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Fabio M. Roque
Fabio M. Roque
Fabio M. Roque

Fabio M. Roque

Country: Portugal
Birth: 1985

Fábio M. Roque (b. 1985) is a photographer born and based in Lisbon, Portugal. He studied photography at I.P.F. (Portuguese Institute of Photography), Lisbon between 2004 and 2007, later He then attended the workshop of History of Photography Contemporary at Ar.Co., Lisbon 2010. Worked in two newspapers, both now extinct. His work is mainly on documentary photography; more recently discovered is passion for a more personal kind of photography. Has already made several solo exhibitions. Is member of the Collective Phos. Collaborates regularly with the online platform "A Viagem dos Argaunautas". Runs the editorial project "Our Private Garden". Is the creator and director of Square Space Magazine

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Jeremy Cowart
United States
At his core, Jeremy is an artist. Starting out as a painter first, Jeremy fell in love with the creative process. He then went on to study graphic design in college and founded his own graphic design company, Pixelgrazer, in 2001. Jeremy really only began taking pictures to bring texture into his design work. But before he knew it, he realized that photography was his true passion. So in April of 2005, Jeremy switched over to it full time and he has never looked back. In a relatively short amount of time, Jeremy earned the respect of artists, photographers, and celebrities alike. Now hailed as one of the trailblazers in the industry, Jeremy sees photography as a natural extension of his passion for the arts. Jeremy has taken portraits of many familiar names such as Taylor Swift, Tim Tebow, The Kardashians, Sting, Maggie Gyllenhaal, Heidi Klum, Gwyneth Paltrow, The Civil Wars, Emma Stone, Courtney Cox, and Ryan Seacrest, just to name a few. His clients, mostly entertainment based, include ABC, FOX, A&E, F/X, Discovery Channel, ESPN, People, US Weekly, VIBE, E!, Universal Records, Sony Records and Warner Brothers Records. His work has been published in Rolling Stone, ESPN Magazine, People Magazine, USA Today, Fast Company, NYTimes, TIME, Nylon and more. There's always something interesting going on in Jeremy's world. His humanitarian projects have been featured on CNN.com as international leading headlines twice, he shot the cover of Tim Tebow's NY Times best-selling autobiography, and he recently starred in an episode of The Real Housewives of Beverly Hills. In addition to all that, Jeremy is something of a social media/technology guru. He's a featured user on Google+ with over a million followers, he won the Celebrity TwitChange campaign last year that raised thousands of dollars to fight global poverty, and he's currently working on his first iPhone app to be released Summer 2012. Photography has taken Jeremy to six continents. He traveled with Britney Spears in 2009 as her "Circus World Tour" photographer, documented seventeen countries with the Passion World Tour in 2008, and has been on numerous trips to Africa and Haiti with various organizations. From all his travels, Jeremy has released 3 Photography books, "Hope in the Dark", "The Poor Will Be Glad" and "Awakening", and he's currently working on a 4th new book, "What's Your Mark?" with Zondervan Publishers due out Fall 2012. Jeremy also spends his time on community projects, brainstorming innovative ways to use his camera to make an impact. In January 2010, after the devastating earthquake in Haiti, Jeremy responded with his "Voices of Haiti" photo essay, letting the people of Haiti write their own thoughts and prayers on found rubble. This project was displayed prominently at the entrance of a very important gathering of world leaders at the United Nations in March of 2010. They were meeting to discuss the rebuild of Haiti and they ended up pledging ten billion dollars to the effort. On that day, Jeremy's "Voices of Haiti" project proved that art can help change the world. In August of 2011, Jeremy traveled to Rwanda with filmmaker Laura Waters Hinson to document survivors and perpetrators of genocide who have reconciled and are living life together peacefully in the same community. Inspired by the "Voices of Haiti" photo essay, the portraits in this series