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Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Win a Solo Exhibition in July 2026 + An Exclusive Interview!
Andrea Abrego
Andrea Abrego
Andrea Abrego

Andrea Abrego

Country: El Salvador
Birth: 1998

I was born in El Salvador on December 10, 1998. I lived with my parents for a short amount of time, where I kept moving and changing schools every three years until I was 10. I moved in with my aunt where she kept cabinets of photos, where I used to spend a lot of hours looking at them. On those four years I lived with my aunt, I was exposed to life experiences, where the only thing I really had was what I called 'home' and a relationship with my cousins and siblings. I moved in with my mother to California, where I was exposed to a lot of diversity, different perspectives and expressions. After I went back to El Salvador for my father's funeral, I realized that whatever made you who you are and where you come from is something unforgettable. However, I still took what I thought it was right from here, one of those things was to show through photography who I am by not being obvious about it, because in my life I had to work hard to achieve what I wanted, which made it more valuable, photographs can mean more if they are really look through. I like who I am, and every single perfection and imperfection about my life. I want to keep moving, expanding my ideas and expressing them, at the end being able to find what I once called 'home'.

Andrea Abrego is the winner of the first edition of the YPA, Young Photographer Award organized by Beatrice Chassepot, Founder and Editor of be-Art magazine.
 

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More Great Photographers To Discover

Daniel Sackheim
United States
1962
Daniel Sackheim, born in 1962 in Los Angeles, California, is a photographer and film and television director and producer living and working in Los Angeles. As a director, Sackheim is best known for his work on multiple highly acclaimed television series. Some of his directorial credits include: Game of Thrones, True Detective, The Americans, The Walking Dead, Jack Ryan, Servant, Better Call Saul, The Leftovers, The Man in the High Castle, Ozark, and more recently Lovecraft Country. He has received multiple Emmy nominations, more recently in 2017 for directing the Ozark episode "Tonight We Improvise," which is a category he won in 1997 for an episode of NYPD Blue. In addition to his television work, Sackheim directed the Sony feature film, The Glass House, starring Leelee Sobieski, Diane Lane, and Stellan Skarsgard, and he produced the film, The X-Files: Fight the Future, for 20th Century Fox. Alongside fellow HBO alum Tony To, Sackheim is the co-founder of Bedrock Entertainment, which produces prestige content programming streamers and premium cable platforms. Sackheim's photographic practice translates the filmic league of his career into still photography that explores the nature of mystery, urban environments, and narrative ambiguity. His attraction to spaces dominated by shadows stems from his love of film noir and its predilection for heightened reality. A member of a number of photography centers, he is also a curator for www.streetfinder.site which is a growing community for street photography. Statement A camera is like a keyhole through which one can peer into dark spaces in search of a hidden narrative I've come to define as the unknown. Using photography, I am endeavoring to shine a light on that narrative, bringing it into sharper relief. My work occupies a space dominated by shadows. This attraction to the dark and ambiguous stems from my love of film noir and the heightened reality this filmic language personifies. Like noir, my photography aims to access the subconscious, exploring a world of omnipresent solitude and alienation. Article Exclusive Interview with Daniel Sackheim
Eric Kunsman
United States
1975
Eric T. Kunsman (b. 1975) was born and raised in Bethlehem, Pennsylvania. While in high school, he was heavily influenced by the death of the steel industry and its place in American history. The exposure to the work of Walker Evans during this time hooked Eric onto photography. Eric had the privilege to study under Lou Draper, who became Eric’s most formative mentor. He credits Lou with influencing his approach as an educator, photographer, and contributing human being. Eric holds his MFA in Book Arts/Printmaking from The University of the Arts in Philadelphia and holds an MS in Electronic Publishing/Graphic Arts Media, BS in Biomedical Photography, BFA in Fine Art photography, all from the Rochester Institute of Technology in Rochester, New York. Currently, he is a photographer and book artist based out of Rochester, New York. Eric works at the Rochester Institute of Technology (RIT) as an Assistant Professor in the Visual Communications Studies Department at the National Technical Institute for the Deaf and is an adjunct professor for the School of Photographic Arts & Sciences. In addition to lectures, he provides workshops on topics including his artistic practice, digital printing, and digital workflow processes. He provided industry seminars for the highly regarded Printing Applications Lab at RIT. His photographs and books are exhibited internationally and are in several collections. He currently owns Booksmart Studio, which is a fine art digital printing studio specializing in numerous techniques and services for