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Katharine Cooper
2014 © Gabrielle Menezes
Katharine Cooper
Katharine Cooper

Katharine Cooper

Country: South Africa
Birth: 1978

Katharine Cooper, born 1978 in Grahamstown, in South Africa's Eastern Cape, moved at a young age to Zimbabwe, where she completed her schooling. In 1998, she moved to the United Kingdom to pursue her studies in photography, before finally landing at the Arles national school of photography, from which she graduated with honours in 2004, notably for her film "Family Archive". Katharine worked as in-house printer to photographer Lucien Clergue, in his Arles-based atelier, from 2004 up until his death in 2014. Her work has been exhibited in various collective shows, and bought by art-collectors from around the world. Katharine Cooper regularly teaches workshops in the Arles region, whose Camargue landscapes and strong winds remind her of her homeland. In 2012 Katharine Cooper received the Academy of the Arts' Photography Prize for her series "White Africans", which showed in Paris October/November 2013.
 

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Pierre De Vallombreuse
Pierre de Vallombreuse was born in Bayonne in 1962. In twenty-five years of travel to all continents, he made a photographic collection of 41 indigenous peoples, with more than 130,000 photographs, paying tribute to their diversity.In contact with Joseph Kessel, a French author and traveler, de Vallombreuse felt a very early desire to be a witness of his time. In 1984, he entered the École Nationale Supérieure des Arts Décoratifs in Paris with the idea of becoming a cartoonist. A trip to Borneo the next year, though, changed the course of his life. He shared his daily life with the Punans, the last nomads of the jungle. Normally a sedentary artist, de Vallombreuse decided to become a nomadic witness, and photography became his mode of expression. While still a student at the Arts Décoratifs in Paris, he took multiple trips to the Philippine jungle to stay with the Palawan people. In total, he lived with them for over two years. The first part of his work on this tribe was presented at the photographic festival Les Rencontres internationales de la photographie in Arles.De Vallombreuse was Secretary General of the Association of Anthropology and Photography (association Anthropologie et Photographie, Paris Diderot University). Since then, he has regularly collaborated with leading international magazines: GEO (France, Russia, Germany, Spain, South Korea, Japan), Sciences et Avenir, Le Monde 2, Le Figaro Magazine, Newsweek, El Mundo, El País, and La Stampa.About The Origins of Man (Hommes Racines)Encompassing five years of work, this project represents the commitment of a photographer with eleven indigenous peoples spread across the globe. Its main purpose is to show the intimate relationship between man and his environment. De Vallombreuse presented his work as a testament to the diversity of lifestyles, practices, and traditional knowledge that are embedded in very different environments. These cultures are repositories of knowledge essential to the preservation of biodiversity. De Vallombreuse aimed to promote a reflection on humanity sustainable whose corollary is the protection of nature.Whenever linked to a specific people, the project emphasizes the multiplicity of responses to living conditions imposed by nature and history. It is in this context that de Vallombreuse addresses this root concept. By meeting people entrenched in their territory and those who have been subjected to the test of uprooting, de Vallombreuse analyzed changes in life affecting our modernity. He worked to show how indigenous peoples are often the first victims of environmental disasters: food shortages, deforestation, global warming, pollution, and water war, crucial questions that, far from being local concerns, affect our mutual humanity.Since 2007, this project has resulted in 12 exhibitions and numerous publications.Souce WikipediaAbout SouverainesIn the West, feminists fight for equality with men. But elsewhere? In some traditional societies, women have a predominant social and spiritual part to play. There is equality, mutual respect and freedom for both genders. Amongst these people, women are recognized for their uniqueness and their skills.Pierre de Vallombreuse traveled to four South East Asian cultures where women play a crucial part in the family and in governance itself.In the matrilineal and matrilocal tribe of Khasi in the North-East part of India, children are given at birth the name of their mother and the youngest daughter inherits all the land and family properties.In the nonhierarchical tribe Palawan in the Philippines, men and women live in perfect equality, while emphasizing values such as goodwill, generosity and mutual assistance.In the southwestern part of China, status of women is unique in Moso, a population that practices all forms of matriarchy as children's education is entrusted with their maternal uncles.Finally in Malaysia, the Badjao abolish all forms of hierarchy and advocate for an egalitarian and libertarian civilization that is prominently in favor of women.
