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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Neil Kremer & Cory Johnson
Neil Kremer & Cory Johnson
Neil Kremer & Cory Johnson

Neil Kremer & Cory Johnson

Country: United States

Character-based portraits and narrative-driven scenes are our thing. Large & complex productions are where we thrive, and we specialize in capturing authentic moments in even the most manufactured of settings.

True collaborators at heart, we formed Kremer/Johnson to explore our combined creative vision. We share in all duties from ideation & pre-production through shooting & post. Together we create still & moving images for editorial, corporate, and advertising clients nationwide.

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More Great Photographers To Discover

Terri Gold
United States
1955
Terri Gold is a photographer known for her poetic infrared and color imagery of people from the remote corners of the globe. Her ongoing project "Still Points in a Turning World" explores our universal cross-cultural truths: the importance of family, community, ritual and the amazing diversity of its expression. As the timeless past meets the imminent future, indigenous cultures that still follow their traditional way of life are rapidly disappearing. At risk is a vast archive of knowledge and expertise. What is the value of ancient practices? What will be discarded and what will be treasured? If we share our stories and appreciate the mysteries of every realm, we may gain a deeper understanding of that which lies both behind and ahead of us. Her work has garnered many awards, is shown in galleries internationally and published extensively. Recent publications of her work include articles in the BBC Picture Desk, The Huffington Post, aCurator, and Featureshoot. She had a solo show at the Salomon Arts Gallery in New York in 2018. Her work won the Grand Prize in Shadow and Light magazine competition in 2019 and in The Santa Fe Photographic Workshops’ "Diversity" competition. She has received recent awards in the International Photography Awards, Prix de la Photographie, Paris (Px3), Humanity Photo Awards, and the Black and White Spider Awards. She is always happiest with a camera or three in her hands. Statement In the Sahel desert in Chad, the nomadic Wodaabe people spend months apart, searching out pastures for their herds and shelter for the families. When the rains are good, the clans celebrate with an extraordinary courtship ritual and beauty contest called The Gerewol and it's the men who are on parade. The sweltering desert region of Chad seems an unlikely place to be so concerned with beauty yet it is an integral part of the Wodaabe culture. They consider themselves to be the most beautiful people on earth. They display their beauty as a spiritual act, full of dignity and honor. Each person is an artist and they are their art. A living canvas. The intensity rises as they dance all night in their technicolor dreamcoats, a surreal line-dance. Many different arrangements are made at the festival, some for the night, some for a lifetime. All is possible at the Gerewol...
Dawoud Bey
United States
1953
Dawoud Bey (born David Edward Smikle; 1953) is an American photographer and educator known for his large-scale art photography and street photography portraits, including American adolescents in relation to their community, and other often marginalized subjects. In 2017, Bey was named a fellow and the recipient of a MacArthur Fellowship from the John D. and Catherine T. MacArthur Foundation and is regarded as one of the "most innovative and influential photographers of his generation". Bey is a professor and Distinguished Artist at Columbia College Chicago.] According to The New York Times, "in the seemingly simple gesture of photographing Black subjects in everyday life, [Bey, an African-American,] helped to introduce Blackness in the context of fine art long before it was trendy, or even accepted" Born David Edward Smikle in New York City's Jamaica, Queens neighborhood, he changed his name to Dawoud Bey in the early 1970s. Bey graduated from Benjamin N. Cardozo High School. He studied at the School of Visual Arts in New York from 1977 to 1978, and spent the next two years as part of the CETA-funded Cultural Council Foundation Artists Project. In 1990, he graduated with a BFA in Photography from Empire State College, and received his MFA from Yale University School of Art in 1993. Bey didn't receive his first camera until he was 15, and has stated until that point he wanted to become a musician. Early musical inspirations included John Coltrane and early photography inspirations were James Van Der Zee and Roy Decarava. In his youth, Bey joined the Black Panthers Party and sold their newspaper on street corners. He does not consider his work to be traditional documentary. He'll pose subjects, remind them of gestures and sometimes give them accessories. Over the course of his career, Bey has participated in more than 20 artist residencies, which have allowed him to work directly with the adolescent subjects of his most recent work. A product of the 1960s, Bey said both he and his work are products of the attitude, "if you're not part of the solution, you're part of the problem." This philosophy significantly influenced his artistic practice and resulted in a way of working that is both community-focused and collaborative