All about photo.com: photo contests, photography exhibitions, galleries, photographers, books, schools and venues.
LAST CALL TO Win a Solo Exhibition in July 2026 + An Exclusive Interview!
LAST CALL TO Win a Solo Exhibition in July 2026 + An Exclusive Interview!
  1. Home
  2. All Photographers
  3. Modern Photographers
  4. Matteo Bastianelli
Matteo Bastianelli
Matteo Bastianelli
Matteo Bastianelli

Matteo Bastianelli

Country: Italy
Birth: 1985

Matteo Bastianelli (b. 1985) is a documentary photographer and filmmaker based in the Metropolitan City of Rome, Italy. He is a National Geographic Magazine contributor and a member of Italy's National Order of Journalists. Above all he works on personal projects and commissions related to social, environmental and human rights issues with a keen interest in the themes of memory, identity, inclusion and sustainability.

His photographic and film projects have been regularly published and commissioned by Al Jazeera, CNN, Internazionale, The New York Times, National Geographic, Newsweek, The Guardian, Voice of America, Washington Post, among others. Since 2016 he has also been working on commission for NGOs such as Amnesty International, AVSI, Doctors Without Borders/MSF, Human Rights Watch and International Committee of the Red Cross. His projects have been widely shown in group and solo exhibitions and screenings around the world. A selection of Bastianelli’s accolades includes National Geographic Society’s Covid-19 Emergency Fund for Journalists, Emerging Talent Award at Reportage by Getty Images, AP32- American Photography Awards, PDN’s Photo Annual, Canon Young Photographers’ Award, Italian Doc Screenings Development Award for best documentary film and "Vittorio de Seta" prize for the director of the best documentary film at BIF&ST.

He spent almost five years working in the former Yugoslavia, where he produced his early series. In 2012 was released his first monograph and documentary film, "The Bosnian Identity". In 2013 he started working on "Souls of Syrians", an ongoing project which stems from the concern to document the personal story of a Syrian youth who fled his country in search of salvation in Europe. In 2018 Bastianelli documented the world’s worst humanitarian disaster caused by the ongoing civil war in Yemen, focusing his attention on the resilience of civilians trapped in a life of violence and disease. His documentary film "Yemen Unveiled" was screened during the 2019 Human Rights Film Festival in Berlin, Germany and has been included in the Official Selection of the Health for All Film Festival 2020, organized by the World Health Organization in Geneva. In recent years, he has been continuing his research work on personal and small stories that, by synecdoche, represent a mosaic of contemporary history: from immigration to climate change, from social inclusion to the metamorphosis of the contemporary landscape.


Movies:
The Bosnian Identity
Mal di Mare

Agency

Reportage by Getty Images

Websites

www.matteobastianelli.com

@bastianelli_matteo

 

Matteo Bastianelli's Video

Inspiring Portfolios

Aleksander Rodchenko
© Aleksander Rodchenko
Fabien Dendiével
© Fabien Dendiével
Umberto Verdoliva
© Umberto Verdoliva
Call for Entries
AAP Magazine #59 Shapes
Publish your work in our printed magazine and win $1,000 cash prizes
© Barbara Hazen
 
Stay up-to-date  with call for entries, deadlines and other news about exhibitions, galleries, publications, & special events.

