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Chuck Fishman
Chuck Fishman
Chuck Fishman

Chuck Fishman

Country: United States
Birth: 1953

In his 40-year career, freelance photographer Chuck Fishman has focused on social and political issues with a strong humanistic concern.

His work has been extensively published, exhibited, and collected worldwide, and has earned him the prestigious World Press Photo Foundation Medal four times.

His photographs have appeared on the covers of Time, Life, Fortune, Newsweek, The London Sunday Times, The Economist and numerous others, and have been selected for publication in the American Photography and Communication Arts juried annuals. Chuck's work is included in the collections of the Smithsonian National Portrait Gallery, Center for Creative Photography, the United Nations, as well as private and corporate collections.

Chuck's first monograph, Polish Jews: The Final Chapter, was published in 1977 in the United States. He has worked on book projects for publishers worldwide, from France to Singapore to Papua New Guinea.

Exhibitions of his work include one-man shows in the United States and Europe, and in influential group exhibitions globally, including the International Center of Photography and the Pingyao International Photography Festival, among many others.
v Chuck was named the "Project Ambassador" in photography for POLIN: The Museum of the History of Polish Jews in Warsaw.

He lives in New York with his wife Susan.

"My work is a personal approach to reportage photography. I strive to find the human in humanity, showing our wonderful gestures, secrets, flaws and desires."

Website

www.chuckfishman.com

 

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More Great Photographers To Discover

