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Tim Flach
Tim Flach
Tim Flach

Tim Flach

Country: United Kingdom
Birth: 1958

Tim Flach is an animal photographer with an interest in the way humans shape animals and shape their meaning while exploring the role of imagery in fostering an emotional connection. Bringing to life the complexity of the animal kingdom, his work ranges widely across species, united by a distinctive stylisation reflecting an interest in how we better connect people to the natural world.

He has four major bodies of work concerning different subjects: Equus (2008) focusing on the horse, Dogs Gods (2010) on canines, More Than Human (2012) a broad exploration of the world’s species, and Endangered (2017) a powerful document of species on the edge of extinction. He has published five books; Endangered (2017), Evolution (2013), More than Human, (2012), Dogs Gods (2010) and Equus (2008).

Flach is an Honorary Fellow of the Royal Photographic Society, and was awarded an Honorary Doctorate from University of the Arts London in 2013. He lives and works in London with his wife and son.

Source: timflach.com


Over the past decade, Flach's work has increasingly focused on animals, ranging widely across species but united by a distinctive style that is derived from his concerns with anthropomorphism and anthropocentrism. His interests lie in the way humans shape animals, and shape their meaning. He has three major bodies of work: More Than Human, Dogs Gods, and Equus. Through the related books and exhibitions, Flach has attracted international interest. His images have been acquired by major public and private collections.

Commissions by leading editorial and commercial clients have also garnered multiple awards, including three Cannes Lions. He has won the International Photography Award's Professional Photographer of the Year for fine art, and in 2013 was conferred with an Honorary Doctorate from Norwich University of the Arts, in recognition of his contribution to photography.
Selected Books on Available on Amazon
Tim Flach: Birds
Tim Flach: Birds
Tim Flach
Tim Flach: Evolution
Tim Flach: Evolution
Tim Flach
More Than Human
More Than Human
Lewis Blackwell, Tim Flach
Dogs
Dogs
Lewis Blackwell, Tim Flach

Agencies

Peter Bailey Production

Éléonore Charrey

Galleries

Osbourne Samuel Gallery

Opiom Gallery

Crane Kalman Brighton

Website

timflach.com

 

Tim Flach's Video

Selected Books

Tim Flach: Birds
Tim Flach: Birds
Tim Flach
Tim Flach: Evolution
Tim Flach: Evolution
Tim Flach
More Than Human
More Than Human
Lewis Blackwell, Tim Flach
Dogs
Dogs
Lewis Blackwell, Tim Flach

