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Chuck Fishman
Chuck Fishman
Chuck Fishman

Chuck Fishman

Country: United States
Birth: 1953

In his 40-year career, freelance photographer Chuck Fishman has focused on social and political issues with a strong humanistic concern.

His work has been extensively published, exhibited, and collected worldwide, and has earned him the prestigious World Press Photo Foundation Medal four times.

His photographs have appeared on the covers of Time, Life, Fortune, Newsweek, The London Sunday Times, The Economist and numerous others, and have been selected for publication in the American Photography and Communication Arts juried annuals. Chuck's work is included in the collections of the Smithsonian National Portrait Gallery, Center for Creative Photography, the United Nations, as well as private and corporate collections.

Chuck's first monograph, Polish Jews: The Final Chapter, was published in 1977 in the United States. He has worked on book projects for publishers worldwide, from France to Singapore to Papua New Guinea.

Exhibitions of his work include one-man shows in the United States and Europe, and in influential group exhibitions globally, including the International Center of Photography and the Pingyao International Photography Festival, among many others.
v Chuck was named the "Project Ambassador" in photography for POLIN: The Museum of the History of Polish Jews in Warsaw.

He lives in New York with his wife Susan.

"My work is a personal approach to reportage photography. I strive to find the human in humanity, showing our wonderful gestures, secrets, flaws and desires."

Website

www.chuckfishman.com

 

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More Great Photographers To Discover

