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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Neil Kremer & Cory Johnson
Neil Kremer & Cory Johnson
Neil Kremer & Cory Johnson

Neil Kremer & Cory Johnson

Country: United States

Character-based portraits and narrative-driven scenes are our thing. Large & complex productions are where we thrive, and we specialize in capturing authentic moments in even the most manufactured of settings.

True collaborators at heart, we formed Kremer/Johnson to explore our combined creative vision. We share in all duties from ideation & pre-production through shooting & post. Together we create still & moving images for editorial, corporate, and advertising clients nationwide.

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More Great Photographers To Discover

Robert Farber
United States
1944
Robert Farber’s style has influenced generations of photographers. His painterly, impressionistic style captures the essence of composition in every genre, including nudes, still life, landscapes and architecture. His ten photo art books have sold over half a million copies. Jacqueline Kennedy Onassis brought Farber into Doubleday for the publication of his book “By The Sea,” which won the Art Director’s Award for color photography. Aside from numerous creative awards, Robert Farber also received the Photographer of the Year from PMA (Photographic Manufacturers Association), ASP International Award from the PPA (Professional Photographers of America) and The American Society of Photographers. This award was given to those who’ve made a significant contribution to the science and art of photography. Some previous recipients of this award include Dr. Edwin Land (inventor of the Polaroid), George Hurrell, and National Geographic. Farber’s work with nudes in fine art as well as in the commercial realm is known and respected. He has lectured for Ogilvy & Mather on the “Nude in Advertising.” ASMP requested to use Farber’s nudes as an examples of the artistic application in support of the National Endowment of Arts, after its backing of the controversial Mapplethorpe/Serrano exhibit. His book, “Farber Nudes,” was also included the Jacqueline Kennedy Onassis estate collection. Farber’s fine-art photographs have been published in virtually every form. Farber has exhibited in galleries and museums world-wide. He’s lectured at the Smithsonian Institute, The George Eastman House, as well as Universities and professional groups throughout the United States, Japan, Australia and Europe. Aside from his fine art photography, Robert Farber’s work encompasses major campaigns for fashion, beauty and advertising, as well as directing for TV and film. A documentary highlighting Farber’s life and career, is in development for PBS.Source: www.farber.com Robert Farber has become renown for his depictions of the female form, although his painterly, impressionistic photographic style captures the essence of composition in many genres. Farber’s unique compositions allow the viewer to see the subject from a different perspective and in his words, “to evoke a feeling of romance. That the viewer wants to be there, be a part of it, get lost in it, whether it is a still life or landscape.” A pioneer in many ways, Robert Farber has been a leading force in the world of photography, particularly in his treatment of the subject of the nude. His work has paved the way for the female form to be shown in fine art, publishing, and advertising in a way that he describes only as “respectfully.” Delighting the viewer with his natural approach and fully embracing the female form with a fine art approach, Farber began introducing nudes in his advertising work in the 1970s. He brings the romance depicted in his fine art photographs to his renowned commercial work that has been celebrated over for their captivatingly composed settings. Robert Farber is a New York City native whose artistic career began with art shows in 1970 just after college. At the start of his career, his most moving memory was when he was forced to leave an art show since photography was not widely accepted as an art form at that time. Persisting with his passion, he was eventually discovered at an Upper East Side art show. Both a publishing company and an advertising agency approached him, allowing his fine art career and fashion photography career to take off simultaneously. Farber also brings his romantic style to landscapes through his Americana series. By forcing the viewer to look at the images in a different way the artist hopes to show the heart and soul of America; a perspective he also applies to his New York Series. He hopes that his unique take on composition and style allow the viewer to experience the excitement, nostalgia, the grit and the elegance of the city. Aside from numerous other creative awards, Robert Farber has received the distinctive Photographer of the Year award from the Photographic Manufacturers Association. He has also received the ASP International Award from the Professional Photographers of America and The American Society of Photographers. Farber has lectured at the Smithsonian Institute, The George Eastman House, as well as universities and professional groups throughout the United States, Japan, Australia and Europe. Jackie Kennedy Onassis recruited Farber during her time working for the publisher Doubleday that resulted in the publication of his notable book By the Sea which would be the first of many others. Recently, Canon presented Farber's work in a solo exhibition at Art Miami in 2013, while a documentary highlighting the artist is currently in development for PBS and will air in September of 2014 chronicling this artist’s amazingly elegant work over the past four decades.Source: Holden Luntz Gallery
Richard Murai
United States
1952