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Marco Guerra
Marco Guerra
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1965
Marco was born in Santiago, Chile, in July 1st 1965. In September 11th of 1973, as the president of Chile was being overthrown by a military coup in the city center, he was struck by the bravery of the photojournalist in the center of it all, risking their life to tell the news story. That day he started to dream in becoming a photographer. Marco got his first photo assistant job at the age of 12, holding a portable flash to photograph Saturday Night Fever children's party, and was amazed how people became egocentric as soon as he pointed the flash in their direction. In 1979 he emigrated with his family to New York city. There he was offered a job working for a photographer who was capturing nights in Studio 54 for Andy Warhol's Interview Magazine. That allowed Marco, to start his aesthetic exploration, and to learn how media and politics shaped the world he was living in. In 1990 he became determined to be a full time artist. He did not allowed himself to do anything that was not related to photography, the history of aesthetic and how we humans interpreted visual information. He started assisting the top International photographers, artist and creative directors of the time and learned to see, analyzed and ask questions. By the mid 1990s he started getting professional assignments as an art, fashion, travel, portrait and advertising photographer for top brands and top magazines like French Vogue, Condé Nast Travel UK, Elle, Harper's Bazaar, New Yorker Magazine, New York Times, and luxury brands such as Levis, Rolex, Ralph Lauren and Bergdorf Goodman, to mention few. By 2001 he started producing, directing and shooting Art films for Ralph Lauren, Rolex and LVMH. In 2002 after meeting and being enchanted by a vision of the American/French/ Moroccan artist Yasmina Alaoui in NYC, they decided to collaborate and explored new areas in Photography, which was changing rapidly because of digital media. By mixing old and new techniques they create "1001 Dreams" series. A project of Love: large formats prints, combining photography and drawing. This work has been exhibited around the world and is part of important collections. Eventually Marco decided to stop doing commercial work and completely focus and explore contemporary art photography. In 2007 after years of soul searching for a non orientalist way to portrait Morocco, he started photographing his Tangiers series over the course of 2 years: Documenting the same street intersection taken from the top of a building, always around 4:30 am in the morning, capturing the intersection of the world of the sexes: the men running home from a long night, and the women starting the work day. This Series was part 2016 Marrakech Biennale, The Pierre Berge Cinematheque Benefit Auction in 2011 in Arle's and Scope Miami 2011 as well print reside in Important collection Internationally. In 2008 to 2012, inspired by a Weston and a paragraph of Neruda ( It is good, at certain hours of the day and night, to look closely at the world of objects at rest.) he set himself with his Rolleiflex , to photograph his “ Volume and lines” series, capturing the stillness and poetry of water cisterns in the palmeraie of Marrakech. This will take several years to shoot. A meditative project, for which he started to spend a lot of time in North Africa. In 2012, Cacerolazo project came alive. Commissioned for the 2012 Marrakech Biennale and inspired by the mood of the time, “Jasmine Revolution” and his childhood memories, marching along the women of Santiago who gathered at dusk , to bang their empty pots and pans in loud and peaceful protest in his native Chile streets. Cacerolazo is a personal examination of the strength and integrity of women and of their power to effect transformation. 10 pieces emerges, each from a mosaic of 119 moments capture with Polaroids, arrayed as tiles. In 2014 he started capturing Moroccan Landscape series, which look natural but have been transformed by humans, and photographed in contemporary neutral tones opposite of a folkloric approach to capturing Morocco. This is an on going project. Next his photography took a big dive to abstraction. Inspired by Sir, Francis Galton and his techniques of composite images, for the next 7 years he would work on composite nudes, cities, monuments and museums. He felt it was the proper choice to speak about time and space repetition. He currently working on composite photography, sculpture project and living between New York and Marrakech.
Cédric Gerbehaye
Cédric Gerbehaye
Belgium
1977
Cédric Gerbehaye is a Belgian documentary photographer and a founding member of MAPS agency. He is the author of the books Congo in Limbo, Land of Cush, Sète#13 and D’entre eux. Trained as a journalist, Gerbehaye first turned to photography during trips to Indonesia. For his graduation thesis in 2002, he addressed the Israeli-Palestinian conflict in the light of the ineffectiveness of the Oslo Accords. After completing his studies, he reported on the situation in Hebron and Gaza and on the economic crisis in Israel. He has also covered the Kurdish question in Turkey and Iraq. Since 2007, he has reported on the conflicts between the militias and the national army in the eastern Congo. His work in the Congo was facilitated by the humanitarian organization Aviation sans frontières which flew him into rebel zones and camps in the Ituri and North Kivu provinces where he was able to photograph adults and children involved in both sides of the conflict. He also travelled to remote areas with Médecins Sans Frontières where he reported mainly on the victims, rather than on the violence. "I’m not looking for the combat," he explained. "I’m interested in trying to tell the story of the people." Keen to bring unreported disasters into the open, he thinks of himself as a "concerned photographer. If there is only a slight possibility that it has an impact, it’s my duty to do it so that people cannot say, 'We didn’t know, we had no clue'."Source: Wikipedia
Moises Saman
Moises Saman
Spain / United States
1974