More Great Photographers To Discover

Daido Moriyama
Daido Moriyama
Japan
1938
Daido Moriyama is a major photographer of the 20th century. Born in Osaka in Japan, he continues to work mostly in Tokyo. He studied graphic design before he learned photography with his first mentor Takeji Iwamiya. In 1961 he moved to Tokyo and became the assistant of Eikoh Hosoe and worked also with the writer Yukio Mishima on the series Ordeal by Roses. It is only in 1964 that he became an independent photographer. He gained recognition quickly with his first book Japan a Photo Theatre (1968) and later Farewell Photography (1972), Hunter (1972), Mayfly (1972), Another Country in New York (1974), Light and Shadow (1982), A Journey to Nakaji (1987), Lettre à St Lou (1990)... We will stop there as we cannot list his 200 books! In 1968 Daido Moriyama became a member of the Provoke movement. He describes his work as been "are, bure, boke". He gave birth to a new kind of street photography. His work was shown in 1974 at the MOMA in an exhibition called "New Japanese Photography". Since then we have seen his work all around the world in majors exhibitions and museums. In 2012 he won the ICP Infinity Award. After studying graphic design, Daido Moriyama first explored photography under Takeji Iwamiya. He moved to Tokyo in 1961 to become an assistant to the great Japanese photographer Eikoh Hosoe while he was working on his famous series Ordeal by Roses with the writer Yukio Mishima. Daido Moriyama began to work independently in 1964. His first monograph, Japan, a Photo Theater (1968), was immediately acclaimed by the artistic community and was followed by several books that became references in the history of photography, such as Farewell Photography (1972), Hunter (1972), Mayfly (1972), Another Country in New York (1974), Light and Shadow (1982), A Journey to Nakaji (1987) and Lettre à St.Loup (1990), to name only a few. Daido Moriyama has published over 180 books to date. As a member of the Provoke movement, which he joined in 1968 for the second issue of the eponymous magazine, Daido Moriyama delivers rich, dense and versatile photographs. His work, often described as raw, blurried and troubled (or, in Japanese, the "are, bure, boke" aesthetics), gave birth to a new street photography practice in which the artist roams the street, confronting and being confronted by public spaces. Daido Moriyama started manipulating silkscreen printing in the seventies, using the technique for his books as well as his exhibition pieces. The Japanese artist also organized interactive events and installations as a way to adapt his discourse to different spaces and situations. Through several autobiographical texts, such as Memories of a Dog (1984 and 1997), he explains how his artistic practice is inspired by the heritage left by the likes of Eugène Atget, Jack Kerouac, William Klein, Nicéphore Niépce, Shomei Tomatsu, Andy Warhol, Weegee, and Garry Winogrand. Daido Moriyama's work has had a radical impact on the artistic communities both in Japan and abroad. In 1974, the MoMA in New York presented his work as part of the first Western exhibition focused on Japanese Photography. His pieces have since been showcased in many major exhibitions: at the TATE in London (William Klein + Daido Moriyam, 2012); at SFMoMa in San Francisco and at the Metropolitan Museum in New York (Stray Dog, 1999); at the National Art Museum in Osaka (On the Road, 2011);l at the Fondation Cartier pour l'Art Contemporain (Paris, 2003); at FOAM in Amsterdam (2006); and, more recently, at the Rencontres Internationales de la Photographie d'Arles (Labyrinth + Monochrome, 2013).Source: Polka Galerie Articles: Book Review: Quartet
Ashley Suszczynski
Ashley Suszczynski
United States
1989
Ashley Suszczynski is an award-winning travel photographer based in Wilmington, Delaware, USA, focused on capturing ancient traditions in the modern day. She aims to tell the story of how lesser known cultures, relics, rites, and rituals have withstood time and evolved in our ever-changing world. Through visual storytelling, she hopes to share knowledge and understanding of these age-old customs in order to continue their preservation and social approval. About Ancient Tradition in the Modern Day "This project is an ongoing discovery of the ancient pagan roots masked throughout the villages of Basque Country and Northern Spain. This study and production of visual anthropology has taken me across the foothills of the Pyrenees, unearthing the various cultural traditions and winter rites of the region. Each event was unique in its characters and customs, yet shared profound similarities in symbolism. Through this imagery we discover age-old traditions alive and well in the 21st Century."
Robert Hecht
Robert Hecht
United States
1941