captured genocide survivors standing with the killers of their families, who they've now forgiven. Many of the portraits were captured at the scene of the crime to help display the power of true forgiveness. The series ended up being featured on CNN.com as a worldwide leading headline on Monday, November 7th, 2011. Knowing the value that a photograph can have in just one person's life, Jeremy also founded Help-Portrait, a worldwide movement of photographers using their time, equipment, and expertise to give back to those less fortunate. On December 12, 2009, the first world-wide Help-Portrait event provided free portraits for over 40,000 people in 42 Countries. Those numbers have increased significantly over the last 2 years, with 169,523 photos given to date in at least 56 countries. Help-Portrait continues to grow, encouraging all photographers to use their platform to make a difference with their cameras. Lastly, Jeremy's speaking and teaching career has taken off as he spends his time annually traveling around the country speaking at conferences like TEDx, Catalyst Conference, Photoshop World, WPPI, Google Plus Photographers Conference, Photo Plus Expo and many more. He has also hosted 2 of his own LifeFinder Tour's that have taken him all across the country. His LifeFinder Tour is based on his educational DVD, LifeFinder. Jeremy is also an instructor for Scott Kelby's "Kelby Training" and has released 3 classes on the Kelby Training website. Jeremy is a crock pot of ideas, always on low simmer. He doesn't sleep enough. His mind won't let him. Whether it's the next shoot, the next talk, the next book, the next app, or the next humanitarian project, Jeremy just doesn't stop. And that's why his career keeps moving forward. Bouncing back and forth between Nashville and LA, Jeremy draws a lot of inspiration from his amazing wife, Shannon, and their two ridiculously cute and utterly fantastic kids, Adler and Eisley. They also have a dog and a cat, but they are not as inspirational.Source: jeremycowart.com
Don Jacobson
United States
The world of photography and the world of the natural wonders of the Sierra Nevada opened to Don Jacobson simultaneously. The photographs he took with his little Kodak Brownie were woefully inadequate to express the grandeur of the Range of Light. Within a week of his first backpack trip into the high country, he bought his first SLR, a Pentax Spotmatic and began to take photography classes. His degree is in electrical engineering and he worked in that field for three years. Working for the defense industry became more of a contradiction with his political views initiating a search for a desperately needed a creative outlet. For the next twenty-eight years he worked as a glassblower. His work was shown in galleries across the United States, and the Corning Museum included a piece of his in their 1986 collection of 200 international glassblowers. Although glassblowing was his "day job*," he continued to practice the art of photography, studying photography with Edmund Teske at UCLA for a year. The two different mediums, are connected by light. The magic of glass is in its ability to transmit and reflect light while photography is the capturing of light. During the years he lived in the San Francisco Bay Area, 1973 through 1976, he amassed 135 images of owner decorated vehicles. He is currently a member of the Portland Photographers Forum and the Interim Group, a critique group originally formed by the influential photographer Minor White. Statement I see the world differently now. The camera, which narrows the field of vision, has actually expanded my vision. When I realized I was viewing reality as if it were a series of photographs, I initially questioned that perspective. Now, I know my perception is enhanced and enriched from my pursuit of photography. An already dynamic and interesting world has become more so. I am delighted by quality of light, vibrancy of color, unexpected and often unnoticed detail. The stunning structure of an orchid, the intricate ornamentation on an older building, or dishes stacked in a dish drainer are fascinating to me. Abstractions and patterns are richer and invite investigation. My subject matter is limitless. Anything that appeals to my eye is fair game for my camera.
