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Angela Bacon-Kidwell
Angela Bacon-Kidwell
Angela Bacon-Kidwell

Angela Bacon-Kidwell

Country: United States

Angela Bacon-Kidwell is an award winning photographer and visual artist that lives and works in Texas. Angela has a BFA from Midwestern State University, Wichita Falls, Texas, with specialization in painting and photography. Her work emerges from her journey of recovering a sense of self, strength and spirituality through an examination of her identities as daughter, granddaughter, wife, mother and artist. Her photographic work has received numerous awards and honors and has been exhibited and published both nationally and internationally. Recent awards and recognition’s include: nominated for the Santa Fe Prize for Photography in 2011, Finalist for the John Clarence Laughlin Award, First place in the Palm Springs Photo Festival, First Place in the Texas Photographic Society International Competition and 2012 lecture at the Annenberg Space for Photography in Los Angeles.

She is currently represented by Afterimage Gallery, Dallas, Texas, Wallspace Gallery, Santa Barbara, CA and Galerie BMG, Woodstock, NY


Home by Nightfall (2012-2014)

Silence ceased for him in 2011
not a whisper, but a relentless roaring thunder
molding his spirit into mourning

In his misery, a new vaporous malice was brewing
the ringing was a warning
tinnitus and cancer were converging

Every known eradication was pursued
He and I, separated by many miles,
shared a need for solitude
cultivated by lucid country drives

We drove separately through the dark districts of our minds
invariably contemplating what was to come,
a symbiotic transitory landscape emerged
and the thunder soared in 2013

Questions, Answers, Questions, Answers
Questions, Answers, Questions, Answers
Questions, Answers, Questions, Answers
all tedious throbbing answers

How many miles in a life?
What shape is the color grey?
When does an echo become whole?

During the three years of relentless discord,
I created images of these ambiguous queries
emoting, sensing, seeking

There is a truth in "big" questions with small answers
Clarity in the midst of chaos
Hope in the face of despair

Silence returned for him on May 24, 2014
He was my father.

Galleries

Afterimage Gallery

Wallspace Gallery

Galerie BMG

Website

www.angelabaconkidwell.com

 

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More Great Photographers To Discover

