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Final Chance to Win a Solo Exhibition this April! Deadline: March 18, 2025
Final Chance to Win a Solo Exhibition this April! Deadline: March 18, 2025
Neil Kremer & Cory Johnson
Neil Kremer & Cory Johnson
Neil Kremer & Cory Johnson

Neil Kremer & Cory Johnson

Country: United States

Character-based portraits and narrative-driven scenes are our thing. Large & complex productions are where we thrive, and we specialize in capturing authentic moments in even the most manufactured of settings.

True collaborators at heart, we formed Kremer/Johnson to explore our combined creative vision. We share in all duties from ideation & pre-production through shooting & post. Together we create still & moving images for editorial, corporate, and advertising clients nationwide.

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More Great Photographers To Discover

Kim Watson
United States
A multi-dimensional artist with decades of experience, Kim Watson has written, filmed, and photographed subjects ranging from the iconic entertainers of our time to the ''invisible'' people of marginalized communities. A highly influential director in music videos' early days, Watson has directed Grammy winners, shot in uniquely remote locations, and written across genres that include advertising, feature films for Hollywood studios such as Universal (Honey), MTV Films, and Warner Brothers, and publishers such as Simon & Schuster. His passionate marriage of art and social justice has been a life-long endeavor, and, in 2020, after consulting on Engagement & Impact for ITVS/PBS, Kim returned to the streets to create TRESPASS, documenting the images and stories of LA's unhoused. TRESPASS exhibited at The BAG (Bestor Architecture Gallery) in Silver Lake, Los Angeles, September 17, 2022 - October 11, 2022. Statement ''I'm gonna be an artist!'' That was my childhood mantra—even before I knew what it meant. You see, growing up in St. Albans, Queens and with family roots firmly planted in Harlem, I was surrounded by artistic expression, much of it created by my own family and much more blooming from the talented artists like Count Basie, James Brown and others who lived in our community—a community that would also bring us Run DMC, LL Cool J and Tribe Called Quest. Yes, I knew the path I would take but had no idea of the journey it would become. Untethered by labels, I have scratched my creative itch through writing, filmmaking, photography, and music; always aspiring to tell a story that touches and inspires us to see the world a little bit differently and with a little more empathy. It was while living in Brooklyn as a ''struggling artist'' that I truly saw art being used as a powerful social and political tool, capable of engaging, influencing and changing hearts and minds for the better. Since then, I have had the good fortune of both performing and producing music on the New York scene, and following a return to film school, directing a variety of projects, including over 40 music videos with Hip-Hop innovators and Grammy winners alike, from Roxanne Shante to Al Jarreau, receiving Best Music Video nominations from MTV and the Soul Train Awards, as well as NAACP recognition for my presentation of positive images of African Americans. Did I mention a move to Los Angles? Oh well... My passion for writing led to assignments for Disney Channel, Nickelodeon, Simon & Schuster, Warner Brothers Films, MTV Films, Kidz Bop, movies of the week and the Universal Pictures hit HONEY, starring Jessica Alba. I have partnered on entertainment and tech ventures, consulted on engagement and impact for ITVS/PBS and written, blogged, filmed and photographed around the world, often on assignment and sometimes merely to feed my soul. I guess you could say that I am in love with everything about the creative process, no matter the medium. For these opportunities I am eternally grateful. For the past year I have been immersed in TRESPASS... photographs and writing which bring focus to Los Angeles' homeless community; sharing the stories we need to hear and connecting with those too often unseen and unheard. I am thankful for the many relationships that have grown out of TRESPASS and the amazing individuals who share their world with me. Please take a look at Trespass as well as the other photo-essays, articles and more, I hope I have found a way to touch your heart, feed your soul and bring us all closer together. Exclusive Interview with Kim Watson
Hendrik Kerstens
Netherlands
1956
Since 1995, Dutch photographer Hendrik Kerstens has been photographing his daughter, Paula. His photographs have been collected by museums around the world and have inspired taste-makers as diverse as Elton John and Alexander McQueen. (McQueen, in fact based his Fall 2009 collection on Kerstens' image of Paula with a plastic bag as a head-dress, using the image as his invitation for the show.) Initially Kerstens' photographs were created out of the artist's desire to capture something of the fleeting moments that fade of childhood. The pictures recorded everyday events – his daughter's sunburn, the child's bath. However, one day there was a moment of revelation when Kerstens not only saw her in relation to the events of her own life, but also projected on her his interest in the Dutch painters of the seventeenth century.
