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Sebastien Tixier
Sebastien Tixier
Sebastien Tixier

Sebastien Tixier

Country: France
Birth: 1980

Born in 1980 in a small town in central France, Sebastien Tixier now lives and works in Paris, France.

Trained as an engineer, the shy fascination that he had during childhood for his father’s camera finally takes over in 2007 when he starts as an independent photographer. Half in the studio, half in the fields, his work goes all the way from the dark corners of staged photographs to documentaries about the questions of our time. His photographs have been awarded by various prices and exhibited in festival or galleries across Europe.

Allanngorpoq his latest work to date, synthetizes one year and a half of preparation (documenting, making contacts, and learning the language) and immersion in Greenland. This photo report combines rigorous framing and aesthetics with a documentary work, capturing the evolutions of both a changing territory and its people. The book from this work has been published on December 2014 and is prefaced by Stéphane Victor.

Website

www.sebtix.com

 

Inspiring Portfolios

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More Great Photographers To Discover

Roberta Dall’Alba
Roberta Dall'Alba
Italy
1992
My name is Roberta Dall'Alba, and I'm a passionate food and travel photographer. When I work with companies my goal is to create for them authentic images that truly connect with people and spark a desire for their products and services. Photography brings immense fulfillment to my life because it allows me to express myself, capture emotions, and tell stories. My deep appreciation for aesthetics and attention to details and feelings helps me create images that are not only beautiful but also meaningful.. Through my photography, I strive to show others the beauty of the world, inspiring happiness and appreciation for our surroundings. By doing what I do, I hope to encourage a sense of wonder and connection that can make the world a better place. I am multi-passionate and cannot stand the idea of dedicating my time to only one type of photography, which is why I love capturing a wide range of subjects
Trevor Messersmith
Trevor Messersmith
United States
1971
Trevor Messersmith is an award-winning photographer and graphic designer based in New York's Hudson Valley. Trevor provides creative direction to a wide variety of online and print projects through 80east Design, a studio he started in 2002. Among other venues, Trevor's artwork has been exhibited at the California Museum of Photography, the Florida Museum of Photographic Arts, the Los Angeles Center for Digital Art, the Morean Arts Center, the Orange County Center for Contemporary Art, and the Center for Photographic Art. He has been featured in AIGA's New York State of Design, Print Magazine's Typography and Lettering Awards, the Mobile Photography Awards, the Pollux Awards, Tumblr Radar, Print Magazine's Regional Design Annual, the International Design Awards, Creative Quarterly, and Graphic Design USA. Trevor earned a B.A. from Bard College in photography. He also studied graphic design at Rhode Island School of Design. About The City Wears a Hop Hat "The City Wears a Hop Hat" is a series of high-contrast street photographs that attempts to capture the glamour and grit of city life in the face of the homogenization of urban culture in the United States. I have always loved the rhythm and jolt of city life and its vitality. I'm trying to show how I feel about cities and the shared human experience of those who live there." -- Trevor Messersmith
Robert Bonk
Robert Bonk
United States
1955
Robert Bonk is an American Photographer who lives outside of Los Angeles. A southerner by birth, he grew up on a lake in a subdivision outside of Jacksonville, Florida. The lake teemed with aligators and water moccasins. Spiders the size of soda cans waited in their webs for their next meal. Neighbors displayed trophies of marlin, swordfish and bluefish on their walls. It was a wild and viseral, poetic place which formed his imagination and layed the foundation for lifelong exploration of people and places.
Reinout van den Bergh
Reinout van den Bergh
The Netherlands
1957