Ted & Nune
Ted & Nune
United States
Ted & Nune are a couple in life and art. Their backgrounds in International Affairs (Ted) and Russian Literature (Nune) feed their art. As an artist duo, they seek out a spiritual dimension in human constructions, make studies of architecture and industry, and bring a joint male-female point of view to their shared vision. People appear infrequently in their images and when they do, they are often just blurs across the frame. Since 2015, their collaboration has produced several internationally recognized projects, including: Individuum, 1st place in IPA 2019 Category Architecture Abstract; Spiritual Japan, 1st place in IPA 2017 Category Architecture Historic; UAE Design and Desert Agreement, 1st place in TIFA 2016 and 2017, respectively, Category Architecture. Their recent project, Crawlspace, was part of Exlab 2021 and exhibited in NYC's Foley Gallery in July 2021.
C.E. Morse
C.E. Morse
United States
1952
"I was born in Camden, Maine and loved vintage cars since I can remember; I bought my 1936 Pontiac at age 15 as soon as I had my driver's license. I didn't pick up a camera until I was in college at Rhode Island School of Design. I remembered all the incredible images that I used to see in vintage auto boneyards while I was sourcing parts for my '36 Pontiac and various other classic cars that I had collected,including a '29 Essex, a'41 Packard & 'a 54 Nash, so I started to bring my camera to the boneyards instead of my wrenches and shot abstract details of dented car fenders, old safety glass, rusty doors, and old chrome. I was so excited by this photography that I switched majors from sculpture to photography and was fortunate enough to study with Aaron Siskind; graduating with a BFA in photography in 1974. I also attended The Maine Photographic Workshops (now Maine Media Workshops), where I mentored with Paul Caponigro, Arnold Gassen and John Loengard. later on I took courses in digital printing at MECA (Maine College of Art). I hunt "Wild Art" : abstract details of found objects. I particularly like the contradictions of what I capture: the images are abstract, yet they are real the images are painterly, yet they are photographs the images are beautiful, yet come from discarded deteriorating derelict objects the images are from seemingly permanent subjects yet the are prone to disappear overnight (often my photographs are all that is left). I also appreciate the mystery of the unknown history of my various discoveries as well as acknowledging their wabi sabi nature. When people view my work they have to reach deep into personal experience and imagination. Being abstract and virtually unrecognizable my images may evoke a memory, an emotion, or a reminder of something visually similar and are sure to beg the question: 'what is it?', thereby starting the conversation..." -- C.E. Morse "It's not what you look at that matters, it's what you see." -- Henry David Thoreau
Elizabeth Bourne
Elizabeth Bourne
United States
1964
I describe myself as an artist using a camera rather than as a photographer since I am more concerned with creating an emotional connection with the viewer rather than technical perfection. After living most of my life in the Pacific Northwest, I went to Greenland in 2017 and everything changed. I fell in love with the high arctic. In 2018 I had artist residencies in both Svalbard and Iceland. In 2019, at a time when most people my age are thinking about retirement and grandchildren, I packed seven suitcases, and moved to Longyearbyen. Now I live in the world's northernmost town on the archipelago of Svalbard. I work almost exclusively in the arctic. My work, both painting and photography, have been exhibited nationally and internationally. In 2019 I was honored to receive the Vision Excellence Award from the Miami Photography Center during Art Basel Miami for best work in a series. Svalbard: Land without Borders which is an ongoing project. My work has been collected by Adobe, Corel Draw, and the City of Seattle. About the work: In the arctic, glaciers ten thousand years old rise in shimmering cliffs of light. These ice rivers calve towering icebergs with life spans of only two years. The paleocrystic beauty of the high arctic is as rich as any Tahitian sunset. There is a struggle between those who would exploit the arctic, and those who would preserve it. I have chosen to document these changes in Svalbard, the last land without borders on our planet. My goal is to engage a heart-felt reaction in the viewer. I believe the artist must have a passion for her subject, and a core need to communicate that passion. My hope is that my work will show the arctic's beauty so that people will choose to preserve it. We need the ice. Not just for environmental reasons, but also to maintain the last truly wild, untouched place on our crowded planet.
Kyla Rys
Kyla Rys
United States
2001
Kyla Rys is a New York based photographer. She captures striking, yet minimal images with a sense of timelessness. Born in Hunan, China and raised in Colorado, Kyla’s passion for photography began at age twelve. Her early projects with pets have been published with appearances in National Geographic and The Huffington Post. While receiving a B.F.A in photography from SCAD she produced distinctive brand visuals for the university’s marketing team. Kyla is currently working at Ralph Lauren in Creative Services. Winner AAP Magazine 35 Colors
Judith Joy Ross
Judith Joy Ross
United States
1946
Judith Joy Ross (born 1946) is an American portrait photographer born in Hazleton, Pennsylvania in 1946. She graduated from the Moore College of Art in 1968 and earned a master's degree in photography in 1970 from the Institute of Design at the Illinois Institute of Technology in Chicago, where she studied with Aaron Siskind. Since the early 1980s, Ross has photographed a cross-section of the American population, especially people in eastern Pennsylvania where she was born and raised. Ross uses an 8×10 inch view camera mounted on a tripod and her portraits are made on printing out paper by contact, a process by which a print is made by placing a negative directly onto photographic paper, and then exposing it to sunlight for a few minutes to a few hours. Her photographic antecedents include the German August Sander and the American Diane Arbus. Her series include pictures of children at Eurana Park in Weatherly, Pennsylvania (1982), visitors to the Vietnam Veterans Memorial in Washington D.C. (1983–1984), members of the United States Congress and their aides in their Washington offices (1986–1987), laborers, people at shopping malls, and children at play near her home in Bethlehem, Pennsylvania. She