For over fifty years, Robert Hecht has been a dedicated fine art photographer. He is largely self-taught, having learned his craft primarily by studying the prints and books of many of the medium's greats, and then by attempting to apply what he absorbed from them in the darkroom (and later in the digital darkroom). In addition, he studied briefly with photographer and teacher Ruth Bernhard in the 1970's, and considers that experience meaningful for giving him direct contact and exchange of ideas with a master. His work has been exhibited internationally, purchased for both private and public collections, and showcased in many of the leading photography periodicals. Professionally, he has worked primarily as a producer-director of educational film and video programs, first at Stanford University and then in his own video production business for the past several decades. He and his wife live in Portland, Oregon. Statement I consider photography a way, if you will, to bring my experience of the visual world into clearer focus. Practicing the art of photography, which I consider a way of life in and of itself, has heightened my awareness of how in our everyday lives we are constantly surrounded by interesting subject matter. In contrast, during my early years of doing this work, I looked mainly to the classic landscape for inspiration, often pursuing dramatic vistas with large-format cameras. However, over time I came to see that I do not necessarily have to "go out shooting" or travel to impressive locales to find subjects—rather, I merely have to keep my eyes open to what is right here around me in my immediate environment and, without actually searching for a picture, simply be prepared should a picture jump out of the random visual chaos and present itself to me. This shift in focus has led me to a more spontaneous approach to making images, often enabling me to find great beauty in the most mundane materials at hand.
Nando Morales
Nando Morales
Spain
Amateur photographer addict and seduced by nature, trying to one day be able to devote myself 100% and not have it as a hobby. Started in the world of photography, when I was very young and my sister gave me my first film camera. From that moment I do not remember having been without a camera in my hands until today. I feel good and happy especially doing landscapes and wildlife photography and enjoying the environment in which I am. Always that I can, travel around the world and meeting good friends. In each photo I try to convey the experience I feel when I'm behind the camera.
Fabien Dendiével
Fabien Dendiével
France
Fabien Dendiével was born in Paris : as a lonely child, he kept himself busy with drawing futuristic urban panoramas and joined the Louvre art school. At the same time, his father introduced him to film photography and Fabien trained as an autodidact. His practice intensifies when he switches to medium format cameras, mastering the light and the frame of his subject as closely as possible. Empty spaces and stripped-down compositions are his favorite exercise, as a method to enhance showing the invisible. Whether it's the great outdoors of the American West or modern architecture, he treats the composition of his shot like a scene in a movie, waiting for the light to reveal the best of the scenery. Fabien's work remains confidential for some time until he finally decides to produce and sell large format prints in 2019. All about Photo Competitions AAP Magazine 34 Shapes AAP Magazine 35 Colors All About Photo Awards 2024 AAP Magazine 39 Shadows AAP Magazine 42 Shapes AAP Magazine 43 Colors AAP Magazine 47 Shadows AAP Magazine 50 Shapes AAP Magazine 51 Colors
Christopher Anderson
Christopher Anderson
Canada
1970
Christopher Anderson (b.1970, Canada), a member of Magnum Photos for over ten years, has covered an innumerable list of political and social issues around the world. Whilst he is widely known for his moving photographs of fleeing Haitian immigrants aboard a sinking handmade boat named 'Believe in God', Anderson has also made pictures of Barack Obama, Al Gore and David Letterman amongst countless other people and places. Contrary to the often-unforgiving frontiers Anderson places himself in, his photographs are always imbued with palpable emotion. In a society in which a torrent of photographs from the mass media drive an apathetic view of such narratives, Anderson instead offers an alternative, poetic and intimate practice that that speaks of his own experience, whilst constructing a frame for us to experience it with him. In 2000, Christopher Anderson received the Robert Capa Gold Medal for his series on the crossing made by boat by Haitian refugees to the United States. He has also been nominated for a Pulitzer Prize. Anderson has worked for Newsweek Magazine and National Geographic Magazine and in 2011 he became the first Photographer in Residence at New York Magazine. Numerous books have been published on his work: Nonfiction (2003), Capitolio (2009), Son (2013), Stump (2014) and his latest book Approximate Joy (2018). Anderson lives and works in both New York and Barcelona.Source: The Ravestijn Gallery Christopher Anderson is known for his emotionally charged, artfully drawn images that explore themes of truth and subjectivity. He is one of today’s most influential photographers, whose origins began in war reporting and later transformed into something more