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Jonathan Banks
Jonathan Banks
Jonathan Banks

Jonathan Banks

Country: United Kingdom
Birth: 1971

Jonathan Banks is an award-winning photographer with over 20 years' experience in commercial and media photography.

Jonathan Banks studied under the prolific artist John Blakemore, and graduated from the University of Derby with a BA honours in Photographic Studies. He cut his teeth in editorial photography freelancing for The Daily Telegraph and various agencies.

His work has appeared in international magazines and books. Jonathan has exhibited several bodies of work as a solo artist, as well as in conjunction with other photographers in the UK and abroad. These have ranged from – personal projects to editorial assignments and photographs supporting various charities.

Jonathan has always worked with NGOs both in the U.K. and abroad. He is a British Red Cross volunteer and has exhibited work in support of International Alert. Jonathan currently works with a stable of blue chip clients, NGOs and architects providing a range of photographic and film services. Jonathan lives in Kent with his wife and two sons.

Statement
I have photographed in over 50 different countries, documenting subjects as diverse as mask dancing festivals in Burkina Faso, the effects of the Chernobyl disaster in the Ukraine and the aftermath of 9/11 in New York. My international experience includes working in security impaired areas, where my communication skills and sensitivity allow me to capture subjects in the most challenging situations. Combined with my creativity and technical knowhow, this enables me to deliver award-winning images. I am passionate about my work and embrace the challenges of collaborating with global corporations, magazines and NGOs alike. Every assignment is different, and, as such, is approached uniquely. I am always on the lookout for new creative partnerships.

Website

www.photo-banks.com

 

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More Great Photographers To Discover