Reinout van den Bergh (Wageningen, the Netherlands, 1957) studied photography and audiovisual design at St. Joost School of Fine Art and Design in Breda, the Netherlands. Since 1982 he has been working from Breda as a photographer and audiovisual designer. In this capacity he has travelled throughout Europe, Africa, Asia, the Middle East, the USA and Latin America. He worked for various ethnographical museums and for Dutch development cooperation projects. His work has been exhibited in several museums in Eastern and Western Europe and Africa, and published in several books and other publications. The Miners from Beringen (2014) comprises a collection of photgraphs made in the Belgian mining community of Beringen during the 1980s. It was proclaimed as one of the best photobooks of the year by Dutch quality newspaper de Volkskrant. For the long-term project 'Factories' with fellow artist Huib Fens he visited industrial heritage everywhere in Europe. The 'Environment' project is a combination of visual art and photography, for which he cooperated with sculptor Gerhard Lentink, travelling in several European countries. As of 2006 Reinout van den Bergh has been curator of BredaPhoto. He also supervises students and graduates of its International Talent Program. More about Eboundja
Amira Al-Sharif
Amira Al-Sharif
Yemen
1982
Amira Al-Sharif is an award-winning Paris-based Yemeni photographer and artist with two decades of visual storytelling experience. Over the years, she has received numerous awards and fellowships, including from the World Press Photo Foundation, the Magnum Foundation, the Prince Claus Fund, the Arab Fund for Arts and Culture, the Samir Kassir Foundation, Women Photograph, and Free Press Unlimited’s “Most Resilient Journalist Award.” Her work has been published by National Geographic, the Washington Post, the Guardian, the Los Angeles Review of Books, the New York Times, ARTE TV, TV5 Monde, NPR, ICORN, UNICEF, UNHCR, among other outlets and organizations, and she penned a chapter for the best-selling anthology Our Women On the Ground: Essays by Arab Women Reporting from the Arab World (2019). She has also participated in scores of photography exhibitions and festivals in Europe, the MENA region, and across the world, from India to South Korea, and Cambodia to the United States.In 2010, she studied photojournalism and documentary photography at the International Center of Photography in New York, and later returned to her home city of Sana’a, Yemen, to teach visual storytelling to hundreds of aspiring photographers. Since fleeing Yemen in 2018, due to the wartime constraints on her work and life, Amira has completed a two-year-long artist residency at Cité Internationale des Arts and is currently pursuing a Master of Fine Art at the Beaux-Arts de Paris. With her five-year French Talent Passport for artistic and cultural professionals, she has also launched a Paris-based company for her art practice. Artist Statement People often comment that they do not see war in my beautiful pictures of Yemen, where the world’s worst humanitarian crisis continues to cast a tremendous, even inescapable shadow across the landscape. But, since the war began nearly eight years ago, the vast majority of the scenes that I have captured in my beloved motherland have put my life at risk. Even if the outcome looks beautiful — schoolchildren or fishermen smiling in the north, newlyweds or goatherders smiling in the south, women young and old with fighting spirits from north to south — destruction, destitution, and danger often lurk just beyond the frame. War makes my beautiful pictures war pictures. There are an untold number of bloody scenes from Yemen that only exist in my mind. Mental images that I cannot publish in a newspaper or hang on a gallery wall. They are the scenes that I did not want to photograph, to remember more than I already do. For me, just like my sister Hayat, who is also a photographer, flashing back to the stories and scenes that epitomize how ugly the war has been to us, and how much it has scattered us in all directions, is like free-falling into the darkness. We want to be in the light, to move on with our ambitions and dreams. That is why the word “move” has been dominant in my thoughts and speech over the last couple of years. In spite of the challenging conditions and hardships, we need to keep moving. We need to let go of that which imprisons our souls in all of the unfortunate things that have happened and are still happening to us. Sadly, we cannot stop this war. I often ask myself if people who live in peaceful countries and regions could better identify with the beautiful pictures — seeing themselves in us, their lives in ours — rather than the bloody ones that commonly inundate the international media, from Syria at present to Vietnam in the past. As a photographer with over sixteen years of experience on the ground in Yemen, I have come to the realization that the logic of “blood is to war as beauty is to peace” is flawed, incomplete. And the reason my work tends to focus on the beauty of my suffering country is simple, relatable: like