intimate, blending the worlds of commercial, art and fashion work, but always with a foundation in documentary. Anderson was born in 1970 in Canada and grew up in west Texas. His photographic career began working for local newspapers. In 2000, on assignment for the New York Times Magazine , he boarded a small wooden boat with 44 Haitians trying to sail to America. The boat sank in the Caribbean. The photographs received the Robert Capa Gold Medal and marked the beginning of a ten-year period as a contract photographer for Newsweek Magazine and National Geographic Magazine. In 2011 he became New York Magazine’s first ever Photographer in Residence; a notable collaboration that would also mark Anderson’s shift into portraiture and fashion, making images of significant figures including Barack Obama, Spike Lee and Debby Harry. In 2008, after the birth of his first child, Anderson moved further away from journalistic magazine work to subjects more immediate to his personal experience. In 2012, his book, SON, was published, defining a visual direction that has come characterize to his work. Other projects created within this intensely intimate approach include Capitolio, Stump and Approximate JOY.
Max Yavno
Max Yavno
United States
1911 | † 1985
Max Yavno (1911-1985) was a photographer who specialized in street scenes, especially in Los Angeles and San Francisco, California. The son of Russian immigrants, Yavno was born in New York on April 26, 1911. He had one sister. He was married at age 19 and divorced three years later. He died in April 1985 of complications resulting from a fall in a shower. Yavno worked as a Wall Street messenger while attending City College of New York at night. He attended the graduate school of political economics at Columbia University and worked in the Stock Exchange before becoming a social worker in 1935. He did photography for the Works Progress Administration from 1936 to 1942. He was president of the Photo League in 1938 and 1939. Yavno was in the U.S. Air Force from 1942 to 1945, after which he moved to San Francisco and began specializing in urban-landscape photography. History professor Constance B. Schulz said of him: "For financial reasons he worked as a commercial advertising photographer for the next twenty years (1954–75), creating finely crafted still lifes that appeared in Vogue and Harper's Bazaar. He returned to artistic landscape photography in the 1970s, when his introspective approach found a more appreciative audience. Funding from the National Endowment for the Arts enabled him to travel to Egypt and Israel in 1979." He also captured a pre-Dodgers Chavez Ravine, a giant plaster leg on top of a building in West Los Angeles and a "nostalgic" shot of a cable car being turned around at Powell and Market streets in San Francisco. His noted photograph of a crowd watching "sun-worshipping bodybuilders at Muscle Beach in Venice" sold at auction in 1984 for almost $4,000. He said he had spent three Sundays at the beach before the subjects "stopped flexing for his camera and resumed posing for each other." His obituary in the Los Angeles Times said that: Melrose Avenue photo gallery owner G. Ray Hawkins, who represented Yavno and exhibited his works, called him a "social documentarian" and noted that he had "a very special ability for combining composition and content while capturing his social vignettes." Photographer Edward Steichen selected twenty of Yavno's prints for the permanent collection at New York's Museum of Modern Art in 1950, and the next year Yavno won a Guggenheim Fellowship. Source: Wikipedia Yavno graduated from City College of New York in 1932 and earned a graduate degree in business administration from Columbia University in 1933. Originally employed as a social worker for the New York Home Relief Bureau (1935), he was later hired by the Works Progress Administration to photograph city locations for use in theater set design (1936-42). Yavno joined the Photo League in the late 1930s, serving as president in 1938-39 and participating in several exhibitions. He became friends with Consuelo Kanaga, who mentored him in his photographic work. He worked with Aaron Siskind on his unfinished project The Most Crowded Block in the World (1941). Yavno was drafted into the Army Air Force that year, but remained on detached service in New York. He later moved to California, where he provided illustrative photographs for two books: The San Francisco Book, with Herb Caenn (1948) and The Los Angeles Book, with Lee Shippey (1950). In the mid-seventies, Yavno resumed noncommercial photography, expanding his terrain from the streets of New York City and Los Angeles to those of Jerusalem and Cairo. Source: The Jewish Museum
Ellen von Unwerth
Ellen von Unwerth
Germany
1954
