1920s and 1930s, he produced hundreds of photographs recording Harlem's growing middle class. Its residents entrusted the visual documentation of their weddings, funerals, celebrities and sports stars, and social life to his carefully composed images. Quickly Van Der Zee became the most successful photographer in Harlem. Among his many renowned subjects were poet Countee Cullen, dancer Bill ("Bojangles") Robinson, Charles M. "Daddy" Grace, Joe Louis, Florence Mills, and black nationalist leader Marcus Garvey. By the early 1930s, Van Der Zee found it harder to make an income from his work in photography, partly because of the strained economic circumstances of many of his customers and partly because the growing popularity of personal cameras reduced the need for professional photography. Van Der Zee worked predominantly in the studio and used a variety of props, including architectural elements, backdrops, and costumes, to achieve stylized tableaux vivant in keeping with late Victorian and Edwardian visual traditions. Sitters often copied celebrities of the 1920s and 1930s in their poses and expressions, and he retouched negatives and prints heavily to achieve an aura of glamour. He also created funeral photographs between the wars. These works were later collected in The Harlem Book of the Dead (1978), with a foreword by Toni Morrison. In 1982, at age 96, Van Der Zee photographed 21-year-old painter Jean-Michel Basquiat for the January 1983 issue of Interview magazine. Van Der Zee died in Washington, D.C. on May 15, 1983. Ten years later the National Portrait Gallery exhibited his work as a posthumous tribute. In 1984 Van Der Zee was inducted into the International Photography Hall of Fame and Museum. It’s a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don’t have the balance. The main thing is to get the camera to see it the way you see it. -- James Van Der Zee Works by Van Der Zee are artistic as well as technically proficient. His work was in high demand, in part due to his experimentation and skill in double exposures and in retouching negatives of children. One theme that recurs in his photographs was the emergent black middle class, which he captured using traditional techniques in often idealistic images. Negatives were retouched to show glamor and an aura of perfection. This affected the likeness of the person photographed, but he felt each photo should transcend the subject. His carefully posed family portraits reveal that the family unit was an important aspect of Van Der Zee's life. "I tried to see that every picture was better-looking than the person ... I had one woman come to me and say 'Mr. VanDerZee my friends tell that's a nice picture, but it doesn't look like you.' That was my style", said VanDerZee. Van Der Zee sometimes combined several photos in one image, for example by adding a ghostly child to an image of a wedding to suggest the couple's future, or by superimposing a funeral image upon a photograph of a dead woman to give the feeling of her eerie presence. Van Der Zee said, "I wanted to make the camera take what I thought should be there." Van Der Zee was a working photographer who supported himself through portraiture, and he devoted time to his professional work before his more artistic compositions. Many famous residents of Harlem were among his subjects. In addition to portraits, Van Der Zee photographed organizations, events, and other businesses.Source: Wikipedia
Brandon Stanton
United States
1984
Brandon Stanton is an American author, photographer, and blogger. He is the author of Humans of New York, a photoblog and book. He was named to Time's "30 Under 30 People Changing The World" list. Since 2010, Stanton has taken hundreds of portraits of people living and working primarily in New York City, accompanied by bits of conversations about their lives. He has also traveled outside of the United States, capturing people and their lives in more than 20 countries, including Iran, Iraq, Uganda, Democratic Republic of the Congo, Ukraine, Vietnam, and Mexico. Stanton grew up in Marietta, Georgia, a suburb of Atlanta, where he completed his schooling at The Walker School in 2002. He majored in history at the University of Georgia. In 2010, he bought a camera while working as a bond trader in Chicago, and started taking photographs in downtown Chicago on the weekends. When he lost his job a short time later, he decided to pursue photography full-time. Moving to New York City, he set out to photograph 10,000 New Yorkers and plot their portraits on a map of the city, surviving on unemployment checks to "almost pay rent" and borrowing money from friends and family. Eventually, he moved his photographs to the Humans of New York Facebook page, which he started in November 2010. After posting a photo of a woman including a quote from her, he soon began adding captions and quotes to his photographs, which eventually evolved into full interviews. His Humans of New York book was published in October 2013. It received positive reviews and sold 30,000 copies as preorders. The book reached the number 1 position on the New York Times Non-Fiction Best Sellers of 2013 for the week beginning November 3, 2013. The book remained on the list for 26 weeks, again reaching the number one position on December 21, 2014. In August 2014, Stanton traveled to the Middle East to photograph people as part of a 50-day trip through 10 countries in the region under the auspices of the United Nations. In July 2015 he traveled to Pakistan and again to Iran to do the same. At the conclusion of his trip to Pakistan, Stanton crowd funded $2.3 million to help end bonded labor in Pakistan. In January 2015, Stanton was invited to the Oval Office to interview President Barack Obama. The trip concluded a two-week crowdfunding campaign on Humans of New York in which $1.4 million was raised. In March 2016, Stanton opposed Donald Trump's presidential campaign, criticizing Trump on social media for hateful speech, such as delayed disavowing "white supremacy" and defending those who commit violence at his rallies. A day after his Facebook post, it had over 1.6 million likes and was shared nearly 1 million times. Stanton has posted stories and photos from the Pediatrics Department of Memorial Sloan Kettering Cancer Center in New York City. As he did for his other projects, Stanton created a fundraising campaign, and raised over $3.8 million for pediatric cancer research.