Stefano Azario
Born in Paris, July 31 1966, Stefano Azario is a photographer and director now living between Milan and New York. Stefano began taking photographs at the age of 11 in 1977, shortly after the loss of his father. His family moved from Italy to London in 1979, where he studied photography at the London College of Printing from 1984 to 1987. Having developed a reputation as one of the best-known commercial photographers of children and babies, Stefano is currently concentrating more in documentary and fine art photography. A turning point in Stefano's career came in 1992 when Vogue Bambini began commissioning him regularly until the magazine's demise in 2018. In 2013, Stefano was asked to plan and photograph an entire issue of the magazine. In 1994, Stefano started shooting Gap Kids and BabyGap global advertising campaigns and continued uninterrupted for over 25 years. Major publications, advertising agencies, and globally known brands have worked with him. Benetton, Uniqlo, and Armani are just a few of the brands he has collaborated with. In his photography, Stefano tries above all to lead from the heart. With the likes of Dorothea Lange, Irving Penn and Luigi Ghirri as inspiration, Stefano is nimble in his working ways; at home directing on large video sets or shooting solo. Whether accessing his intimate and tender vision of children and babies or shooting in the Indonesian forest, he enjoys using a whole gamut of different cameras, films and technology, constantly challenging his way of seeing. His last exhibition "In Cerca Della Retta Via" at the No Gallery in Pontremoli, was put together with the patronage of the Italian Ministry of Culture as part of the Lunigiana Land Art festival in 2022. Statement Through the viewfinder I aim to capture fleeting, heartfelt moments that tell compelling human stories. I seek to make order of the world around me, to share an intuitive perspective, in the hope that my images can evoke emotions and memories, connecting viewer and subject. Throughout my career I have been drawn to projects that explore themes of childhood and relationships, seeking to convey experiences that shape us in these formative years. More recently I have roamed other areas from landscape to portraiture to expand and challenge my photographic practice and storytelling ability. In Search of a Path
Erwin Blumenfeld
Germany/United States
1897 | † 1969
Born in Berlin in 1897 to Jewish parents, Erwin Blumenfeld began his career working as an apprentice dressmaker to Moses and Schlochauer in 1913. He opened his own company in Amsterdam in 1923, the 'Fox Leather Company', a leather goods store specialising in ladies handbags. After moving to new premises in 1932, Blumenfeld discovered a fully equipped dark room and began to photograph many of his -predominantly female- customers. The company went bankrupt in 1935, just as Blumenfeld's photographic career was beginning to take an upward turn. Following a move to Paris in 1936, Blumenfeld was commissioned to take the portraits of personalities including George Rouault and Henri Matisse and secured his first advertising work for Monsavon. Blumenfeld quickly captured the attention of photographer Cecil Beaton who helped him secure a contract with French Vogue. After World War II in 1941, Erwin Blumenfeld moved to New York where he was immediately put under contract by Harper's Bazaar and after three years, he began freelance work for American Vogue. Over the next fifteen years, Blumenfeld's work was featured on numerous Vogue covers and in a variety of publications including Seventeen, Glamour and House & Garden. During this period, he also worked a photographer for the Oval Room of the Dayton Department Store in Minneapolis and produced advertising campaign for cosmetics clients such as Helena Rubinstein, Elizabeth Arden and L'Oreal. In the late 50s, he also began to create motion pictures, hoping to use them commercially and began work on his biography and his book My One Hundred Best Photos which, despite being a renowned fashion photographer, only included four of his fashion images. Following Blumenfeld's death in 1969, numerous books on his work have been published, namely The Naked and the Veiled by his son, Yorick Blumenfeld, and his photographs have been exhibited at international galleries including the Pompidou Gallery in Paris, The Barbican in London and The Hague Museum of Photography in the Netherlands. In the 1960s, he worked on his autobiography which found no publisher because it was considered to be too ironic towards society, and was published only after his death.Source: Wikipedia Erwin Blumenfeld is considered to be one of the early pioneers of fashion photography alongside George Hoyningen-Huene, Cecil Beaton, and Horst P. Horst. It was not only his employment of experimental techniques in the darkroom, Dada and Surrealist influences, and groundbreaking street work, but Blumenfeld’s unique and masterful combination of elegance and eroticism that transformed fashion into high art and paved the way for Richard Avedon, Irving Penn, Herb Ritts, and other photographers who enjoyed such prominence and recognition in the history of art. In addition to holding the record for the most covers of Vogue, Blumenfeld’s works were abundantly reproduced within the pages of Cosmopolitan, Harper’s Bazaar, Life and Vogue during the 1930s, '40s and '50s. Many of the images