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Win a Solo Exhibition in April 2026 + An Exclusive Interview!
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Antonio Masiello
Antonio Masiello
Antonio Masiello

Antonio Masiello

Country: Italy
Birth: 1987

Antonio Masiello was born in Rome on 1987. Journalist since 2013, he documented the Kosovo and Lebanon for the foreign mission of Italian army between 2013 and 2014.

On 2015 he began a collaboration with the photo agency Nurphoto, for which he follows the main international news.

His works are currently published in the main foreign magazines, among others: TIME Magazine, The Wall Street Journal, Newsweek USA and Europe, The week USA, Vanity Fair USA, Fortune, Mashable, Frankfurter Allgemeine, The Guardian, The Times, The independent, Die Zeit Magazine, The Sun, The Telegraph, Internazionale, Panorama.

With his work on the refugees in Greece, he won the Award of Excellence at the Picture of the year international (POYi) and is a Finalist in the LensCulture Exposure.

He is based and works in Rome.
 

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Sally Mann
United States
1951
Sally Mann was born in Lexington, Virginia in 1951. She has always remained close to her roots. She has photographed in the American South since the 1970s, producing series on portraiture, architecture, landscape and still life. She is perhaps best known for her intimate portraits of her family, her young children and her husband, and for her evocative and resonant landscape work in the American South. Her work has attracted controversy at times, but it has always been influential, and since her the time of her first solo exhibition, at the Corcoran Gallery of Art, Washington D.C., in 1977, she has attracted a wide audience. Sally Mann explored various genres as she was maturing in the 1970s: she produced landscapes and architectural photography, and she blended still life with elements of portraiture. But she truly found her metier with her second publication, a study of girlhood entitled At Twelve: Portraits of Young Women (1988). Between 1984 and 1994, she worked on the series, Immediate Family (1992), which focuses on her three children, who were then all aged under ten. While the series touches on ordinary moments in their daily lives—playing, sleeping, eating—it also speaks to larger themes such as death and cultural perceptions of sexuality. In her most recent series, Proud Flesh, taken over a six year interval, Mann turns the camera onto her husband, Larry. The resultant photographs are candid and frank portraits of a man at his most vulnerable moments. Mann has produced two major series of landscapes: Deep South (Bullfinch Press, 2005) and Mother Land. In What Remains (Bullfinch Press, 2003), she assembled a five-part study of mortality, one which ranges from pictures of the decomposing body of her beloved greyhound, to the site where an armed fugitive committed suicide on her property in the Shenandoah Valley in Virginia. She has often experimented with color photography, but she has remained most interested in black and white, especially photography's antique technology. She has long used an 8x10 bellows camera, and has explored platinum and bromoil printing processes. In the mid 1990s she began using the wet plate collodion process to produce pictures which almost seem like hybrids of photography, painting, and sculpture. Sally Mann lives and works in Lexington, Virginia. A Guggenheim fellow, and a three-times recipient of the National Endowment for the Arts fellowship, Mann was named "America's Best Photographer" by TIME Magazine in 2001. She has been the subject of two documentaries: Blood Ties (1994), which was nominated for an Academy Award, and What Remains (2007) which premiered at Sundance and was nominated for an Emmy for Best Documentary in 2008. She has been the subject of major exhibitions at the Institute of Contemporary Art, Philadelphia, and the Corcoran Gallery of Art, Washington, D.C. Her photographs can be found in many public and private collections, including the Metropolitan Museum of Art; the Museum of Modern Art; and the Whitney Museum of American Art.Source: Gagosian Gallery Mann, born and raised in Virginia, is the daughter of Robert Munger and Elizabeth Munger. In Mann's introduction for her book Immediate Family, she "expresses stronger memories for the black woman, Virginia Carter, who oversaw her upbringing than for her own mother". Elizabeth Munger was not a big part of Mann's life, and Elizabeth said "Sally may look like me, but inside she's her father's child." Virginia (Gee-Gee) Carter, born in 1894, raised Mann and her two brothers and was an admirable woman." Left with six children and a public education system for which she paid taxes but which forbade classes for black children beyond the seventh grade, Gee-Gee managed somehow to send each of them to out-of-state boarding schools and, ultimately, to college." Virginia Carter died in 1994. In 1969 Sally