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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Fabio M. Roque
Fabio M. Roque
Fabio M. Roque

Fabio M. Roque

Country: Portugal
Birth: 1985

Fábio M. Roque (b. 1985) is a photographer born and based in Lisbon, Portugal. He studied photography at I.P.F. (Portuguese Institute of Photography), Lisbon between 2004 and 2007, later He then attended the workshop of History of Photography Contemporary at Ar.Co., Lisbon 2010. Worked in two newspapers, both now extinct. His work is mainly on documentary photography; more recently discovered is passion for a more personal kind of photography. Has already made several solo exhibitions. Is member of the Collective Phos. Collaborates regularly with the online platform "A Viagem dos Argaunautas". Runs the editorial project "Our Private Garden". Is the creator and director of Square Space Magazine

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Fabio Bucciarelli
Fabio Bucciarelli is an international photographer, journalist, and author renowned for his coverage of global conflicts and the dire humanitarian fallout they entail. With a career spanning over 15 years, he has documented major global events, capturing images that reflect his unwavering empathy and commitment to telling the stories of those affected by war, climate change, and other human rights crises. His work is a powerful call to action, advocating for those whose lives have been upended by these devastating issues. He’s reported from conflict zones across the Middle East, including Libya during the civil war and the fall of Gaddafi, and Syria during the battle of Aleppo, Iraq, Gaza, Iran, Egypt, Turkey, and Ukraine since the start of the conflict in 2014. Bucciarelli has also documented the humanitarian crises that have unfolded in Africa, including South Sudan and Mali. In addition to his coverage of conflicts and humanitarian crises, he has reported on a range of global events, including the devastating wildfires in Brazil, the protests against the neoliberal economic system in Chile, and the mass migration of Central Americans to the United States. In 2020 and 2021, he covered the COVID-19 pandemic at its epicenter in Italy for The New York Times. Most recently, he returned to Ukraine to document the Russian invasion as a special correspondent for Italian TV News TG3/Rai3, as well as on assignment for leading international publications, including Die Zeit and Il Fatto Quotidiano. Fabio Bucciarelli’s unwavering commitment to telling important stories through vivid imagery and detailed reporting has earned him widespread recognition and respect within the industry. His reporting on the Syrian War earned him the prestigious Robert Capa Gold Medal from the Overseas Press Club of America. He has won 10 Picture of the Year International awards, 2 World Press Photo awards, 2 Sony World Photography Awards, the Prix Bayeux-Calvados for War Correspondents, VISA d’Or News of Perpignan, Lucie Foundation, Yannis Behrakis International Award, Premio Ponchielli, World Report Award, Best of Photojournalism, Days Japan International, Kuala Lumpur International PhotoAwards and Getty Images Editorial Grant among others accolades. He was named Photographer of the Year in 2019 and Photographer of the Year Award of Excellence in 2023 for his work covering the war in Ukraine and the devastating impact of the climate crisis in South Sudan. Today Bucciarelli contributes to leading news outlets, including The New York Times, La Repubblica, Die Zeit, Il Fatto Quotidiano, La Stampa, Yahoo News, Newsweek, L’Espresso, Time Magazine, Al Jazeera, Paris Match, M Le Monde, and Internazionale, among others. Additionally, he collaborates with several NGOs and international agencies, including UNHCR, ICRC, Emergency, Intersos, and Soleterre. In 2006, Fabio Bucciarelli earned an MS in Telecommunication Engineering from the Politecnico of Turin before embarking on his career as a photographer. The following year, he was selected for the “Master dei Talenti” engineering grants program, which enabled him to work in Barcelona. In 2009, he left his engineering job to pursue photography full-time and joined the wire agency La Presse/Ap in Italy as a staff photographer. However, he soon became a freelancer, focusing on documentary photography. In 2015, he co-founded MeMo, a cooperative of photojournalists dedicated to pushing the boundaries of digital storytelling. Working alongside coders and graphic designers, MeMo developed apps, interactive exhibitions, and educational programs until 2017. MeMo Magazine was awarded the Derechos Humanos de España Prize as the 1st Prize Winner, recognizing the commitment to telling stories of human and social relevance through digital innovation. In 2016, Bucciarelli successfully crowdfunded and published his book, The Dream, in partnership with New York-based publisher FotoEvidence. The project was a long-term endeavor that began in 2011, covering the refugee crisis in over 11 countries. The Dream is a poignant exploration of the human condition, a narrative experiment that blends photojournalism with conceptual photography. The book was recognized by Time Magazine as one of the best photo books of the year. After covering the “Great March of Return” in Gaza in 2018, he shifted his focus to Central and South America, documenting the migrant exodus to the United States, the Amazon wildlife fires, and the Chilean struggle against the Neoliberal system. These projects earned him the 2019 POYi Photographer of the Year and the 2020 World Press Photo awards, respectively. In 2020 and 2021, Bucciarelli covered