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FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
FINAL DAYS TO WIN A SOLO EXHIBITION IN MAY 2026
Marco Gualazzini
Marco Gualazzini
Marco Gualazzini

Marco Gualazzini

Country: Italy
Birth: 1976

Born in Parma in 1976, Marco Gualazzini began his career as a photographer in 2004, with his home town's local daily, La Gazzetta di Parma. His works include reportage photography on microfinance in India, on the freedom of expression in Myanmar, on the discrimination of minorities in Pakistan.

For the last few years he has been covering Africa extensively. He devised and took part in the creation of a documentary for the Italian national TV network RAI on the caste system in India, which has been selected at IDFA- The International Documentary Film Festival Amsterdam, and has been awarded with the Best Camera Work Award at the Aljazeera International Documentary Film Festival 2014. Gualazzini published in national and international titles and he has received numerous accolades, including the Getty Images Grant for Editorial Photography, the PDN and the World Press Photo.

Represented by CONTRASTO Agency Resilient is his first book and it's published by ContrastoBooks

PUBLICATION:
The New York Times, GEO, Al-Jazeera, Paris Match, LIGHTBOX- TIME magazine, Courrier International, L'Express, 6Mois, Internazionale, L'Espresso, InsideOver, CNN, M (Le Monde), Der Spiegel, The Sunday Times Magazine, Newsweek Japan, and Vanity Fair.

AWARDS:
Nomination award HPA2011- the Humanity photo awards 2011
Finalist CGAP 2011- Microfinance Photograpy contest
Short-Listed, premio internacional de fotografia humanitaria Luis ValtueÑa 2011
Short-Listed 3rd Lumix Festival for Young Photojournalism, Hannover 2012
Silver Medal, category press-war, Prix de la Photographie 2013
Premio giornalistico Marco Luchetta- Miran Hrovatin 2013, 1st Prize
Getty Images Grants for Editorial Photography Recipient 2013
Short Listed Premio giornalistico Internazionale Marco Luchetta - Miran Hrovatin 2014
Lucie Fondation, Photo Taken Scholarship Recipient 2015
Winner in PDN Photo Annual photo contest 2016
Final 100 to The Other Hundred Educators, The Other Hundred 2016
Photographer of the year All About Photo Awards, 2017
Short Listed - Premio giornalistico Internazionale Marco Luchetta 2017
Wiki Loves Africa, 2nd Prize
All About Photo Awards 2019, 4th Prize
Wiki Loves Africa, 1st Prize
World Press Photo 2019 Photo Contest, Environment, Stories, 1st Prize

EXHIBITIONS & SCREENINGS:
Palazzo Pigorini, Collettiva sulla città con i fotografi NEOS, Parma, Italy, 2009
Galleria d'arte Camera Sedici, Storie in tre scatti, Milano, Italy, 2010
FoFu Phot'arte, Festival internazionale fotografico, Fucecchio (FI), Italy, 2011
Medicos del Mundo, premio Luis ValtueÑa, Madrid, Spain, 2011
The Humanity photo awards, Memories of Mankind VII, con il patrocinio dell' UNESCO, Beijing, Cina, 2011
3rd Lumix Festival for Young Photojournalism, Hannover, Germany, 2012
Angkor Photo Festival, Angkor, Cambodia, 2013
Les Rencontres d'Arles, Screening, Arles, France, 2013
Visa pour L'image, Screening, Perpignan, France, 2013
'Italy. Another View' Vadehra Art Gallery, India Art Fair, NSIC Exhibition Grounds, New Delhi, India, 2014
One Day in Africa - Spazio Oberdan, Milan, Italy, 2014
"One World" - Photofestival Horizonte, Zingst, Germany, 2014
Angkor Photo Festival, Screening, Angkor, Cambodia, 2015
World Humanitarian Summit, Istanbul, Turkey, 2016
Pune Biennale, Pune, India, 2017
Visa pour l'image, Screening in Campo Santo, Perpignan, France, 2017
Spazio Forma Meravigli, solo exhibition , Milan, Italy, 2019
Palazzo Pigorini, solo exhibition , Parma, Italy, 2019
World Press Photo, World Wide, 2019
RESILIENTI2020 - Installation Art Città di Parma, Parma, 2020

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More Great Photographers To Discover