photographers and book artists on a collaborative basis. Eric’s work has been exhibited in over 35 solo exhibitions at such venues as Nicolaysen Art Museum, Hoyt Institute of Fine Art, Los Angeles Center for Digital Art, and numerous university galleries. His work has also been a part of over 150 group exhibitions over the past four years, including exhibitions at the Center for Photography, A. Smith Gallery, SPIVA, San Luis Obispo Museum of Art, Spartanburg Museum of Art, Atlanta Photography Group, CEPA Gallery, Site: Brooklyn, Colorado Photographic Arts Center, Philadelphia Photo Arts Center, and many more. Eric was named one of 10 B&W photographers to watch of 2018 by BWGallerist; B&W Best Photographers of the Year 2019 by Dodho Magazine; won the Association of Photography (UK) Gold Award for Open Series in 2019; Finalist, Top 200 Critical Mass 2019, 2020, 2021; Top 15 Photographers for the Rust Belt Biennial; and Lensculture B&W Jurors’ Pick 2021. His Project Felicific Calculus was also awarded a Warhol Foundations Grant through CEPA Gallery in Buffalo, NY. Eric’s work has also been published in magazines such as; Bloomberg Businessweek, LensWork, Dodho, B&W Photography, Analog Explorations, All About Photo, Black+White Photography (UK), Dek Unu, along with online articles by Analog Forever Magazine, Catalyst: Interview, Texas Photo Society, and others. There's no “given,” formula for what demands Eric’s focus as a photographer. Eric is as drawn to the landscapes and neglected towns of the American southwest as he is to the tensions of struggling rustbelt cities in the U.S. northeast. Eric is attracted to objects left behind, especially those that hint at a unique human narrative, a story waiting to be told. Eric’s current work explores one of those relics: working payphones hidden in plain sight throughout the neighborhood near his studio in Rochester, NY. Associates suggested they signified a high crime area. This project's shown Eric something very different. Felicific Calculus: Technology as a Social Marker of Class, Race, & Economics in Rochester, NY The felicific calculus is an algorithm formulated by jurist and reformer Jeremy Bentham (1748-1832) for calculating the moral rightness of an action by balancing the probable pleasures and pains that it would produce. Bentham, a utilitarian philosopher, believed this calculus could, in principle, help determine the moral status of any considered act. In 2017, I relocated my studio to a different part of Rochester, NY. Colleagues immediately started making comments along the lines of: "...that area's a war zone." My experience with the new neighborhood was positive, so I wanted to discover what visual cues others might be seeing as indicators of a dangerous environment. Several people had mentioned the number of payphones in the area, inferring that only criminals use payphones these days. There really were a lot of payphones in my neighborhood. I began documenting them, and quickly saw that far from being used by criminals, these phones served as a lifeline for some of the poorest residents in the area. Looking deeper, I found the story behind Rochester's payphones reflected an unusually altruistic ‘felicific calculus' by Frontier Communications. Instead of focusing on profits, they had decided to maintain the payphones in poorer neighborhoods for the good of the community. Many policymakers have opted to view payphones as a social indicator of crime, unfortunately leading to ignorant or even dangerous decisions. In Detroit, Michigan, politicians had all public payphones removed without studying or surveying their actual use.They simply assumed the criminal connection. This decision was based on a further assumption that everyone today must own a mobile phone. Decision-makers lacking facts or any real understanding of issues facing citizens from a different economic class just acted on a misperception. Witnessing that type of reflexive judgement from my colleagues drove me to educate myself. I photographed payphones and mapped their locations, then overlaid them with census maps showing economic status, ethnicity, age and sex, and the city crime map. There was an immediate, direct correlation between the poverty level and location of the payphones. Areas with the most payphones coincided with Rochester neighborhoods where the average family incomes are lower than $20,000 annually. There was also no correlation with high crime neighborhoods. Through Felicific Calculus I hope to challenge negative perceptions of social markers that conflate poverty with crime. Though they are relics to most of us, payphones remain important for residents trapped in lower economic circumstances. Life-Lines Throughout the United States This body of work is a series in conjunction with my project “Felicific Calculus: Technology as a Social Marker of Race, Class, & Economics in Rochester, NY,” to demonstrate how many cities throughout the US are facing the same situation. Many individuals are being left behind by technology or labeled throughout the United States due to relying on outdated technology. This series is meant to support the Rochester, NY, project to demonstrate what is occurring in the United States. “Life-Lines Throughout the United States” is a topographic survey of payphones as social markers throughout the United States, along with interactive census data to help visualize the socioeconomic relationship between the individual photograph and each location.