the COVID-19 epidemic in its European epicenter in Italy for The New York Times, bringing global attention to the effects of the coronavirus and the resilience of families with multiple covers in the American newspaper. His story “We Take the Dead From Morning Till Night,” was recognized by the Visa d’Or News in Perpignan and the Lucie Impact Award, as well as the Yannis Behrakis International Award. Fabio’s images have been exhibited worldwide in solo and group exhibitions at museums and galleries, and his artworks are part of several collections. His photographs have also been featured in international art fairs, including Photo London, AIPAD New York, MIA Milano, ArtVerona, Photo Basel, and Zona Maco Mexico. Over the past ten years, Fabio has dedicated himself to spreading information and expanding his journalistic reach to engage an ever-growing audience. He has taught at Italian universities and led international photojournalism courses and masterclasses. His expertise in conflict zones has been shared through numerous conferences and lectures at significant national and international festivals. Fabio has spoken at events such as the International Journalism Festival in Perugia, Repubblica delle Idee, the Turin International Book Fair, the Bronx Documentary Center in New York, Visa pour l’Image in Perpignan, and various cities around the world including Copenhagen, Sofia, Kuala Lumpur, and Vilnius. Alongside his projects as a photographer and reporter, he has been assigned to work as a curator and Artistic Director by several museums and institutions, including the Italian Ministry of Foreign Affairs. In November 2023, Fabio Bucciarelli became a Canon Ambassador, aligning himself with a distinguished group of the industry’s renowned photojournalists. His presence among these dedicated storytellers reflects his commitment to excellence and his significant contributions to the world of photography. Source: www.fabiobucciarelli.com
Donell Gumiran
Philippines
Donell Gumiran is a Design & Senior Art Director based in Dubai."Every time I press the shutter, it seems like it's an extension of my personality,"- Donell Gumiran. He sees himself as an image-maker who captures and tells a story in a photograph. The Filipino lensman sees his photography as an art form, borne from his desire to create on canvas and his professional training in design, when he worked as a design director in a creative agency. Now based in the U.A.E. Donell is known for his evocative portraits and travel photography. His favorite subjects are those that capture human conditions and emotions in everyday life. His knack for sharing his stories, captured through the lens, has won him international recognitions. He is the recipient of numerous awards both local and international. Donell Gumiran is also photographer & contributor for Asian Geographic Magazine. Recently, He won in Tokyo Foto Award, Japan - Gold 2019, 1st Prize in documentary category 2018 - International Photography (IPA) Awards Los Angeles, USA. 1st Place Winner 2018 The Independent Photo Travel Award, Berlin, Germany - He was adjudged the 2017 grand prize winner of the Travel Photographer Society International Photography Contest Awards in Kuala Lumpur, Malaysia in 2017 and was awarded as "Portrait Photographer of the Year 2017" for Asian Geographic Images of Asia for its Asia without Borders program in Singapore. Donell Gumiran also awarded as Photographer of the year by the Filipino Times 2017 UAE. In addition, he was also one of the winners in the Life Framer World Travelers Competition judged by magnum photographer Steve McCurry. Most of his works have been exhibited in New York, Tokyo,and Rome. He was awarded also as Curtin Dubai's Photographer of the Year - Urban Art Festival 2018. On the home front, Donell was recently chosen by the National Commission for Culture and the Arts under the office of the President of the Philippines to receive the coveted "Ani ng Dangal Award 2018 & 2019." "I think my real accomplishment was that I was able to use photography as a significant instrument to help the world for the better. My work gives me a chance to capture and preserve memories of our time." He sits on the Board of Directors as creative director of Team Juan Makasining, and uses this position to encourage other photographers to express themselves through their art. "Start as passion, not as a profession." - Donell Gumiran
Arja Katariina Hyytiäinen
Arja Katariiina Hyytiäinen was born in 1974 in Turku, Finland. She is a graduate of the Department of Documentary Photography at FAMU (Prague, Czech Republic). Hyytiäinen is interested in self-experienced stories. Thanks to her classical documentary background, her works often reflect a combination of self-experienced subjective reality and fictional intuitive storytelling. She has published two books ‘Distance Now’ and ‘Arja Hyytiäinen – Cahiers’. She is the recipient of the Critical Photography Prize, Prix Kodak in France 2006, as well as the Grand Prix at the 2007 Lodz Festival. Since 2006, Arja Hyytiäinen’s work has been distributed by Agence VU’. She has been based in La Rochelle, France, since 2010.Source: EPEA For the Finn Arja Hyytiäinen photography is a means of entering into the lives of others. It is an echo of personal experiences that help enlarge her understanding – and ours. The often sombre black and white photographs that she took in the port city of Marseille underscore the feeling that she got there, as if the residents had an almost permanent mental hangover. She shows the disfigured faces of people in illegal bars, she evokes the sound of fans, wind and