 As Kerstens recalls, "One day Paula came back from horseback riding. She took off her cap and I was struck by the image of her hair held together by a hair-net. It reminded me of the portraits by the Dutch masters and I portrayed her in that fashion. After that I started to do more portraits in which I refer to the paintings of that era. The thing that fascinates me in particular is the way a seventeenth-century painting is seen as a surface which can be read as a description of everyday life as opposed to the paintings of the Italian renaissance, which usually tell a story. Northern European painting relies much more on craftsmanship and the perfect rendition of the subject. The use of light is instrumental in this." A number of the portraits of Paula are clearly reminiscent of Johannes Vermeer. The austerity of the photograph, its clarity, the serene expression on the young girl's face, and not least, the characteristic "Dutch" light, all combine to create this impression.
 However, Kerstens was not just imitating painting. As the series progressed, he became increasingly interested in the game of creating a conceptual and humorous dialog between past and present. The titles give the game away. "Napkin" looks like a maid's bonnet. In "Bag", a plastic grocery bag is shaped to look like a lace hood. In other pictures no pretense is made to imitate 17th century clothing but Paula's face and Kerstens' light turn a thoroughly modern hoodie into a classic and timeless garment. Conceptually, Kerstens' photographs play with the dialog between the mediums of painting and photography, with seriality, and time. On a more emotional level, they address everyday reality while expressing his love for his child, and the knowledge and development of his craft.Source: Danziger Gallery Hendrik Kerstens' (1956) oeuvre consists of a consequent sequence of portraits from his muse, his daughter, each time with a different angle, meaning or purpose. In the hemisphere of the radically realist paintings of the Dutch Golden Age, Kerstens explores the photograph as a surface, a platform to study contemporary ordinary objects and its meaning in historical tradition. With his typical selection for down-to-earth forms of headwear, from a napkin, a wet towel, spheres of lace to folded aluminium foil, he recalls how daily life has always been an integral subject of art, whether in the 17th or in 21st century. With his clear ambition to illustrate the dialogue between history and contemporary life, rich and sober, functional and valuable, Kerstens also accomplishes to renew and contemporize history while boosting the position and function of day-to-day objects. In connecting todays photography techniques with the camera obscura techniques in earlier times, Kerstens raises awareness for the use and development of the photographic process. It is not accidental that he is a state-of-the-art perfectionist, taking nothing for granted and giving a lot of attention to the work process. The printing proces itself, the hardly visible transition of the many dark tones, the interplay of light and shadow, Kerstens dedicates himself completely in refining the image, where details and the way of looking play a key role. Kerstens, who worked many times with Kathy Ryan from The New York Times Magazine, was awarded the PANL award (2001) in the Netherlands; the Taylor Wesing Photographic Portrait Prize (2008) at the National Portrait Gallery in London, the silver LeadAward Medaillon, Porträtfotografie des Jahres (2010) in Germany and the 11th Lucie Award (2013). Kerstens work and ideas were included in Alexander McQueen's spectacular show The Horn of Plenty: Everyting but the Kitchen Sink, a retrospective on 15 shocking years in fashion.Source: Flatland Gallery Galleries:   Danziger Gallery   Jenkins Johnson Gallery   Dean Project   Flatland Gallery
Elisabeth Hase
Germany
1905 | † 1991
Elisabeth Hase (December 16, 1905 – October 9, 1991) was a German commercial and documentary photographer active in Frankfurt from 1932 until her death in 1991, at the age of 85 Hase was born in Döhlen bei Leipzig, Germany. She studied typography and commercial art from 1924 to 1929 at the School of Applied Arts, and later at the Städelschule, under, among other teachers, Paul Renner and Willi Baumeister. Hase was active as a photographer during the time of the transition from the Weimar Republic to the Third Reich and through post-WWII Germany. She was able to avoid government oversight of her work by establishing her own photographic studio in 1933. Hase's work included surreal photography, such as close-up photographs of dolls. She received several awards, several for paper designs and collages. During a two-year collaboration in the studio of Paul Wolff [de] and Alfred Tritschler [de], Hase took architectural photographs in New Objectivity style for the magazine Das Neue Frankfurt (The New Frankfurt) and documentary photographs of modern housing projects, including those of Ferdinand Kramer. In 1932, Hase started her own business. It focused on timeless designs like still life, structures, plants, dolls, people, especially self-portraits. Often