people everywhere, regardless of their context of war or peace, Yemenis appreciate love and life. We, too, wish to live our loves and our lives before that unavoidable moment called “death.” -- Amira Al-Sharif About A Love Song to Socotra Island Documentary photography series (2014) Socotra is an isolated Yemeni island, and UNESCO World Heritage site, that lies between the Indian Ocean and the Arabian Sea. Described as “one of the most distinctive places on Earth,” or the “jewel of Arabia,” this special, almost secret, place is where I made A Love Song to Socotra Island, my first long-term documentary photography series. One Socotran woman in particular, Saadiya, lit up my imagination, and so for months at a time, I shadowed her days, just like the birds of the island. When I met Aunt Saadiya, as I affectionately call her, the mother of seven was locked in a near decade-long struggle against local tribesmen who were after her inherited plot of land, which sustains and shelters her family and dozens of animals. “I have a fighting spirit,” she told me one day. “Whatever happens, I am not leaving my land. I fear nobody.” From mountaintop to seaside, I documented Aunt Saadiya’s radiant life force, relatively free from the everyday constraints and fears of the conflict-ravaged mainland. After we rose with the sun, she greeted the birds and the trees, tended to her goat herd, taught her children to swim, and defended her family’s right to survive. In our last months together, a local court declared her “the rightful owner of the land.”
Christian Tagliavini
Christian Tagliavini
Switzerland/Italy
1971
Christian Tagliavini was born in 1971 in Switzerland, where he currently lives and works as a fine art photographer and craftsman. His work is heavily shaped by a childhood spent in Parma, where he grew up immersed in the rich artistic culture of the Plain of the Po, Italy’s longest river. Tagliavini’s evocative images represent just the final stage in his artistic process. His photographs capture the creative vision in his mind’s eye, which he brings to life with handcrafted props, made-to-measure costumes and unconventional models. This behind-the-scenes work establishes him as an artisan- photographer. Choosing unexplored concepts as themes, Tagliavini’s work narrates open-ended stories, inviting the viewer to actively experience unique ideas, sensations and feelings, and ultimately decide the ending for themselves. A self-taught photographer, Tagliavini originally trained in architecture and worked as a graphic designer. His interest in photography was sparked in 2000, at a photographic exhibition in Milan. Fascinated by the technical aspects of photography, he tried his hand at several photographic disciplines before discovering that the mise-en-scène technique was the most effective way to capture the stories that lived in his imagination. Embracing the art of slow photography, Tagliavini’s creative approach involves meticulous planning and careful design. Each project begins with initial historical and iconographic research, feasibility assessments, sketches, storyboarding, colour experimentation, and composition before he sets about making his vision a reality. Tagliavini uses various techniques to handcraft each and every detail, including the props and backdrops. Each costume is fashioned to Christian’s detailed designs, including the fabric and colour choices, and is made-to-measure for each model. Where possible, Tagliavini prefers to work with non-professional models, drawing inspiration from their spontaneity and curiosity. A champion of unconventional beauty, he has always favoured personality over a classical aesthetic. His models represent the only detail of his work that he cannot control: their expressiveness is instinctive and they often inspire him to take his stories in completely new directions. This unscripted detail casts him in the role of observer rather than director. Christian Tagliavini won the Hasselblad Masters Fine Art Category in 2012 and the IPA Fine Art: Portrait prize in 2013. His work has been exhibited in many art galleries and museums worldwide.
Maren Elize Klemp
Maren Elize Klemp
Norway