has also photographed immigrants in New York City and Paris, and was commissioned by the San Francisco Museum of Modern Art to photograph tech workers in Silicon Valley, California. One of her major projects, pictures made from 1992 to 1994 in Hazleton public schools she had attended in the 1950s and 1960s, was published by the Yale University Art Gallery in 2006 as Portraits of the Hazleton Public Schools. Ross has been awarded a Guggenheim Fellowship from the John Simon Guggenheim Memorial Foundation (1985), a city of Easton, Pennsylvania Council on the Arts Grant (1988), the Charles Pratt Memorial Award of $25,000 (1992), and the Andrea Frank Foundation Award (1998). Monographs and exhibition catalogs of her work have been published internationally. Her books include Contemporaries (1995), Portraits (1996), Portraits of the Hazleton Public Schools (2006) and Protest the War (2007), "exploring such themes as the innocence of youth, the faces of political power, and the emotional toll of war". John Szarkowski at the Museum of Modern Art in New York selected Ross' work for the first exhibition in the New Photography series. In 2011, Die Photographische Sammlung in Cologne organized a retrospective exhibition of Ross's work which traveled to the Kunstmuseum Kloster in Madeburg and the Foundation A Stichting, Brussels.Source: Wikipedia Since the early 1980s, the American photographer Judith Joy Ross has dedicated her work to the medium of portraiture. She is best known for her sensitive, deeply personal, yet authentic portraits of various groups of people at the center of American society: school children and teachers, soldiers, visitors to the Vietnam Veterans Memorial in Washington D.C. and U.S. Congress members of the Republican and Democratic parties. The photographs, which Ross contextualizes by arranging them in series, offer both an aesthetic and a humanitarian approach to photography. Judith Joy Ross’s work shows references to photographers like August Sander, Eugène Atget, Walker Evans or Diane Arbus in her documentary style and her use of technical equipment. She photographs with an 8x10 inch view camera, which due to long exposure times and the need to set up a tripod forces her to concentrate on her subjects and does not allow for snapshots. The subjects are usually strangers to the photographer and so the photograph itself becomes an intense encounter. August Sander is often mentioned as a major influence. Both, Ross and Sander focus on facial expressions, gestures and posture of their subjects. However, while Sander’s famous photographs from the series People of the 20th Century is staged and aims at categorizing certain social groups, Ross does not give directions to her subjects and thus achieves an immediacy that characterizes her approach and style. It makes the viewer think about the inner reality of the person by using their own social experience in order to relate to the people she portraits, thus stressing the individuality of each subject over their association with a specific group. Judith Joy Ross describes her intention as follows: “The world outside oneself is bigger than ones idea of it. One tries to align oneself with that bigger world in making a picture”.Source: Galerie Thomas Zander At present, Ross is suffering from an eye problem following pre-pandemic surgery that has left her with double vision. “I can photograph,” she say, “but it’s hard to take a walk.” One senses that photography gave her a way to be in the world. “I’m just interested in people, but I don’t want to get too close to them,” she says. “I keep them at arm’s length with the camera. It’s like a magic charm. It’s such an intense pleasure to photograph strangers because, in that moment, you can see them in such an intimate way. It’s kind of crazy, but I love some of those people even though I have never seen them again.”Source: The Guardian
Anna Försterling
Anna Försterling
Germany
1995
Anna Försterling is a German photographer specializing in artistic nude and portrait photography. She was born in 1995 and grew up in Saxony, near Dresden. She successfully completed her training as a photographer from 2014 to 2017 and has been working as an independent photographer in Freiberg (Saxony) since January 2021. Her work is all about minimalism and body shapes. Skin plays an important role for her, as skin is one of the most important and exciting means of expression of character and soul. She also wants to show emotion and soul in her portraits and usually reduces to a presentation in black and white. Anna photographs her work exclusively analog and mostly on black and white film and develops her films herself.
Dawoud Bey
Dawoud Bey
United States
1953
Dawoud Bey (born David Edward Smikle; 1953) is an American photographer and educator known for his large-scale art photography and street photography portraits, including American adolescents in relation to their community, and other often marginalized subjects. In 2017, Bey was named a fellow and the recipient of a MacArthur Fellowship from the John D. and Catherine T. MacArthur Foundation and is regarded as one of the "most innovative and influential photographers of his generation". Bey is a professor and Distinguished Artist at Columbia College Chicago.] According to The New York Times, "in the seemingly simple gesture of photographing Black subjects in everyday life, [Bey, an African-American,] helped to introduce Blackness in the context of fine art long before it was trendy, or even accepted" Born David Edward Smikle in New York City's Jamaica, Queens neighborhood, he changed his name to Dawoud Bey in the early 1970s. Bey graduated from Benjamin N. Cardozo High School. He studied at the School of Visual Arts in New York from 1977 to 1978, and spent the next two years as part of the CETA-funded Cultural Council Foundation Artists Project. In 1990, he graduated with a BFA in Photography from Empire State College, and received his MFA from Yale University School of Art in 1993. Bey didn't receive his first camera until he was 15, and has stated until that point he wanted to become a musician. Early musical inspirations included John Coltrane and early photography inspirations were James Van Der Zee and Roy Decarava. In his youth, Bey joined the Black Panthers Party and sold their newspaper on street corners. He does not consider his work to be traditional documentary. He'll pose subjects, remind them of gestures and sometimes give them accessories. Over the course of his career, Bey has participated in more than 20 artist residencies, which have allowed him to work directly with the adolescent subjects of his most recent work. A product of the 1960s, Bey