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Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Win a Solo Exhibition in June 2026 + An Exclusive Interview!
Cig Harvey
© Sam Adler
Cig Harvey
Cig Harvey

Cig Harvey

Country: United Kingdom
Birth: 1973

The photographs and artist books of Cig Harvey have been widely exhibited and remain in the permanent collections of major museums and collections, including the Museum of Fine Arts, Houston, Texas; the Farnsworth Art Museum, Rockland, Maine; and the International Museum of Photography and Film at the George Eastman House, Rochester, New York. Cig began working in a darkroom at thirteen and has been dedicated to photography ever since. She grew up in the deep valleys of Devon in the UK, and came to the States for her MFA in 1999, after years spent living in Barcelona and Bermuda.

Cig Harvey's first monograph, You Look At Me Like An Emergency (Schilt Publishing, 2012,) is a collection of ten years of pictures and written vignettes. It sold out in all printings and was named one of PDNʼs Best Books of the Year 2012. Cig had her first solo museum show at the Stenersen Museum in Oslo, Norway, in conjunction with the release. The book was well reviewed in a number of publications, including The Independent, Aesthetica, the Boston Globe, Blink, and PDN. Pro Photographer magazine ran an in depth feature, "Chance: Cig Harvey's deceptively simple photographs tap into the universal elements of the human experience: love, loss, longing and belonging. She's in demand for editorial and commercial work-as well as her for her fine art prints and books."

Cig Harvey's second monograph, Gardening at Night (Schlit Publishing, 2015,) was published in conjunction with solo shows at Robert Mann Gallery, New York, Robert Klein Gallery, Boston and Paul Kopeiken Gallery, Los Angeles. The book received critical acclaim with features and reviews in Vogue, The Telegraph, the International Wall Street Journal, the International New York Times, and Aesthetica among others. The International Wall Street Journal said of the series, "Though the subjects and setting are familiar to us, we cannot help but feel that Cig Harvey has led us through the looking glass to a world of wonder. In the way that twilight is not quite day and not quite night, the photographs of Gardening at Night are stories not yet fully developed, while still capturing the unexpected yet oddly harmonious moments that surround us daily."

Cig Harvey's work has been displayed at Paris Photo, Art Miami, and AIPAD every year since 2006. She has been a nominee for John Gutmann fellowship and the Santa Fe Prize, and a finalist for the BMW Prize at Paris Photo and for the Prix Virginia, an international photography prize for women.

Cig's devotion to visual storytelling has lead to innovative international campaigns and features with New York Magazine, Harper's Bazaar Japan, Kate Spade, and Bloomingdales. Cig teaches workshops and regularly speaks on her work and processes at institutions around the world. She is known for her high energy, sense of humor and creativity. She brings a profound sense of optimism to all that she does.

Cig lives in a farmhouse in the Midcoast of Maine with her husband Doug (who has the profile of an emperor on a Roman coin), their wayward daughter Scout, and Scarlet the dog (the original baby). The slow passing of time and the natural surroundings of her rural home has made her alert to the magic in the mundane.

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More Great Photographers To Discover

