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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Alban Lécuyer
Courtesy Aline Barrault
Alban Lécuyer
Alban Lécuyer

Alban Lécuyer

Country: France
Birth: 1977

Born in Paris in 1977, Alban Lécuyer studied Journalism and Photography at the Lille Graduate School of Journalism (France). He mainly works as a photographer of architecture within public projects and for private companies (advertising campaigns, photographic missions). Whilst collaborating with various journals, he teaches the History of Photography and Image Analysis at the DMA in Nantes (France). His personal projects centre around the analysis of new forms of dwellings from the social, economic, political and media point of view, and on the alteration of urban space. His works have been exhibited in Spain (Getxophoto Festival), in Switzerland (Biel Festival of Photography) and in France (Le BAL, Circulation(s) Festival, Images Singulières Festival, Archifoto – International Awards of Architectural Photography, etc.).

The Here Soon project transposes reality from everyday city life into the aesthetic of computer graphics, which aim to showcase high-quality real estate projects. The pictures of the series reproduce the codes of those fictitious representations of reality: contrasts are light, shadows are reduced to a minimum, and all that stands between the spectator and the architectural project – trees, vehicles, passers-by and so on – is shown in transparency. Nevertheless, the frame leaves place for writing on the walls, laundry hung out to dry, abandoned objects, trash – everything that bears witness to a civilization that has left its mark on the place that it inhabits. The presence of the local residents also calls attention to their singularity, their paths, and their relationship with their surroundings. Therefore, the emergence of a concrete memory of places contradicts the universal and potential value of images.
 

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More Great Photographers To Discover