met Larry Mann, and in 1970 they married. Larry Mann is an attorney and, before practicing law, he was a blacksmith. Larry was diagnosed with muscular dystrophy around 1996. They live together in their home which they built on Sally's family's farm in Lexington, Virginia. They have three children together: Emmett (born 1979), who took his own life in 2016, after a life-threatening car collision and a subsequent battle with schizophrenia, and who for a time served in the Peace Corps; Jessie (born 1981), who herself is an artist; and Virginia (born 1985), a lawyer. She is passionate about endurance horse racing. In 2006, her Arabian horse ruptured an aneurysm while she was riding him. In the horse's death throes, Mann was thrown to the ground, the horse rolled over her, and the impact broke her back. It took her two years to recover from the accident and during this time, she made a series of ambrotype self-portraits. These self-portraits were on view for the first time in November 2010 at the Virginia Museum of Fine Arts as a part of Sally Mann: the Flesh and the Spirit. Source: Wikipedia
Cedric Delsaux
France
1974
Cédric Delsaux was born in 1974. For almost 20 years, his oeuvre has sought to deconstruct our conventional view of the relationship between reality and photography. His aim is for the medium of photography to no longer directly express Reality, but rather the Fiction through which it is perceived. First known for his work as an advertising photographer, he has since made a name for himself through his personal long-term photo series. His first, Here To Stay/Nous resterons sur terre, was published in 2008 in France, and by Monacelli Press (Random House) in the US the following year. This series takes us on a subjective tour of symbolic places in our (post)modern world; these places are at once beautiful and ugly, conventional and crazy. His second, Dark Lens, was published in France in 2011 by Éditions Xavier Barral, distributed in the US by D.A.P., and translated into Japanese through publisher X-Knowledge. George Lucas wrote the foreword to the book. Dark Lens places characters from the Star Wars saga into real-world settings—like Dubai, Lille or the banlieue of Paris—and reveals the extent to which our perception of a city passes through the filter of fiction. In his next series, Échelle 1, he asked random passers-by to stand on a white wooden base, instantly transforming them into 1:1 scale figurines. For his 2014 book, Zone de repli, published by Éditions Xavier Barral, he spent three years reexploring an infamous news story, revisiting the haunts of a notorious imposter-murderer. The series he made with "France Territoire Liquide", a group co-founded with three other photographers, featured in an exhibition at the Bibliothèque nationale de France in 2017 (Paysages français: Une aventure photographique) and in a collected volume published by Éditions du Seuil ("Fiction&Cie" collection). Welcome to the Dark Corporation. It all began over 14 years ago with Dark Lens, Delsaux's initial series combining everyday places with the universe of Star Wars. Hailed an international success (...), it was honored by the Master himself, George Lucas.* After taking a break, Cédric Delsaux now reawakens the fantasy with this new opus, irreversibly breaking down the boundaries between Reality and Fiction... While the vehicles and characters of the famous Star Wars saga still haunt the real-world places he shoots—like Paris, Dubai, Marseilles, and Abu Dhabi—, this time Delsaux has worked with a full team (designer, 3D graphic artists, retouchers) to further tear back the veil between true and false, to the point that we begin to wonder if even the slightest frontier still remains. What was originally a simple confrontation between Reality and Science Fiction is finished; now the World and the "Dark Corporation" become one. It is as if the characters of the series have now permanently settled on Earth, bringing with them their ancient powers. These new residents have acquired their own vehicles, which are inspired by the Hollywood saga but recreated in the style of earthlings, borrowing design and techniques from the world that came before, the one that belonged to humankind... With this approach Cédric Delsaux combines two opposing states, reality and fantasy, as if to suggest that one can no longer be perceived without the other. The present of his photographs is no longer in the indicative, but is modified using some unknown conjugation to produce a sort of present of the conditional, distorting Roland Barthe's formula "this has been" into a puzzling "and if this was". Delsaux also uses his sets to suggest a looming, insidious threat. Each piece of land he captures depicts the latent conflict between human beings and the technology they have created... And he has an original way of exploiting the modern myth that is Star Wars to summon up all the anxieties and ambitions of a generation abandoned at the edge of the gaping chasm left by the disappearance of the Grand Narratives. Designer Vincent Gravière