she used herself as a model in her photographic “picture stories.” Cooperation with agencies like Holland Press Service and the Agency Schostal[2] enabled her to publish her photographs internationally. Despite the bombing of Frankfurt in 1944 by the Allies, Hare's photographic archive survived the war without major damage. Many of those works are now part of the collections held by the Folkwang Museum in Essen, Germany, in the Albertina (Vienna) in Vienna, and in the Walter Gropius estate in the Bauhaus Archive in Berlin, as well as in private collections in Germany and abroad. Despite loss of her cameras and other technical equipment in the chaos of war, Hase was able to resume taking photographs in 1946 by the help of emigre friends who provided her with film and cameras to use. Among others subjects Hase documented was the reconstruction of St. Paul's Church in Frankfurt. From 1949, her work focused on advertising, consisting mostly of plant portraits. Hase died at the age of 85 in 1991 in Frankfurt am Main. Source: Wikipedia This new discovery is a rich body of work by a female artist who was photographing during the time of the transition from the Weimar Republic to the Third Reich and through post-WWII Germany. Hase's photographic compositions are comparable to a number of her avant-garde contemporaries such as Florence Henri, Ilse Bing, and Germain Krull. Elisabeth Hase (1905-1991) was born in Germany and began her artistic studies in 1924 at the Art Academy in Frankfurt. During World War II Hase was able to avoid the politicization of her work by retreating to her studio. This however would not prevent her work from being wholly untouched by the war. During the air raid on Frankurt in 1944 her cameras and other equipment were lost however, quite remarkably, her archives of glass and film negatives survived. Most intriguing are Hase's self-portraits which experiment with identity and perceived reality. In one self-portrait she has photographed herself in the reflection of a silver sphere, she and the room are warped on the convex surface of the globe. In another image she is sprawled over a staircase as if fallen, with shoes and purse strewn likewise over the stairs. This practice of role-playing and adopting different personas is seen throughout Hase's portraiture. Hase's work has been shown in museums across Germany including; the Folkwang Museum, Essen; the Historical Museum, Frankfurt; and the Museum of Photography, Braunschweig. Hase's work was exhibited in the show "Who is Afraid of Women Photographers?" at the Musée d'Orsay, Paris, France. Her work in found in prominent museum collections internationally, including The Metropolitan Museum of Art, The National Gallery, the Museum of Modern Art, The Nelson-Atkins Museum of Art, Ackland Art Museum, the Chrysler Museum of Art, Folkwang Museum in Essen, The Albertina Museum in Vienna and The Bauhaus Museum of Design in Berlin. Source: Robert Mann Gallery
Jason Langer
United States
1967
Jason Langer is a notable photographer, best known for his black and white film photography, capturing atmospheric and introspective images. Langer was born in Tucson, Arizona and grew up in Ashland, Oregon. Langer studied photography at the University of Oregon from 1985 to 1989. After graduation, Langer moved to San Francisco and apprenticed with some of the Bay area's most well-renowned photographers including Ruth Bernhard, Arthur Tress, and Michael Kenna, who became his mentor and lifelong friend. During that time, Langer learned much from Michael Kenna and influences from Kenna remain present throughout Langer's two-decades of photographic work. His photographs have been exhibited in numerous galleries and museums internationally, including solo exhibitions in cities such as New York, Paris, London, Tokyo, and Moscow. Langer's work has also been featured in various photography publications and books. Many of Jason Langer's photographs have been praised for their poetic and evocative qualities. Langer shoots using film, meaning that he does not know exactly what photographs he has until the film is developed. He photographs in black and white and prefers to photograph at night. He avoids photographing human faces, which increases the mystery of his works. Langer is also a sought-after photography mentor, having taught photography at the Academy of Art University for 12 years and Santa Fe Workshops since 2014. Langer is known as a mentor in photography, teaching students to use the medium for self-understanding. “Jason seems to have absorbed the entirety of photo history, particularly the so-called “New York School”, identified by historian Jane Livngstone in her book of that title from the early 1990’s: Arbus; Avedon; Brodovitch; Croner; Davidson; Donaghy; Faurer; Frank; Grossman; Klein; Leiter; Levinstein; Levitt; Model; Vestal and Weegee. Jason loved shooting the city and printing it very darkly. He is a classicist. He is contemporary guy who sees things though more modern eyes.” He has received recognition and awards for his contributions to the field of photography. Langer's work continues to be exhibited and collected by art enthusiasts and collectors worldwide.
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Latest Interviews