Ellen von Unwerth is a photographer and director, specializing in erotic femininity. She worked as a fashion model for ten years herself before moving behind the camera, and now makes fashion, editorial, and advertising photographs. Ellen von Unwerth found fame when she first photographed Claudia Schiffer. Her work has been published in top magazines like Vogue, Vanity Fair, Interview, The Face, Arena, Twill, L'Uomo Vogue and I-D, and she has published several books of photography. She won first prize at the International Festival of Fashion Photography in 1991. Von Unwerth did promotional photography for Duran Duran from 1994–1997 and did some photography for their 1990 album Liberty and 1997 album Medazzaland. Her work has been seen on other album covers, such as Bananarama's Pop Life (1991), Cathy Dennis' Am I the Kinda Girl? (1996), Janet Jackson's The Velvet Rope (1997), British R&B group All Saints' Saints & Sinners (2000), singer-songwriter Dido's Life for Rent (2003), Britney Spears' comeback album Blackout (2007), Christina Aguilera's 2006 album Back To Basics and her 2008 greatest hits album Keeps Gettin' Better: A Decade of Hits and R&B singer Rihanna's Rated R and Talk That Talk. Von Unwerth has also directed short films for fashion designers, and music videos for several pop musicians. She has directed many commercials and web films for top brands like Revlon, Clinique, Equinox and others, many featuring celebrities.
Odette England
Odette England
Australia
1975
Odette England is an Australia/British artist who uses photography, performance, writing, and the archive to explore relationships between autobiography, gender, place, and vernacular photography. England is currently Visiting Artist-in-Residence at Amherst College in Massachusetts. She is also a resident artist of the Elizabeth Foundation for the Arts Studio Program in New York. Her work has shown in more than 90 solo, two-person, and group exhibitions worldwide. Notable venues include the George Eastman Museum, Museum of Contemporary Photography Chicago, New Mexico Museum of Art, Fort Wayne Museum of Art, RISD Museum, Center for Photography at Woodstock, Colorado Photographic Arts Center, Philadelphia Photo Arts Center, Photographic Resource Center Boston, MacDonald Stewart Art Center Ontario, Perth Center for Photography in Australia, State Library of South Australia, HOST Gallery London, and the Durham Art Museum & Gallery in England. England has regularly received funding through competitive grants and fellowships. These include the CENTER $5,000 Project Launch Award (2012); two grants - $4,865 and $2,315 - from the Andrew W. Mellon Foundation (2018-2019); the Anonymous Was a Woman $1,500 Grant (2020); Color Lab $2,000 Dean's Council Research Fellowship (2020); and the Center for Fine Art Photography Director's Award (2015), among others. She has received fellowships to attend residencies in Australia, Greece, Hungary, Iceland, Spain, and the United States including the invitation-only Robert Rauschenberg Foundation residency working with Guggenheim Fellow, Jennifer Garza-Cuen. England's first edited volume Keeper of the Hearth was published by Schilt Publishing in March 2020, with a foreword by Charlotte Cotton. The book is part of England's Winter Garden Photograph project which includes an exhibition at the Houston Center for Photography opening September 2020. England's photographs are held in public collections including the Brooklyn Art Library, the Fort Wayne Museum of Art, George Eastman Museum, Hungarian Multicultural Center, Museum of Contemporary Photography, New Mexico Museum of Art, Rhode Island School of Design, Robert Rauschenberg Residency, and Texas A&M University. Award-related exhibitions include the 2015 Australian Photobook of the Year; Magenta Foundation Flash Forward Emerging Photographers awards (UK winner, twice); HotShoe Magazine Photofusion Photography Award (1st prize); Director's Choice Award at the Medium Festival of Photography's ‘Size Matters' exhibition (1st prize); Px3 Prix De La Photographie competition (1st prize, People's Choice Award); and the Photo Review Photography Competition. Her work has been published in contemporary art journals, magazines, and newspapers including American Photo, Photograph, The Brooklyn Rail, The Photo Review, Photo District News, Hotshoe International, British Journal of Photography, Australian Art Monthly, Musee, GUP, SPOT, JRNL, The Guardian (United Kingdom) and Der Standaard (Belgium). England has given artist talks and critiques at Harvard University, Princeton University, Stanford University, Brown University, the School of Visual Arts in New York, Amherst College, the Penumbra Foundation, Kenyon College, Syracuse University, Lesley College of Art & Design, University of Melbourne, and the Art Gallery of South Australia, among others. She received a four-year fully-funded Research Training Program Scholarship to complete her PhD at the Australian National University in 2018. She also has an MFA in Photography with Honors from the Rhode Island School of Design and an MA in Communication, Culture and Language from the University of South Australia. England is a permanent US resident and lives and works in Providence, Rhode Island and New York City. Her work is represented in the US (east coast only) by Klompching Gallery.
Advertisement
AAP Magazine #59 Shapes
Win a Solo Exhibition in July
AAP Magazine #59 Shapes