Timurtaş Onan
Timurtaş Onan
Turkey
Timurtaş Onan was born and brought up in Istanbul. He became involved in photography in 1980 and from that time to the present day he has participated in a wide range of photographic activities both organizing and participating in them. This has included taking part in and holding solo exhibitions of his work at home in Turkey and abroad and also acting as a jury member for national and international photographic competitions. His many activities in the field of photography have involved him in international photographic projects and the creation of documentary films particularly those on socially relevant issues. He is particularly recognized and appreciated for his distinctive photographic projects about Istanbul. His work is to be found in very many public and private collections in Turkey and abroad and at the present time he is holding photographic workshops; curating various exhibitions and working on new photographic projects. Istanbul: A City of Strange and Curious Moments
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Philippe Marchand
France
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Philippe Marchand was born in 1961, self-taught photographer. He lives in Nantes in the West of France. He collaborates with numerous advertising and illustration agencies where his photographies contribute to the promotion of renowned brands. He is also developing a personal work on the link between man and the sea. We find in the pictures he brings back from his hikes all the Power and the magic of the places he goes through. Its aesthetic approach, the technical constraints it imposes on itself contribute to the creation of a singular photographic universe and resolutely personal. This award-winning work is regularly published in the international press. About The Man and the Sea "The sea is present in everyone's imagination, it means dream and adventure, but also mystery and fear. What I am trying to develop through the link that unites man with the sea concerns the emotions that the ocean can arouse in each of us, through evocative images. Not the translation of reality. In the manner of the pictorialists whose movement originated at the end of the 19th century and for whom the image must go beyond the reality photographed. I try to capture the atmosphere of the place, the poetry and the mystery that surrounds it. The shooting is the first part of a process that also includes a long work in "darkroom" to try to recreate the 'Feeling' of the moment". Philippe Marchand, photographer of seafarers. Black, white, shadow, light, what can be seen and what can be guessed, the ocean and those who are close to it. Philippe Marchand opens the world of the sea to us in its most intimate and human aspects. His approach is sensitive, full of nuances and modesty. Philippe Marchand's photos are like fragments of history. He highlights the relationship between the sea and people: how they look at it, how they approach it and the intimacy they share with it through their activities and passions. Man's imprint on the seascape and the ocean's imprint on the lives of men, even in their attitudes and faces. The secret communion between people and the sea. The artist has opted for the panoramic format and black and white. Facing the ocean, the format imposed itself. The immensity of the sea is exalted, the fragility of men is highlighted. With black and white, more timeless than colour, Philippe shows us the permanence of the places and gestures of the unchanging world of the sea. We have the feeling that time stands still. There is no rush, no run. Life has always had the rhythm of the ocean. Through a subtle play of contrasts, greys and light, a real "paw stroke" of the photographer, the images are linked together, inseparable, part of a whole, of a universe where Philippe invites us to share his emotions. The grain, very present, attenuates, coats the real and reinforces the poetic side of the images. The characters are most often from the back or almost from the back, partly hidden by the play of shadows. The gaze is discreet, never really, never completely encompassing them. There is like a mystery in the air, which Philippe lets us "glimpse"...
Jennifer Shaw
Jennifer Shaw
United States
Jennifer Shaw earned a BFA in photography at the Rhode Island School of Design. Her photographs have been featured in B&W, American Photo, Shots, Light Leaks, The Sun, and Oxford American magazines, online publications including NPR, Fraction Magazine, One One Thousand, Lenscratch, and Brain Pickings, and are included in two recent monographs: Hurricane Story (Chin Music Press, 2011), and Nature/Nurture(North Light Press, 2012). Her work is exhibited widely and held in collections, including the New Orleans Museum of Art, the Ogden Museum of Southern Art, and the Museum of Fine Arts Houston. Shaw is based in New Orleans, Louisiana where she teaches the disappearing art of darkroom photography at the Louise S. McGehee School in addition to chasing after two young sons. Statement: Photography is always an act of discovery for me. It’s about the joy of seeing and the mysterious convergence of light, texture and form as translated onto film. A sense of wonder and a reverence for beauty are motivating factors that lead me to document and interpret the world through the camera’s lens. I attempt to create images that transcend literal description, reaching beyond the physical surface of the subject to resonate with viewers on an emotional level. Most of my work is created using toy cameras. These simple plastic devices lend a whimsical spontaneity to the act of photographing. Although they offer little control in making exposures, their quirks can sometimes result in magic. I print my black and white images in the darkroom on traditional silver paper, then split-tone them to add depth and color. This toning method can be unpredictable, and like every other part of my process, owes a bit to serendipity. The color work is shot on film, then scanned to make archival pigment prints on Hahnemuhle Rag 308 paper.
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Bert Hardy
United Kingdom