Laurence Leblanc
Laurence Leblanc was born in Paris in the early days of June 1967. Starting her artistic training early on, she studied drawing, painting, and gravure as a child at the Musée du Louvre’s Ecole des arts décoratifs. Later on Leblanc studied visual art at the Academie Charpentier, at its historic La Grande Chaumiere workshop located in Paris. "Each of us has to tell something that nobody else can tell" -- Wim Wenders. Leblanc always had a deep desire to convey her world a little differently and it was in that spirit that she covered Peter Gabriel’s Secret World Tour in the 90’s, travelling large parts of the world with the British musican over the next two years. In 1999, Leblanc came to the attention of art critic and curator Régis Durand who described her work as : « It exists in these pictures a kind of familiar fantastic, a mix of ordinary poetry and some strangeness » Whatever the medium, the act of creation for Laurence Leblanc comes after gradual impregnation with the subject and his or her environment. The results are often carefully thought-out and reflect both the expansive and minute of the subject and, their context. Cambodian filmmaker Rithy Panh said of Leblanc that: « Her pictures look like souls… the fuzzyness is not fuzzy, the grainy asppearance is not grain, life is not exactly life. Yet it is not death either, and I like being led on this narrow territory between the two » Leblanc is the winner of awards such as the Villa Médicis Hors–Les–Murs scholarship in 2000, and the HSBC Fondation prize in photographie in 2003. In 2003, Peter Gabriel wrote in the preface of her first book Rithy, Chéa, Kim Sour et les autres "Laurence has continued to explore new areas in her work, and I have watched her develop into an extraordinary artist" Leblanc’s second book Seul l’air was published in 2009 by Actes Sud. At the same time her exhibition Seul l’air consisting of work from Africa was presented at the 40th International Photography Festival in Arles. Always expanding her range of learning and creating, Leblanc responded to radio producer and writer Frank Smith’s proposition to create a sound piece for the Atelier de Création Radiophonique. The final 53 minute sound piece was broadcast on France Culture in July 2008. Leblanc also collaborated on the « Sometimes I think Sometimes I don’t think » project with the Domaine de Chamarande. Bulles de silence, a 19 minutes film, written, produced and directed by Leblanc, was selected and premiered at the Museum’s Night in the Niepce’s Museum in May 2015. Laurence Leblanc silently follows her own solitary artistic path which leads her to the field of contemporary photographic creativity, yet her strongest ally is time, the time given (and taken by the artist) to observe and to mature. Represented by the Claude Samuel gallery in 1999 then by the VU’ gallery from 2001 to 2015 Leblanc is a regular at: Art Paris, Art genève, and at Paris Photo since her début there in 1998. Leblanc’s works can be found in collections ranging from the prestigious National Trust for Contemporary Art in France, the Niépce Museum in Chalon-sur Saône, the French National Library, the HSBC Fondation & Collection, as well as in various private collections includng that of Marin Karmitz. We can see one of her picture in the exhibition « Etranger résident » Marin Karmitz’s collection from 15 october 2017 to 21 january 2018 in la maison rouge – fondation Antoine de Galbert. Source: laurenceleblanc.com
William Ropp
France
1960
William Ropp is a contemporary photographer and photo-artist, best known for his series of portraits. Lives and works in France. William Ropp is often called not just a photographer but a photo-artist, and his style of photography is spoken of as unique, inimitable, and recognizable. For the impression they produce, his works are compared to those by painters: individuals depicted in them are as if looking at the viewer – not vice versa. Ropp is known as the Shadow Sculptor. Portraits by him — it is his work with the human body and portrait photography he is famous for — are indeed so dimensional and expressive that they look like they are sculpted from shadow and light. William Ropp began his career in the theatre three decades ago. There is something theatrical about his pictures today as well: each of them is like a speechless monologue by the character depicted in it, a play with one actor, which is encased into one instant caught by the photographer. William Ropp made his first series of black-and-white photographs in 1988: those were images of human figures reflected in distorting mirrors. Ropp continued working with the human body in the studio, experimenting with lighting and photographic technology. In the early 90’s, he found the style that would make him famous. Ropp would plunge figures of models, which, as it is, perplexed the viewer with the complexity of their intricate postures, into darkness and “paint” their body outlines with a bright beam of light. He would increase the exposure time to 10 minutes to make the image a bit blurred but would focus one’s attention on the main thing: the eyes, the facial expression, the shoulder line, or the arm’s expressive curve. In the mid-2000’s, Ropp, the already famous Shadow Sculptor, undertook a number of trips, each of which resulted in a series of portraits of people – Africans and Gypsies, inhabitants of Mexico and Russia, adults and kids. In 2010, he started working in color, portrait photography remaining the primary one in his work. Ropp is the author of several books on the art of photography; his exhibitions and workshops for photographers are staged all over the world. Works by William Ropp form part of the collections of the Musée de l’Elysée (Lausanne, Switzerland), the Museum of Fine Art (Houston, USA), the Maison Européenne pour la Photographie (Paris, France), the Museet for Fotokunst (Odense, Denmark), the New York Public Library (the Spencer Collection, New York, USA), and other public and private collections. Galleries throckmorton-nyc.com www.thephotogallery.se www.originalsong.cn www.holdenluntz.com www.galerie-stp.de jiromiuragallery.com louisegallery.be
