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FINAL CHANCE to enter All About Photo Awards: $5,000 Cash Prizes - Juror Steve McCurry
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Wenxin Zhang
Wenxin Zhang
Wenxin Zhang

Wenxin Zhang

Country: China
Birth: 1989

Wenxin Zhang lives and works in San Francisco. She received her MFA at California College of the Arts.

Zhang creates non-linear photographic novels. In her writings and photography, she describes her experiences of growing up in China, her current life in San Francisco, and her personal relationships.

Zhang's work has exhibited widely in United States and China. Zhang was selected as a finalist in 2014 Three Shadows Photography Award, Leica Oskar Barnack Newcomer Award, and Photographic Museum of Humanity New Generation Award. Also, Zhang was selected as an artist in residence by Rayko Photo Center and The Center for Photography at Woodstock. Zhang's first monograph will be published in early 2015 by Jiazazhi Press.

Statement:
"Five Nights, Aquarium is a non-linear narration weaved by photographs and five short written works.

I try to reconstruct my inner journey from trips I’ve made between my home country China and San Francisco during these two years in a truthful way, but the overloaded feelings of estrangement and desolation created by the journey have transformed my memories into illusions of confinement. Due to this confinement, my journey story became a space-time, which resembles an aquarium. In this aquarium, cityscapes are fish tank decorations, people are fish, and writings are tank labels.

I chose five nights in the whole reconstructed journey story, using five semi-fictional short stories as clue, to portray the imaginary aquarium. The stories are cold yet intimate, sensual yet intangible. The narration of journey moves from real to imagined spaces, exploring the boundaries between autobiography and fiction."
 

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More Great Photographers To Discover