Burt Glinn
Burt Glinn
United States
1925 | † 2008
Born in Pittsburgh, Pennsylvania, Burt Glinn served in the United States Army between 1943 and 1946 before studying literature at Harvard University where he edited and photographed for the Harvard Crimson college newspaper. From 1949 to 1950, Glinn worked for Life magazine before becoming a freelancer. Glinn became an associate member of Magnum in 1951 along with Eve Arnold and Dennis Stock - the first Americans to join the young photo agency - and a full member in 1954. He made his mark with spectacular color series on the South Seas. Japan, Russia, Mexico and California. In 1959 he received the Mathew Brady Award for Magazine Photographer of the Year from the University of Missouri. In collaboration with the writer Laurens van der Post, Glinn published A Portrait of All the Russias and A Portrait of Japan. His reportages have appeared in Esquire, Geo, Travel and Leisure, Fortune, Life and Paris-Match. He has covered the Sinai War, the US Marine invasion of Lebanon and Fidel Castro's takeover of Cuba. In the 1990's he completed an extensive photo essay on the topic of medical science. Versatile and technically brilliant, Glinn was one of Magnum's great corporate and advertising photographers. He received numerous awards for his editorial and commercial photography, including the Best Book of Photographic Reporting from Abroad from the Overseas Press Club and the Best Print Ad of the Year from the Art Directors Club of New York. Glinn served as president of ASMP from 1980 - 1981. Between 1972 and 1975 he was president of Magnum, and was re-elected to the post in 1987. In 1981, Burt married Elena Prohaska and their son Samuel Pierson Glinn was born in 1982. Source: burtglinn.com
Dominik Schulze
Dominik Schulze
Germany
1993
Dominik Schulze is a 29 year old enthusiastic amateur photographer from Dresden, Germany. He has been shooting street photography for about seven years, but prefers to call it capturing unposed moments in our daily urban environment. Besides strong light/shadow situations, the integration of people into architecture, he also likes to experiment with abstract perspectives on everyday things. To get new impressions of street life, he likes to travel and combine this with his photography. Photographers such as Thomas Leuthard, Alex Webb, Siegfried Hansen and Josef Koudelka have particularly influenced his style. Currently, a Pixel 4a is his main camera.
Jean-Pierre Favreau
Jean-Pierre Favreau
France
1940
Jean-Pierre Favreau was born in 1940 and has grown in La Rochelle. He lives in Paris since 1962. From 1970 to 1980, he travelled around the world : United States, South America and South East of Asia. After 1980, the traveller gave the way to the photographer, as he choose to focus his attention on people in the urban environment. Quite a few years later, part of his work was integrated in a book named Incertaines cités (Uncertain cities) , published by Filigranes in 1997. In 1982, he was given a grant by the French Ministry of Culture to do a photographic work on New York. From 1985 to 1991, he stayed regularly in Cap Vert. In 1990, his photos were exhibited in the building of the french newspaper Le Monde in Paris then in the Contrejour gallery in Paris too which published his book Blues Outremer (Overseas Blues) in 1991 . The same year the photos of Cap Vert were shown at the Sevilla World Fair. As a regular contributor to Le Monde, he worked on several special editions, among them one about France which became the subject of an exhibition held in 1992. From 2001 to 2009, he continued his work on the subject of man in Japenese cities. He started a work on China in 2005, until today. Source: jpfavreau.com Check out the book PASSAGERS only on sale in France Buy it here
Harry Gruyaert
Harry Gruyaert
Belgium
1941
Originally dreaming of becoming a film director, Harry Gruyaert studied at the School of Film and Photography in Brussels from 1959 to 1962. Shortly after he left Belgium at the age of 21, fleeing the strict catholic environment in which he was raised. Gruyaert travelled extensively across Europe, North Africa, Asia and the United States and lived in cities with a vibrant film and photography scene like Paris and London. During his first trip to New York in 1968, he discovered Pop artists like Roy Lichtenstein and Robert Rauschenberg. This encounter made him appreciate the creative potential of colour and encouraged him to search for beauty in everyday elements for the rest of his career. Around the same time Gruyaert befriended the American artists Richard Nonas and Gordon Matta-Clark and photographed their work. Further inspired by the visual impulses on his first trip to Morocco in 1969, he decided in the second half of the 1970s as one of the first photographers in Europe to commit himself entirely to colour photography. Gruyaert's cinematographic background instilled in him an aesthetic conception of photography. Rather than telling stories or documenting the world through his lens, he searches for beauty in everyday elements. His images are simply snapshots of magical moments in which different visual elements, primarily colour, form, light and movement, spontaneously come together in front of his lens. In his search for strong graphical images, Gruyaert focuses his camera on objects as much as on people, who are often reduced to silhouettes or rendered to plain colour fields. Unsurprisingly the countries he photographs are mostly identified by means of the subtle differences in colour palette and light, inherent to the local atmosphere, culture and climate, more than by the depicted subjects or scenes. Among his most well-known series are 'Rivages/Edges', featuring coastal views from around the world, that Gruyaert photographed out of a fascination for the rapidly changing light in these places. In the early 1970s, while he was living in London, Gruyaert worked on a series of colour television screen shots later to become the 'TV Shots' and now part of the Centre Pompidou collection. Around that time he regularly returned to his home country Belgium. This resulted in the series 'Roots', that perfectly reflects the Belgian Zeitgeist of the 1970s and 1980s. In 1982 Gruyaert joined Magnum Photos. More about Irish Summers More about Between Worlds
Jack Savage
Jack Savage
United Kingdom
1980