Marsha Guggenheim
United States
1948
Marsha Guggenheim is a fine art photographer based in San Francisco. Storytelling is a guiding influence in her work. Marsha is deeply interested in photographing people and uses her diverse city to capture their stories. A street photographer for many years, her comfort and ease while shooting on the street has provided numerous opportunities for closer connections within her community. Complementing her street photography, Marsha spent years working as a photographer with formerly homeless women. This work resulted in the monograph, “Facing Forward,” which highlights these hard-working, proud women through portraits and stories of their life experiences. Without a Map is a personal project Marsha has developed over the past five years. Through the use of family photos, creating pictures from her memories and by turning the camera on herself, she has found the means to evoke, reinterpret and address unanswered questions that were buried long ago. Without a Map "How does one move through life with the scars of the past? When I was ten, my mother died unexpectedly from a heart attack. I couldn’t understand where she went or when she would return. Just as I began to comprehend this loss, my father died. I was without support from my family and community. I was lost. Without a Map reimagines this time that’s deeply rooted in my memories. Visiting my childhood home, synagogue and family plot provided an entry into this personal retelling. Working with family photos, creating new images from my past and turning the camera on myself, I found the means to evoke, reinterpret and address unanswered questions born from early imprints that were buried long ago."
Thomas Dworzak
Germany
1972
Thomas Dworzak (born 1972) is a German photographer. He became a Magnum Photos nominee in 2000 and a full member in 2004. He was elected President of Magnum in 2017. Dworzak won a World Press Photo award in 2001 and in 2018 received the Hood Medal from the Royal Photographic Society in the UK. Dworzak was born in Kötzting, Germany. He decided to become a photographer from an early age, travelling to Northern Ireland, Israel, Palestine and to Yugoslavia while still in high school. Dworzak lived in Tbilisi, Georgia from 1993 until 1998 where he documented the conflicts in Chechnya, Karabakh and Abkhazia. Whilst there he worked on a project about the Caucasus region and its people, the impact years of brutal war had on the region, and the interplay between Russian literature and the typical imagery of the Caucasus. This was published as the book Kavkaz.Source: Wikipedia In the years following the 9/11 attacks, he spent time covering the wars in Afghanistan and Iraq as well as their impact on the U.S. During a several-months assignment in Afghanistan for The New Yorker, he discovered studio portraits of the Taliban; these images would form his first book, Taliban. The images that were taken during his many assignments in Iraq, most of which were shot for TIME Magazine, were used to create his next book: M*A*S*H* IRAQ. From 2005 to 2008, as a TIME magazine contract photographer, Dworzak covered many major international news stories including: Macedonia, Pakistan, Chechnya, Sri Lanka, Nigeria, Lebanon, Haiti, Chad, C.A.R., the London attacks, Ethiopia, Iran, U.S. presidential campaigns, Hurricane Katrina, and the revolutions in the former Soviet republics of Georgia, Kyrgyzstan, and Ukraine. During breaks from conflict areas and war zones he regularly photographed Fashion Weeks in major cities. In 2006, Thomas photographed the New York Marathon while participating himself. Thomas remained in Georgia after the 2008 war with Russia. This would lead to the Magnum Group project Georgian Spring, which was a starting point for a new, several-year-long engagement with the "New Georgia" under President M. Saakashvili. In 2012, Thomas photographed Nowrooz celebrations in Georgia. Dworzak spent 2009-2010 in Afghanistan, documenting the deployment of ISAF troops and their return home. In 2009, he also visited Iran to photograph Ashura. A National Geographic assignment on the Sochi Olympics became later the book Beyond Sochi. In 2013, a commission for the Bruges Museum led him to photograph the memory of WWI. This has since become an ongoing project concerning the legacy of the First World War around the world, which he planned to finish in 2018, 100 years after the end of the conflict. Always an avid collector, Thomas started gathering Instagram screenshots of a variety of subjects and has been grouping them together into ever-growing collections of Instagram artist scrapbooks. A final set of 20 of these books has been presented at the International Center of Photography, ICP, in New York from February 2017. Besides his personal stories, Thomas Dworzak continues to cover international stories, including the 2015 Paris terror attacks, Pokemon Go!, the 2016 U.S. elections, and the run-up to the 2017 French presidential elections. When covering the escalation of the refugee crisis in 2015, he conceived the idea of "Europe - a photographic guide for refugees," which was produced and distributed free of charge to migrants with the support of a Magnum Foundation