Jamie Johnson
United States
1968
Jamie Johnson is a Los Angeles photographer specializing in children and alternative processes. Winner of the Julia Margaret Cameron Portfolio Award and Spider Black and White Photography Award. Her work has been published in many photography magazines and is exhibiting in galleries worldwide. Jamie's work is in the permanent collection of the Hammer Museum in Los Angeles and Archaelogy Museum in Alabama and currently has a show at the Norton Museum of Fine Art in Palm Beach Florida. As a mother and fine art photographer whose bread and butter comes from photography, my passion for faces of the next generation has been a life long focus. I travel the world capturing images children and childhood around the globe. From Laos to Cuba, from the Amazon to India, I have found a universality in the world of children. I have always been particularly interested in observing how girls are raised, examining the morals, values, and education of the next generation of young women. My work has been exhibited Internationally in galleries and museums from New York thru London and Paris, and has been published in dozens of magazines. My Journey with the Irish Travellers I have spent my entire career photographing children all over the world. The last five years I have focused my eyes on the Irish Traveller that live in caravans on the side of the road or in open fields throughout Ireland. The Traveller community are an Irish nomadic indigenous ethnic minority. There is no recorded date as to when Travellers first came to Ireland. This is lost to history but Travellers have been recorded to exist in Ireland as far back as history is recorded. Even with their great history they live as outsiders to society and face unbelievable racism growing up. As a mother of two daughters I became so interested in the culture and traditions and lives of these children. The experience I had photographing the grit and beauty, that is the everyday life of a Traveller child, is one that inspires me everyday. Their deep respect for family and cultural values is refreshing, one that can be quite difficult to find in an age with the convince of social media. Not always immediately accepting of an outsider holding a large camera, I took my time getting to know and understand these faces that represent the new generation. My ever growing fascination with the children of today has lead my all over the world, capturing their innocence or in some cases loss of, in its most raw form. Unlike most children they are unable to refer to a history book to learn about their ancestors, a part of this journey was being able to document an era that is so different to any other I have shot. It is one that is and will always be rapidly changing, everytime I visit it is a whole different world yet with the relationships I have been lucky enough to make, it seems to feel like I never left. I am exponentially grateful the young people documented and that I have come in contact with over my years of visiting are able to call me their friend and I can happily say the same. It is with an honest heart I hope to show that these beautiful children who have great hopes and goals and work everyday to reach their dreams no matter how hard they have to fight racisms and stereotypes placed on them for centuries. A child is an innocent, happy, precious part of the world that should be loved and accepted and encouraged no matter where or how they live. More about The Irish Travellers Order the book
Amy Anderson
United States
1977
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Alon  Goldsmith
South Africa/United States
1961
Dubbed “LA’s iPhoneography Wizard” by Forbes magazine, Alon Goldsmith is an award-winning photographer who has been featured extensively across media and exhibited in galleries around the globe. Alon’s achievements include overall winner of the MIRA Mobile Prize in 2022, 3rd place in the Los Angeles Center of Photography’s Street Photography Around the World Competition, winner of Santa Monica College’s Curriculum Cover Contest and runner up in the journalism category in the prestigious Mobile Photography Awards. Alon was a jury member for the 2018 and 2019 MPAs. His work has also been published in Street Photography Magazine, the Los Angeles Times, Reader's Digest, the Forward, the Argonaut and the App Whisperer, and has been extensively featured in Snap and Mobiography magazines. In 2020, Alon published In Place | Portraits of a Pandemic, a book documenting people isolating during lockdown. In 2025 he published 366 Days in the Life of an iPhone Wizard featuring a photo taken every day during 2024. ARTIST STATEMENT: I am a photographer and storyteller drawn to the intersections of people, place, and perception. My work explores how we inhabit the world together — how identity, environment, and chance encounters shape our shared experience of being alive. Whether photographing a stranger on a busy street or creating large-scale composite portraits, I seek to reveal the quiet connections that exist beneath the surface of ordinary life. Photography, for me, is an act of attention. It asks me to slow down, to notice, and to honor the presence of others. Much of my work begins in public space — sidewalks, markets, transit stops, festivals — places where humanity unfolds in its most spontaneous and diverse form. I am fascinated by how these encounters, however brief, can become profound when framed through care and curiosity. The camera becomes less a tool of documentation and more a bridge — a means of acknowledging another person’s existence. Over the years, my projects have consistently examined how art can restore connection in