Moises Saman (born 1974) is a Spanish-American photographer, based in Tokyo. He was born Lima, Peru. Saman is considered "one of the leading conflict photographers of his generation" and is a full member of Magnum Photos. He worked as a photojournalist in the Middle East from 2011 to 2014. Saman is best known for his photographs from the wars in Iraq: the Gulf War, the Iraq War, and the Iraqi Civil War but has also worked in Afghanistan, Egypt, Libya, and Syria including in rebel-held areas there. He covered the Arab Spring and the Syrian Civil War for The New Yorker and has worked for Human Rights Watch. His book Discordia (2016) is about the revolution in Egypt and the broader Arab Spring. Saman has won multiple awards from World Press Photo and Pictures of the Year International, and has received a Guggenheim Fellowship. In 2010 Saman was invited to join Magnum Photos as a nominee and became a full member in 2014.Source: Wikipedia Moises Saman was born in 1974 in Lima, Peru, but spent most of his youth in Barcelona, Spain, after his family moved there. Moises studied communications and sociology in the United States at California State University, graduating in 1998. It was during his last year in university that Moises first became interested in becoming a photographer, influenced by the work of a number of photojournalists that had been covering the wars in the Balkans. Moises interned at several small newspapers in California, and after graduating from university he moved to New York City to complete a summer internship at New York Newsday newspaper. That fall, upon completion of the internship, Moises spent a month traveling in Kosovo photographing the immediate aftermath of the last Balkan war. In 2000, Moises joined Newsday as a staff photographer, a position he held until 2007. During his seven years at Newsday, Moises’ work focused on covering the fallout of the 9/11 attacks, spending most of his time traveling between Afghanistan, Iraq, and other Middle Eastern countries. In the fall of 2007, Moises left Newsday to become a freelance photographer represented by Panos Pictures. During that time he became a regular contributor for The New York Times, Human Rights Watch, Newsweek, and Time Magazine, among other international publications.Source: World Press Photo
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Carl Mydans
United States
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Carl Mydans was an American photographer who worked for the Farm Security Administration and Life magazine. Mydans grew up playing on the Mystic River near Medford, near Boston, Massachusetts. His father was an oboist. Mydans became devoted to photography while in college at Boston University. While working on the Boston University News he abandoned childhood dreams of being a surgeon or a boat builder in favor of journalism. His first reporting jobs were for The Boston Globe and the Boston Herald. After college, he went to New York as a writer for American Banker and then in 1935 to Washington to join a group of photographers in the Farm Security Administration. There he worked with other photographers like Dorothea Lange and Ben Shahn to document the conditions of the American rural workers. 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Jeff Dunas
Jeff Dunas
United States
1954
Jeff Dunas is an American Photographer whose work spans five decades. His work has appeared in hundreds of magazines, album covers, books and calendars. Dunas' principal areas of work have included Nudes, Documentary, Celebrity & Portrait and Street Photography. He is the author is 8 monographs and 5 museum catalogues. As an entrepreneur, he founded Melrose Publishing Company, Collector's Editions, Ltd., launched, Edited and Published Collectors Photography magazine, published Darkroom Photography (later Camera & Darkroom). Dunas founded the Palm Springs Photo Festival in 2006 and the Official Portfolio Review at PhotoPlus Expo in 2010. In 2014, he produced & directed PhotoSynthesis, a photography & music festival in Los Angeles for the Annenberg Foundation. He work has been shown in twelve, one-person museum exhibitions and over 50 gallery exhibitions. Dunas has lived between Los Angeles and Paris, France since 1974.
JR
JR
France
1983
JR has the largest art gallery in the world. Thanks to his photographic collage technique, he exhibits his work free of charge on the walls of the whole world - attracting the attention of those who do not usually go to museums. Originator of the 28 Millimeters Project which he started in and around Clichy-Montfermeil in 2004, continued in the Middle East with Face 2 Face (2007), in Brazil and Kenya for Women Are Heroes (2008-2011), the documentary for which was presented at the Cannes Film Festival in 2010 (Critics' Week). JR has created "Infiltrating art". During his collage activities, the local communities take part in the act of artistic creation, with no stage separating actors from spectators. The anonymity of JR and the absence of any explanation accompanying his huge portraits leave him with a free space in which issues and actors, performers and passers-by meet, forming the essence of his work. In 2011 he received the Ted Prize, giving him the opportunity to make a vow to change the world. He created Inside Out, an international participatory art project that allows people from around the world to receive a print of their portrait and then billboard it as support for an idea, a project, an action and share that experience. In 2014, working with the New York City Ballet, he used the language of dance to tell his version of the riots in the Clichy-Montfermeil district. He created The Groves, a ballet and short film, the music for which was composed by Woodkid, Hans Zimmer and Pharrell Williams, and which was presented at the Tribeca Film Festival. At the same time, JR worked in the abandoned hospital of Ellis Island, an important place in the history of immigration - and made the short film ELLIS, with Robert De Niro. In 2016, JR was invited by the Louvre, whose pyramid he made disappear the with the help of an astonishing anamorphosis. The same year, during the Olympic Games in Rio, he created gigantic new sculptural installations throughout the city, to underline the beauty of the sporting gesture. JR & Agnès Varda - Faces, Places. In 2017, he co-directed with Agnès Varda "Faces, Place"s, screened the same year in the official selection out of competition for the Cannes Film Festival. The film won the Golden Eye (for best documentary) and was nominated for a Caesar and an Oscar in the same category in 2018. He has received other awards around the world. In 2013, the first retrospectives of JR's work took place in Tokyo (at the Watari-Um Museum) and the Cincinnati Contemporary Arts Center, followed by exhibitions at the Frieder Burda Museum in Baden Baden in 2014, and at the HOCA Foundation in Hong Kong in 2015. He exhibited in 2018 at the Maison Européenne de la Photographie in Paris, and in 2019 at the San Francisco Museum of Modern Art (SFMOMA) and the Brooklyn Museum. Source: jr-art.net