"The real voyage of discovery consists not in seeking new lands but seeing with new eyes." --Marcel Proust, 1923, La Prisonierre The world's sacred sites are visually rich and historically significant and provide sanctuary for spiritual reflection and creative exploration and discovery. They're striking archeological sites but first and foremost, they serve as vital and revered centers of pilgrimage, prayer and meditation. These images are excerpts of my visits to these sacred spaces and are evidence of an ongoing journey that examines intense spiritual devotion and religious fervor, past and present, within unique and distinctive cultures. They are multi-dimensional and compelling for both the photographer and the viewer and document golden ages of past millennia and cultures seeking to reconcile ancient traditions with conflicting modern values. Devotees seek serenity and escape from centuries of conquest and political upheaval, or the effects of poverty, global climate change and modernization. As we confront a perplexing, irrational and precarious world situation ongoing geo-political unrest and violence has caused fractious dissension and a difficult emotional time for all. Reluctance to accept diverse cultural, political, religious attitudes both here and abroad adds to the fear, cynicism and confusion. Becoming sensitive to unfamiliar cultures can quell much of this anxiety and may encourage tolerance and compassion. After transitioning from thirty-five rewarding years in photographic education, Richard lives in Monterey, CA, and continues to passionately pursue his creative artmaking. His ongoing fascination with world religion and culture has generated repeated visits to locations within India, Asia, South America, the Middle East, Russia and Europe. His work has been exhibited widely, has garnered awards from All About Photo, Center for Photographic Art, Spider Awards, and Travel Photographer of the Year, and have been featured in respected publications including B&W Magazine, Silver Shots International, Shots, Photographer's Forum and multiple issues of Lenswork print and special editions. His photographs are included in various private and corporate collections and is represented by the Weston Gallery, Carmel, CA
Robin Hammond
New Zealand
1975
Colin Jones
United Kingdom
1936
Colin Jones is an English ballet dancer-turned-photographer and prolific photojournalist of post-war Britain. Jones documented facets of social history as diverse as the vanishing industrial working lives of the North East coalfields, Grafters, delinquent Afro-Caribbean youth in London, The Black House, hedonistic 1960s Swinging London with pictures of The Who early in their career, the 1963 race riots in Alabama, Soviet Leningrad, and remnants of a rural Britain now lost to history. Jones was born in 1936. He experienced a war childhood; his father, a Poplar, East End printer, went away as a soldier on the Burma campaign. Jones' family was evacuated to Essex and he attended a succession of thirteen schools whilst struggling with dyslexia, before the age of sixteen, when he took up ballet lessons. In 1960 Jones was called up for national service and served in the Queen's Royal Regiment. Fresh out of the army, Colin joined the Royal Opera House, later moving to the Touring Royal Ballet and embarked on a nine-month world tour. Jones met, and for four years was married to, the great ballerina Lynn Seymour. Whilst on tour and running an errand for Dame Margot Fonteyn, he purchased his first camera, a Leica 3C rangefinder, in 1958 and started taking photographs of the dancers and backstage life during the Australian leg of the circuit. Jones admired the available-light backstage photography of Michael Peto, a Hungarian émigré, who agreed to mentor him. Colin Jones took advantage of the ballet company's travel to photograph extensively in the streets of Tokyo, Hong Kong and the Gorbals, Glasgow in 1961. Driving with fellow dancers from Newcastle to Sunderland that year, he saw, north of Birmingham, coal searchers on the spoil-heaps. In 1962, having changed his career to become a photographer for The Observer he returned to produce a series of photographs recording the vanishing industrial working poor and mining communities in the North East of England, later publishing the essay as the book Grafters. At The Observer he worked alongside photographers Philip Jones Griffiths and Don McCullin. He worked in Fleet Street for several years before turning freelance. Commissioned assignments took him to New York City in 1962; Liverpool docks in 1963; the race riots in Birmingham, Alabama, USA, where he made portraits of both 'Bull' Connor, and Dr Martin Luther King in 1963; Leningrad, USSR in 1964. In 1966 he photographed the British rock band The Who at the beginning of their career, and Pete Townshend, then Mick Jagger in 1967. He travelled to the Philippines in 1969 where he photographed the sex trade. He portrayed significant dancers, including Rudolph Nureyev for several publications. Jones’ work has been published in major publications including Life, National Geographic, Geo and Nova as well as many supplements for major broadsheet newspapers, most prominently The Times, who dubbed Jones "The George Orwell of British photography". In his later career he covered assignments around the world, including Jamaica in 1978; the indigenes of the New Hebrides and Zaire in 1980; Tom Waits in New York, 1981; San Blas Islands in 1982; Ireland in 1984; Xian, China in 1985; Ladakh in northern India 1994 and Bunker Hill, Kansas in 1996. Solo exhibitions have been devoted to his work: The Black House: Colin Jones at The Photographers' Gallery in London, 4 May – 4 June 1977 as well as at many other galleries. Martin Harrison’s Young Meteors associated Jones with other important British photographers including Don McCullin and Terence Donovan. In 2013 the Victoria and Albert Museum acquired three of Jones' historic photographs from The Black House series, along with a photograph by Dennis Morris depicting the original Black House associated with Michael X, both acquired as part of Staying Power, a five year partnership between the V&A and Black Cultural Archives, preserving black British experience from the 1950s to the 1990s through photographs and oral histories. The Arts Council also purchased his work.Source: Wikipedia The art of photography remains so fascinating because of the individuals who arrive from unexpected places and take the medium through a lifetime of changes. The career of Colin Jones has a startling trajectory. He was born in 1936, in time to be a war child, a father away as a soldier, and 13 different schools. An element of chance, as well as talent, led to a scholarship at the Royal Ballet School. The moment that defined Jones's later life occurred as he was driving with fellow-dancers from Newcastle to Sunderland one day in 1961. Travelling north of Birmingham and seeing the winding gear of coalmines had always excited Jones, who was steeped in the books of George Orwell, but now he saw the extraordinary drama of spoil-heaps swarming with coal searchers - an epic of reality and survival. Colin Jones is one of the most celebrated and prolific photographers of post-war Britain. He has documented facets of social history over the years as diverse as the vanishing industrial working lives of the Northeast (Grafters), delinquent Afro-Caribbean youth in London (The Black House), and most recently, the high-octane hedonism of Swinging London with his famous pictures of The Who early in their career. His work has been published in every major publication with any regard for the image and photography. Such as Life, and National Geographic, as well as many supplements for the major broadsheets. He has had solo exhibitions at the National Gallery of Art in Washington DC and at the Photographers Gallery in London, as well as at many other venues internationally.Source: Michael Hoppen Gallery
Jacob Aue Sobol
Denmark
1976
Jacob Aue Sobol (born 1976) is a Danish photographer. He has worked in East Greenland, Guatemala, Tokyo, Bangkok, Copenhagen, America and Russia. In 2007 Sobol became a nominee at Magnum Photos and a full member in 2012. Four monographs and many catalogues of his work have been published and widely exhibited including at Yossi Milo Gallery in New York and at the Diemar/Noble Photography Gallery in London. Born in Copenhagen, Sobol lived in Canada from 1994 to 1995. Back in Europe he first studied at the European Film College and from 1998 at Fatamorgana, the Danish School of Art Photography. In the autumn of 1999, he went to the remote East Greenland village of Tiniteqilaaq to photograph. The visit was only supposed to last a few weeks but after meeting a local girl, Sabine, he returned the following year and stayed there for the next two years, living the life of a fisherman and hunter. In 2004 Sobol published Sabine, which in photographs and narrative portrays Sabine and describes his encounter with Greenlandic culture. The pictures in the book express the photographic idiom he developed at Fatamorgana. In the summer of 2005, Sobol went with a film crew to Guatemala to make a documentary about a young Mayan girl's first trip to the ocean. The following year he returned to the mountains of Guatemala, this time by himself, to stay with an indigenous family for a month to document their everyday life. In 2006 he moved to Tokyo to spend 18 months photographing the city for his book I, Tokyo. Commenting on the book, Miranda Gavin appreciates how "the sensitivity of his approach shines through the work and sets him apart as one of a new generation of photographers with the ability to allow eroticism and danger to seep through his images without becoming sordid or clichéd." Sobol became a nominee of Magnum Photos in 2007 and a full member in 2012. In 2008, Sobol worked in Bangkok where he photographed children fighting for survival in the Sukhumvit slums, despite the country's growing economic prosperity. In 2009, he moved back to Copenhagen. Since then he has worked on projects at home as well as in America and Russia.Source: Wikipedia Following his time in Tokyo, Jacob worked extensively in Bangkok, resulting in the 2016 book By the River of Kings. In 2012 he began photographing along the Trans-Siberian Railroad and spent the next five winters photographing in the remote Russian province of Yakutia for his project Road of Bones. He has ongoing projects in Denmark (Home) and the United States (America).Source: www.jacobauesobol.com
Bernard Benavides
Bernard Benavides (Barcelona, 1980), photographer, licensed by the Gris Art School Barcelona, in 2011, has developed his professional and artistic career through his passion for travel and photography. Always interested in the remote cultures of distant countries, with which he establishes a personal and close link to meet in person, to experience the day to day of the ethnic group, its culture, its rituals and its particular landscapes and lost paradises. This has marked the pulse of his travels and allowed him to perceive each face and each landscape uniquely. He is an avid traveler who takes the opportunity to escape and travel the world with his camera and backpack. He likes the most complicated challenges and trips. Since different events occur in the interests of today's world, his preference is always social photography. He believes that it is not the experience itself, but the meaning that he gives to the experience. His professional and artistic career began at the age of thirteen. Having personally experienced the Civil War of El Salvador for three years, it marked the rest of his life and had an important influence on the decision to direct his career to photojournalism. In 2011, due to personal and professional stability gained from the cultural exchanges experienced in his previous trips, as well as for the discovery of new places such as Kano, Nigeria, he adopted a different and more critical outlook when discovering and documenting the ethnic political conflict between Christians and Muslims. Nigeria was a country where he developed a high degree of personal and professional learning. His long trips through Central Asia, South East Asia, America, Australia, and currently a two-year trip through Africa, have led him to enjoy and document with his lens, the native peoples and especially the fascination of living with tribes.
