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Flokje Van Lith
Flokje Van Lith
Flokje Van Lith

Flokje Van Lith

Country: Netherlands
Birth: 1969

Flokje van Lith (1969, Leiden, NL) studied photography at the Royal Academy of Arts, the Hague. Van Lith belongs to the first generation of artists to make full use of the newest Photoshop techniques. With apparent ease, she plays with the different realities that have developed independently of one another within the media of painting and photography. But appearance deceives; the making of the photograph is merely the first in a long line of decisions. The task of achieving the right result takes Van Lith weeks and sometimes months. In her work she explores childhood and its underlying traumas and issues as well as the beauty of innocence and adolescence. The final results, complex portraits of children and young adults, not only have a very aesthetic quality but also seem to tell the story of the subject.The influences of the Flemish Primitives, which can be found in the serenity of the works, but also the personal experience of the artist, resonate from the artworks.

Van Lith won several awards for her work, such as the Silver Award (International Photography Awards), Silver Award (PX3 - Prix de la Photographie) and Third Place (Kontinent Awards). In addition her works have been exhibited at photo festivals nationally and internationally, such as Photo Festival Naarden and Photoville, New York.

Awards: Kontinent Awards: Third Place, Fine-Art/ Single Image/ Professional, International Photography Awards: 8 x Honorable Mention, Fine-Art/ Portrait/ Professional, Fine Art Photo Awards: Professional Nominee, Portrait/Professional, International Color Awards 2015: Honorable Mention, Portrait/ Professional - International Photography Awards 2014: Silver Award, Fine-Art/ Professional - PX3-Prix de la Photographie, Paris, 2014: Silver Award, Fine-Art/ Professional - International Photography Award 2014: 8 x Honorable Mention, Fine-Art/ Professional - New Dutch Photography Talent 2013 - International Photography Award 2013: 4 x Honorable Mention, Fine-Art/ Professional - Photography Masters Cup 2011: 4 x Honorable Mention, Fine-Art/ Professional - International Photography Award 2011: 7 x Honorable Mention, Fine-Art/ Professional.

Exhibitions: (Selection), 2015: Aqua Art Miami (USA), Art Fair COLOGNE (Germany), PAN Amsterdam, KunstRai, Rotterdam Contemporary Art Fair, LXRY (the Netherlands), 2014: Affordable Art Fair Hamburg (Germany), PAN Amsterdam, LXRY, Affordable Art Fair, Raw Art Fair, Realisme (the Netherlands), 2013: LXRY, PAN Amsterdam, Affordable Art Fair, (the Netherlands), 2012, Art Miami Context, Photoville New York, Art Wynwood (USA), PAN Amsterdam (the Netherlands), 2011: PAN Amsterdam, Photofestival Naarden (the Netherlands).

Publications: 2015: LXRY Magazine, PF Magazine, 2014: Art Photo Feature (USA), 2013: Gooi en Eemlander (the Netherlands) 2012: Volkskrant Magazine, De Telegraaf, Haarlems Dagblad (the Netherlands)
 

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More Great Photographers To Discover