Carl De Keyzer
Carl De Keyzer
Belgium
1958
Carl De Keyzer (27 December 1958) is a Belgian photographer. Major subjects in his work have included the collapse of Soviet Union and India. He became a full member of Magnum Photos in 1994. De Keyzer has exhibited his work in many European galleries and has received several awards, including the Book Award from Rencontres d'Arles, the W. Eugene Smith Award and the Kodak Award.Source: Wikipedia Carl de Keyzer started his career as a freelance photographer in 1982 while supporting himself as a photography instructor at the Royal Academy of Fine Arts in Ghent, Belgium. At the same time, his interest in the work of other photographers led him to co-found and co-direct the XYZ-Photography Gallery. A Magnum nominee in 1990, he became a full member in 1994. De Keyzer likes to tackle large-scale projects and general themes. A basic premise in much of his work is that, in overpopulated communities everywhere, disaster has already struck and infrastructures are on the verge of collapse. His style is not dependent on isolated images; instead, he prefers an accumulation of images that interact with the text.Source: www.carldekeyzer.com Magnum photographer Carl de Keyzer was born in Kortrijk, Belgium, in 1958. In his early work he focused on social groups outside of the mainstream. The God, Inc. series explores the various sects of Christianity in the United States and the drastically different and often extreme ways in which people communicate with God. Currently de Keyzer is tackling large-scale projects and general themes relating to overpopulated communities, disasters, and infrastructures. He prefers to work with an accumulation of images that interact with text, and in a series of large tableaux he has covered India; the collapse of the Soviet Union; and modern-day power and politics. His photographs have been published in The Guardian, LIFE, El País and Le Monde, and de Keyzer’s works are held in collections including the J. Paul Getty Museum and the Fotomuseum in Belgium. He also is a recipient of the W. Eugene Smith Grant for Humanistic Photography.Source: International Center of Photography Carl De Keyzer tackles large-scale themes through an accumulative, expansive approach. He builds up narratives through collected images, which often interact with text (taken from his travel diaries). In a series of large-format prints, he has covered India, the collapse of the Soviet Union and – more recently – modern-day power and politics in North Korea. His seminal project, God, Inc., captured religious life on the margins of American society. A basic premise in much of his work is that, in overpopulated communities everywhere, disaster has already struck, and infrastructures are on the verge of collapse.Source: Magnum Photos
Leigh Ann Edmonds
Leigh Ann Edmonds
United States
1980
Leigh Ann is a freelance photographer located in a small town just north of Birmingham, Alabama. Her freelance career spans over 20 years as a professional with portrait, commercial and documentary/editorial work for publications and the entertainment industry. Her work has been in ROLLING STONE, VINTAGE GUITAR and B&W MAGAZINE. She is also an award-winning photographer for her portrait titled 'RODEO'. She is an avid trail runner married to a full-time working musician and her work often reflects that of her lifestyle, showcasing her love of adventure, people and the great outdoors. She received a BA in Studio Art and minor in Journalism from the University of Alabama in 2004 and considers photography more about her visual journey than a professional destination. STATEMENT Over the years I have noticed a pattern with my personal works. I often seek out the road less traveled rather it be within my living environment and community or during my travels. The isolation feels comforting and safe for me, as it allows me to slow down, it is here in these moments, when photography becomes my therapy. I've always been intrigued by the unplanned photograph and my work never is pre-conceptualized. I typically don't know what I will end up photographing and often feed off the energy I am given within that moment when I decide to take the image. The act of shooting is more important to me than the image I capture because it is about the connection I have found with the individual or space I come across. I tend to shoot more on sporadic intuition than thinking the shot through. If I feel something, I don't hesitate and click the shutter only to discover the image later, which can add to the excitement of this experience with my camera. The days I find myself inspired to shoot are days that I long for a connection, rather it be connection with others or the space I am in. I have found that over the years, my photography has become more about a glimpse into who I am more than a means to make a living as a professional. The pattern of my work tends to primarily focus on portraits of locals and the environment of small towns documented in black and white. This approach is to give the sense of isolation and nostalgia of small-town living. I don't want my work to feel 'dated' as I hope those viewing my work will also connect them to that place or person without feeling dated or current. I want my work to gather a sense of timelessness to the viewer and to me. I consider my personal works a journal of my life, my adventures, and a sense of belonging somewhere as I hope others will stumble across and 'read' my photographs when I am gone.
Silvia Alessi
Silvia Alessi
Italy
1975
I was born in Bergamo, Italy in 1975. I have worked as a hairstylist and make-up artist since I was 17. In 2004, while on a trip to Asia, I discovered an interest in reportage photography. I have since travelled extensively pursuing my passion for photography and “telling stories worthy of being told.” My process is a blend of artistic expression and reportage, inspired by an openness to diverse cultures and traditions. Blending this openness with curiosity and artistic expression has allowed me to produce award-winning photography. For many months before travelling to my chosen destination, I research and develop my concept, considering particularly the social context. I also consider deeply the question of finding the appropriate visual language to render the concept beautifully.
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