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Bert Hardy was a renowned British photographer known for his powerful and evocative images that captured the essence of postwar Britain. Hardy, born on May 19, 1913, in Blackheath, London, developed an early interest in photography. He began his career as a photojournalist in the 1930s, working for magazines such as Picture Post and Illustrated. During WWII, Hardy worked as an official photographer for the Royal Air Force (RAF), documenting the lives of servicemen and the effects of war. His photographs captured the raw emotions and hardships endured by soldiers, providing a poignant and honest portrayal of the war. I made a point of carrying a contact print of one of the most horrifying of my photographs around with me to show to Germans who didn’t believe that such things had really happened. -- Bert Hardy Hardy continued to work as a photojournalist after the war, covering a wide range of subjects. He rose to prominence as a contributor to Picture Post, a seminal magazine known for its social documentary photography. Hardy's photographs frequently depicted working-class people's lives, providing a compassionate and empathetic perspective on their struggles and aspirations. Hardy's photography was distinguished by his ability to capture fleeting moments of daily life with authenticity and sensitivity. His photographs frequently depicted ordinary people going about their daily lives, but with a profound depth and storytelling quality. Hardy's photographs struck a chord with viewers, providing a rare glimpse into the social, cultural, and political landscape of postwar Britain. Throughout his career, Hardy received numerous accolades and awards for his outstanding contributions to photography. His work has been exhibited internationally and is part of several esteemed collections. Hardy's photographs continue to inspire and influence photographers and artists today, leaving behind a lasting legacy in the world of documentary photography. Bert Hardy passed away on July 3, 1995, but his images remain a testament to his extraordinary talent and his enduring impact on the field of photography.
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Margo MacArthur
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Margo MacArthur is a San Francisco Bay Area photographer. Her street photography practice has been influenced by a search for identity and discovery arising from various life transitions. She is drawn to themes of introspection, detachment, alienation, and quirk. Order is conferred via light, shadow, lines, color and shapes thus lending structure to the unsettling and often melancholic feelings that arise from these themes. Artist Statement "I’ve been interested in photography all my life, but — coincident with a relocation from the Midwest to the West Coast — came to street photography only relatively recently. Walking the streets of my new city, I explored my environs and photographed subjects residing within the light and shadows."
Manfred Baumann
Manfred Baumann
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Manfred Baumann was born in Vienna in 1968. The Leica photographer has since presented his works worldwide in the form of exhibitions, books, and calendars. His photographs are displayed in museums as well as in international galleries. Over the past years, Baumann has taken his place among the most influential photographers of our time. Via social media his range is more than 1 million! He lives and works in Europe and the USA, and has already photographed such greats as Kirk Douglas, Sandra Bullock, Olivia Newton John, Martin Sheen, Don Johnson, Danny Trejo, William Shatner, Jack Black, Natalie Portman, Tony Curtis, Paul Anka, Lionel Richie, Kathleen Turner, John Malkovich, Bruce Willis, Juliette Lewis, Angelina Jolie, Toni Garrn, Michelle Rodriguez, Leah Remini, Evander Holyfield, as well as many international top models. For Manfred Baumann, the fascination of photography lies in departing from the familiar and capturing an impression of the moment. He loves to explore the world through the eyes of a photographer. To make visible that which others have not seen has been the objective of Baumann's exhibitions, such as End Of Line, in which he documented the final journey of death row inmates in Texas; Alive, where he photographed homeless persons on the street for one year; and his current project Special, which showcases Baumann's portraits of intellectually disabled persons. His ambition is to break with tradition and the conventional perspective. The viewer of my photographs should discover the soul and history they embody and recognize that photography is the only language that can be understood all over the world. As an ardent animal welfare activist, vegetarian, and goodwill ambassador for Jane Goodall, he also ventured into the world of animal photography for the first time with the project Mustangs. The project's works and exhibition were shown in the Natural History Museum Vienna and the Leica Gallery in Los Angeles. He teaches for the Leica Academy worldwide and does worldwide lectures & workshops. Manfred Baumann was 2017 Testimonial for Huawei international alongside with Robert Lewandowski. His Book and exhibition Vienna were shown at the Grand Hotel Vienna. From February 2019 to May 2019, Baumann exhibited for the first time in Australia (in Melbourne and Sydney). In 2020 two new books will appear, the Lipizzaner the white horses and a Best of book with the name a photographer's life. It is the 15 and 16 illustrated books which have been published worldwide. Among Manfreds role models are great Master of Photography such as Alfred Eisenstaedt, Helmut Newton, Henri Cartier-Bresson, Richard Avedon, Herb Ritts, and Ansel Adams. Manfred Baumann also photographed the late Tony Curtis. This was the Hollywood star's last official photo shoot and did much to bolster Baumann's considerable fame in the USA. For more than 25 years, Manfred has been drawn to the most distant places in the world, where his breathtaking landscape photographs are created, and it is only natural that since 2013, he has cooperated with and photographed for National Geographic. He lives and works in Vienna with his wife and muse Nelly Baumann, although his sojourns to his second home, Los Angeles, have become increasingly frequent and of longer duration. His clientele, however, come from all over the world. Statement "I GIVE THE MOMENT DURATION" "Photographs are like songs that you sing into the world." "HEART AND MIND – THE TRUE LENS OF THE CAMERA" "The truth is the best picture!"
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Mathilde Pettersen
Norway