Alon  Goldsmith
South Africa/United States
1961
Dubbed “LA’s iPhoneography Wizard” by Forbes magazine, Alon Goldsmith is an award-winning photographer who has been featured extensively across media and exhibited in galleries around the globe. Alon’s achievements include overall winner of the MIRA Mobile Prize in 2022, 3rd place in the Los Angeles Center of Photography’s Street Photography Around the World Competition, winner of Santa Monica College’s Curriculum Cover Contest and runner up in the journalism category in the prestigious Mobile Photography Awards. Alon was a jury member for the 2018 and 2019 MPAs. His work has also been published in Street Photography Magazine, the Los Angeles Times, Reader's Digest, the Forward, the Argonaut and the App Whisperer, and has been extensively featured in Snap and Mobiography magazines. In 2020, Alon published In Place | Portraits of a Pandemic, a book documenting people isolating during lockdown. In 2025 he published 366 Days in the Life of an iPhone Wizard featuring a photo taken every day during 2024. ARTIST STATEMENT: I am a photographer and storyteller drawn to the intersections of people, place, and perception. My work explores how we inhabit the world together — how identity, environment, and chance encounters shape our shared experience of being alive. Whether photographing a stranger on a busy street or creating large-scale composite portraits, I seek to reveal the quiet connections that exist beneath the surface of ordinary life. Photography, for me, is an act of attention. It asks me to slow down, to notice, and to honor the presence of others. Much of my work begins in public space — sidewalks, markets, transit stops, festivals — places where humanity unfolds in its most spontaneous and diverse form. I am fascinated by how these encounters, however brief, can become profound when framed through care and curiosity. The camera becomes less a tool of documentation and more a bridge — a means of acknowledging another person’s existence. Over the years, my projects have consistently examined how art can restore connection in a fragmented world. During the pandemic, my series In Place | Portraits of a Pandemic became both archive and lifeline — documenting resilience and loneliness while reaffirming the human capacity for hope. That experience crystallized my belief that photography can serve as a form of care, a way of holding space for others. My current series, Going Places, continues this pursuit on a global scale. Each collage is built from dozens of environmental portraits taken within the same setting — city squares, beaches, villages — then woven together into a single composition. Some subjects engage directly with the camera; others remain absorbed in their own rhythm. The result is a visual chorus that speaks to the tension between individuality and belonging. In expanding this series across continents, I aim to create a planetary portrait — a reflection of how people live, adapt, and coexist within their ecological and cultural environments. Ultimately, I see my practice as a dialogue between seeing and being seen. The work invites viewers to slow their gaze, to recognize themselves in others, and to sense the invisible threads that bind us all. Photography, at its best, is an act of empathy — a quiet reminder that we are, each of us, part of something larger, fragile, and profoundly connected. AAP Magazine: AAP Magazine 52 Street
Judi Iranyi
Hungary/United States
1943
Judi Iranyi was born in Hungary (1943). After World War II, she and her family lived in a displaced persons camp in Germany for a few years before emigrating to Venezuela, where she lived until she finished high school. She has also lived in Trinidad, Barbados, Germany, and Okinawa before moving to San Francisco in 1971. Ms. Iranyi became interested in photography in the sixties. She earned a BA degree in Art/Photography from San Francisco State University. Later she received an MA degree in Visual Design from U.C. Berkeley; completed a master!s level museum studies program at John F. Kennedy University; and an MSW Degree in Social Work at San Francisco State University. Ms. Iranyi has worked as a freelance photographer taking environmental portraits. She was also a staff photographer at the Judah L. Magnes Museum in Berkeley and worked at the San Francisco Fine Arts Museums. She also worked as a California Licensed Clinical Social Worker until her retirement. After retirement, Ms Iranyi dedicated her time to photography. Her work includes portraits, travel photography, documentary, and street photography. Recently she has shifted her emphasis to botanicals and still life photography. Three of her life passions are traveling, literature, and photography, which have broadened her view of the world. Flowers for Klara On the 40th anniversary of my mother’s death, I decided to create a series of floral bouquets to honor her memory. She had a difficult life, living during WWII, living in displaced peoples’ camps and two emigrations one to Venezuela and then to Germany where she died in her mid fifties after a long illness. Exclusive Interview with Judi Iranyi and Remembering Michael
Terry Richardson
United States
1965
Terry Richardson is an American fashion and portrait photographer. He was born in New York City, the son of Norma Kessler, an actress, and Bob Richardson, a fashion photographer who struggled with schizophrenia and drug abuse. Richardson's father was Irish Catholic and his mother is Jewish. Following the divorce of his parents, Richardson moved to Woodstock, New York, with his mother and stepfather, English guitarist Jackie Lomax. Richardson later moved to the Hollywood neighborhood of Los Angeles, where he attended Hollywood High School. He moved with his mother to Ojai, California, where he attended Nordhoff High School when he was 16. Richardson originally wanted to be a punk rock musician rather than a photographer. He played bass guitar in the punk rock band The Invisible Government for four years. Terrence Richardson played bass for a variety of other punk bands in Southern California including Signal Street Alcoholics, Doggy Style, Baby Fist, and Middle Finger. Richardson's mother reportedly gave him his first snapshot camera in 1982, which he used to document his life and the punk rock scene in Ojai. In 1992, Richardson quit music and moved to the East Village neighborhood of New York City, where he began photographing young people partying and other nightlife. It was in New York City that he had his first "big break." His first published fashion photos appeared in Vibe in 1994. His Vibe spread was shown at Paris' International Festival de la Mode later that year. Following the showing, Richardson shot an advertising campaign for fashion designer Katharine Hamnett's spring 1995 collection. The campaign was noted for images of young women wearing short skirts with their pubic hair showing. Throughout his career, Richardson has shot the campaigns of fashion brands and designers such as: Marc Jacobs, Aldo, Supreme, Sisley, Tom Ford, and Yves Saint Laurent. He has also worked for magazines such as Rolling Stone, GQ, Vogue, Vanity Fair, and Harper's Bazaar. Richardson has produced several campaigns for Diesel, including the 'Global Warming Ready' which won a Silver Lion for Print at Cannes Lions International Advertising Festival in 2007. He has produced several private portraits for the company's founder, Renzo Rosso. In September 2011, they hosted a mutual book launch together with fashion editor Carine Roitfeld, at Colette in Paris. In 2012 Richardson embarked on his first solo exhibition at Los Angeles's OHWOW Gallery, titled Terrywood. In May 2012, a video of model Kate Upton performing the Cat Daddy dance for Richardson in his studio went viral. In December 2012, Lady Gaga announced that Richardson was filming a