Max Waldman
United States
1919 | † 1981
Max Waldman was a well-known American photographer who made significant contributions to the field of performing arts photography. Waldman, who was born in 1919 in Brooklyn, New York, developed an early interest in photography. He became well-known for capturing the energy, emotion, and theatricality of the performing arts. In the 1940s, Waldman's career took off when he began photographing Broadway shows, ballet performances, and opera productions. His photographs provided a one-of-a-kind visual documentation of the performing arts, immortalizing iconic performances and highlighting the talents of renowned actors, dancers, and musicians. Waldman's photographs captured the essence of live performances, providing viewers with a glimpse into the stage's magic. He had an extraordinary ability to anticipate and freeze moments that encapsulated the performers' emotion and energy. His images captured the theatrical lighting, expressive gestures, and dynamic movement that defined each performance, conveying a sense of drama. Aside from the stage, Waldman documented the world of the performing arts behind the scenes. His photographs provided an up-close look at rehearsals, costume fittings, and the camaraderie between performers. He revealed the human side of the performers through his lens, emphasizing their dedication, passion, and vulnerability. Waldman's work was widely exhibited in galleries and museums throughout his career, and his photographs graced the pages of prestigious publications. He rose to prominence as one of the most sought-after performing arts photographers of his generation, working with well-known artists and institutions. Waldman experimented with other genres besides performing arts photography, such as portraiture and street photography. His diverse body of work demonstrated his photographic versatility and ability to capture the essence of his subjects, whether on stage or in everyday life. Waldman's influence went beyond his photographs. As a teacher, he also shared his knowledge and expertise, inspiring aspiring photographers through workshops and lectures. He wrote several books about photography, offering insights and advice to other photographers. Max Waldman's photographs continue to captivate audiences because they capture the ephemeral nature of live performances as well as the timeless beauty of the performing arts. His photographs bear witness to the power of the stage and the talents of those who bring it to life. Waldman has left an indelible mark on the world of performing arts photography with his exceptional skill and artistic vision, preserving the magic and emotion of the stage for future generations.
Brandon Stanton
United States
1984
Brandon Stanton is an American author, photographer, and blogger. He is the author of Humans of New York, a photoblog and book. He was named to Time's "30 Under 30 People Changing The World" list. Since 2010, Stanton has taken hundreds of portraits of people living and working primarily in New York City, accompanied by bits of conversations about their lives. He has also traveled outside of the United States, capturing people and their lives in more than 20 countries, including Iran, Iraq, Uganda, Democratic Republic of the Congo, Ukraine, Vietnam, and Mexico. Stanton grew up in Marietta, Georgia, a suburb of Atlanta, where he completed his schooling at The Walker School in 2002. He majored in history at the University of Georgia. In 2010, he bought a camera while working as a bond trader in Chicago, and started taking photographs in downtown Chicago on the weekends. When he lost his job a short time later, he decided to pursue photography full-time. Moving to New York City, he set out to photograph 10,000 New Yorkers and plot their portraits on a map of the city, surviving on unemployment checks to "almost pay rent" and borrowing money from friends and family. Eventually, he moved his photographs to the Humans of New York Facebook page, which he started in November 2010. After posting a photo of a woman including a quote from her, he soon began adding captions and quotes to his photographs, which eventually evolved into full interviews. His Humans of New York book was published in October 2013. It received positive reviews and sold 30,000 copies as preorders. The book reached the number 1 position on the New York Times Non-Fiction Best Sellers of 2013 for the week beginning November 3, 2013. The book remained on the list for 26 weeks, again reaching the number one position on December 21, 2014. In August 2014, Stanton traveled to the Middle East to photograph people as part of a 50-day trip through 10 countries in the region under the auspices of the United Nations. In July 2015 he traveled to Pakistan and again to Iran to do the same. At the conclusion of his trip to Pakistan, Stanton crowd funded $2.3 million to help end bonded labor in Pakistan. In January 2015, Stanton