"I grew up in a small town outside of Oslo, and started photography when I was a teenager. My father bought me my first camera when I was seventeen, and I immediately knew that I wanted to become a photographer. Writing was one of my passions in this period of my life, but I also was searching for a way to express myself visually. I had no talent for either painting and drawing, so photography naturally became the right medium for me. Unfortunately I dropped out of high school, but was lucky enough to be offered an internship as a photographer in the local newspaper. I learned a lot during this period, but I quickly discovered that I was most drawn to the field of fine art photography rather than photo journalism. After about six moths in the newspaper I started to study fine art photography under professor Robert Meyer at Robert Meyer Kunsthøgskole in Oslo, and I have been a fine art photographer ever since. In 2014 I traveled to Charleston, South Carolina to work on my first book together with photographer and professor, Jose' Escobar. He discovered my work on Flickr, and asked if I wanted to collaborate on a book project. The book is called 'Between Intervals' and is a visual representation of conditions people suffering from mental illness can experience. My work has also been shown both in solo and group exhibitions in Oslo, Norway."
Richard Dweck
Richard Dweck
United States
Photography has been Richard Dweck's vehicle for expressing what he sees and feels when he moves through the world. He has been through some extraordinarily difficult experiences in life but has been able to use them to see and feel the world more acutely. For him there is no greater pleasure than having someone who is looking at his photograph understand the feelings that he felt when he took that photograph. He also enjoys hearing them express very different feelings and show him things in his own photographs that he might never have seen or felt. The Old City of Jerusalem Last year, for the first time, I photographed at the Western Wall and other sites in the Old City of Jerusalem. The impetus for my travel to this area to photograph was the interplay between my Arabian and Jewish roots combined with my own deep self-reflection following a tragic family loss. When I found that so many people were dressed in black and white it only seemed natural that my photographs should be B&W as well. I shot my pictures from the same level as my subjects (or even from below when that was possible) giving me the sense that I could look into them more deeply and imagine their thoughts. The Gaze shows both the deep reflection of the elder along with the reverence of the child. The child's focus and that of my camera are on the elder. The backdrop is the historic 2000+-year old wall. My landscape and architectural photographs tend to the more abstract, while my portraits are more representational. Nonetheless, geometry and textures still play a big part in portraits. The main focus for me is the emotions that I can capture that can resonate deeply within me and very hopefully with the viewers of my work. I definitely look forward to returning for another emotional and introspective journey there one day.
Stephen Wilkes
Stephen Wilkes
United States
1957
Since opening his studio in New York City in 1983, photographer Stephen Wilkes has built an unprecedented body of work and a reputation as one of America's most iconic photographers, widely recognized for his fine art, editorial and commercial work. His photographs are included in the collections of the George Eastman Museum, James A. Michener Art Museum, Houston Museum of Fine Arts, Dow Jones Collection, Carl & Marilynn Thoma Art Foundation, Jewish Museum of NY, Library of Congress, Snite Museum of Art, The Historic New Orleans Collection, Museum of the City of New York, 9/11 Memorial Museum and numerous private collections. His editorial work has appeared in, and on the covers of leading publications such as the New York Times Magazine, Vanity Fair, Time, Fortune, National Geographic, Sports Illustrated , and many others. Wilkes' early career interpretations of Mainland China, California's Highway One, and impressionistic "Burned Objects" set the tone for a series of career-defining projects that catapulted him to the top of the photographic landscape. In 1998, a one-day assignment to the south side of Ellis Island led to a 5-year photographic study of the island's long abandoned medical wards where immigrants were detained before they could enter America. Through his photographs and video, Wilkes helped secure $6 million toward the restoration of the south side of the island. A monograph based on the work, Ellis Island: Ghosts of Freedom, was published in 2006 and was named one of TIME magazine's 5 Best Photography Books of the Year. The work was also featured on NPR and CBS Sunday Morning. In 2000, Epson America commissioned Wilkes to create a millennial portrait of the United States, "America In Detail," a 52-day odyssey that was exhibited in New York, Chicago, Los Angeles, and San Francisco. Day to Night , Wilkes' most defining project, began in 2009. These epic cityscapes and landscapes, portrayed from a fixed camera