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Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Enter AAP Magazine 54 Nature: Landscape, Wildlife, Flora & Fauna
Patrick Morarescu
Performers catalogue
Patrick Morarescu
Patrick Morarescu

Patrick Morarescu

Country: Germany


Statement
"Due to the natural dynamic and complexity of the individual, I have always been drawn to portraiture. I photograph persons to whom I feel an initial attraction and try to reflect this force in images. A power that you cannot describe in words or in rational concepts but it captures the attention and creates a strong curiosity, a sort of addiction not only to body shapes, eyes, skin tonalities, but to what is behind: the thoughts and the mental state of that persons. And I feel a sort of instinct of possession, a desire to materialize the moment that this person is living.

The human presence, with it’s emotionality, is some times too strong; it is almost insulting, shouting to get all the attention: Like a red dot in the green, like a flash in the darkness. To balance that force I need the background, the space that as a negative form defines the contour of the figure. Through that supplementary space I create a whole story. The key of my research lies in the dialogue between the person and its background; sometimes I think I am not portraying a person with a background, but the background with a person; sometimes it is the opposite. The background speaks about fear, happiness, peace, desperation; it speaks about the circumstances through an atmosphere. There is one basic element that is crucial to bring all the elements together: The light. Like a thread that creates structure and consistence in a tissue; the magical substance of photography. It is a physical condition that contains many extraordinary qualities. The photography is a chemical reaction in which the light is transcripted in a plain surface, creating a code that by the eyes suggest reality; but photography is not reality itself but an abstraction of it. And this is the point that fascinates me; the possibility of recreating the reality through the chemical process."
-- Patrick Morarescu
 

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More Great Photographers To Discover

García De Marina
Born in Spain in 1975. Since the year 2012 uses the object like expression way. This Poet of the Prosaic made the leap from social networking to the galleries in a few months' time. His creativity has not gone unnoticed in Spain as well as the foreign media, having his work published in several countries in the world. He has made a number of individual exhibitions and taken part in different collective exhibits, in addition to diverse art fairs. His lens is profoundly irreverent with the real: it seeks to transform and stamp objects with new identities; it challenges the obvious, and pays heed to the grandeur of the everyday. The bareness of his photography endows objects with a leading role, while they are stripped of their essence to be reinvented. The artist does not carry out any photographic manipulation on the images. From the minimalist perspective, the inventiveness of his gaze lays claim to another reality. In 2015 the artist was one of the chosen ones, by the Spanish Embassy, to participate in the "Photo Week Washington D.C.". In 2017, the Contemporary Art Museum of Castilla León in Spain (MUSAC) selected three of his pieces for the "Constellations" exhibition, experimental poetry in Spain (1963-2016), where for the first time, the presence of visual and experimental poetry in Spain from the 1960s to the present is addressed. During last years the artist has participated in some Festivals of photography, in Spain and abroad as Photo Week D.C. in Washington (2015), Photo Romania Festival (2015), Photometria Festival in Greece (2016), Festival of the light in Argentina (2016), Bucharest Foto Week (2016), Addis Foto Fest in Ethiopia (2016), Uppsala Foto Festival in Sweden (2017) and Yangon Photo Festival in Myanmar (2018). In 2018 presented his exhibition "Diálo2" in the Barjola's Museum in Spain together with one the most important visual poets of the 20th century in Spain, Joan Brossa."