footsteps that echo against shuttered windows, and depicts the restless energy of the night, which shades into a day where the heat envelopes your body like a second skin. The city, she says, left an emotional mark behind on her soul. With her subjective images she does the same for the viewer. In the space of only a couple years Arja Hyytiäinen (Finland, 1974) has made a name for herself as a contemporary street photographer, with a subjective, cinematographic style. She spent considerable time in Eastern Europe and was awarded the Kodak Prize for Critical Photography and the Polish Fotofestival Grand Prix. Hyytiäinen lives by turns in Paris and Berlin.Source: Noorderlicht "Completely contemporary, free and demanding, the work of Arja Katarrina Hyytiäinen is part of the today’s school, from the tradition of the street photography, and that has replaced its form to claim the author status. Saying its necessity and its singularity, devoting itself to subjectivity, and influenced by cinematographic aesthetic, the whole work, extremely respectful for representing people, is from a new contemporary humanism," according to Christian Caujolle. In just a few years, she has acquired a reputation throughout Europe, particularly where she has lived in Eastern Europe, and become known through her solo exhibitions (Czech Republic, Poland, Hungary, Moldavia, Slovenia). In 2006 she was awarded by the Kodak Prize for Critical Photography and the Fotoestiwal (Poland) Grand Prix in 2007.Source: Agence VU
Ted Anderson
United States
I'm a photographer and designer (graphics and exhibitions) living in upstate New York, with a passion for photographing landscapes, interiors, and people. The pared down features in many of these photographs reflect my interest in natural history, and in the passage of time and the remnants of the past in the present. While the photographs were taken in places as diverse as the lakes and beaches in Maine, gardens in England, and the rural hills of central New York state, all of the images reveal my preference for the simplicity and a certain joyfulness that can exist with austerity. Is there a story behind each of these images? Always.Ted Anderson is presented by TBM Photography NetworkTBM Photography Network regularly presents the popular series: "Photographer Spotlight.” In this part of their newsletter and FaceBook page various fellow photographers are interviewed to learn more about what motivates them, what their goals are and what direction they wish to take with their art. In this segment they welcome the talents of photographer Ted Anderson. TBMPN: What best describes your particular style of photography? TA:I am drawn to austerity, simplicity and to capturing beauty in places that might seem lonely to some. I think a lot about the relationship between people and their environments, and sometimes I look for a figure or a remnant of the past in my exterior or interior photographs. I do not put elements together artificially, but try to present images as I find them. Sometimes I allow stories to arise from the moments captured with the camera. TBMPN: What equipment do you regularly use? TA:My main camera of choice is a Nikon D90 with an 18-100mm lens and a 50-200mm lens. When shooting landscapes, I often go with the wide angle settings. I use a small variety of filters that include neutral density and polarizing filters. Any processing is done on a Mac computer, and I work primarily in Photoshop’s Camera Raw and in Silver Efex. TBMPN: Who or what do you consider your major influences? TA:There are many photographers and painters whose work I admire, but right now I’d have to say that the photographs of Brett and Edward Westen, Julia Margaret Cameron and Walker Evans come to mind. I also love the paintings of Andrew Wyeth and Edward Hopper. Visually I am also inspired through music and words that include songs by Bill Callahan, novels by Marilynne Robinson, and the poems by W.S. Merwin. TBMPN: Why did you choose photography as your method of expression? TA:As a kid I loved to draw, and I’ve also composed songs on the guitar for years. Photography, however, is what brings to me the greatest level of creative satisfaction and that sense of connection to others. Just about anyone can take a photograph, but to create an image that might move another person emotionally or intellectually is a challenge that I enjoy. TBMPN: What do you wish to accomplish with your photography? TA:I wish to continue expressing myself both artistically and emotionally and to keep creating images with which people can connect. I recently heard from an old friend, someone I haven’t seen in years, who had requested a print that she’d seen online. That sort of thing does not happen every day, and when it does, it’s quite wonderful. TBMPN: What are your current projects? TA:This past year I have been photographing more portraits, and I’m in the process of setting up a few more portrait sessions. I will be having a solo exhibition in 2016 at the Fenimore Art Museum in Cooperstown, New York. This exhibition will include landscape and interior images from New York State as well as portraits. In the meantime I am always thinking about new locations to explore. TBMPN: What are your plans for future projects? TA:I’d like to see my photography business expand a bit over the next couple of years. I would like also to take on more portrait and interior photography projects. This next July (2014) I will be in England for two weeks and will have an opportunity for some informal wedding shots in the countryside. I’ll also have the chance to do some street photography in London. I can’t wait!