Emergency Grant and AFAC in 2016. Dworzak has also been teaching a number of workshops.Source: Pulitzer Center With an unflinching eye and depth of vision, Thomas Dworzak has documented many of this century’s most important news stories since the 1990s. Dworzak started travelling aged 16 to photograph conflicts in Northern Ireland, Israel/Palestine and the disintegrating Yugoslavia. Since then, he has gone on to photograph wars in Afghanistan and Iraq post 9/11, the revolutions in the former Soviet republics of Georgia, Kyrgyzstan and Ukraine. After graduating from Robert-Schuman Gymnasium, Cham (specializing in English, French, History and Russian Literature) he left Germany, always combining his travels and attempts to become a photographer with studying languages: Spanish in Avila, Czech in Prague, Russian in Moscow. During the Nineties, Dworzak lived in Georgia, exploring the people, culture and conflicts in the Caucasus, which resulted in the book, Kavkaz in 2010. Significant projects include a several-month assignment in Afghanistan for The New Yorker, where he discovered studio portraits of the Taliban. This became his first book, Taliban. Meanwhile, images taken during his many assignments in Iraq, most of which were shot for TIME Magazine, were used to create his next book:M*A*S*H* IRAQ. In his most recent project, Feldpost (2013 – 2018), he photographed the ‘memory’ of WWI in more than 80 countries, producing 1568 ‘postcards’ (one for every day of the war). It was completed on 11/11/2018, 100 years after the end of the conflict. Dworzak is also a keen curator, with a particular interest in digital culture. His work mining Instagram memes under various hashtags—ranging from animals dressed as the pope to the aftermath of the Boston marathon bombing‚—has resulted in 20 sketchbooks compiled of his findings.Source: Magnum Photos Since 2011 he is also represented by Gallery Clair in Munich and St.Paul.
Angela Fisher
United States
Thirty years of work on the African continent have carried Carol Beckwith and Angela Fisher across 270,000 miles and through remote corners of 40 countries in exploration of more than 150 African cultures. In the process, this team of world-renowned photographers has produced fourteen widely acclaimed books and made four films about traditional Africa. They have been granted unprecedented access to African tribal rites and rituals and continue to be honored worldwide for their powerful photographs documenting the traditional ceremonies of cultures thousands of years old. As an intrepid team of explorers, they are committed to preserving sacred tribal ceremonies and African cultural traditions all too vulnerable to the trends of modernity. The Beckwith-Fisher images are the result of a long, enduring and deeply respectful relationship with African tribal peoples. This, combined with their photographic skills, creates an intimate portrayal of ceremonies long held secret that might have never been recorded. Their work preserves and presents the power, complexity and celebration found within the rituals of African tribal life. Their extraordinary photographs are recorded in fourteen best-selling books and in their films. Their new book “Painted Bodies” (2012) follows “Maasai” (1980), “Nomads of Niger” (1983), “Africa Adorned” (1984), “African Ark” (1990), “African Ceremonies” (1999), “Passages” (2000), “Faces of Africa” (2004), “Lamu: Kenya’s Enchanted Island” (2009), and “Dinka” (2010). The special limited-edition books, hand printed in Santiago, Chile, are titled “Surma,” “Karo,” “Maasai,” and “Dinka.” “African Ceremonies,” their defining body of work, is a double volume, pan-African study of rituals and rites of passage from birth to death, covering 93 ceremonies from 26 countries. This book won the United Nations Award for Excellence for “vision and understanding of the role of cultural traditions in the pursuit of world peace.” Honored twice with the Annisfield-Wolf Book Award in race relations for “outstanding contributions to the understanding of cultural diversity and prejudice,” Angela and Carol are also winners of the Royal Geographical Society of London’s Cherry Kearton Medal for their contribution to the photographic recording of African ethnography and ritual. The photographers have made four films about traditional Africa, including Way of the Wodaabe (1986), The Painter and the Fighter, and two programs for the Millennium Series Tribal Wisdom and the Modern World. Numerous exhibitions of their photography and films have been shown in museums and galleries around the world. In 2000 their Passages exhibition opened at the Brooklyn Museum of Art featuring 97 mural photographs, six video films and a selection of African masks, sculpture and jewelry. This exhibition has traveled to seven museums on three continents. Aware that traditional cultures in Africa are fast disappearing, Carol and Angela are working with an urgency to complete the third volume of their ongoing study of African Ceremonies with the goal of covering the remaining traditional ceremonies in the 13 African cultures in which they have not yet worked. Source: carolbeckwith-angelafisher.com
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