Manfred Baumann
Austria
1968
Manfred Baumann was born in Vienna in 1968. The Leica photographer has since presented his works worldwide in the form of exhibitions, books, and calendars. His photographs are displayed in museums as well as in international galleries. Over the past years, Baumann has taken his place among the most influential photographers of our time. Via social media his range is more than 1 million! He lives and works in Europe and the USA, and has already photographed such greats as Kirk Douglas, Sandra Bullock, Olivia Newton John, Martin Sheen, Don Johnson, Danny Trejo, William Shatner, Jack Black, Natalie Portman, Tony Curtis, Paul Anka, Lionel Richie, Kathleen Turner, John Malkovich, Bruce Willis, Juliette Lewis, Angelina Jolie, Toni Garrn, Michelle Rodriguez, Leah Remini, Evander Holyfield, as well as many international top models. For Manfred Baumann, the fascination of photography lies in departing from the familiar and capturing an impression of the moment. He loves to explore the world through the eyes of a photographer. To make visible that which others have not seen has been the objective of Baumann's exhibitions, such as End Of Line, in which he documented the final journey of death row inmates in Texas; Alive, where he photographed homeless persons on the street for one year; and his current project Special, which showcases Baumann's portraits of intellectually disabled persons. His ambition is to break with tradition and the conventional perspective. The viewer of my photographs should discover the soul and history they embody and recognize that photography is the only language that can be understood all over the world. As an ardent animal welfare activist, vegetarian, and goodwill ambassador for Jane Goodall, he also ventured into the world of animal photography for the first time with the project Mustangs. The project's works and exhibition were shown in the Natural History Museum Vienna and the Leica Gallery in Los Angeles. He teaches for the Leica Academy worldwide and does worldwide lectures & workshops. Manfred Baumann was 2017 Testimonial for Huawei international alongside with Robert Lewandowski. His Book and exhibition Vienna were shown at the Grand Hotel Vienna. From February 2019 to May 2019, Baumann exhibited for the first time in Australia (in Melbourne and Sydney). In 2020 two new books will appear, the Lipizzaner the white horses and a Best of book with the name a photographer's life. It is the 15 and 16 illustrated books which have been published worldwide. Among Manfreds role models are great Master of Photography such as Alfred Eisenstaedt, Helmut Newton, Henri Cartier-Bresson, Richard Avedon, Herb Ritts, and Ansel Adams. Manfred Baumann also photographed the late Tony Curtis. This was the Hollywood star's last official photo shoot and did much to bolster Baumann's considerable fame in the USA. For more than 25 years, Manfred has been drawn to the most distant places in the world, where his breathtaking landscape photographs are created, and it is only natural that since 2013, he has cooperated with and photographed for National Geographic. He lives and works in Vienna with his wife and muse Nelly Baumann, although his sojourns to his second home, Los Angeles, have become increasingly frequent and of longer duration. His clientele, however, come from all over the world. Statement "I GIVE THE MOMENT DURATION" "Photographs are like songs that you sing into the world." "HEART AND MIND – THE TRUE LENS OF THE CAMERA" "The truth is the best picture!"
Joan-Ramon Manchado
Thierry Clech
Thierry Clech is a French photographer based in Paris. Much of his work (exclusively in black & white films) is made during his travels (India, Ukraine, Istanbul, Tokyo...), but he also takes pictures in France, particulary in the business district of La Défense, near Paris. He published two books in collaboration with French novelists (Philippe Jaenada and Bernard Chambaz) and his work has been exhibited widely in France and abroad (Nadar Gallery, Press Club of France, Barrobjectif Festival, National Library of Belarus, FotoIstanbul Festival, BlowUp Angkor Festival in Cambodia…).Artist statement: "Thierry Clech can see the world like nobody else. In any case, he manages to put the world rules inside the frame of his pictures. Fortunately or thanks to his instinct or I don't know how, he is often in the right place at the right time. He could have probably stayed in Paris, within the ring road, within the twenty districts of his garden, and almost get the same result - because a man is a man, wherever he is. But the world is not so wide, it was better to travel around it. Just to be absolutely sure. Go around it. Then he has been nearly everywhere on the globe, almost at random, he has stopped a few moments in a city of the northern hemisphere, by a field in the southern hemisphere, and he has come back with pictures which approximately show the same thing in the form or in substance : human beings in the heart of their environment, stuck in the setting, stifled, trapped or integrated, assimilated but not totally, always isolated, just like oil in water, anxious, absent-minded, busy or passive, fearful, overtaken by events, brave, rebellious, lost, determined or exhausted. Mankind in the setting." Philippe Jaenada, novelist, Chevalier de l'Ordre des arts et des lettres. Discover Saint Louis in Senegal
David Octavius Hill
Scotland
1802 | † 1870
David Octavius Hill was a Scottish painter, photographer and arts activist. He formed Hill & Adamson studio with the engineer and photographer Robert Adamson between 1843 and 1847 to pioneer many aspects of photography in Scotland. Hill was born in 1802 in Perth. His father, a bookseller and publisher, helped to re-establish Perth Academy and David was educated there as were his brothers. When his older brother Alexander joined the publishers Blackwood's in Edinburgh, Hill went there to study at the School of Design. He learned lithography and produced Sketches of Scenery in Perthshire which was published as an album of views. His landscape paintings were shown in the Institution for the Promotion of the Fine Arts in Scotland, and he was among the artists dissatisfied with the Institution who established a separate Scottish Academy in 1829 with the assistance of his close friend Henry Cockburn. A year later Hill took on unpaid secretarial duties. He sought commissions in book illustration, with four sketches being used to illustrate The Glasgow and Garnkirk Railway Prospectus in 1832, and went on to provide illustrations for editions of Walter Scott and Robert Burns. In the 1830s he is listed as living at 24 Queen Street, in Edinburgh's New Town. In 1836 the Royal Scottish Academy began to pay him a salary as secretary, and with this security he married his fiancée Ann Macdonald the following year. After the birth of their daughter, Charlotte Hill, Ann was invalided, and died on 5 October 1841, aged 36, and was buried with her family in Greyfriars Churchyard in Perth. Charlotte Hill went on to marry the author Walter Scott Dalgleish LLD and is buried in Grange Cemetery. During this period he lived at 28 Inverleith Row in Edinburgh's northern suburbs and he continued to produce illustrations and to paint landscapes on commission. Hill was present at the Disruption Assembly in 1843 when over 450 ministers walked out of the Church of Scotland assembly and down to another assembly hall to found the Free Church of Scotland. He decided to record the dramatic scene with the encouragement of his friend Lord Cockburn and another spectator, the physicist Sir David Brewster who suggested using the new invention, photography, to get likenesses of all the ministers present. Brewster was himself experimenting with this technology which only dated back to 1839, and he introduced Hill to another enthusiast, Robert Adamson. Hill and Adamson took a series of photographs of those who had been present and of the setting. The 5 feet (1.5 m) x 11.4 feet (3.5 m) painting was eventually completed in 1866. Hill moved to "Calton Hill Stairs" in 1850. Their collaboration, with Hill providing skill in composition and lighting, and Adamson considerable sensitivity and dexterity in handling the camera, proved extremely successful, and they soon broadened their subject matter. Adamson's studio, "Rock House", on Calton Hill in Edinburgh became the centre of their photographic experiments. Using the calotype process, they produced a wide range of portraits depicting well-known Scottish luminaries of the time, including Hugh Miller, both in the studio and outdoors, often amongst the elaborate tombs in Greyfriars Kirkyard. They photographed local and Fife landscapes and urban scenes, including images of the Scott Monument under construction in Edinburgh. As well as the great and the good, they photographed ordinary working folk, particularly the fishermen of Newhaven, and the fishwives who carried the fish in creels the 3 miles (5 km) uphill to the city of Edinburgh to sell them round the doors, with their cry of "Caller herrin" (fresh herring). They produced several groundbreaking "action" photographs of soldiers and - perhaps their most famous photograph - two priests walking side by side. Their partnership produced around 3,000 prints, but was cut short after only four years due to the ill health and death of Adamson in 1848. The calotypes faded under sunlight, so had to be kept in albums, and though Hill continued the studio for some months, he became less active and abandoned the studio, though he continued to sell prints of the photographs and to use them as an aid for composing paintings. In 1862 he remarried, to the sculptor Amelia Robertson Paton, 20 years his junior, and around that time took up photography again, but the results were more static and less successful than his collaboration with Adamson. He was badly affected by the death of his daughter and his work slowed. In 1866 he finished the Disruption picture which received wide acclaim, though many of the participants had died by then. The photographer F.C. Annan produced fine reduced facsimiles of the painting for sale throughout the Free Church, and a group of subscribers raised £1,200 to buy the painting for the church. In 1869 illness forced him to give up his post as secretary to the RSA, and he died in May 1870. Hill is buried in Dean Cemetery, Edinburgh - one of the finest Victorian cemeteries in Scotland. He is portrayed in a bust sculpted by his second wife, Amelia, who is buried alongside him.Source: Wikipedia
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