Alex Prager
United States
1979
Alex Prager (b. 1979, Los Angeles; lives and works in Los Angeles) is a photographer and filmmaker who creates elaborately staged scenes that draw inspiration from a wide range of influences and references, including Hollywood cinema, experimental films, popular culture, and street photography. She deliberately casts and stages all of her works, merging past and contemporary sources to create a sense of ambiguity. Her familiar yet uncanny images depict worlds that synthesize fiction and reality and evoke a sense of nostalgia. Prager cultivates the surreal in her photographs and films, creating moments that feel like a fabricated memory or dream. Each photograph captures a moment frozen in time, inviting the viewer to “complete the story” and speculate about its narrative context. Prager's work often makes the viewer aware of the voyeuristic nature of photography and film, establishing the uneasy feeling of intruding upon a potentially private moment. The highly choreographed nature of her photographs and films exposes the way images are constructed and consumed in our media-saturated society. Solo exhibitions of Prager's work have been organized at Fotografiska, Tallinn (2020); Fotografiska Stockholm (2019); Fondazione Sozzani, Milan, Italy (2019); FOAM Fotografiemuseum, Amsterdam, Netherlands (2019); Multimedia Art Museum, Moscow, Russia, (2019); Musée des Beaux-Arts Le Locle, Switzerland (2018); The Photographers' Gallery, London, United Kingdom (2018); Des Moines Art Center, IA (2017-2018); Saint Louis Art Museum, MO (2015); Galerie des Galeries, Paris, France (2015); Goss Michael Foundation, Dallas, TX (2015); National Gallery of Victoria, Melbourne, Australia (2014); Corcoran Gallery of Art, Washington, D.C. (2013); SCAD Museum of Art, Savannah, GA (2013); and the FOAM Photography Museum, Amsterdam, Netherlands (2012). Select group exhibitions featuring her work include Telling Tales: Contemporary Narrative Photography, McNay Art Museum, San Antonio, TX (2016-2014); Open Rhapsody, Beirut Exhibition Center, Lebanon (2015); The Noir Effect, Skirball Cultural Center, Los Angeles, CA (2014); No Fashion, Please: Photography Between Gender and Lifestyle, Kunsthalle Wien, Vienna, Austria (2011); and New Photography, The Museum of Modern Art, New York (2010). Her work is in numerous international public and private collections, including the Kunsthaus Zurich, Switzerland; Los Angeles County Museum of Art, Los Angeles; Moderna Museet, Stockholm, Sweden; Museum of Modern Art, New York; Queensland Gallery of Modern Art, Australia; San Francisco Museum of Modern Art, San Francisco; and the Whitney Museum of American Art, New York. Prager has received numerous awards, including the FOAM Paul Huf Award (2012), The Vevey International Photography Award (2009), and the London Photographic Award (2006). Her editorial work has been featured in prominent publications, including Vogue, New York Magazine, and W, and her film series Touch of Evil, commissioned by The New York Times Magazine, won a 2012 Emmy award. Her first major public commission, Applause, for Times Square Arts: Midnight Moment, New York, took place in summer 2017. Source: www.lehmannmaupin.com
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With his latest book Paradise, Inc., celebrated documentary photographer Guillaume Bonn takes us deep into the heart of East Africa, where the promises and failures of wildlife conservation collide. Far from offering a romanticized vision of nature, Bonn’s work confronts us with urgent realities: the tensions between local communities and conservation policies, the sacrifices of rangers on the frontlines, and the long-lasting impact of human activity on fragile ecosystems. Spanning more than two decades of fieldwork, the project blends powerful imagery with investigative depth, raising difficult but necessary questions about transparency, accountability, and the Western-led models that dominate conservation. Enriched by the voices of those too often left out of the conversation—including a preface by Maasai leader Ezekiel Ole Katato and an introduction by journalist Jon Lee Anderson—Paradise, Inc. is both a stunning visual journey and a call to action. In the following interview, Guillaume Bonn reflects on the making of Paradise, Inc., the ethical dilemmas at the heart of his work, and the urgent need to rethink our approach to conservation in East Africa and beyond.
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