Lara Wilde
Germany
1988
Lara Wilde dances in her projects between the themes of raw human emotions and the complexity of the outside world. As a photographer and psychologist she is interested in what moves us as humanity on an individual level. Besides an intensive involvement with her protagonists, she stands for technical perfection in the execution, which has earned her several awards. Since 2016 Wilde is working as a fine art photographer and creative director. Statement A few years ago I moved from a Norwegian village back to Berlin to study photography. What I didn't know back then is that you unlearn being a city person when you are gone long enough. I really thought I would die in the anonymous streets of the city I once loved so much. As you know, when we are determined to solve a problem, we go deeper into it. So I wanted to meet strangers and see how they feel outside of their awesome social herds. A lot of nights I now invited myself to other peoples houses, men and women, all strangers, drinking coffee and photographing them in the process. I shot them in longterm exposures, first, because I didn't want to bring a lot of equipment, but later I enjoyed the slow process, sitting there in darkness and waiting for the picture to come through. For some people, it was torture sitting around in the darkness, confronted with their thoughts without their smartphones, friends or busy surroundings. For me they looked like something was missing when they were just sitting by themselves. It felt really personal watching them trying to get comfortable in this inputless scene, to see them struggle, or to see them think and sometimes sharing the feelings that were coming forward. All these conversations with strangers, waiting around in the dark, gave me a feeling of togetherness, becoming a tiny particles of their lives and giving them something that they normally didn't have: Stillness. They were so open and thankful for conversations and most of the times we talked about the real shit: About being lonely, about dying, about calling our parents and our first love. All the stories found their way into the pictures and reminded me of everything we talked about. But I personally got my Berlin back. Not at the streets, but at the dark corners of their homes. Everything in their homes told their stories as loud as they did and I had the honor of being part of it for a short period of time. I get you now, Berlin-people: You are kind and giving, but you are afraid of being used. You are interested in others, but don't want to be tangled up in other peoples problems. You want to show yourself, but want to be accepted. And if you like it our not, the people around you want that too.
René Burri
Switzerland
1933 | † 2014
René Burri is a Swiss photographer known for his photos of major political, historical and cultural events and key figures of the second half of the 20th century. Burri worked for Magnum Photos and has been photographing political, military and artistic figures and scenes since 1946. He has made portraits of Che Guevara and Pablo Picasso as well as iconic pictures of São Paulo and Brasília. Burri studied in Zurich, Switzerland at the School of Applied Arts from 1949 to 1953, where he worked under Hans Finsler, Alfred Willimann and Johannes Itten. From 1953 to 1955 he began working as a documentary filmmaker while completing military service. During this time he also began working with Leica cameras. Then he worked for Disney as a cameraman until 1955. From 1956 to 1959 he traveled extensively to places including Turkey, Egypt, Syria, Iraq, Jordan, Lebanon, Italy, France, Spain, Greece, Brazil, and Japan, which led to publications in Life, Look, Stern, Paris-Match, Epoca, and New York Times, as well as a photographic essay "El Gaucho" which appeared in Du. Burri first began working with Magnum Photos in 1955 through Werner Bischof, becoming a full member in 1959 and being elected chair of Magnum France in 1982. His first report "Touch of Music for the Deaf" on deaf-mute children was published by Life. In 1965 he assisted with the creation of Magnum Films which lead to his work on the Magnum-BBC joint production of, The Two Faces of China. In 1967 he produced a documentary on the Six-Day War in Jerusalem for German television. He produced the film Jean Tinguely in 1972. In 1963 Burri was working in Cuba when he was able to photograph the revolutionary Che Guevara; these images of Guevara smoking a cigar have become iconic. Notably, after taking the photos, Burri remembers Guevara "scaring the hell out of him". Describing a situation where an angry Che was pacing his tiny office like "a caged tiger", while being interviewed by an American woman from Look. While "hectoring" the reporter and "chomping on his cigar", Che suddenly looked Burri straight in the eye and told him "if I catch up with your friend Andy, I'll cut his throat" (while slowly drawing his finger across his neck). Andy was Andrew St. George, a fellow Magnum photographer, who had travelled with Che in the Sierra Maestra, and then later filed reports for American intelligence. Source: Wikipedia René Burri studied at the School of Applied Arts in his native city of Zurich, Switzerland. From 1953 to 1955 he worked as a documentary film-maker and began to use a Leica while doing his military service. Burri became an associate of Magnum in 1955 and received international attention for one of his first reportages, on deaf-mute children, Touch of Music for the Deaf, published in LIFE magazine. In 1956, he traveled throughout Europe and the Middle East and then went to Latin America, where he made a series on the Gauchos that was published by Du magazine in 1959. It was also for this Swiss periodical that he photographed artists such as Picasso, Giacometti, and Le Corbusier. He became a full member of Magnum in 1959, and started work on his book Die Deutschen, published in Switzerland in 1962, and by Robert Delpire the following year with the title Les Allemands. In 1963, while working in Cuba, he photographed Ernesto ‘Che’ Guevara during an interview with an American journalist. His images of the famous revolutionary with his cigar appeared around the world. Burri participated in the creation of Magnum Films in 1965 and afterwards spent six months in China, where he made the film The Two Faces of China produced by the BBC. He opened the Magnum Gallery in Paris in 1962, while continuing his activities as a photographer; at the same time, he made collages and drawings. In 1998, Burri won the Dr. Erich Salomon Prize from the German Association of Photography. A big retrospective of his work was held in 2004-2005 at the Maison Européenne de la Photographie in Paris and toured many other European museums. René Burri passed away at the age of 81 on October 20, 2014. Source: Magnum Photos
Jacopo Maria Della Valle
I was born in Rome in 1979. When I was 6 years old I received my first camera and I fell in love with it at once. The camera has always been the means to get in touch with everything around me, savor it, store it and make it mine. As a child my dream was to become a director, I studied scenography at the Academy of Fine Arts in Rome and I worked as a Digital Artist at Cinecittà, but it's through photography that I found the best way to express myself. I'm not a great lover of technique and rules, for me it's fundamental to train the eye and the heart (as Cartier-Bresson quoted) to capture moments, looks and gestures that contain stories, experiences, sensations and can communicate some emotion. The real keystone was when I put together my two great passions: photography and traveling. Traveling with the aim to photograph and photographing with the aim to travel, made me snap like a spring, every trip became an outlet to get out of the monotony of everyday life and makes me feel alive. I started traveling around Europe, in the United States, Africa and Cuba. I traveled around Asia accompanied by Terzani's reading and I was fascinated by the different Asian cultures. My main interest is the knowledge and the discovery of the authenticity of different populations which still live in respect of their particular cultural traditions. I undertake long journeys to reach the populations that still survive globalization and I always try to get in close contact with local people and live their own customs and traditions. I use the camera to connect with the other and with my shot I try to represent who I am in front of, with all his cultural and emotional baggage. This is why I prefer to take portraits, to reproduce the essence of who I meet. I hope with my photos to convey the same emotions that these meetings arouse in me.
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