angle for up to 30 hours capture fleeting moments of humanity as light passes in front of his lens over the course of a full day. Blending these images into a single photograph takes months to complete. Day to Night has been featured on CBS Sunday Morning as well as dozens of other prominent media outlets and, with a grant from the National Geographic Society , was extended to include America's National Parks in celebration of their centennial anniversary and Bird Migration for the 2018 Year of the Bird. Most recently a new grant was extended for Canadian Iconic Species and Habitats at Risk in collaboration with The Royal Canadian Geographic Society. Day to Night : In the Field with Stephen Wilkes was exhibited at The National Geographic Museum in 2018. Day to Night was published by TASCHEN as a monograph in 2019. Wilkes' work documenting the ravages of Hurricanes Katrina and Sandy has brought heightened awareness to the realities of global climate change. He was commissioned by the Annenberg Space for Photography to revisit New Orleans in 2013 after documenting Hurricane Katrina for the World Monuments Fund. And, his images were exhibited with his photographs on Hurricane Sandy in the 2014 Sink or Swim, Designing for a Sea of Change exhibition. Wilkes directorial debut, the documentary film, Jay Myself , world premiered at DOCNYC in November 2018. The film is an in depth look into the world of photographer Jay Maisel and his move out of his 35,000 sq. foot building at 190 Bowery. Oscilloscope Laboratories has acquired the North American rights and the film opened at Film Forum in New York in July, 2019 Wilkes was a speaker at the TED2016: Dream Conference on his Day to Night series. The talk has over 1.6 million views. In 2017 Wilkes was commissioned by the US Embassy, Ottawa to create a Day to Night photograph of Canada's 150th anniversary of Confederation. Despite his intense dedication to personal projects, Wilkes continues to shoot advertising campaigns for the world's leading agencies and corporations, including: Netflix, OppenheimerFunds, SAP, IBM, Capital One, The New Yorker, Johnson & Johnson, DHL, American Express, Nike, Sony, Verizon, IBM, AT&T, Rolex, Honda. He has a robust following on Instagram of more than 500,000. Wilkes' extensive awards and honors include the Alfred Eisenstaedt Award for Magazine Photography, Photographer of the Year from Adweek Magazine, Fine Art Photographer of the Year 2004 Lucie Award, TIME Magazine Top 10 Photographs of 2012, Sony World Photography Professional Award 2012, Adobe Breakthrough Photography Award 2012 and Prix Pictet, Consumption 2014. His board affiliations include the Advisory Board of the S.I. Newhouse School of Communications; Save Ellis Island Board of Directors, on which he served for 5 years; and the Goldring Arts Journalism Board. Wilkes was born in 1957 in New York. He received his BS in photography from Syracuse University S.I. Newhouse School of Public Communications with a minor in business management from the Whitman School of Management in 1980. Wilkes, who lives and maintains his studio in Westport, CT, is represented by Bryce Wolkowitz Gallery, New York; Fahey Klein Gallery, Los Angeles; Monroe Gallery of Photography, Santa Fe and Holden Luntz Gallery, Palm Beach..
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Latest Interviews

Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Exclusive Interview with Peter Ydeen
Interview
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Exclusive Interview with Tommi Viitala
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Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Exclusive Interview with Robert Mack
Interview
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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Exclusive Interview with Alan Schaller About Irys
Interview
Exclusive Interview with Alan Schaller About Irys
Alan Schaller is a London-based photographer best known for his striking black-and-white street photography and as co-founder of Street Photography International, one of the largest online communities dedicated to the genre. With years of experience both behind the camera and in building platforms that give visibility to photographers, Schaller has now turned his focus to creating a new digital space for photography itself. His latest venture, Irys, is a photography app designed by photographers, for photographers, with the aim of offering a dedicated platform where images are respected as works of art rather than treated as disposable content.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry
© Fernando Morales Roca
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