Jeff Bridges
Jeff Bridges
United States
1949
Jeff Bridges is one of Hollywood's most successful actors and an Academy Award® winner. Over a career that spans five decades, his work has been recognized by the Academy Awards®, the Golden Globes, the Independent Spirit Awards, and the Screen Actors Guild. Truly passionate about photography, he makes behind-the-scenes pictures of the actors, crew and locations on his film sets. After completion of each motion picture, he edits the images into a book and gives copies to everyone involved. The books, which have become valued by collectors, were never intended for public sale, but in the fall of 2006, powerHouse Books published Pictures: Photographs by Jeff Bridges, a compilation of photos made on numerous film locations over the years, to much critical acclaim. Proceeds from the book benefit the Motion Picture & Television Fund, a nonprofit organization that offers charitable care and support to film industry workers. Source: International Center of Photography
Marci Rhodes
Marci Rhodes
United States
1991
With backgrounds in both fine art and commercial photography, my eyes are quick to find the perfect balance of technical mastery and creative freedom. My goal as a creative on set is to produce a warm, collaborative experience for everyone. Whether working with a team or on my own, seeing the client’s product or idea come to life - even better than they imagined - is so fulfilling. Understanding a brand or product and translating it’s functions and purpose into an emotionally-striking visual representation is such a fun challenge. Problem solving and paying attention to the finest details is something I particularly enjoy. Many times, the smallest details are the most important, and can transform a good shot into a fantastic shot!
David Hurn
David Hurn
United Kingdom
1934
David Hurn is a British documentary photographer and member of Magnum Photos. Hurn was born on 21 July 1934 in Redhill, Surrey, England. He was raised in Cardiff, Wales. Because of his dyslexia he joined the school camera club. After leaving school he headed for London, hoping to become a photographer. Hurn is a self-taught photographer. He began his career in 1955 when he worked for Reflex Agency. He gained his reputation as a photojournalist for his documentation of the Hungarian revolution of 1956, and is featured in two of Ken Russell's films for the Monitor television arts' series, A House in Bayswater (1960), and Watch the Birdie (1963). In 1965 he became associated with Magnum Photos and became a full member in 1967. In 1963, Hurn was commissioned by the producers of the James Bond films to shoot a series of stills with Sean Connery and the actresses of From Russia with Love. When the theatrical property Walther PPK pistol didn't arrive, Hurn volunteered the use of his own Walther LP-53 air pistol. The pistol became a symbol of James Bond on many film posters of the series. In 1967 Dino de Laurentiis asked Hurn to travel to Rome to shoot photos of Jane Fonda in Barbarella. Hurn returned to Wales in the late 1960s, initially living in a van for a year photographing the country. He was married from 1964-71 to American actress Alita Naughton (1942-2019), best known for her role in Ken Russell’s French Dressing (1964). In 1973 he set up the School of Documentary Photography in Newport, Wales. Eventually, he turned away from documentary photojournalism, bringing a more personal approach to his image making. He says, "There are many forms of photography. I consider myself simply a recorder of that which I find of interest around me. I personally have no desire to create or stage direct ideas." His book, Wales: Land of My Father (2000), illustrates the traditional and the modern aspects of Wales. In 2001 he was diagnosed with colon cancer but made a full recovery. He continues to live and work in Wales, and has donated a collection of photographs taken by him and other leading contemporary photographers, including Henri Cartier-Bresson, Eve Arnold, and Bill Brandt, to the National Museum of Wales. Hurn has been an avid collector of photography. Remarkably, he has amassed his private collection by swapping works with other photographers. The collection National Museum Cardiff comprises approximately 700 photographs. Swaps: Photographs from the David Hurn Collection, National Museum Cardiff, Wales, September 2017 – April 2018. In 2017 Hurn donated 1500 of his photographs, and 700 of other peoples' photographs, to Amgueddfa Cymru – National Museum Wales. He built his private collection of other peoples' work by swapping prints with them. National Museum Cardiff held an exhibition of the latter collection in 2017/2018, entitled Swaps: Photographs from the David Hurn Collection.Source: Wikipedia
Didier Massard
Didier Massard
France
1953
"Twenty years ago I was involved in traditional landscape photography. There were many places in the world that I wished to visit and photograph, but I realized that they would not match my perception of them. Reality was different from imagination. This disillusionment inspired me to create my own indoor landscapes-to fabricate dioramas and to photograph in a studio what I had in mind. Over the years I have developed my secret and still theater, always in the same place, same space. The scenes I create and photograph cannot be pinpointed on a map, but it is essential for me that these fictions are real in some way, and to believe and make believe that I have been "there." This practice of illusion generates a special relationship with objects and materials, as I constantly search for meaning other than their usual one. Although I prefer to work in paper, which is both a versatile and a time honored medium, I use absolutely anything that suits my purpose: glass, Plexiglas, aluminum foil, electric wire, fabric, pearls, modeling resin, food, feathers, pigments, and so on. I try to bring sophistication to the way children transform an object into something else when they play. My work succeeds when it reaches the border of truth and lie, when it drifts from reality to dream and back."
Stavros Ntagiouklas
Stavros Ntagiouklas
Greece
1975
Stavros Ntagiouklas was born in 1975 in Thessaloniki, Greece, where he still lives. He is involved with photography since 1999. He is a self taught photographer and he participated in many photography exhibitions mainly in Greece . The most important of these exhibitions was his participation to the Greek Photobiennale in Thessaloniki in 2009.He likes finding beauty in every setting, even very strange ones.