in nature. Bey's earliest photographs, in the style of street photography, evolved into a seminal five-year project documenting the everyday life and people of Harlem in Harlem USA (1975-1979) that was exhibited at the Studio Museum in Harlem in 1979. In 2012, the Art Institute of Chicago mounted the first complete showing of the "Harlem, USA" photographs since that original exhibition, adding several never before printed photographs to the original group of twenty-five vintage prints. The complete group of photographs were acquired at that time by the AIC. During the 1980s, Bey collaborated with the artist David Hammons, documenting the latter's performance pieces - Bliz-aard Ball Sale and Pissed Off. Over time Bey proves that he develops a bond with his subjects with being more political. The article "Exhibits Challenge Us Not to Look Away Photographers Focus on Pain, Reality in the City" by Carolyn Cohen from the Boston Globe, identifies Bey's work as having a "definite political edge" to it according to Roy DeCarava. He writes more about the aesthetics of Beys work and how it is associated with documentary photography and how his work shows empathy for his subjects. This article also mentions Bey exhibiting his work at the Walker Art Center, where Kelly Jones identifies the strength of his work and his relationship with his subjects once again. Of his work with teenagers Bey has said, "My interest in young people has to do with the fact that they are the arbiters of style in the community; their appearance speaks most strongly of how a community of people defines themselves at a particular historical moment." During a residency at the Addison Gallery of American Art in 1992, Bey began photographing students from a variety of high schools both public and private, in an effort to "reach across lines of presumed differences" among the students and communities. This new direction in his work guided Bey for the next fifteen years, including two additional residencies at the Addison, an ample number of similar projects across the country, and culminated in a major 2007 exhibition and publication of portraits of teenagers organized by Aperture and entitled Class Pictures.] Alongside each of the photographs in Class Pictures, is a personal statement written by each subject. "[Bey] manages to capture all the complicated feelings of being young — the angst, the weight of enormous expectations, the hope for the future - with a single look." Bey's "The Birmingham Project" was inspired, in part, by a 1960s Civil Rights era photograph by Frank Dandridge of 16th Street Baptist Church bombing victim, Sarah Jean Collins. The Project includes a series of diptychs of an older person, alive when the bombing occurred, paired with a child the age of the victims, portraying "an almost unbearable sense of absence and loss." In 2018, his project Night Coming Tenderly, Black, consists of a series of photographs evoking the imagined experience of escaped slaves moving northward along the Underground Railroad. This work involves not portraits but landscapes, portrayed at night through the means a little used silver-gelatin process. The work seeks to evoke both terror and hope in a "land of fugitives". Bey has lived in Chicago, Illinois since 1998. He is a professor of art and Distinguished College Artist at Columbia College Chicago. Source: Wikipedia
Constant Puyo
France
1857 | † 1933
Constant Puyo, born in France on August 10, 1857, was a pioneering photographer who made significant contributions to the art of photography in the late nineteenth and early twentieth century. He was instrumental in the growth of Pictorialism, an artistic movement that aspired to raise photography to the realm of fine art through creative techniques and an emphasis on aesthetic expression. Puyo began his artistic career as a painter, where he studied under great artists such as William-Adolphe Bouguereau and Tony Robert-Fleury. His exploration of photography, however, was what truly released his creative potential. Puyo joined the Photo-Club de Paris in the 1890s and began experimenting with the Pictorialist style, which aspired to move photography beyond basic documentation and into a medium for artistic expression. Puyo's images had a dreamlike aspect to them, with soft focus and diffused lighting. To produce a painterly impression in his photos, he used a variety of processes, including gum bichromate printing. His pictures, in particular, were admired for capturing the inner essence of his subjects, showing their emotions and personalities. Puyo's work in the invention of autochrome photography was one of his noteworthy contributions to the Pictorialist movement. He investigated the possibilities of color photography with the Lumière brothers at a period when the medium was largely black and white. His mastery of color and ability to create ethereal, atmospheric images distinguishes him as a top figure in the area. Puyo's themes frequently centred around beauty, femininity, and the natural world. He used female models frequently, photographing them in poetic settings filled with flowers, textiles, and delicate objects. His images radiated nostalgia and romanticism, closely fitting with the ideas of the Art Nouveau movement. Puyo exhibited frequently throughout his career and received acclaim for his contributions to the art world. His images have been shown at prestigious exhibitions