Wolfgang Bohusch
Austria
1985
Bohusch decided to become photographer at the early age of 13. He began experimenting with old darkroom equipment of his grandmother and shooting with a 35mm camera. After studying photography for 5 years at die Graphische, Vienna he started working as freelance Production Manager, Location Scout and later Photographer or D.o.P and Director for advertising film production companies. On extensive travels he is working on his personal projects. Street- photography in India, Miami or Tokyo, landscape and aerial photography in various places as well as fashion films, music videos in London or Paris. In January 2017 Wolfgang Bohusch stayed in a tent for two weeks in Maroccos Sahara desert. Under very special conditions during his work for the series 'silicon based creatures' Bohusch experienced a period of intense meditation. Details and blurred outlines make it difficult to recognize the shape of the image at once. Pattern recognition takes place only through the perception of the seemingly random forms and structures. The viewer is encouraged to look more closely in order to get lost in the work and to let the subconscious mind wander - in order to finally be able to find his own associations. silicon based creatures With his series 'silicon based creatures' Wolfgang Bohusch invites the viewer to stand in front of his photographs, mediate, and let the mind wander into subconsciousness. Each and every work tells a different story, your own story. There are no titles, no hints for interpretation, no directions to look. Like in a Rorschach test, Bohusch wants you to find your own associations and recognize patterns that are not pregiven and therefore renders every photograph an individual experience. A millisecond is the time span for Wolfgang Bohusch's sculptures to be created but the artist allows us to ponder these millisecond sculptures calmly. The “silicone based creatures” series of 21 photographs presented at OSME Gallery is the outcome of his stay in the Sahara desert for weeks and experimenting with its elements like sand, wind, light, and chance. What you see on the photographs is thus the fusion of elements which serendipitously form into sculptures and are randomly captured on paper. The process behind these snapshots therefore resembles the behaviour patterns of bird or fish swarms. What is more, when we see them crowding together in the sky or in the water, our minds automatically associate certain forms or figures with the sudden patterns they create. As soon as we have caught one image within the crowd, it is already gone again. We get the opportunity to slowly make our own interpretations, though, and to try and find a piece of ourselves in them. So, when you have invented your creatures, where do they come from? And what do they want to tell us? If you think of them as signs, maybe even add a little bit of superstition, can they be hints to the future? Like popular customs or shamanic rituals to predict the future, Bohusch's creatures could also be prophetic figures. Or do they come from the past as mythical beings? Wolfgang Bohusch confronts us with a range of topics and questions in this series which he does not want or cannot answer himself. Lastly, he gives us another little hint with which he introduces one more existential quest. Silicone, which is a constituent of sand, is also the material used for microelectronics, like computer chips, and the basis for what creates the tools for producing the photographs in the first place. Finally, this aspect could trigger another question, or rather “the mother of all questions”: what came first? www.juliahartmann.at
Brandon Stanton
United States
1984
Brandon Stanton is an American author, photographer, and blogger. He is the author of Humans of New York, a photoblog and book. He was named to Time's "30 Under 30 People Changing The World" list. Since 2010, Stanton has taken hundreds of portraits of people living and working primarily in New York City, accompanied by bits of conversations about their lives. He has also traveled outside of the United States, capturing people and their lives in more than 20 countries, including Iran, Iraq, Uganda, Democratic Republic of the Congo, Ukraine, Vietnam, and Mexico. Stanton grew up in Marietta, Georgia, a suburb of Atlanta, where he completed his schooling at The Walker School in 2002. He majored in history at the University of Georgia. In 2010, he bought a camera while working as a bond trader in Chicago, and started taking photographs in downtown Chicago on the weekends. When he lost his job a short time later, he decided to pursue photography full-time. Moving to New York City, he set out to photograph 10,000 New Yorkers and plot their portraits on a map of the city, surviving on unemployment checks to "almost pay rent" and borrowing money from friends and family. Eventually, he moved his photographs to the Humans of New York Facebook page, which he started in November 2010. After posting a photo of a woman including a quote from her, he soon began adding captions and quotes to his photographs, which eventually evolved into full interviews. His Humans of New York book was published in October 2013. It received positive reviews and sold 30,000 copies as preorders. The book reached the number 1 position on the New York Times Non-Fiction Best Sellers of 2013 for the week beginning November 3, 2013. The book remained on the list for 26 weeks, again reaching the number one position on December 21, 2014. In August 2014, Stanton traveled to the Middle East to photograph people as part of a 50-day trip through 10 countries in the region under the auspices of the United Nations. In July 2015 he traveled to Pakistan and again to Iran to do the same. At the conclusion of his trip to Pakistan, Stanton crowd funded $2.3 million to help end bonded labor in Pakistan. In January 2015, Stanton was invited to the Oval Office to interview President Barack Obama. The trip concluded a two-week crowdfunding campaign on Humans of New York in which $1.4 million was raised. In March 2016, Stanton opposed Donald Trump's presidential campaign, criticizing Trump on social media for hateful speech, such as delayed disavowing "white supremacy" and defending those who commit violence at his rallies. A day after his Facebook post, it had over 1.6 million likes and was shared nearly 1 million times. Stanton has posted stories and photos from the Pediatrics Department of Memorial Sloan Kettering Cancer Center in New York City. As he did for his other projects, Stanton created a fundraising campaign, and raised over $3.8 million for pediatric cancer research.