a fragmented world. During the pandemic, my series In Place | Portraits of a Pandemic became both archive and lifeline — documenting resilience and loneliness while reaffirming the human capacity for hope. That experience crystallized my belief that photography can serve as a form of care, a way of holding space for others. My current series, Going Places, continues this pursuit on a global scale. Each collage is built from dozens of environmental portraits taken within the same setting — city squares, beaches, villages — then woven together into a single composition. Some subjects engage directly with the camera; others remain absorbed in their own rhythm. The result is a visual chorus that speaks to the tension between individuality and belonging. In expanding this series across continents, I aim to create a planetary portrait — a reflection of how people live, adapt, and coexist within their ecological and cultural environments. Ultimately, I see my practice as a dialogue between seeing and being seen. The work invites viewers to slow their gaze, to recognize themselves in others, and to sense the invisible threads that bind us all. Photography, at its best, is an act of empathy — a quiet reminder that we are, each of us, part of something larger, fragile, and profoundly connected. AAP Magazine: AAP Magazine 52 Street
Jo Ann Chaus
United States
1954
Jo Ann Chaus is an American photographer from and based in the New York metro area She holds two certificates from the International Center of Photography in New York City. In 2016 Jo Ann self-published "Sweetie & Hansom", a 60-image book with original text exploring family, relationships and loss. Her current body of work, "Conversations with Myself", is a collection of performative self-portraiture that explores women's roles and identity, currently under edit for publishing. Her work has been exhibited nationally and internationally, and she holds special recognitions and awards: Critical Mass Top 200 2020, 2019, 15th Julia Margaret Cameron Award for Women Photographers Winner Self Portrait Series, 14th Julia Margaret Cameron Awards Honorable Mention, Winner 13th Pollux Awards non-professional category, Critical Mass 2019 Top 200, Klompching Fresh 2019 Finalist, PDN Emerging Photographer Fall 2019 Winner, , Candela Unbound8! and 9! juried exhibitions, Permanent Collection in the Center for Creative Photography Qualities of Light Exhibition, Juror's Choice South East Center for Photography Portrait Exhibition 2019. Statement Jo Ann's work is a visual record of her interactions with and with-in her environment, and her curiosity to explore and discover personal truths, whether found or assembled, as metaphors for her inner landscape. She expresses the joys and pathos of a life, as seen and felt by the young girl within who became the woman, the mother, and the wife. Her perspective is through the eyes of an elder in our society, contemplating the challenges and incongruities of her own will, desire and constraints within a historical context. Heightened and enhanced by the literal light of day, it is an examination of life's ambiguities: the close and the distant, the beauty and the grit, the singular and the plural, satisfaction and longing, together and apart… all relentlessly seeking to understand and witness herself, past, present and future.
Elaine Ling
Canada
1946 | † 2016
Elaine Ling was an exuberant adventurer, traveler, and photographer who was most at home backpacking her view camera across the great deserts of the world and sleeping under the stars. Born in Hong Kong, Elaine Ling has lived in Canada since the age of nine. Upon arrival in Canada, Elaine was exhilarated by the freedom of space and began her attraction to Stone and places of Nature. She studied the piano, the cello and medicine. Since receiving her medical degree from the University of Toronto, she has practiced family medicine among various First Nations peoples in Canada's North and Pacific Northwest as well as on the other side of the world, in Abu Dhabi and Nepal. Seeking the solitude of deserts and abandoned architectures of ancient cultures, Elaine Ling has explored the shifting equilibrium between nature and the man-made across four continents. Photographing in the deserts of Mongolia, Ethiopia, Madagascar, Timbuktu, Namibia, North Africa, India, South America, Australia, American Southwest; the citadels of Ethiopia, San Agustin, Persepolis, Petra, Cappadocia, Machu Picchu, Angkor Wat, Great Zimbabwe, Abu Simbel; and the Buddhist centres of Myanmar, Laos, Vietnam, Tibet, and Bhutan; she has captured that dialogue. Ling's photographs, widely exhibited and published, are in the permanent collections of numerous museum and private collections including the Bibliothèque Nationale, Paris, France; Musée de la Photographie, Charleroi, Belgium; Fotografie Forum International, Frankfurt, Germany; Museet for Fotokunst, Odense, Denmark; Centro Portugues de Fotografia, Porto, Portugal; Scavi Scaligeri International Centre of Photography, Verona, Italy; Fototeca de Cuba, Havana; Lishui Museum of Photography; Museum of Fine Arts, Houston, Texas; Brooklyn Museum, New York; SE Museum of photography, Florida, the Cleveland In Canada, Ling is in the collections of the National Gallery of Canada, Ryerson University, Art Gallery of Ontario, Royal Ontario Museum, the Canadian Museum of Contemporary Photography. Her international publications include work in View Camera, Photo Technique International, The Polaroid Book, Italian Zoom Magazine, Orion Magazine, Viktor Magazine, BMJ and Aperture. When not photographing, Dr. Ling practiced family medicine in Toronto and played cello in Orchestra Toronto, a community orchestra. She was a fellow of the Royal Canadian Geographical Society.Any books ordered will be filled by Edward Pong, her brother, thru his website ultraanaloguerecordings.com
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