Jimmy Nelson
United Kingdom
1967
Jimmy Nelson, born in 1967, embarked on a transformative journey across Tibet at age 17, captured by English National Geographic. He became a photojournalist, covering war zones and producing "Literary Portraits of China" for Shell Oil. Later, he celebrated global diversity with "Before they Pass Away" and "Homage to Humanity. " Through his lens, Nelson immortalized indigenous cultures, inspiring cultural preservation and appreciation worldwide. James Philip Nelson, born in 1967 in Sevenoaks, Kent, led a diverse childhood marked by travels across Africa, Asia, and South America alongside his father, a geologist for International Shell. At 16, he developed Alopecia totalis, triggered by stress and malaria medication. A year later, he embarked on a two-year trek across Tibet, capturing the journey with a small camera. Upon his return, his images were published by English National Geographic. Subsequently, Nelson ventured into photojournalism, documenting war zones and later commissioned by Shell Oil for Literary Portraits of China. Transitioning to commercial advertising in 1997, he continued to document remote cultures. In 2010, Nelson embarked on his second book, Before they Pass Away, a three-year endeavor photographing over 35 indigenous tribes worldwide. Using a 50-year-old 4x5in camera, Nelson drew inspiration from Edward S. Curtis, aiming to romantically portray his subjects. He emphasized that the project was not about factual accuracy but rather his artistic interpretation of diversity and beauty. Tribes photographed included the Huli and Kalam tribes of New Guinea, the Tsaatan of Mongolia, and the Mursi people of Ethiopia's Omo River valley. Financing came from Dutch billionaire Marcel Boekhoorn, resulting in a published book with photographs, texts, and limited editions. In September 2018, Nelson released his third book, Homage to Humanity, featuring over 400 photographs showcasing 30 indigenous cultures. The book includes interviews with tribal members, infographics about the depicted locations and cultures, and an application incorporating 360° film material linked to the images, along with behind-the-scenes videos and travel background information. Nelson collaborated with assistant Stephanie van der Wiel, whom he met at Leiden's National Museum of Ethnology. "Homage to Humanity" aims to be more inclusive than Nelson's previous work, addressing criticisms of his earlier book, "Before they Pass Away." Papuan chief Mundiya Kepanga emphasizes in the foreword the importance of preserving cultural values and identity for future generations.
Herb Ritts
United States
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Herb Ritts began his photographic career in the late 70's and gained a reputation as a master of art and commercial photography. In addition to producing portraits and editorial fashion for Vogue, Vanity Fair, Interview and Rolling Stone, Ritts also created successful advertising campaigns for Calvin Klein, Chanel, Donna Karan, Gap, Gianfranco Ferré, Gianni Versace, Giorgio Armani, Levi's, Pirelli, Polo Ralph Lauren, Valentino among others. Since 1988 he directed numerous influential and award winning music videos and commercials. His fine art photography has been the subject of exhibitions worldwide, with works residing in many significant public and private collections. In his life and work, Herb Ritts was drawn to clean lines and strong forms. This graphic simplicity allowed his images to be read and felt instantaneously. They often challenged conventional notions of gender or race. Social history and fantasy were both captured and created by his memorable photographs of noted individuals in film, fashion, music, politics and society. Ritts was committed to HIV/AIDS related causes, and contributed to many charitable organizations, among them amfAR, Elizabeth Taylor AIDS Foundation, Project Angel Food, Focus on AIDS, APLA, Best Buddies and Special Olympics . He was also a charter member on the Board of Directors for The Elton John Aids Foundation.Source: www.herbritts.com Born in Los Angeles, to a Jewish family, Ritts began his career working in the family furniture business. His father, Herb Ritts Sr., was a businessman, while his mother, Shirley Ritts, was an interior designer. He moved to the East Coast to attend Bard College in New York, where he majored in economics and art history, graduating in 1975. Later, while living in Los Angeles, he became interested in photography when he and friend Richard Gere, then an aspiring actor, decided to shoot some photographs in front of an old jacked-up Buick. The picture gained Ritts some coverage and he began to be more serious about photography. During the 1980s and 1990s, Ritts prominently photographed celebrities in various locales throughout California. Some of his subjects during this time included Cher, Tina Turner. Elizabeth Taylor, Vincent Price, Madonna, Denzel Washington, Johnny Depp, Ronald Reagan, David Bowie, Courtney Love, Liv Tyler, Matthew McConaughey, Britney Spears, Björk, Prince, Michael Jackson, Axl Rose, Slash, and Mariah Carey. He also took many fashion and nude photographs of fashion models Naomi Campbell, Stephanie Seymour, Tatjana Patitz, Christy Turlington, and Cindy Crawford, including "Tatjana, Veiled Head, Tight View, Joshua Tree, 1988." Ritts' work with those models ushered in the 1990s era of the supermodel and was consecrated by one of his most celebrated images, "Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood, 1989" taken for Rolling Stone Magazine. He also worked for Interview, Esquire, Mademoiselle, Glamour, GQ, Newsweek, Harper's Bazaar, Rolling Stone, Time, Vogue, Allure, Vanity Fair, Details, and Elle. From 1996 to 1997 Ritts' work was displayed at the Museum of Fine Arts in Boston, attracting more than 250,000 people to the exhibit, and in 2003 a solo exhibition was held at the Daimaru Museum, in Kyoto, Japan. On December 26, 2002, Ritts died in Los Angeles of complications from pneumonia at the age of 50. Ritts was openly gay, and according to Ritts' publicist, "Herb was HIV-positive, but this particular pneumonia was not PCP (pneumocystis pneumonia), a common opportunistic infection of AIDS. But at the end of the day, his immune system was compromised."Source: Wikipedia
Antonin Kratochvil
Czech Republic/United States
1947
Antonin is a founder of the VII photo agency. As photojournalists go, Antonin Kratochvil has sunk his teeth into his fair share of upheaval and human catastrophes whilst going about his documentation of the time in which he lives. As people go, Kratochvil's own refugee life has been much in the way the same as what he has rendered on film. Kratochvil's unique style of photography is the product of personal experience, intimate conditioning and not privileged voyeurism. Over the years his fluid and unconventional work has been sought by numerous publications stretching across widely differing interests. From shooting Mongolia's street children for the magazine published by the Museum of Natural History to a portrait session with David Bowie for Detour, from covering the war in Iraq for Fortune Magazine to shooting Deborah Harry for a national advertising campaign for the American Civil Liberties Union, Kratochvil's ability to see through and into his subjects and show immutable truth has made his pictures not facsimiles but uncensored visions. And yet, what set his kind apart from the many is his consistency and struggle to carry on. For Kratochvil this fact comes in the form of his numerous awards, grants and honorable mentions dating back to 1975. The latest of these are his two, first place prizes at the 2002 World Press Photo Awards in the categories of general news and nature and the environment. The next is the 2004 grant from Aperture publishing for Kratochvil's study on the fractious relationship between American civil liberties and the newly formed Homeland Security since the World Trade Center bombings. In addition, Kratochvil's fifth book Vanishing was presented in April 2005 and marks another significant milestone for the craft to which he belongs. Vanishing represents a collection of natural and human phenomena that on the verge of extinction. What makes this book so innovative is the twenty years it has taken to produce, making it not only historical from the onset, but a labor of love and a commitment to one man's conscience.
Niki Feijen
Netherlands
1977
Dutch photographer Niki Feijen immortilizes an astonishingly intact glimpse into the past. This autodidact specializes in documenting and capturing historic architecture and abandoned buildings. Each photo fuses together the conflicting notions of beauty and decay and corresponds with his desire to capture and silently communicate with his audience about the subject's very essence. Niki wants to recreate the exact same scene as he sees while standing in a location but the lightspectrum your eye can capture is much, much wider than a camera can capture. Photographing a dark setting with extreme highlights like a window causes the highlights to wash out into white or dark areas can become obscure black blobs. It's impossible to shoot a photo that captures both ends of this spectrum. Since Niki does not use any artificial lighting he uses different exposures to capture a much wider light spectrum than a traditional photograph. The result is a hyper realistic photo which would replicate the exact same thing you would see standing inside the location yourself. In 2010 Feijen visited the quintessential location of desertion: the Chernobyl Exclusion Zone. After a catastrophic nuclear accident occurred in 1986 the entire city of Pripyat, all 50,000 inhabitants, were evacuated within 48 hours. Most of the belongings of the evacuated inhabitants were left behind and never returned to again. The incredible deafening silence of this location, in its absence of the living, permeates the senses and mind of visitors who venture to there to this day. Feijen is currently travelling around the globe looking for more hidden gems tucked away behind 'Do Not Enter' signs. Curious about what lies on the other side, he goes in search of the hidden world that is often in plain sight. When Feijen comes across impressive yet eerie locations, such as homes located in ghost towns, asylums, decaying hospitals, abandoned castles and long forgotten hotels, he intends to preserve the what is left of the past by encapsulating these forgotten masterpieces' ethos in a photo before they crumble and collapse. The impressions left from these places are represented in visual form for the public in three separate books. All works, 'Disciple of Decay' (April 2013) 'Frozen' (September 2014) and 'Tempus Fugit' (December 2017), have been independently published. The first sold out in six months. On top of these publications, Feijen's photographs are exhibited at art galleries and international art fairs several times a year. His works have been featured by NBC, BBC, The Huffington Post, ABC News, The Daily Mail and Chase Jarvis, among a variety of others. As of 2014 Feijen's work is part of the Sir Elton John Photography Collection where his name is among legendary photographers as ; Edward Weston, David LaChapelle, Diane Arbus and Henri Cartier-Bresson.
Nat Fein
United States
1914 | † 2000
Nathaniel Fein (August 7, 1914 – September 26, 2000) was a photographer for the New York Herald Tribune for 33 years. Fein is known for photographing Babe Ruth towards the end of his life, winning the 1949 Pulitzer Prize for his photograph The Babe Bows Out. Fein was born and raised on the Lower East Side of Manhattan. He was a press photographer at the New York Herald Tribune from 1933 to 1966. Known for setting a scene correctly, he would climb buildings and bridges to get the shot he was after. Fein's main subject matter was New York following World War II. Albert Einstein, Ty Cobb, Queen Elizabeth and Harry S. Truman were among the many public figures that he photographed. Nat Fein won more press photo awards than any of his contemporaries. Although considered to be one of the greatest human interest photographers in journalism, he carried the distinction of having taken "the most celebrated photograph in sports history." -- The New York Times, 1992. A resident of Tappan, New York, Fein died on September 26, 2000, at the age of 86.Source: Wikipedia Babe Bows Out", photograph of Babe Ruth during a ceremony at Yankee Stadium to retire his number, 13 June 1948 (This photo won the 1949 Pulitzer Prize for photography) © Nat Fein / Public Domain Babe Ruth’s dominating influence changed the game itself. He became the face of the New York Yankees and embodied the ethos of the game of baseball, American sports culture, and New York heritage. In Babe Bows Out photographer Nat Fein captures the beloved athlete and showman in an image that has become synonymous with the immensity of its subject. Nat Fein began to work for the New York Herald Tribune as a copyboy in 1932. After investing in a camera years later, he became a press photographer for the paper, creating a working relationship that lasted 33 years. While working as a staff photographer at the Tribune, Fein had not been assigned to work on the day that the New York Yankee’s would retire Babe Ruth’s number three jersey. On the day when the Yankees would celebrate the 25th anniversary of the Yankee stadium and retire “The Great Bambino’s” number, the mainstay sports photographer for the Tribune called in sick. Thus, on June 13 of 1948, Nat Fein was set out to cover what many suspected could be Babe Ruth’s last public appearance. While other press photographers attempted to capture a portrait of the great American baseball hero wearing his uniform one last time, Nat Fein, tried to capture the iconic number on his jersey, stating: “All the photographers were in the front, and I wanted to see how he looks from the back. So I figured, well, number three is out. The Babe bows out…” – Nat Fein The final image is filled with emotion, a bidding farewell to the greatest player in baseball. Among an interminable crowd of onlookers and accompanied by current Yankees players, Ruth bows out in the stage where his legendary mythology was created. At the time of the photograph in 1948, Babe Ruth had not played for the Yankees for over a decade. Ruth had also been ill for some time, and his appearance had changed; his thin legs and face showed signs of his fragile condition. Fein’s photograph, instead of highlighting the aged features of the passing of time or sickness, captures the silhouette of the baseball giant. The picture presenting Ruth with his classic number three jersey underlines the monumental influence he exuded over the game and New York. The image not only symbolizes a sports hero but a man who was larger than life. His rough childhood with frequent visits to orphanages and hospitals, his kindness to black baseball players in a time of racial inequity, his fondness to volunteer his time for kids sick with Polio, and his larger physique, generate empathy in his farewell photograph. The photograph presents a poetic image that connects us through its resounding human and empathetic quality, connecting the viewer to an unwavering American hero. Babe Bows Out eventually became the first sports photograph to win the Pulitzer Prize. It cemented the importance of the medium of photography. It is considered one of Time Magazine’s 100 most influential images of all time and is featured in the National Baseball Hall of Fame and the Smithsonian Institute. Never surrendering to sickness or ill-health, the photograph commemorates the hometown hero. It immortalizes the strong and imposing Babe Ruth as the towering figure we remember and speak of today. A man whose recognition has reigned supreme over baseball, New York, and the world of sports for over 100 years. Nat Fein’s Babe Bows Out is one of the most excellent images of baseball lore.Source: Holden Luntz Gallery
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