Mária Švarbová
Mária Švarbová
Slovakia
1988
Mária Švarbová was born in 1988; she currently lives in Slovakia. Despite studying restoration and archeology, her preferred artistic medium is photography. From 2010 to the present, the immediacy of Maria's photographic instinct continues to garner international acclaim and is setting new precedents in photographic expression. The recipient of several prestigious awards, her solo and group exhibitions have placed her among the vanguard of her contemporaries, attracting features in Vogue, Forbes, The Guardian, and publications around the world; her work is frequently in the limelight of social media. Maria's reputation also earned her a commission for a billboard-sized promotion on the massive Taipei 101 tower, in Taiwan. Maria's distinctive style departs from traditional portraiture and focuses on experimentation with space, colour, and atmosphere. Taking an interest in Socialist era architecture and public spaces, Maria transforms each scene with a modern freshness that highlights the depth and range of her creative palette. The human body throughout her oeuvre is more or less a peripheral afterthought, often portrayed as aloof and demure rather than substantive. Carefully composed figures create thematic, dream-like scenes with ordinary objects. Her images hold a silent tension that hints at emergent possibilities under the lilt of clean and smooth surfaces. There is often a sense of cool detachment and liminality in Maria's work. Routine actions such as exercise, doctor appointments, and domestic tasks are reframed with a visual purity that is soothing and symmetrical and at times reverberant with an ethereal stillness. The overall effect evokes a contemplative silence in an extended moment of promise and awareness—a quality difficult to achieve in the rapid pace of modern life. Maria's postmodern vision boldly articulates a dialog that compels the viewer to respond to the mystery, loneliness, and isolation of the human experience. Nevertheless, deeply embedded within the aqueous pastels, Maria's compositions hold to a celebratory elegance that transforms the viewer's gaze into an enduring reverence for life's simple beauty. Hasselblad Master 2018 Forbes 30 under 30 Winner of International Photography Awards 2016 Swimming Pool In the Swimming Pool is Maria's largest series yet, originating in 2014 and continuing to develop to date. Sparked by a hunt for interesting location, her fascination with the space of public swimming pools contributed to developing her visual style. Sterile, geometric beauty of old pools set the tone for these photographs. Each of them pictures a different pool, usually built in the Socialist Era, in various locations in Slovakia. There is almost cinematographic quality to the highly controlled sceneries that Maria captures. The figures are mid-movement, but there is no joyful playfulness to them. Frozen in the composition, the swimmers are as smooth and cold as the pools tiles. The colours softly vibrate in a dream-like atmosphere. Despite the retro setting, the pictures somehow evoke a futuristic feeling as well, as if they were taken somewhere completely alien. There is no disturbing emotion, there is no individuality in their stillness. The artificial detachment, created by Maria's visual vision, allows unique visual pleasure, unattainable in real life.
Paolo Ameli
Paolo Ameli
Italy
1970
Paolo Ameli, was born in Genoa, Italy. After completing his studies in architecture, he works as an art director for various advertising agencies in Genoa. He also works as a freelance photographer. Over the years he has made several short films that have won several national awards. He moved to Milan in 1997 where he began collaborating with Mercurio Cinematografica Production house as production assistant, producer and director. He has been a Freelance director since 1999. He is the author and director of several commercials and music promos. In 2002 he made the short film "Rosso Fango" which, among the various awards, won the David di Donatello in 2003, up to the semi-finalist selection at the 2004 Oscars in the "Live Action Short Film" section. As an mateur photographer he has always cultivated his passion for landscape and nature photography. In the past twenty years he has photographed places around the world with an infrared converted camera.
Mitch Epstein
Mitch Epstein
United States
1952
Mitchell Epstein (born 1952) is an American fine-art photographer, among the first to make significant use of color. Epstein's books include Sunshine Hotel (2019), Rocks and Clouds (2018), New York Arbor, (2013) Berlin (2011); American Power (2009); Mitch Epstein: Work ( 2006); Recreation: American Photographs 1973-1988 (2005); and Family Business (2003), which won the 2004 Kraszna-Krausz Photography Book Award. Epstein's work has been exhibited and published extensively in the United States and Europe, and collected by numerous major museums, including New York's Museum of Modern Art and Whitney Museum of Art, The J. Paul Getty Museum in Los Angeles, the San Francisco Museum of Modern Art, and the Tate Modern in London. He has also worked as a director, cinematographer, and production designer on several films, including Dad, Salaam Bombay!, and Mississippi Masala. Epstein was born and raised in a Jewish family in Holyoke, Massachusetts. He graduated from Williston Academy, where he studied with artist and bookmaker Barry Moser. In the early 1970s he studied at Union College, New York; Rhode Island School of Design, Rhode Island, and the Cooper Union, New York, where he was a student of photographer Garry Winogrand. By the mid-1970s, Epstein had abandoned his academic studies and begun to travel, embarking on a photographic exploration of the United States. Ten of the photographs he made during this period were in a 1977 group exhibition at Light Gallery in New York. In 1978, he journeyed to India with his future wife, director Mira Nair, where he was a producer, set designer, and cinematographer on several films, including Salaam Bombay! and India Cabaret. His book In Pursuit of India is a compilation of his Indian photographs from this period. From 1992 to 1995, Epstein photographed in Vietnam, which resulted in an exhibition of this work at Wooster Gardens in New York, along with a book titled