said both he and his work are products of the attitude, "if you're not part of the solution, you're part of the problem." This philosophy significantly influenced his artistic practice and resulted in a way of working that is both community-focused and collaborative in nature. Bey's earliest photographs, in the style of street photography, evolved into a seminal five-year project documenting the everyday life and people of Harlem in Harlem USA (1975-1979) that was exhibited at the Studio Museum in Harlem in 1979. In 2012, the Art Institute of Chicago mounted the first complete showing of the "Harlem, USA" photographs since that original exhibition, adding several never before printed photographs to the original group of twenty-five vintage prints. The complete group of photographs were acquired at that time by the AIC. During the 1980s, Bey collaborated with the artist David Hammons, documenting the latter's performance pieces - Bliz-aard Ball Sale and Pissed Off. Over time Bey proves that he develops a bond with his subjects with being more political. The article "Exhibits Challenge Us Not to Look Away Photographers Focus on Pain, Reality in the City" by Carolyn Cohen from the Boston Globe, identifies Bey's work as having a "definite political edge" to it according to Roy DeCarava. He writes more about the aesthetics of Beys work and how it is associated with documentary photography and how his work shows empathy for his subjects. This article also mentions Bey exhibiting his work at the Walker Art Center, where Kelly Jones identifies the strength of his work and his relationship with his subjects once again. Of his work with teenagers Bey has said, "My interest in young people has to do with the fact that they are the arbiters of style in the community; their appearance speaks most strongly of how a community of people defines themselves at a particular historical moment." During a residency at the Addison Gallery of American Art in 1992, Bey began photographing students from a variety of high schools both public and private, in an effort to "reach across lines of presumed differences" among the students and communities. This new direction in his work guided Bey for the next fifteen years, including two additional residencies at the Addison, an ample number of similar projects across the country, and culminated in a major 2007 exhibition and publication of portraits of teenagers organized by Aperture and entitled Class Pictures.] Alongside each of the photographs in Class Pictures, is a personal statement written by each subject. "[Bey] manages to capture all the complicated feelings of being young — the angst, the weight of enormous expectations, the hope for the future - with a single look." Bey's "The Birmingham Project" was inspired, in part, by a 1960s Civil Rights era photograph by Frank Dandridge of 16th Street Baptist Church bombing victim, Sarah Jean Collins. The Project includes a series of diptychs of an older person, alive when the bombing occurred, paired with a child the age of the victims, portraying "an almost unbearable sense of absence and loss." In 2018, his project Night Coming Tenderly, Black, consists of a series of photographs evoking the imagined experience of escaped slaves moving northward along the Underground Railroad. This work involves not portraits but landscapes, portrayed at night through the means a little used silver-gelatin process. The work seeks to evoke both terror and hope in a "land of fugitives". Bey has lived in Chicago, Illinois since 1998. He is a professor of art and Distinguished College Artist at Columbia College Chicago. Source: Wikipedia
Jean Gaumy
Jean Gaumy
France
1948
Jean Gaumy is a French photographer and filmmaker who has been associated with Magnum Photos since 1977. Gaumy was born in Pontaillac, Charente-Maritime, France. He attended school in Toulouse and Aurillac and went to university in Rouen. While a student in Rouen, he began working as a freelance photographer to help pay for his education. In 1973 he joined Gamma (agency). Much of his work has focused on human confinement. In 1975 he began work on two such projects in France: L'hôpital and Les Incarcérés, both of which were published as books. Les Incarcérés was an unprecedented project on French prisons—he was the first to receive permission to photograph them. In 1984 he made his first film, La Boucane. It was nominated for a César in 1986. That year he also began a series of trips aboard trawlers which led to his 2001 publication Pleine Mer. Beginning in 1987 he spent two years documenting Octeville-sur-Mer through the eyes of the so-called village idiot Jean-Jacques. Since the late 1980s he has also traveled often to Iran and has also traveled in Central America and Africa. He has made several other films. In recent years he has been documenting life on a nuclear submarine and has also worked on a series of mountain landscapes. In the early 1970s he married his wife Michelle and in 1975 their daughter Marie was born. Since 1995 he has lived in Fécamp, Haute Normandie. Source: Wikipedia
Nicolas Dhervillers
Nicolas Dhervillers
France
1981
Nicolas Dhervillers is a French artist who works in the field of photography. After multimedia and photography studies, he made a name for himself after an historic commission from the Centre Pompidou in Metz. Inspired by cinematic, theatrical and pictorial writing, Nicolas Dhervillers's approach decompartmentalizes the photographic medium.He works with French Galleries, collaborates with Art Centers and International Museums. He was invited to show his work in many countries like Switzerland, Germany, Korea, China, Netherlands, Usa and to Paris Photo for the past 5 years.In 2014 and 2015 he will have a solo exhibition at the Helmond Gemeente Museum (NL) then he will be in Australia for an International Festival and in Belgium for the "triennale de Photographie et d’architecture".All about Nicolas Dhervillers:AAP: Where did you study photography?I studied cinema first, then theater, and then I came to Paris to make a master in Photography and mixed media. I studied with Mr Jean Claude Moineau, my "chief" in terms of theory.AAP:Do you have a mentor or role model?No, but Jeff Wall influence me off course. AAP: How long have you been a photographer?10 years, but not a Photographer, maybe an artist is more correct, in a way.AAP: What or who inspires you?History of art in generalAAP: How could you describe your style?It is a mix between the painting spirit (about the white page), the cinematographic light and the pose of theater.AAP: What are your projects?Retrospective exhibition in Netherlands.
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