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Mathilde Helene Pettersen, born 1976 in Norway. Photographer and visual artist, lives and work in Kristiansand, south of Norway. Holds a BA in Photography and film from Napier Edinburgh University, Scotland and a MA in Art from the University of Agder, Kristiansand, Norway. Pettersen is a member of Association of Norwegian Visual Artist and society of Fine Art Photographers in Norway. Between 2013 and 2015 she was selected for the Norwegian Journal of Photography #2, a program supporting eight independent photographers in Norway, working on long-term projects and published by Journal, Stockholm (2015). In this publication, she chose to show a selection from her project Searching for Cloudberries, which was featured in Time Magazine/Lightbox and SHOTS magazine and exhibited at the Festival Voies Off in Arles, France (2016) and at the Encuentros Abiertos Festival de La Luz , in Buenos Aires, Argentina (2016) and at the Henie Onstad Art center in Oslo, Norway (2019). Her work I need a kiss before they leave was exhibited at the Musée de l'Elysée in Lausanne, Switzerland (2016), Kristiansand Kunsthall, Norway (2017), the International Photofestival PhotoVisa in Krasnodar, Russia (2017) and is currently on show at the Sørlandets Museum of Art (Jun-Nov 2020) alongside photographers as Swedish Christer Strömholm and Anders Petersen and the Norwegian Tom Sandberg, Dag Alveng and Kåre Kivijärvi. Her first photobook I NEED A KISS BEFORE THEY LEAVE was launched at Paris Photo 2019 at the Grand Palais by the German Kehrer Verlag in Heidelberg. Mathilde Pettersen presents two projects: Searching for Cloudberries (2008-), analogue black and white photographs. My projects revolve around portraiture and self-portraiture, and in their themes touch upon motherhood and family as constellations. So does this project, presently spanning ten years now. It takes shape by depicting a sense of dysfunctionality of the infertile female body - a theme that is often taboo in our society - before it turns and grows in a new direction when discovered not, moving on to contemplate the development of the child and the changes of the body of its mother over time in connection with life cycles in nature. I need a kiss before they leave (2011-), digital colour photographs. I NEED A KISS BEFORE THEY LEAVE is an emotional family portrait, filled with immense joy, but also with a disturbing realization of a wonderfulness that cannot be stored. It reflects upon a human desire to freeze time, to forever savoring those moments which are destined to live on only as distant memories. Photography is of course the artistic technique to actually freeze time and to store a split second forever. In this book, Norwegian photographer Mathilde Helene Pettersen captures an entire parenthood, with all its bright and dark moments. I need a kiss before they leave reflects on becoming and being a mother, on building a family, on the immediate and unpredictable, on strengths and fragilities in life, and sometimes on the overshadowing fear of death and the irreversible. From the text in I NEED A KISS BEFORE THEY LEAVE by Anna-Kaisa Rastenberger: First things first: loving is not for the faint of heart. Loving, day af- ter day, requires the courage to handle the disappointment of quotidian love falling short of the ideal of love. It requires even more courage to extend love to societal structures in need of repair. (...) "This is my story." These are the words used by Mathilde Helene Pettersen at the beginning of her book I need a kiss before they leave. The series, consisting of photographs taken with a camera phone over a period of eight years, is a chronicle of childbirth, motherhood, and family life. Pettersen writes that this was a story she hesitated to tell. Pettersen has spoken about the challenge and dichotomy of com- bining motherhood with the work of a photographer. On the one hand, she leads an ordinary enough, down-to-earth life with her family; on the other, she has a life outside the home, working as a photographer. Even in the Nordic countries, this is no simple equa- tion to balance. Although the principle of gender equality in the workplace is firmly established, or at least acknowledged, it re- mains elusive in practice.
Erin Mahoney
Erin Mahoney
United States
"I am a photographic educator and fine art photographer interested in creating photography through digital capture and historical photographic printing processes. I currently teach photography courses in San Francisco, CA."
Tatiana Bormatova
Tatiana Bormatova
Russia
1993
Tatiana Bornatova is a documentary photographer from Moscow, now is based in Sevastopol. She currently engaged in personal projects in Russia. Her work focuses on topics devoted to social problems and phenomena of modern Russian society. She studied documentary photography and photojournalism at the School of Modern Photography Docdocdoc (St. Peterburg, Russia). Continues to study in the direction of post-documentary photography. Her projects were published in the REGNUM News Agenсу, IZ Magazine, FLIP Magazine, F-Stop Magazine, Dodho Magazine. Tatiana became a participant in the projection festival Nuits Photographiques d’Essaouira (Essaouira, Morocco) and World Biennial Of Student Photography (Novi Sad, Serbia). Underground In ancient underground quarries, all is in full swing by day and night. Both adventurers and serious researchers - speleologists and spelestologists - come here. Speleology is the study of naturally - occurring caves, and spelestology is the study of underground cavities not used for intended purposes. In the fourteenth century, in Outer Moscow people began mining stone underground using closed methods. It lasted until the nineteenth century. Under Stalin, entrance to the underground was strictly forbidden, but this did not stop people going on adventures. In the 1960s, the masses started to venture into the underground. Then they started to blow up the entrances to caves. Access to the underground became much more difficult, but the interest for anthropogenic underground caves did not cease to exist. Starting in the 1980s, spelestologists and enthusiasts again started to look for underground caverns, previously forbidden in Soviet times. The analysis of old rubble, digging up and exploring passages, and topographic surveys all require staying underground for several days at a time. In the caves specialists would start to allocate grottos for toilets, sleeping, eating and collecting water, as well as strengthening areas that were prone to collapsing. The walls were covered with drawings, inscriptions, artefacts and graffiti. These new traditions and rules resulted in the formation of new subcultures. Visiting caves now is very entertaining. More and more often, they are being visited by thrill seekers, people who like to drink, unofficial excursion groups, and bloggers. Often people go underground without knowing basic safety precautions. That said, the risks in underground caves are not few: one could get lost or end up in a rock collapse. Spelestologists think negatively of amateurs who try to prevent filming and unofficial tours. A few of the researchers carry out excavations and study the underground caverns, but the increase in popularity is starting to disturb their work. They try to keep the whereabouts of newly discovered caves secret. The photographs in this project were taken in the Moscow Oblast, in the Syankovsk and Novlensk caves, and also in the Kamkinsk quarry, more well-known as Kiseli.
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