from these shoots will be featured in this exhibition and have since become icons of the history of fashion photography. Some have never been seen before. But all of the prints showcase not only Blumenfeld’s innovation as a photographer of fashion but also his spectacular skill as a printmaker. In his retrospective examination of Blumenfeld’s work, William Ewing writes, “His highly original and visionary work was a seamless blend of the negative and positive: taking the picture in the studio and making it in the darkroom.” In the studio, Blumenfeld often employed mirrors, glass, and backgrounds reproduced from paintings, images of cathedrals, or mosaics of magazine covers. He often used veils, which could distort or elongate the figure, confident that a woman partially concealed was more erotically charged that one seen fully nude. He also believed the printing of the image was as every bit as important as the process of capturing it, and like Man Ray, he was tirelessly inventive in the darkroom, deploying a variety of optical and chemical tricks, including multiple exposures, solarization and bleaching.Source: Edwynn Houk Gallery
Ali MC
Australia
A former touring musician and producer, Ali MC is a photographer, writer and lecturer in law and criminology. He is also a regular contributor to Al Jazeera and has had his work featured extensively in a variety of publications internationally. Recent photographic projects include Rohingya refugees in Burma and Bangladesh, Khasi stone labourers in India, marginalised groups in Timor-Lesteand street scenes in Iran. In 2023 he launched H: A Love Story, a long form analogue ‘photographic audiobook’ and AV installation about homelessness and heroin addiction in his home city of Naarm (Melbourne, Australia). His portrait of Indigenous singer Archie Roach was selected in the 2021 national Bowness prize and a portrait of esteemed Indigenous actor Jack Charles shortlisted in the 2022 Australian Photography Awards. A collection of his protest photography was also recently acquired by the State Library of Victoria archives. Working predominantly in 35mm and medium format, Ali's work is grounded in research and academic study, holding a Bachelor of Arts with Honours in History and a Masters in Human Rights Law. Statement Ali MC’s creative and academic practice aims to elevate the voices of marginalised and criminalised peoples globally and tackle social and political issues through extensive, long-term engagement. Using a variety of film and camera combinations, Ali’s often-experimental practice seeks to push the boundaries of documentary photography and photojournalism, often exploring ways to evoke a mood, emotion or experience as much as documenting people and places. Themes of trauma, marginalisation and criminalisation permeate his work, taking him deep into the darkness of the human psyche and experience. Not content to remain an armchair narrator, Ali MC has travelled to countries such as Haiti, Ethiopia, Iraq, Rwanda and Syria (and many more) to meet people first-hand, build relationships and develop the close collaborations that drive his stories. H: A Love Story
Álvaro Vegazo
Álvaro Vegazo was born in the city of Sanlúcar de Barrameda, south of Andalucia, in 1977. He's Civil Engineer, but his authentic passion is photography. From his adolescence he was involocruded with it, but since 2015 he has been working seriously about street and documentary photography. The mostly Alvaro's work is about the life in the streets around his closest environment, mainly in "La Costa de la Luz" in Andalucía, although in last years he was in Portugal practicing too. Really he takes advantage any place he goes, beacuse he always carry on his camera. Although he does not rule out the use of black and white, his work focuses more on color. As can be seen in his photos, the colors fill a large part of the frame and he also intends to play with different layers. In relation with his projects, Álvaro has finished two of them: "Tránsitos de Luz" (2018) in book format, where he show his photos during more of three years in the street. And the second one, "Carmen de Bonanza" is a documentary project that for four years documents the religious event that takes place in that coastal neighborhood and it was exhibited in different locations in Spain. On the other hand, the “Underxpose”, publishing house, published my her 37th fanzine dedicated to my serie "That time we coincide". His photographs and articles were published in some relevant media such as Street Photography Magazine, Inspired Eye , Lensculture or “El País”. He also showed his photos in collective exhibitions nationally and internationally: Seville, Florence, Miami, Siena, New York, Warsaw and Vienna. And among the most important awards we can mention: finalist in The Miami Street Photography Festival (MSPF, Miami 2019), finalist in Street Photography International (SPI, London 2020), finalist in Urban Photo Awards Contest, with a serie (Triestre, 2021), honorable mentions in Siena International Photography Awards (SIPA, Siena 2019) and International Photography Awards (IPA, New York 2019), Juror’s Pick’ Lensculture 2023, finalist and gold medalist Paris International Photo Awards 2023, second place Italian Street Photo Festival 2024, and finalist in Leica Street Photo 2025.
Bharat Patel
United Kingdom
1949
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