Latest Interviews

Exclusive Interview with Susan Anthony
Interview
Exclusive Interview with Susan Anthony
American photographer Susan Anthony brings a painter’s eye to documentary photography, creating nuanced portraits of people and places shaped by time, community, and tradition. Her work is rooted in observation, empathy, and a deep curiosity about the lives of others. Through long-term projects, she explores the relationship between individuals and the environments they inhabit, revealing the stories that connect people to a place and to one another.
Read the full interview
Exclusive Interview with Carole Mills Noronha
Interview
Exclusive Interview with Carole Mills Noronha
Carole Mills Noronha is an Australian photographer whose deeply personal work explores memory, family, loss, and the fragile nature of identity. Living with epilepsy and a lifelong sensitivity to light, she has developed a distinctive photographic language rooted in observation, empathy, and emotional connection. Her images are shaped by lived experience, revealing intimate stories with remarkable honesty and tenderness.
Read the full interview
Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
Interview
Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
Read the full interview
Exclusive Interview with Frank Meo
Interview
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
Read the full interview
Exclusive Interview with Carolyn Moore
Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Read the full interview
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
Publication
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Read the full interview
Exclusive Interview with Matthew Finley
Interview
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Read the full interview
Exclusive Interview with Jan Janssen
Interview
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Read the full interview
Exclusive Interview with Henk Kosche
Interview
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Read the full interview
Call for Entries
Win A Solo Exhibition in July
Get International Exposure and Connect with Industry Insiders
©
Explore All About Photo
All About Photo
About Us
Contact Us
Link Back
Press
Blog
Newsletter
Terms of Use
Privacy Policy
Competitions
All About Photo Competitions
Our Jurors
All Photo Contests
Open Photo Contests
Amateur Photo Contests
Professional Photo Contests
Portfolio Reviews
Photo Competition News
Artists
Photographers A-Z
Masters of Photography
Modern Photographers
Rising Photographers
Articles
Interviews
Inspirational
Photography Exhibitions
Photography Festivals
Photo Fairs
Photo Museums
Galleries & Centers
Photographer Monographs
Technique Books
History of Photography
Miscellaneous
Paper Magazines
Online Magazines
Resources
Schools and Classes
Photography Agencies
Equipment Rentals
Studio Rentals
Photo Labs
Camera Repairs
Framing Stores
Photo Tips & Tools
Photo Gear
© 2026 © All-About-Photo.com, All Rights Reserved  •  Photographs © the Respective Artists, All Rights Reserved.