Nicola Ducati
Italy
1973
My name is Nicola Ducati I am an Italian photographer, travel and portrait photography is my expressive medium. With my pictures I want to tell stories that create empathy between the viewer and the subject with elegance and authenticity. I was born in a small town among the Italian Alps. I have always lived in a beautiful place that has made me grow and appreciate nature, animals, quiet places and respect for what surrounds us, I think this way of living in the countryside has greatly influenced my photographic sensitivity. I approached the world of photography by chance. As a child, I used to play with an old camera found who knows where, a shabby but fascinating object that soon became a passion. Later, my curiosity led me to experiment with many different genres, from the first landscape, travel photography, and finally the travel portrait. Today I especially like photography, which tells stories but also lets you imagine them, which excites and suggests reflections. A narrating photography. What I like I photograph only what I like and what fascinates me, I am a curious person and i try to find what in the world unites us not what divides us, I mean that I try to bring out those traits of humanity that make us all connected. An exercise to accept with empathy the entropy of our world. My photography is not conceptual, it represents what I see, what I feel important, what excites me or moves me. I love when the emotion and the story hidden inside a picture reaches the observer. I entrust my work and aesthetics photography to the task of telling and giving the observer inspiration and sense of belonging. Photography that responds to this, is a successful one.
Michele Zousmer
United States
Michele Zousmer is a humanitarian and fine art photographer. The camera is her tool to give voice to marginalized communities and witness the human experience. Michele's work celebrates each individual's strength and beauty, as well as their vulnerability and spirit, going beyond how one presents oneself to the world. They are infused with her almost overwhelming empathy. Michele believes a photograph can create a lasting impression of emotion, curiosity, love, and ultimately hope of mankind. It can help people heal, give them dignity, and feel empowered. Her photographs reveal insights into the lives of people we wouldn't otherwise meet. Through her world travels, Michele meets people from different walks of life, listening to their stories and sharing intimate moments with them. The permission they grant and openness they offer by inviting them into their world never ceases to move Michele. The soulfulness of her images comes from developing relationships with the people she engages with. Michele truly believes that even though we may have differences on the outside, inside we are all the same. The images are infused with her almost overwhelming empathy. Artist Statement "My mind, my eyes, and my heart have been opened by my experiences. My life has been forever changed. I hope my work inspires others to feel we all matter and to care more profoundly. Engaging in the world and becoming open to different cultures and traditions allows for more conversation on diversity and equality. Photographs hold the power to connect people and create understanding. This is why I do what I do." Article Mis(s)Understood
Alfred Wertheimer
United States
1929 | † 2014
Alfred Wertheimer was an American photographer best known for his intimate and iconic images of Elvis Presley during his early career. His photographs provide a rare and intimate look into the life of one of music's most influential figures. Wertheimer was hired by RCA Victor Records in 1956, at the age of 26, to document the rising star Elvis Presley. Wertheimer followed Presley on tour for several months, capturing candid moments both on and off stage. His photographs revealed the young musician's raw and unguarded side, highlighting his charisma, vulnerability, and undeniable talent. Wertheimer's photographs of Elvis Presley have come to represent the spirit and energy of early rock and roll. Wertheimer's lens captured the essence of Elvis' cultural phenomenon, from backstage encounters to private moments at home. The most famous photograph in Wertheimer's collection is arguably "The Kiss." The photograph, taken during a train ride in 1956, captures a tender moment between Elvis and a young woman through a train window. This image has come to represent Elvis Presley's allure and magnetism as a cultural icon. Wertheimer's work extended beyond his time with Elvis throughout his career. He shot a diverse range of subjects, including well-known musicians, politicians, and cultural figures. His photographs have been shown in galleries all over the world, have been published in numerous books, and are still admired for their artistic and historical significance. The photographs of Elvis Presley by Alfred Wertheimer have left an indelible mark on the worlds of music and photography. He captured the essence of a young musician on the verge of stardom through his lens, providing a glimpse into the humanity behind the legend. Wertheimer's photographs are as powerful and captivating today as they were when they were first captured, capturing the spirit of a cultural icon and the energy of a transformative era.