Exploring the Photography Market with Artsy: An Interview with Casey Lesser
Photography has long played a crucial role in the art market, bridging fine art and contemporary culture while attracting a diverse range of collectors. With digital platforms reshaping how art is discovered, collected, and valued, Artsy has emerged as a key player in making photography more accessible. In this exclusive interview, Casey Lesser, Artsy's Director of Content and Editorial, shares insights into the current photography market, emerging trends, and how digital tools are shaping the way collectors engage with the medium. From the growing demand for portraiture to the impact of price transparency, Lesser offers a behind-the-scenes look at the evolving landscape of photography collecting.
Exclusive Interview with Fabiola Menchelli
Currently on view at the Norton Museum of Art, certain silence marks artist Fabiola Menchelli’s first solo museum exhibition in the United States. Running through March 23, 2025, the show offers an immersive exploration of photography’s materiality, challenging conventional notions of perception and image-making. Comprising more than 20 works—including previously unseen pieces—Menchelli’s ethereal compositions unfold through a meticulous process of folding, exposing, and developing light-sensitive materials. Created without a camera or negatives, her works blur the boundaries between control and chance, revealing intricate layers of abstraction and poetry. Through this interplay of light and form, certain silence invites viewers into a meditative space where perception itself becomes the subject of inquiry.
Exclusive Interview with Kristin Taylor and Kyli Hawks on Art, Activism, Policy, and Power at MOCP
Art, Activism, Policy, and Power is an educational framework offering resources and opportunities for high school students to engage with artist-activists. The program focuses on various justice topics, utilizing the MoCP’s exhibitions, visiting artists, and collections as teaching tools. Students explore how artists incorporate research into their work to amplify urgent social issues, while also gaining insight into the power of the arts in advancing activism.
Exclusive Interview with Jaume Llorens
Jaume Llorens, born in Porqueres, near Girona, has been passionate about photography since his teenage years. Though he began exhibiting his work later in life, his artistic journey has quickly gained recognition on the international stage. His work is characterized by a deep, contemplative connection with nature, where silence and observation shape his artistic vision. His poetic project Gaia, inspired by this reflective approach, earned him the December 2023 Solo Exhibition. We asked him a few questions about his life and work.
Exclusive Interview with Asiya Al Sharabi
Asiya Al Sharabi is a Yemeni-American visual artist whose work has been recognized both nationally and internationally. She began her career as a journalist and photographer before shifting her focus to artistic photography, using her lens to explore the complexities of identity, culture, and migration. Now based in the U.S., her work is deeply rooted in the experiences of Middle Eastern women, young adults, and immigrants—themes that continue to shape her creative vision.
Exclusive Interview with Members of Circulo Collective
Círculo Collective is a photography group dedicated to fostering unity and shared humanity during these challenging times. This exclusive collective brings together photographers from five countries: India, Tanzania, Iran, Brazil, and Poland. In a world increasingly defined by division and conflict, the mission of Círculo Collective holds profound significance. Through their work, they seek to remind us of the connections that bind us and the power of community in overcoming adversity. We reached out to them with a few questions to gain deeper insights into their project.
Exclusive Interview with Manuela Federl
Manuela Federl is a journalist and documentary filmmaker with over 15 years of experience. She studied languages, economics, and cultural studies, focusing on the Mapuche people in Chile, which became the subject of her published thesis. In 2016, she founded her company, bergjournalisten, and has since created award-winning documentaries like 100 Hours of Lesbos and THE GAME. Gambling Between Life and Death. For the past two years, she has traveled extensively, documenting social issues through photography and storytelling. Her series The Roma Princesses earned her the January 2024 Solo Exhibition.
Exclusive Interview with Dona Ann McAdams about ’Black Box’
Black Box, a memoir by award-winning American photographer Dona Ann McAdams, combines fifty years of black and white photography with the photographer’s own short lyric texts she calls “ditties.” The book brings together McAdams’ striking historical images with personal reflections that read like prose-poems. Her photographs, taken between 1974 and 2024, document astonishing moments and people across decades of American life.
Exclusive Interview with Grace Weston
Grace Weston’s staged photography transforms miniature vignettes into powerful narratives that explore psychological themes with a playful yet profound touch. Her meticulously crafted scenes invite viewers to delve into stories of power, identity, and human complexity. Weston’s innovative work has earned international recognition, including winning the November 2023 Solo Exhibition. We asked her a few questions about her life and work.
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