such as the Salon de la Société Française de Photographie and the Exposition Universelle in Paris. Puyo's photographs have also appeared in prestigious journals such as Camera Notes and Photo-Gazette. Puyo's influence also expanded beyond his personal photographic practice. He taught and mentored prospective photographers, passing on his knowledge and techniques to the next generation. He co-founded the Pictorial Photographic Society of France in 1909, cementing his status as a pivotal participant in the Pictorialist movement. Constant Puyo's legacy as a pioneer of Pictorialist photography goes on, reminding us of the power of artistic expression in the field of photography. His ability to capture the fleeting and provoke emotions through his photos continues to inspire photographers and artists all around the world.
Nicolas Tikhomiroff
France
1927 | † 2016
Nicolas Tikhomiroff (March 22, 1927 – April 17, 2016) was a French photographer, of Russian origin. He started working for Magnum Photos in 1959. Tikhomiroff was born in Paris to Russian parents. He received his education at a boarding school away from home with children of a similar background. He was trilingual with Russian as his primary language with French, and English as a secondary language. When he reached the age of seventeen, just following the Liberation of Paris, he joined the French army. After finishing his duties he found a job working for a fashion photographer processing prints. In 1956, Tikhomiroff was inspired by French journalist Michel Chevalier and struck out on his own as a freelance photographer. For the next few years, he spent his time traveling with Chevalier to the Middle East, Africa, among other places. In 1959 Tikhomiroff joined Magnum. Most of his work was on wars such as in Cambodia, Laos, and Vietnam. Famous for his work on World Cinema, he also had a large portfolio of war photography. He was married to Shirley Lou Ritchie, by whom he had a daughter, Tamara Joan Tikhomiroff. He retired in 1987 and lived in Provence, France.Source: Wikipedia Nicolas Tikhomiroff was born in Paris to Russian ‘émigrés’ parents. He spent his school years in a special boarding school for children of a similar background: those with Russian as a first language, followed by French. He joined the army at the age of 17 following the Liberation of Paris, then spent several months in Germany, followed by three years in Indochina. After finishing his military service, Tikhomiroff found work in the darkroom of a fashion photographer. Using a Rolleiflex, he began to take photographs for many magazines, including Marie France. In 1956, a decisive encounter with French journalist Michel Chevalier led him to accompany Chevalier as a freelance photographer. This relationship resulted in long trips to the Soviet Union, Africa, and the Middle East. Tikhomiroff joined Magnum in 1959 and completed numerous photo stories on subjects such as the Algerian War, Vietnam, Cambodia, and Laos. He also contributed to an important Magnum project on World Cinema, meeting Orson Welles, Fellini, Visconti, and many others. He developed a close friendship with Welles while photographing the filming of The Trial and Falstaff. Nicolas Tikhomiroff also undertook advertising and fashion assignments. Although he was never a full member of Magnum Photos, his earlier work is still distributed by the agency. Tikhomiroff retired from professional activities in 1987. He lived in Provence in the south of France, where he spent much of his time working on personal projects and essays.Source: Magnum Photos Magnum member Bruno Barbey says of Nicolas: “As well as a very important portraitist of the celebrities of the 60s (Brigitte Bardot, Jeanne Moreau or Edith Piaf, to name a few), Nicolas was also a concerned photographer, covering USSR in 1957 or De Gaulle’s historic visit to Algeria in 1960." “In a certain way, Nicolas epitomized Magnum’s long-standing tradition, producing both a significant personal work on film set photography and covering world news for the agency. To me, his name will always be linked to his iconic photographs of Orson Wells, notably in Spain on the set of Chimes at Midnight.”Source: British Journal of Photography
Savas Onur Sen
Turkey
1978
Savaş Onur Şen is a Turkish photographer based in Van. He has graduated from Ankara University Faculty of Communication, Department of Journalism. He has taken his master's degree in photography and a Ph.D. degree in photojournalism. Now he is working at Van Yuzuncu Yil University as an Assistant Professor. Savaş Onur Şen is trying to use photography to tell stories. These days he focused on the stories of the animals who live in the urban lifestyle. Precarious If certain lives do not qualify as lives or are, from the start, not conceivable as lives within certain epistemological frames, then these lives are never lived nor lost in the full sense. Judith Butler Current laws and regulations do not adequately protect the animals in Turkey. Violence, especially against stray animals, is increasing due to the lack of an animal rights law demanded by animal lovers and sensible groups. It is possible to see the traces of the rising vio-lence in mainstream and social media. Almost every day, we come across news of rape, torture, violence, and abuse, especially against stray animals. This situation also causes conflicts between people who are sensitive to the issue and are against feeding stray animals. It is said that there are over 20 thousand stray dogs in the city where I live. Although I don't have the chance to reach all of them, I have been feeding several stray dogs for many years and trying to find solutions to their problems. While doing this, I have also been taking photos of them for the last two years. "Precarious" is the first significant part of my work on stray dogs. This work aims to present an epistemological framework for the lives of stray dogs.