Barbara Cole
Canada
1953
For the last forty-five years, artist Barbara Cole has been recapturing the otherworldly mysteries of early photography in a body of work that flows in and out of time. Born in 1953 in Toronto, Canada, Cole, eager to shape a place for herself at an early age, quickly turned to art. Immediately out of high school, she began modeling for a newspaper and soon became fashion editor for the following ten years. Her early start in fashion and self-taught practice have informed her intuitive photography that undulates between tradition and invention. Her inventor's spirit is evident in her preference for raw, hands-on photographic methods. From turn-of-the-century cameras, shadow boxes, darkrooms, and tintypes-she engages directly in shaping her images in order to impart deeply personal truths. The underwater photography for which Cole is most known started in the late 1990s. Once, submerged in her pool, she opened her eyes and what she saw reminded her of the Polaroid film she was so fond of until it eventually went out of production. She has been searching for timelessness ever since. The wavy, enigmatic waters are often juxtaposed against weightless figures, forming her signature, velvety dreamscapes. In these figures we see human beings who are just-just-on the verge of forming complete selves, suggesting we are always in the process of recreating ourselves, always striving to reach new heights. As an innovator in her field, Cole ventures into territories full of light and shadow, memory and dreams, with imagery that is nothing short of exaltation. Whether reincorporating twenty-year-old images in current underwater photography, or reimagining a modern format for the turn-of-the-century tintype, Cole's work shortens the distance between past and present. For Cole history is written in water. Cole has held numerous exhibitions across North America, Europe, and the Middle East. Her work has also been extensively commissioned internationally for corporate collections. She has exhibited in the Canadian Embassy in both Tokyo and Washington D.C. The acclaimed documentary series, Snapshot: The Art of Photography II, features an episode devoted exclusively to Cole's photographic practice. Cole currently lives and works in Toronto. Articles Exclusive Interview with Barbara Cole Barbara Cole and Wet Collodion Photographs Galleries Bau-Xi Gallery Galerie de Bellefeuille Art Angels Holden Luntz Gallery NOX Contemporary Art Space
Nicholas White
United Kingdom
1989
Nicholas JR White is a photographer based in the UK. His work examines our relationship with landscape and the ways in which we interact with our natural spaces. He has been featured in numerous publications internationally as well as being named in notable photographic awards such as the Magenta Foundation Flash Forward, Royal Photographic Society IPE, Landscape Photographer of the Year and the World Photography Organisation ZEISS Photo Awards. In 2017 Nicholas was awarded the Royal Photographic Society Under 30's Environmental Bursary in association with The Photographic Angle and was a winner in the Lens Culture Emerging Talent Awards. His debut monograph, 'Black Dots', was published by Another Place Press in February 2018. About Black Dots 'Black Dots' is an exploration of mountain bothies and bothy culture throughout the United Kingdom. Far from civilisation and mostly accessible only by foot, bothies are secluded mountain shelters scattered across the British Isles and tirelessly maintained by volunteers from the Mountain Bothies Association. Unlocked and free to use, they provide a refuge from the vast terrain that surrounds them and have become an iconic feature of the British landscape over the past fifty years. Bothies are synonymous with the outdoor experience in the UK and from day trippers to mountaineers, the growing community of bothy-users is hugely diverse. 'Black Dots' is the result of almost three years spent traversing our most remote landscapes in an attempt to better understand what these buildings are, where they're located and the culture that surrounds them. Drawn not only by the primitive beauty of the bothies and the landscapes they sit within, the work also investigates the human element to the bothy story, capturing the faces of those who trek for hours to temporarily inhabit these spaces, many miles from the nearest settlements.
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AAP Magazine #54 Nature
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