Vietnam: A Book of Changes. “I don’t know that Mitch Epstein’s glorious photographs record all of what is salient in end-of-the-twentieth century Vietnam,” wrote Susan Sontag for his book jacket, “for it’s been more than two decades since my two stays there. I can testify that his images confirm what moved and troubled me then… and offer shrewd and poignant glimpses into the costs of imposing a certain modernity. This is beautiful, authoritative work by an extremely intelligent and gifted photographer.” Reviewing an exhibition of the Vietnam pictures for Art in America, Peter Von Ziegesar writes, “In a show full of small pleasures, little prepares one for the stunning epiphany contained in Perfume Pagoda… Few photographers have managed to make an image so loaded and so beautiful at once.” Having lived and traveled beyond the United States for over a decade, Epstein began to spend more time in his adopted home of New York City. His 1999 series The City investigated the relationship between public and private life in New York. Reviewing The City exhibition at Sikkema Jenkins in New York, Vince Aletti wrote that the pictures “[are] as assured as they are ambitious.” In 1999, Epstein returned to his hometown of Holyoke, Massachusetts, to record the demise of his father's two businesses—a retail furniture store and a low-rent real estate empire. The resulting project assembled large-format photographs, video, archival materials, interviews and writing by the artist. The book Family Business, which combined all of these elements, won the 2004 Krazna-Kraus Best Photography Book of the Year award. In 2004, his work was exhibited during evening screenings at Rencontres d'Arles festival, France. From 2004 to 2009, Epstein investigated energy production and consumption in the United States, photographing in and around various energy production sites. This series, titled American Power, questions the meaning and make-up of power—electrical and political. Epstein made a monograph of the American Power pictures (2009), in which he wrote that he was often stopped by corporate security guards and once interrogated by the FBI for standing on public streets and pointing his camera at energy infrastructure. The large-scale prints from this series have been exhibited worldwide. In his Art in America review, Dave Coggins wrote that Epstein “grounds his images… in the human condition, combining empathy with sharp social observation, politics with sheer beauty.” In the New York Times, Martha Schwendener wrote: “What is interesting, beyond the haunting, complicated beauty and precision of these images, is Mr. Epstein's ability to merge what have long been considered opposing terms: photo-conceptualism and so-called documentary photography. He utilizes the supersize scale and saturated color of conceptualism, and his odd, implied narratives strongly recall the work of artists like Jeff Wall.” In 2008, Epstein won the Berlin Prize in Arts and Letters from the American Academy in Berlin. Awarded a 6-month residency, he moved to Berlin with his wife and daughter from January to June 2008. The photographs he made of significant historical sites were published in the monograph Berlin (Steidl and The American Academy in Berlin, 2011).Source: Wikipedia In 2013, the Walker Art Center in Minneapolis commissioned and premiered a theatrical rendition of Epstein’s American Power photographic series. A collaboration between Epstein and cellist Eric Friedlander, the performance combined original live music, storytelling, video, and projected photographs and archival material. Epstein and Friedlander also performed at the Wexner Center for the Arts, Ohio (2014), and the Victoria and Albert Museum, London (2015). His new series, Property Rights, was exhibited at Sikkema Jenkins & Co., New York and Galerie Thomas Zander, Cologne in the fall of 2019 and at the Amon Carter Museum of American Art in Fort Worth, Texas in 2020-2021. Recent solo exhibitions include: Multimedia Art Museum, Moscow (2020), Museum Helmond, Netherlands (2019), Andreas Murkudis, Berlin; Yancey Richardson Gallery, New York; Galerie Les Filles du Calvaire, Paris (2016-17); as well as Fondation A Stichting in Brussels (2013); Sikkema Jenkins & Co., NY (2012); Galerie Thomas Zander, Cologne (2012); Fondation Henri Cartier-Bresson, Paris (2011); Kunstmuseum Bonn (2011); and Musee de l'Elysee in Lausanne (2011). In 2020, Mitch Epstein was inducted as an Academician to the National Academy of Design. In 2011, Epstein won the Prix Pictet for American Power. Among his other awards are the Berlin Prize in Arts and Letters from the American Academy in Berlin (2008), and a Guggenheim Fellowship (2003).Source: mitchepstein.net At Cooper Union, Epstein was a student of photographer Garry Winogrand and was influenced both by Winogrand and William Eggleston's use of color. Epstein helped pioneer the redefinition of color photography as art form, as he was one of the earlier practitioners of fine-art color photography. He is well known for documenting his projects as books, which he feels allows him to form a narrative structure for his photographs. Epstein shoots film, as he believes he would not get the tonal rendering and detail for his large prints if he were to use digital.Source: International Center of Photography
Margaret Halaby
Margaret Halaby
United States
I went to Radcliffe College, the University of Pennsylvania Law School, practiced law for a year, hated it, had a couple of other jobs during my working career and I am now retired. An alternative bio is that I have been creating pictures all my life, got my first set of oil paints when I was ten, took painting classes at the National Academy of Design when my daughter was in preschool. While painting was my first love, I was taking photographs at the same time and came to find more satisfaction in photography than painting. When I got my first digital camera in 2015, I was hooked. I now live in Tucson, AZ where I am continually dazzled and challenged by the dramatic desert light. Statement: These photos are part of a series I call Solitary Spaces, photos of deserted spaces - in nature, by empty buildings - portraying places that resonate with our feelings of aloneness in a beautiful, but indifferent world. AAP Magazine AAP Magazine 49 B&W
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Exclusive Interview with Marijn Fidder
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