Tebani Slade
Australia
1966
Tebani Slade is a fine art, street and documentary photographer based between Australia and Barcelona. Her approach to photography involves storytelling and seeking the truth in her observations. She prefers to venture to unfamiliar destinations with an open mind, devoid of preconceived notions or generic perspectives. Armed only with her camera, Tebani allows events to unfold naturally, following the path that each location leads her on. A former graduate of the Queensland College of Art, Australia she also holds a Master of Distinction with the NZIPP (New Zealand Institute of Professional Photography). She has received recognition and awards for her photography, which has been exhibited both nationally and internationally. Her work has been showcased in group exhibitions such as Women Street Photographers in Kuala Lumpur and the Indian Photo Festival, as well as the Women Street Photographers annual exhibition in New York and the MIA Photo Fair in Milan. She was a finalist in the Australian Head On Photo Awards 2021 and 2022 and took first place in the 2022 Australian Mono Awards. In 2023 she was a finalist in the Mullins Conceptual Photography Prize and was awarded Australian Documentary Photography of the Year with the NZIPP. Her work has been featured in numerous publications including Australian Photography Magazine, Aust Capture Magazine, Aust Commercial Photography, Black & White Photography (UK edition), B&W (US edition), Nikon UK, The Guardian Australia, Loud & Luminous Book 2020 (a Celebration of Australian Women Photographers).
Oliviero Toscani
Italy
1942 | † 2025
Oliviero Toscani was an Italian photographer whose groundbreaking and often controversial advertising campaigns revolutionized the intersection of art, commerce, and social commentary. Best known for his work with Italian fashion brand Benetton from 1982 to 2000, Toscani transformed advertising into a platform for provocative and thought-provoking messages on issues such as AIDS, racism, religion, and capital punishment. Born in Milan, Toscani inherited a passion for photography from his father, Fedele Toscani, a renowned photojournalist and co-founder of the Publifoto agency. After earning his diploma at the Kunstgewerbeschule Zürich, Toscani began his career collaborating with leading magazines such as Elle, Vogue, L’Uomo Vogue, and Harper’s Bazaar. His early work set the stage for a career that would challenge conventions and ignite conversations worldwide. In 1982, Toscani became Art Director for the Benetton Group, where he created some of the most iconic and controversial advertising campaigns in history. Among these was the unforgettable image of David Kirby, a man dying of AIDS, which echoed the composition of religious pietà paintings. While some criticized the ad for exploiting tragedy to sell clothing, the Kirby family praised it for raising global awareness about AIDS. Other campaigns addressed themes of racial equality, war, and even the death penalty, pushing boundaries and reshaping public perceptions of advertising's role in society. In the early 1990s, Toscani co-founded Colors, a magazine created with American graphic designer Tibor Kalman. With the tagline “a magazine about the rest of the world,” Colors reflected the multicultural ethos of Benetton's campaigns while maintaining editorial independence. Toscani’s tenure at Benetton ended in 2000, but his impact on the brand—and the advertising world—remains indelible. A resident of Tuscany, Toscani continued to innovate beyond the fashion industry. In 2003, he founded La Sterpaia, a research facility dedicated to modern communication, in collaboration with the Regione Toscana. His later projects, including campaigns addressing anorexia and LGBTQ+ rights, further demonstrated his commitment to using photography as a medium for social change. Toscani’s career was not without controversy. His 2005 campaign for the clothing brand Ra-Re, featuring images of men engaging in intimate behavior, sparked outrage among conservative groups. In 2007, his stark portrayal of anorexia through the haunting image of Isabelle Caro drew both acclaim and criticism for its raw honesty. Despite these controversies, Toscani remained a cultural force. When Luciano Benetton returned to the helm of the Benetton Group in 2018, Toscani rejoined him, marking a new chapter in their creative partnership. That same year, he became a member of Italy's Democratic Party, further highlighting his engagement with societal issues. Toscani faced health challenges in his later years, battling amyloidosis. He was hospitalized on January 10, 2025, and passed away three days later at the age of 82. Oliviero Toscani's legacy endures as a testament to the power of photography to challenge norms, inspire dialogue, and provoke change. His work reminds us that art can be more than an aesthetic endeavor—it can be a catalyst for understanding and transformation in the world.
Beverly  Conley
United States
Beverly Conley is a documentary photographer in Benicia, California. She has found true satisfaction in long-term self assigned projects that have focused on individuals and contemporary society. Her quest has allowed her to enter the private world of Gypsies in England, the Cherokee Nation in Northeastern Oklahoma, steelworkers in Weirton, West Virginia and the Cape Verdean Communities in Boston and the Cape Verde Islands. Solo exhibitions include the Fort Smith Regional Art Museum in Arkansas, the Black Arts Center in Kalamazoo, Michigan, the Museum of Native American History and Culture in Bentonville, Arkansas, the Boston Public Library and the George Meany Center for Labor. Her work has been featured in juried exhibitions and group shows such as the Festival of American Folklife at the Smithsonian Institution and the Cleveland Museum of Art. She is represented in numerous permanent collections including the Smithsonian's National Museum of African American History and Culture, the Toledo Museum of Art, the Cleveland Museum of Art, the Museum of London, the New York Public Library, the Schomburg Center for Research in Black Culture, the Boston Public Library, the Museum of Native American History and Culture in Bentonville, Arkansas and the Cleveland Public Library. Beverly is the recipient of a 2002 Michigan Creative Artist Grant and she has received awards from the Utah Press Association, the International Regional Magazine Association and an excellence award by Black and White Magazine for their 2017 Special Issue. She is a member of the American Society of Media Photographers (ASMP). Life in the Ozarks: An Arkansas Portrait My ongoing project began in 2003 with a drive down a rural country road. I had recently moved to Fayetteville and was anxious to explore my new surroundings. The resulting images tell the stories of people, events and everyday life in and around small towns in the rugged Ozark Mountains. They represent different aspects of these communities – young and old, recent immigrants, preachers, cowboys, farmers and those whose families have lived in the Ozarks for generations. I am interested in documenting the vestiges of an older Ozarks. There is a sense of timelessness that I want to convey in my work. I am drawn to the less travelled back roads where catfish are caught bare-handed, folks gather on porches to play bluegrass and subsistence farming is still in existence. Living and photographing in the same place gave me the opportunity to observe the changes of a region in transition. Northwest Arkansas experienced tremendous growth in the last decade with rural communities inching closer and closer to cities. I really imagined this unique Arkansas heritage would be lost. What I have since discovered is the resilience and self- sufficiency of a complex culture that stands with one foot in the present and the other in the past. An individual might have a day job at a Walmart but returns to a hand built home and the traditions of the 'holler' at night. Through these photographs and words it is my intention to preserve and share the richness of this Southern way of life with a broader audience. Life in the Ozarks: An Arkansas Portrait Appleby Horse Fair: The Annual Gathering of Gypsies & Travellers Smithfield Market
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