Ellen Auerbach
Germany
1906 | † 2004
Ellen Auerbach was a German-born American photographer remarkable both for her avant-garde photography and for her innovative and successful ringl+pit studio, where she and fellow artist Grete Stern signed all their work collaboratively. Ellen Auerbach was born Ellen Rosenburg in Karlsruhe, Germany. After sculpture courses in Karlsruhe and Stuttgart, she studied photography with Walter Peterhans at the Bauhaus school in Berlin. In 1929, she founded ringl+pit, an advertising and portrait studio, with her friend Grete Stern. The unusual title was derived from the nicknames they used as children. When Hitler rose to power, Auerbach emigrated with her future husband to Tel Aviv. There she opened a children's portrait studio named Ishon. Following the outbreak of the Abyssinian War, Auerbach moved to London, where she was reunited with Grete Stern. Together they worked on a series of portraits of Bertolt Brecht. By 1937, Ellen and Walter Auerbach had married and moved to the United States, eventually settling in New York City. Ellen began to experiment with new photographic techniques, worked for Time and Columbia Masterworks on a freelance basis, and taught photography at a junior college. In 1955 Auerbach traveled to Mexico with Eliot Porter and the two produced a powerful body of work documenting Mexican churches. The series, printed primarily in color, explores the religious traditions and ceremonial icons of a fading era in Mexican religious history. Auerbach continued to travel and photograph extensively. At the age of sixty, she began a second career as a child therapist. Ellen Auerbach's travels provided her with a kaleidoscope of people and places through which to develop her personal visual language. She believed that photography allows for the use of a metaphorical "third eye" which allows the artist to capture not only what exists on the surface of an image, but also to capture the essence of the subject that lies beneath that surface.Source: Robert Mann Gallery
Bruce Weber
United States
1946
Bruce Weber (born March 29, 1946) is an American fashion photographer and occasional filmmaker. He is most widely known for his ad campaigns for Calvin Klein, Ralph Lauren, Pirelli, Abercrombie & Fitch, Revlon, and Gianni Versace, as well as his work for Vogue, GQ, Vanity Fair, Elle, Life, Interview, and Rolling Stone magazines. Weber was born in Greensburg, Pennsylvania, to a Jewish family. His fashion photography first appeared in the late 1970s in GQ magazine, where he had frequent cover photos. Nan Bush, his longtime companion and agent, was able to secure a contract with Federated Department Stores to shoot the 1978 Bloomingdales mail catalog. He came to the attention of the general public in the late 1980s and early 1990s with his advertising images for Calvin Klein, and his portrait of the then young actor Richard Gere. His straightforward black-and-white shots, featuring an unclothed heterosexual couple on a swing facing each other, two clothed men in bed, and model Marcus Schenkenberg barely holding jeans in front of himself in a shower, catapulted him into the national spotlight. His photograph for Calvin Klein of Olympic athlete Tom Hintnaus in white briefs is an iconic image. He photographed the winter 2006 Ralph Lauren Collection. Some of Weber's other earliest fashion photography appeared in the SoHo Weekly News and featured a spread of men wearing only their underwear. The photos became the center of controversy and Weber was told by some that he would never find work as a fashion photographer again. This reputation stuck with him, as he says: "I don't really work editorially in a large number of magazines because a lot of magazines don't want my kind of photographs. It's too risky for them". After doing photo shoots for and of famous people (many of whom were featured in Andy Warhol's Interview magazine), Weber made