Giorgio Di Maio
Giorgio Di Maio (1963, Naples) begins to take photos during his Architectural studies (1990),where he understood the strength of the photography as a mean to extrapolate from the reality a piece of the reality itself, independent in the shape and in the substance having a own narrative meaning. The expositive activity (since 1992) and the professional one (since 1993) went forward together, and every kind of restructuring activity is an opportunity for linguistic research. In 2003 he held a Master in "Fotografia dello spettacolo" by Silvia Lelli, At European Institute of Design in Milano, that introduced him to a deep research into the American Photography. Between 20017 and 2010, in Basilicata, he developed the series "Paesaggi lucani" and tried in the same period the digital photo machine. In Di Maio, then, woke up his environmental soul that bring the artist in 2011 to a new exhibition "Non è Napoli" dedicated to his own city and its beauty during the rubbish scandal. Since 2013 he slowed down the architect profession starting to study philosophy as theorical support to the practical photography, going from Naples to Milan very often, and vice versa. Then he creates" Armonia nascosta", from his studies, that is written with a specific modus operandi, aware of his reasons and purpose. Starting form Heraclitus, the Hidden Harmony show the transmigration of the mystical and philosophical roots of Paul Klee e Vassilij Kandinskij's abstract art til the photography, transforming it into a growth process both spiritual and social of a man, who goes through the evidence of the visual data looking for the Hidden Harmony as it appears today. Some projects "I sentieri dell'acqua e Chiaroscuro" (2013-2014), "Feminine, Photokina" (2016), "Cristianesimo Arte e Paganesimo" (2017), "Correspondances" (2018), "Milano in Armonia" (2018), "Il mare di Leopardi (2020), always continuing his studies of the immaterial in the material world. In 2017 he published his Photographic-philosophic web site of his research, that will be considered by different international photographic magazines. Then he started an intense exhibitions period, among public exhibition and festivals, having so many positive feedbacks from the public but also from the sector critical. In 2019, the Prof. Guido Ferraro, full professor of "Semiotica e Teoria della narrazione" at Torino's University, named Di Maio's research with those by Franco Fontana, Luigi Ghirri and Mario Giacomelli. Giorgio di Maio goes from a city to another, looking for the Hidden Harmony in nowadays reality. About Hidden Harmony The project that I would represent is the mystical and philosophical roots of Abstract Art transmigration into the Photography. The Art as knowledge tool to understand the sense. Going over the phenomenon, the appearances, searching for the law that create each event, for everyone also individual or being part of a whole. Basically there is the rejection of materialism, the faith in progress and particularly the faith in the spiritual progress of the men helped from the artist which "has in himself a mysterious visionary force....to see and to show". The photographer artist isn't a perfected camera who think that the knowledge and the experiences are only a replica of reality, who limit to reproduction of the exteriority, closed from the barriers of the phenomenon, but he know and must to express an ethical content which he gets from the sensitive data. The equilibrium that comes out from the tens and integration of differences, where the opposites converge completing themselves and the materiality falls to leave space to the spiritual presence, transform every shot in a travel through the space-time instances, instead of being the static representation of the place. In the Photography the language remain the same, using shape and color like the musical notes that touch the soul when you press a key and the human spirit vibrate. The research is the Harmony: to identify in the reality different elements in contrast with each other but in a unitary composition to create a mutual stimulating of the sense of balance and rest. The Peace. The expressionism of Der Blaue Reiter started in the of age of the new spirituality. Instead the wars and the extermination camps comes. It doesn't mean that the materialism has won but only a wrong idea of the temporal date. We don't know how much time need to achieve the spiritual progress of the humanity, maybe thousands of years or more. The important thing is that each era made a new step in right direction and in the contemporary era the Photography could be the most powerful means to give a contribution in this way.