was invited to the Oval Office to interview President Barack Obama. The trip concluded a two-week crowdfunding campaign on Humans of New York in which $1.4 million was raised. In March 2016, Stanton opposed Donald Trump's presidential campaign, criticizing Trump on social media for hateful speech, such as delayed disavowing "white supremacy" and defending those who commit violence at his rallies. A day after his Facebook post, it had over 1.6 million likes and was shared nearly 1 million times. Stanton has posted stories and photos from the Pediatrics Department of Memorial Sloan Kettering Cancer Center in New York City. As he did for his other projects, Stanton created a fundraising campaign, and raised over $3.8 million for pediatric cancer research.
Debbie Fleming Caffery
United States
1948
Debbie Fleming Caffery grew up along the Bayou Teche in southwest Louisiana and still lives in the area. Early on in her career, she was inspired by the work of Dorothea Lange and many of the artists working within the FSA and Federal Arts Project of the WPA during the Depression. Like these forbears, she is interested in telling stories with her pictures, but unlike those earlier photographers, her work is as much artful as it is documentary. Her rich, and dramatic prints are the result of the deep relationships with the people and places she photographs, a visual corollary to the reverence she has for her subjects. Caffery has photographed the sugarcane industry and its community in Louisiana since the late 1970s. She has also photographed in rural villages in Mexico for many years, creating works that draw connections between those communities and the ones in Louisiana that were so familiar to her from her own upbringing. In 2005, Caffery was the recipient of a Guggenheim Fellowship for the work she made of women working in brothels in Mexico. In 2006, she received the Katrina Media Fellowship from the Open Society Foundations to continue to photograph the aftermath of Hurricane Katrina. Recently Caffery received a commission from the High Museum in Atlanta for their Picturing the South photography initiative. Her monographs include: Carry Me Home (Smithsonian, 1990), The Shadows (Twin Palms Press, 2002) and Polly (Twin Palms Press, 2004), The Spirit & The Flesh (Radius Books, 2009) and Alphabet (Fall Line Press, 2015). Source: Gitterman Gallery
Samuel Bourne
British
1834 | † 1912
Samuel Bourne, an English photographer born in 1834, is celebrated as one of the foremost figures in early Indian photography. His journey into the world of photography began in Nottingham, England, where he initially worked as a bank clerk. However, his passion for the burgeoning art of photography soon eclipsed his banking career, leading him to pursue it full-time. Bourne's meticulous attention to detail and his technical proficiency quickly set him apart in the photographic community. In 1863, Bourne embarked on an ambitious voyage to India, a decision that would define his career and cement his legacy. He arrived in Calcutta (now Kolkata) and joined forces with the established photographic studio Howard & Shepherd, which later became known as Bourne & Shepherd. This partnership allowed Bourne to explore the Indian subcontinent extensively, capturing its diverse landscapes, architecture, and people with an unprecedented level of precision and artistry. Bourne's expeditions were both challenging and groundbreaking. He undertook several arduous journeys to remote and often inaccessible regions of India, including the Himalayas, where he captured stunning photographs of the mountains, rivers, and valleys. His images of Kashmir, Simla (now Shimla), and Darjeeling are particularly renowned for their clarity and composition. Bourne's work required immense physical stamina and technical skill, as he often had to transport heavy photographic equipment through difficult terrains. Throughout his time in India, Bourne produced an extensive portfolio that vividly documented the subcontinent's natural beauty and architectural grandeur. His photographs provided a window into India for the Western world and were widely acclaimed for their artistic merit and documentary value. Bourne's work was regularly featured in British photographic journals, and he received numerous accolades for his contributions to the field. Samuel Bourne returned to England in 1870, leaving behind a lasting legacy in the world of photography. He continued to be involved in the photographic industry but never again embarked on such extensive travels. Bourne's Indian photographs remain a significant historical record, offering a glimpse into the 19th-century Indian landscape and culture. His pioneering efforts not only advanced the technical aspects of photography but also set a high standard for future generations of photographers. Samuel Bourne passed away in 1912, but his work continues to be celebrated for its artistic and historical importance.
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