short films of teenage boxers (Broken Noses), his beloved pet dogs, and later, a longer film entitled Chop Suey. He directed Let's Get Lost, a 1988 documentary about jazz trumpeter Chet Baker. Weber's photographs are occasionally in color; however, most are in black and white or toned shades. They are gathered in limited edition books, including A House is Not a Home and Bear Pond, an early work that shows Eric Nies from MTV's The Real World series, among other models. Weber began collaborating with crooner Chris Isaak in the mid-1980s, photographing Isaak in 1986 for his second album, Chris Isaak. In 1988, Weber photographed a shirtless Isaak in bed for a fashion spread in Rolling Stone. Isaak appeared in Let's Get Lost and Weber has directed a music video for Isaak. Weber photographed Harry Connick, Jr. for his 1991 album Blue Light, Red Light. In 1993, Weber photographed singer-songwriter Jackson Browne for his 1993 album I'm Alive.Source: Wikipedia
Flokje Van Lith
Netherlands
1969
Flokje van Lith (1969, Leiden, NL) studied photography at the Royal Academy of Arts, the Hague. Van Lith belongs to the first generation of artists to make full use of the newest Photoshop techniques. With apparent ease, she plays with the different realities that have developed independently of one another within the media of painting and photography. But appearance deceives; the making of the photograph is merely the first in a long line of decisions. The task of achieving the right result takes Van Lith weeks and sometimes months. In her work she explores childhood and its underlying traumas and issues as well as the beauty of innocence and adolescence. The final results, complex portraits of children and young adults, not only have a very aesthetic quality but also seem to tell the story of the subject.The influences of the Flemish Primitives, which can be found in the serenity of the works, but also the personal experience of the artist, resonate from the artworks. Van Lith won several awards for her work, such as the Silver Award (International Photography Awards), Silver Award (PX3 - Prix de la Photographie) and Third Place (Kontinent Awards). In addition her works have been exhibited at photo festivals nationally and internationally, such as Photo Festival Naarden and Photoville, New York. Awards: Kontinent Awards: Third Place, Fine-Art/ Single Image/ Professional, International Photography Awards: 8 x Honorable Mention, Fine-Art/ Portrait/ Professional, Fine Art Photo Awards: Professional Nominee, Portrait/Professional, International Color Awards 2015: Honorable Mention, Portrait/ Professional - International Photography Awards 2014: Silver Award, Fine-Art/ Professional - PX3-Prix de la Photographie, Paris, 2014: Silver Award, Fine-Art/ Professional - International Photography Award 2014: 8 x Honorable Mention, Fine-Art/ Professional - New Dutch Photography Talent 2013 - International Photography Award 2013: 4 x Honorable Mention, Fine-Art/ Professional - Photography Masters Cup 2011: 4 x Honorable Mention, Fine-Art/ Professional - International Photography Award 2011: 7 x Honorable Mention, Fine-Art/ Professional. Exhibitions: (Selection), 2015: Aqua Art Miami (USA), Art Fair COLOGNE (Germany), PAN Amsterdam, KunstRai, Rotterdam Contemporary Art Fair, LXRY (the Netherlands), 2014: Affordable Art Fair Hamburg (Germany), PAN Amsterdam, LXRY, Affordable Art Fair, Raw Art Fair, Realisme (the Netherlands), 2013: LXRY, PAN Amsterdam, Affordable Art Fair, (the Netherlands), 2012, Art Miami Context, Photoville New York, Art Wynwood (USA), PAN Amsterdam (the Netherlands), 2011: PAN Amsterdam, Photofestival Naarden (the Netherlands). Publications: 2015: LXRY Magazine, PF Magazine, 2014: Art Photo Feature (USA), 2013: Gooi en Eemlander (the Netherlands) 2012: Volkskrant Magazine, De Telegraaf, Haarlems Dagblad (the Netherlands)
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