Ricardo Reis
Portugal
1981
Why I Photograph As a young person, I needed and had to put out there so many things that were stuck inside me, and very quickly, I realized that I had a different way of seeing the world. I started noticing that even if there were many people looking at the same thing as me, they weren't seeing what I was seeing. Photography became the most realistic representation of my perspective. Photography blends all the art mediums and I am inspired to create amalgamations of the dream world with the real. I love the challenge of being able to put onto paper the ideas and surreal world of my own creation. My Purpose When I create a photograph image, I want to engage in a dialogue-to make the viewer feel something, even if it's a negative reaction. I appreciate the negative reaction, because I understand I've drawn something out in the viewer: an honest reaction is more potent than an indifferent one. I want to be able to convey an inner conversation-an ambience, a vibe- to create curiosity in the viewer for the lives and moments depicted in my images. My Method I prefer to shoot with black and white 35mm film, because I find it's more honest and direct, at least for me. I like the mental exercise of having to prepare the picture in your mind first and do the chain of thoughts necessary to translate the idea into the final work. Color can be distracting and disruptive of the real intent and emotion I am trying to achieve. My favorite camera is the Canon EOS 1 RS film camera; it has plenty of functions which allow me to have more control over the final product. I love to prepare a playlist and just go and take a walk with my camera and put myself in the mood: a limbo between voyeurism and participant. My Path When I started I wanted to be a war photographer, but in my home country of Portugal, it's very difficult to get the connections necessary to achieve that. I was fortunate to get an internship at a daily newspaper in Portugal which led to my work being published in several major newspapers and magazines. I began to work more in fashion photography and was assigned to the fashion weeks that took place in Europe. During the shows, I found that I always preferred the backstage where I had more freedom to do different things, take more risks. Photography has been the driving force through all my creative pursuits. My love of music, music photography and music videos comprise a large part of my work. As a cinematographer/director for album and DVD covers, I work in collaboration with several European photography agencies in Portugal and in the UK. The more artistic side of my work is represented in several countries and in private collections, from Canada, the UK, France, Netherlands, Australia, China, Portugal, and the United States. Currently I am living in Lisbon, but who knows what's next.
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Latest Interviews

Exclusive Interview with Trevor Cole: Pastoral Peoples and Practices
For this interview, we wanted to focus specifically on The Face of the Mundari and the wider Pastoral Peoples and Practices series. We spoke with Trevor about his long-term work among the Mundari, what continues to draw him back to their cattle camps, and the experience of documenting a culture whose identity remains deeply connected to livestock, tradition, and the natural environment.
Exclusive Interview with Frank Meo
In our latest exclusive feature for All About Photo, I speak with veteran photography representative Frank Meo about what it truly takes to build a sustainable creative career today. Frank brings decades of experience working with Fortune 500 companies, major agencies, and documentary photographers to the table. We dive into the critical business skills often left out of art school curriculums, the power of mentorship, and the inspiring evolution of PROJECTIONS—his international salon platform for visual storytellers. It’s an essential read for anyone navigating the commercial or editorial photography landscape today.
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
Exclusive Interview with Matthew Finley
American photographer Matthew Finley turns inward, using photography as a way to explore identity, memory, and emotional truth. Based in Los Angeles, his practice moves between performance, gesture, and found imagery, creating a visual language that is both intimate and deeply personal
Exclusive Interview with Jan Janssen
Dutch photographer Jan Janssen explores universal human experiences through his long-term project It Matters, winner of the May 2025 Solo Exhibition. Begun in 2016, the series captures intimate moments of everyday life—love, loss, connection, and belonging—across Central and Eastern Europe. Working in countries such as Turkey, Azerbaijan, and Armenia, Janssen spends extended time within communities, building relationships based on trust and respect. His approach allows him to move beyond observation, revealing deeply human and authentic moments. Rooted in travel and personal discovery, It Matters reflects Janssen’s search for what connects us all in an increasingly divided world. The project is ongoing and will culminate in a photobook scheduled for publication in 2026.
Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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