Jack Savage is a fine art photographer, digital and mixed media artist and gallery owner. Born in Northampton, England (1980) - He was educated at Nottingham University, where he carries an MA in American Studies and Film. Winner of over 100 international professional photography awards -he produces a unique brand of artworks using the varying mediums of studio portraiture, landscapes, street photography, mixed media photographic art, and digital psychedelic creations from what he labels "His Unconscious Soul". Savage's multi-faceted works have gained international recognition and acclaim - resulting in several prestigious international prizes, including most notably The Pangea Prize from Siena Photo Awards, Gold from the Shatto Gallery - Los Angeles, Photographer of the Year from The Spider Awards - Beverly Hills California and Gold in consecutive years from Tokyo Foto Awards. Over the last few years, he has exhibited his artworks internationally, in countries such as Italy, France, Greece, Hungary, Germany, USA and throughout the UK. Jack is currently represented by Singulart, Paris, The Zari Gallery, London, The Opulent Art Gallery, London, and ThePassePartout Gallery, Milan, Italy. In 2022 Jack became an influential gallerist, with the formation of The Influx Gallery, Notting Hill - London - showcasing the very best of contemporary art from around the world. Jack Savage is one of the UK’s most celebrated fine art photographers, acclaimed for his haunting black-and-white "Definitive Ambiguities" series. A certified Adobe Photoshop CC expert, Savage fuses classical film noir lighting with precise post-production to create images steeped in moral ambiguity, repressed desire, and an undercurrent of violence. Winner of the Pangea Prize at the Siena International Photo Awards, two consecutive Gold medals at the Tokyo International Foto Awards, Photographer of the Year at the Black & White Spider Awards (Los Angeles), and First Place at the Mono Awards, Savage draws heavily on the cinematic language of Otto Preminger and Orson Welles. His work echoes the words of historian Alain Silver, who described film noir as “a cinema of moral uncertainty and dangerous seduction,” and James Ursini, who noted its “dark urban poetry.” All portraits in this series feature residents from Savage’s hometown of Northampton, England, intensifying what Ursini might call the “claustrophobic menace” of the Midlands’ urban landscape. From shadow-draped alleys to the spectral “men in hats,” Savage’s noir vision transforms everyday streets into charged stages of human drama, where desire and danger meet in a single frame.
Annalisa Natali Murri
Annalisa Natali Murri
Spain
1982
Annalisa Natali Murri, freelance photographer, approached for the first time to photography at age 27, while attending Architectural and Urban Photography School in Valencia (Spain). After completing her studies in engineering, soon she began to alternate her work to photography, focusing on personal research works and documentary projects, mainly inspired by social issues and their psychological consequences. In 2014 she was selected as an attendee for LOOKbetween mentorship program and in 2015 she was named one of the 30 emerging photographers to watch at PDN 30.
Mario Algaze
Mario Algaze
Cuba / United States
1947
Mario Algaze (born 1947 in Havana, Cuba) is a Cuban-American photographer whose work celebrates the culture of Latin America. At the age of thirteen he was forced to exile Cuba in 1960 and relocated to Miami, Florida. Miami offered a rich cultural mecca and a vibrant melting pot of culture which encouraged him to travel to Central and South America where he worked as a freelance photojournalist for national and international publications. These trips allowed him a glimpse of belonging within a familiar culture. In finding his identity after exile, he began photographing Latin America in the 1970’s while reconnecting with the feeling of home. His photographs embody the everyday of Latin life. Between his travels in the late 70’s, Algaze studied visual art at Miami Dade College. Algaze’s masterful command of light illuminates his street scenes that detail the struggles and victories of Latin culture. Mario Algaze is the recipient of various acclaimed awards, including the Florida Artist Fellowship from the Florida Arts Council (1985), the Cintas Foundation Fellowship in Photography (1991), the Visual Arts Fellowship and the SAF Artist Fellowship sponsored by the National Endowment for the Arts. In 1992, he received the National Endowment for the Arts Fellowship in Photography. A retrospective collection of his work is showcased in the important monograph, Mario Algaze: Portfolio, published by Di Puglia Publisher, 2010. Additional monographs by the artist include, Mario Algaze: Portafolio Latinamericano, Mario Algaze: Cuba 1999-2000, and A Respect for Light: The Latin American Photographs: 1974-2008. Algaze's documentary work is highly sought after by institutions and collectors worldwide. His work can be found in permanent collections at every corner of the world including the Museum of Fine Arts, Houston; Museo Tamayo, Mexico City; Santa Barbara Museum; Museum of Photographic Arts, San Diego; Victoria and Albert Museum, London, DePaul University, Chicago and the Cleveland Museum of Art.Source: PDNB Gallery Mario Algaze was born in Havana, Cuba but emigrated to the United States in 1960, settling in Miami, Florida. In 1971, at the age of 24, he began a career as a freelance photojournalist. Although Algaze left Cuba as a teenager he has frequently turned to Latin America as the subject of his photographs, traveling extensively throughout the region. In his carefully composed black and white photographs, he captures people alone or in small groups on the streets and in cafes and parks. Many of his photographs of these everyday settings are infused with a soft light and marked by shadows, giving them a serene or mysterious quality, or evoking the passage of time. The region's conflicts and political activities, frequent subjects of photojournalism, are largely absent in his imagery; instead, he lends quiet insight into the cultural diversity of Latin America and the shape of daily life in countries as far spread as Mexico, Ecuador, and Argentina.Source: Museum of Contemporary Photography
Mattia Vacca
Mattia Vacca
Italy
Mattia Vacca is an award-winning photojournalist focused on social issues and the aftermath of war. His first book, A Winter's Tale came out in 2014. His photographs have been featured on The New Republic, The Guardian, The Independent, ZEIT, L'Oeil de la Photographie, VICE, Corriere della Sera, La Repubblica, La Stampa and France Soir among the others. He is the recipient of numerous awards, including Sony World Photography Awards, Royal Photographic Society Awards, Renaissance Prize and NY Photo Awards.
Renée Munn
Renée Munn
Australia/Canada
Australian-born, Toronto-based photographer Renée Munn has a BFA from Ryerson University School of Image-Arts in photography. Her artwork has been acquisitioned by Ryerson and accepted into the Bibliothèque Nationale de France. She has received awards including 1st place in the San Francisco International Photography Exhibition, 3rd place at Grand Prix de la Decouverte in Paris and the Jim P. Shea Memorial Award for Best Overall Submission at SNAP. In 2013, Munn debut her first solo show titled The Looking-glass Self at the CONTACT Festival in Toronto. Munn is represented by Exhibit No.9 gallery for contemporary experimental photography and art. About The Work Munn is best known for her large-scale fragmented female portraits. Composed from multiple negatives, her artistic play on reality manipulates time and space, allowing the viewer to transcend the frame and undergo the multiple dimensions of appearance and experience of oneself. As a photographer Munn is interested in the expressive possibilities of the medium. In her work she explores numerous analogue and darkroom techniques such as double and triple exposure, photogram’s, combination printing and cliché verre to alter her figures and create a single image which is both real and imagined. Munn’s collages are finished with beeswax and resins and are exhibited unframed and tangible.
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© Fernando Morales Roca
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