Flor Garduño
Mexico
1957
Flor Garduño was born in Mexico and studied visual arts at the Academy of San Carlos (UNAM), where she focused on the search for the structural aspects of form and space. She became especially interested in the work of Kati Horna, a Hungarian photographer whose communicative dimension of her photographs had a great impact on the development of Garduño's aesthetic. She gave up her studies to work as a darkroom assistant for Manuel Álvarez Bravo, one of Mexico's most prestigious photographers, with whom she strengthened her photographic skills. Since then, Garduño has received numerable prizes, and her work has been exposed and published around the world. Garduño's photos depict the landscapes of Central and South America -- and the people whose ancestors were indigenous to the region. Her photos depict subjects that could have existed in a time long before the present moment, and through photographing them, brings the Indian land of America to the present moment. She addresses time -- past, present, and future -- simultaneously through her photographs. Through her photos we witness the slow procession from life to death, interrupted by comic accidents, childish play, liturgical ceremonies, and erotic repose. Though many themes traverse Garduño's body of work, all ultimately reach the point of incense where, uncertainly, nature, and art blend so that mankind may have a margin of whimsy, freedom, or significance on the face of the gods.Source: Peter Fetterman Gallery Flor Garduño (Born Mexico City, Mexico, 1957) studied at the Escuela Nacional de Artes Plásticas in Mexico City.  In 1979 she became an assistant to Manuel Alvarez Bravo. Between 1981 and 1982 she traveled with a team of photographers organized by Mariana Yampolsky. The team photographed rural villages throughout Mexico for reading primers published by the Secretariat of Education for Indigenous Communities.  This experience as well as her association with Kati Horn influenced Garduño's photographs, which are usually of country locales and towns depicted in strange and mysterious ways typical of Surrealism in Mexican photography.  Garduño had her first one-person exhibition in 1982 at the Galeria Jose Clemente Orozco in Mexico City.  In 1985, a compendium of six years of her work was published entitled "Magia del Juego Eterno" and in 1987 another book entitled "Bestiarium" was published.  In 1986 she participated in the first photographic exhibition of the Salón de la Plástica Mexicana and in the inauguration of the Kahlo-Coronel Gallery in Mexico City. In 1986 and 1988 she was included in several traveling exhibitions "Reserved for Export" and "Realidades Mágicas" that were seen in the United States and Europe.  1996 Image and Memory, Latin american Photography, 1880-1992  Itinerary: El Museo del Barrio, New York.  Art Gallery of the University of Scranton, PA.  Lowe Art Museum, Florida.  Museo de Arte de Ponce, Puerto Rico.  Crocker Art Museum, CA.  Meadows Museum, Tx.  Akron Art Museum, OH. Her one-person shows were in Paris in 1986, the Museum Volkenkunde de Rotterdam in 1989, the Field Museum of Chicago in 1990 and Montreal in 1991.  Since 1989 she has dedicated herself to photographing the images that appear in her one-person exhibition and monograph, "Witnesses of Time".  The exhibition started at the Americas Society in 1993 and will be traveling across the country to the Museum of Photographic Arts in California as well as various other venues.  Her work is in the collections of the Museum of Modern Art, New York; Bibliotheque Nationale, Paris; and Centro Cultural de Arte Contemporáneo, Mexico.Source: Throckmorton Fine Art Galleries in the USA:   Peter Fetterman Gallery   Throckmorton Fine Art   Fahey/Klein Gallery   Holden Luntz Gallery   Etherton Gallery   Andrew Smith Gallery
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Latest Interviews

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Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
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Founded in 2020 by photographer, publisher, and classical pianist Tomasz Trzebiatowski, FRAMES Magazine has quickly established itself as a thoughtful space for photography lovers who believe that powerful images deserve to live on paper. Known for its beautifully printed quarterly issues and dynamic international community, FRAMES bridges the gap between tradition and innovation in the photographic world. As editor-in-chief, Trzebiatowski has created not only a publication but a platform that celebrates diverse genres, nurtures dialogue, and champions the tactile experience of print in a digital age. In this interview, he reflects on the journey from founding FRAMES to building a global membership, the challenges of independent publishing, and the future of photography in both print and digital forms.
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