documentary about her life. Proud Boys founder Gavin McInnes defended Richardson in 2004, saying his work was criticized by "first-year feminist" types. There are several repeating themes in Richardson's work, notably that of putting high-profile celebrities in mundane situations and photographing them using traditionally pedestrian methods, such as the use of an instant camera. His work also explores ideas of sexuality, with many of the pieces featured in his books Kibosh and Terryworld depicting full-frontal nudity and both simulated and actual sexual acts. Initially, many of Richardson's subjects would be shot before a white background but he eventually expanded to other backdrops. He is also known for posing with his subjects, often giving them his trademark glasses so they may "pretend to be him" or, in the case of actress Chloë Sevigny, posing them in makeup and costume so that they look like him. Richardson counts Larry Clark, Nan Goldin, Diane Arbus and Robert Frank as early influences on his artistic style. His work has been praised by Helmut Newton. Richardson described his style as, "Trying to capture those unpremeditated moments when people's sexualities come up to the surface." Richardson is also known for his nonsexual portraiture. He has taken portraits of a wide variety of celebrities and politicians. Since 2001, Richardson has been accused by multiple models of sexual misconduct. In 2017, brands and magazines that had worked with Richardson in the past began distancing themselves from him, and said they would no longer employ him. He has not actively worked as a photographer since 2018. Source: Wikipedia
Monica Testa
Italy
1967
Shortly after my art studies, I started working as a fashion designer for a large company, which allowed me to deepen my knowledge and work in the world of graphics and style. It was a challenging and rewarding job, thanks to which I had the opportunity to travel a lot around the world, meeting people from various ethnic backgrounds, enriching myself enormously from a cultural and personal point of view. I had always been passionate about photography and to such an extent that I could no longer do without it. After taking several courses and studying the greatest photographers in history, I decided to enrol at the Italian Institute of Photography in Milan: a constructive experience that made me grow a lot, both on a technical and creative level. I truly enjoy observing people and also studying their psychological side. That's why I especially love working on portraits and telling the stories of those I meet, always keeping a careful and respectful eye, tiptoeing into situations that I find interesting. I delve into them, I make them my own. I use photography to express how I feel, how I see, how I perceive and absorb the flow of life around me. I transform my thoughts and my feelings into images, thus aiming to become a same part of the image I portray. The River Text from "Monica’s Diary (Benin 2019):" Today we reached a small village flooded by the abundant rains of recent days. The tribe that lives there is accustomed to this situation and in effect they live in real palafittes suspended on the water; and so we reached the village in the only way possible ... by canoe. We brought t-shirts for the children, eggs for snacks and, more importantly, mosquito nets which, given the area they live in, particularly humid and infested with mosquitoes, are essential. The landscape was spectacular and my eyes saw incredible realities... all so far from our daily life! The school was small and very crowded, obviously they had been warned of our arrival and especially the children were waiting for us with trepidation. Compared to other villages we had visited the previous days, the people who live here are quite aggressive. They were a little agitated, they all talked loudly, they pushed us constantly. The adults looked at us with curiosity and the children with shyness: it was noticeable that they were not used to seeing people of a different color in their village. For this we were escorted by the local police, in case the situation deteriorated. But everything went well and another day passed ... lived as if it were a whole life. Face to Face Form zero to one hundred This is an ambitious project, started in 2017 and not yet finished. The idea would be to photograph portraits of people of different ages, sex and ethnicity, who in some way fascinated me and consequently I asked them to pose for me. I would like to get to a hundred photos, a different one for each age from zero to one hundred years.
David Yarrow
Scotland
1966
David Yarrow was born in Glasgow, Scotland in 1966. He took up photography at an early age and as a 20-year-old found himself working as a photographer for The London Times on the pitch at the World Cup Final in Mexico City. On that day, David took the famous picture of Diego Maradona holding the World Cup and, as a result, was subsequently asked to cover the Olympics and numerous other sporting events. Many years later David established himself as a fine art photographer by documenting the natural world from new perspectives and the last nine years have been career-defining. David's evocative and immersive photography of life on earth is most distinctive and has earned him an ever-growing following amongst art collectors. His large monochrome images made in Los Angeles are on display in leading galleries and museums across Europe and North America. He is now recognized as one of the best-selling fine art photographers in the world and his limited edition works are regularly sold at high prices at Sotheby's and other auction houses. In September 2019, Rizzoli published their second book by David Yarrow. It was Rizzoli's flagship book and their Autumn catalog featured David's image on the cover. The book's foreword was written by global NFL star Tom Brady and an afterword written by American cultural icon Cindy Crawford. All royalties from this book will be donated to conservation charities Tusk, in the UK and WildAid, in the US. David's position in the industry has been rewarded with a wide range of advisory and ambassadorial roles. He is an ambassador for WildArk and The Kevin Richardson Foundation. As the European ambassador for Nikon, he has recently been integral to the company's most anticipated camera release of the last decade. In December 2017 he shot LVMH's latest “Don't Crack Under Pressure” campaign with Cara Delevingne, which can be seen in airports around the world. In January 2019 David was appointed as a global ambassador for UBS. Most recently, in the spring of 2020, David was appointed a Global Ambassador for Best Buddies – one of America's most established children's charities. In 2018 and 2019 David's work raised over $4.5m for philanthropic and conservation organizations. At Art Miami in December 2019, David's photograph “The Wolves of Wall Street” broke new records. One print, signed by Leonardo DiCaprio and Martin Scorsese, featuring the real Wolf of Wall Street – Jordan Belfort – sold for $200,000. The proceeds went to conservation NGOs supported by DiCaprio. At the start of 2020, David was in Australia documenting the devastating bush fires that have destroyed communities, wildlife, and wildlands. Using the striking and poignant images that he captured of the effects of the fire, Yarrow launched the #KoalaComeback Campaign to support the recovery efforts in Australia. As of early June, the campaign has raised $1.4m. In April 2020, during the Covid-19 pandemic, David joined the Art For Heroes campaign, to raise money for the NHS. He released a print – Our Pride – with all proceeds going to HEROES. For every print purchased, David donated an Our Pride print to an NHS worker. The campaign has surpassed its original target of £1m.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry