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Chad Cowan
Chad Cowan
Chad Cowan

Chad Cowan

Country: United States
Birth: 1984

Chad Cowan is a photographer and aspiring filmmaker who has been chasing storms across America's Tornado Alley over the past 10 years and 200,000 miles. His goal is to capture the awe inspiring beauty of nature in the most extreme and violent weather on earth. Cowan's current film project for which he is seeking financing and distribution is a collection of timelapses of these supercells shot in 8k resolution.

Growing up in Kansas, the epicenter of severe weather on the planet, he quickly became obsessed with thunderstorms. Inspired by a few timely weather-related gifts from his grandfather at a young age, Cowan decided he wanted to chase them once he had his driver's license.

Cowan's photos have been published around the globe and his work has appeared in major motion pictures, and on most national news outlets. In 2010, his 'Icemaker' photo of the supercell that dropped the largest hailstone ever recorded on earth came in second place in a National Geographic photo contest.

He has a BS in Economics from Kansas State University

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Sasha Stone
Sasha Stone
Russia/United States
1895 | † 1940
Sasha Stone was a Russian artist. A stateless photographer, he and his first wife, Cami Stone (born Wilhelmine Schammelhout 1892-1975), were successful photographers during the 1920s and 1930s. One of his most known work is the cover of Walter Benjamin's book One-Way Street published in 1928. Sasha was born as Aleksander Steinsapir to Jewish parents, Natan Steinsapir and Bella Meerson, in Saint Petersburg, Russia. He studied electrical engineering at Warsaw Technical Institute in Poland from 1911 to 1913. In 1913, he immigrated to New York and spent a few years working briefly at the Edison Company in New Jersey. In 1917, Sasha enlisted in the United States Army, served in WWI and was honorably discharged on June 14, 1919. While in the United States Army he was granted a stay at the American Expeditionary Forces (AEF) Art Training Centre in Paris after the war. After his military discharge, Sasha lived in the Rue de Plantes, Paris, and worked as a sculptor. In 1918, Sasha and Cami moved to Berlin together and later married in 1922. When he moved to Berlin, he kept his studio in Rue de Plantes for his cousin Harry Ossip Meerson to use; however, Meerson failed to pay rent and was evicted. In Berlin, Sasha was associated with the sculptor Aleksandr Archipenko, and was a contributor to the magazine G-Material für elementare Gestaltung. His work was published in Die Form, Das Kunstblatt, UHU, Berliner Illustrirte Zeitung, Der Querschnitt, Gebrauchsgraphik, and Die Dame as well. In 1924, Sasha and Cami opened their own studio in Berlin, named Atelier Stone, meaning “Studio Stone”. In 1928, he officially changed his name to Sasha Stone and became a painter. He had little success as an artist. Due to an economic downturn in Europe during this period, Sasha focused on photography as a main source of income. Sasha had become an extremely versatile photographer, working with portraits, journalism, feature images, advertising, property, fashion, and architecture photos. His photos appeared in Adolf Behne's edition of Berlin in Bildern, and Paul Cohen–Portheim's travel guide Paris. Sasha took images for surrealist journals like Varietés in Belgium and Bilfur in Paris. His work was presented in the first international photography exhibition called Fotografie der Gegenwart in Essen, Germany, and Werkbund's exhibition Film und Foto in Stuttgart, Germany. In 1931, Sasha and Cami moved to Brussels, Cami's hometown, where they lived until they divorced. In 1933, the couple were part of the Exposition Internationale de la Photographie in Brussels. A collection of nudes by Sasha and Cami Stone was published in Les Femmes through the French magazine Arts et Metiers Graphique in 1933. Throughout this time Sasha was connected with artists, celebrities and intellectuals of that period. Sasha and Cami divorced on February 15, 1939. They continued to work together until Sasha remarried. On April 29, 1939, Sasha Stone remarried, to Lydia Edens (born Alida Anna Edens). Sasha, Lydia and other families fled the German attack on Brussels on May 14, 1940. Their goal was to reach Spain and then go to the United States for safety. The group was en route through the Pyrénées in Perpignan, France. On August 6, 1940, Sasha died in Perpignan due to a serious ailment. The exact location of his grave is unknown. The only thing left is the graveyard book entry.Source: Wikipedia Best known for his photomontage reproduced on the cover of Walter Benjamin's book One-Way Street (1928), Stone was closely associated with the New Objectivity movement of the 1920s in Germany. From 1924 to 1931, he operated a successful photographic studio in Berlin. He contributed photo reportage to many of the major illustrated magazines, including Uhu, Die Dame, and Berliner Illustrierte Zeitung and was celebrated for his innovative advertising work. In 1933 the French magazine Arts et Metiers Graphique published Femmes, a portfolio of Stone's studies of female nudes, as the first in a series of three planned portfolios on the human body. (The other two, Hommes and Adolescents, were never realized.) Stone's photographs, with their fragmented figures, angular compositions, and use of raking light, are superb examples of avant-garde photographic aesthetics in Europe between the world wars.Source: The Met
Lorenz Berna
Lorenz Berna
Italy
1984
I am an Italian photographer with a passion for exploring places where spirituality, tradition, and the human experience come together. Raised in the Tuscan countryside, I discovered photography as a way to connect with the world on a deeper level. My travels have taken me across Asia and Africa, seeking out the silent stories hidden in daily encounters and the atmosphere of sacred, remote spaces. My photographic style gravitates between travel documentary and a touch of street photography. I prefer a slow and immersive approach—spending extended time in a few places rather than briefly visiting many. For me, photography is a journey of presence, curiosity, and listening, allowing the authentic character and emotion of each place to quietly emerge. Statement: Photography is, for me, a practice of attentive presence—a way to connect more deeply with the world and the people I encounter. I am drawn to environments where tradition and spirituality are still a living force, and I try to approach each subject with honesty and respect. Through my images, I hope to evoke a sense of wonder and reflection, inviting viewers to slow down and appreciate the subtle beauty of ordinary moments. AAP Magazine: AAP Magazine 49: B&W
Yasmine Chatila
Yasmine Chatila
Egypt
1974
Yasmine Chatila was born in Cairo in 1974, growing up between Cairo, Italy, France, and Canada. She graduated with a Bachelor in fine Arts from Parsons School of Design in New York, and Masters in Fine Arts from Columbia University School of Arts in 2002. She is the recipient of numerous awards, including a Tag Heuer scholarship for eight consecutive years, and a Columbia fellowship. Her work has been exhibited worldwide, including locations like Centre Pompidou in Paris, The Reina Sofia Museum in Madrid, and Ludwig Museum in Cologne. Stolen Moments have been published by Rizzoli press in the book New York: A Photographer's City and World Atlas Street Photography published by Yale Press. She has been featured in international publications including Vogue Italia, NBC News, IO Donna, Interview Magazine, Foam Magazine, Art in America, Exit Art, New York Post, Wired Magazine, Blackbook, and many more. Her website has attracted millions of viewers, making her work synonymous with voyeurism in art and conceptual photography. All about Stolen Moments On a quiet winter night, I looked out a window. I could see a building far away, the windows were illuminated, and I could vaguely make out people inside their apartments. When I imagined what they might be doing, my mind fluttered between wild fantasies and mundane clichés. I was curious to compare my expectations to the reality of their lives. After months of continuous observation in different parts of the city, I collected hundreds of photographs of strange, comical, and often haunting moments. At times, I was lucky enough to catch a glimpse of human nature when it was not guarded, not self-conscious, and completely uninhibited. This provided me with a stage where it was possible to observe myself in the most secret and vulnerable moments of others. In order to render the subjects unrecognizable, and in an attempt to render them more archetypal, they are taken out of context and displaced from their original habitat.
Meryl Meisler
Meryl Meisler
United States
1951
Meryl Meisler was born 1951 in the South Bronx and raised in North Massapequa, Long Island, New York. Inspired by photographers such as Diane Arbus and Jacques Henri Lartigue, as well as her dad, Jack, and grandfather, Murray Meisler, Meryl Meisler began photographing herself, family, and friends while enrolled in a photography class taught by Cavalliere Ketchum at the University of Wisconsin, Madison. In 1975, Meisler returned to New York City and studied with Lisette Model, continuing to photograph her hometown and the city around her. After working as a freelance illustrator by day, Meisler frequented and photographed the infamous New York discos. As a 1978 C.E.T.A. Artist grant recipient, Meisler created a portfolio of photographs which explored her Jewish identity for the American Jewish Congress. After C.E.T.A., Meisler began a three-decade career as a NYC Public School Art Teacher. Meisler has received fellowships, grants, and residencies from the New York Foundation for the Arts, Light Work, YADDO, The Puffin Foundation, Time Warner, Artists Space, C.E.T.A., the China Institute, and the Japan Society. Her work has been exhibited at the Zillman Art Museum, Brooklyn Museum, Brooklyn Historical Society, Dia Art Foundation, MASS MoCA, Islip Art Museum, Annenberg Space for Photography, the New Museum for Contemporary Art, New-York Historical Society,Steven Kasher Gallery, the Whitney Museum of American Art, and in public spaces including Grand Central Terminal, South Street Seaport, Photoville, Vichy Portrait Festival, and throughout the New York City subway system. Her work is in the permanent collections of the American Jewish Congress,ARTPPOOL Budapest, AT&T, Bibliothèque Nationale de France, the Brooklyn HistoricalSociety, Book Art Museum (Poland), Columbia University, Emory University, Islip Art Museum,the Library of Congress, Musée de la Poste Paris, Smithsonian Institute, University of Iowa, and The Waskomium, and can be found in the artist book collections of Carnegie Mellon, the Centre Georges Pompidou, the Chrysler Museum, the Museum of Modern Art NYC, Metronome Library, and the Whitney Museum of American Art. Upon retiring from the New York City public schools, Meisler began releasing large bodies of previously unseen work. Her monographs have received international acclaim. A Tale of Two Cities: Disco Era Bushwick (Bizarre, 2014) juxtaposes her zenith of disco photos with images of the burned out yet beautiful neighborhood of Bushwick, Brooklyn in the 1980s. Her second book, Purgatory & Paradise: Sassy ‘70s, Suburbia &The City (Bizarre, 2015), contrasts intimate images of home life on Long Island alongside New York City street and night life. Her latest book New York PARADISE LOST Bushwick Era Disco (Parallel Pictures Press 2021) revieals darker sides of disco and takes the viewer into 1980s Bushwick school and street life. Meryl Meisler lives and works in New York City and Woodstock, New York. NIGHTLIFE NYC, 1977-2023 In 1975 Meryl Meisler moved to New York City. Two years later its most notorious and celebrated nightclub, Studio 54, opened its doors. Meisler immersed herself in the nightlife scene and began to make images of Studio 54's colorful pleasure-seekers, along with some of its most noted party-goers such as Andy Warhol. The photographer states, ''When Studio 54 opened, my friend JudiJupiter got us on the guest list as photographers. The doorman took a liking and parted the door for us night after night. Studio 54's fabulous changing décor, DJs, sound system, and incredible crowds of diverse ages, races, ethnicities, sexual orientations, and gender identities were thrilling.'' Fueled by the excitement of Manhattan's exploding club scene of the late 70s, Meisler photographed fashionable night revelers and celebrities at a number of other hedonistic havens that popped up throughout the City. Legendary clubs such as Copacabana, Paradise Garage, Hurrah, Xenon, GG's Barnum Room, CBGB, and erotic Go-Go bars, provided an endless and diverse array of extravagant subjects immersed in dance and party spectacles. Each venue had its own unique identity, clientele, and energy. Some club-goers who were unable to gain admission to Studio 54 or wanted a change of scenery explored the crowd, vibe, and music at other night spots. Meisler adds, ''On nights off, club owners and cohorts would party at other discos.'' It was on one of these evenings that Meisler photographed Halston and Studio 54 co-owner Steve Rubell comfortably huddled together on a couch at the club Hurrah. A monogamous relationship, full-time art teaching job, and the onset of the AIDS epidemic prompted the photographer's foray into nightlife culture to dramatically slow down around 1981. Meisler kept her collection of images to herself, as a sort of private visual memoir, until an encounter in 2014 at the drag & burlesque bar BIZARRE, in Bushwick. Many of the club's performers and the scene they created were reminiscent of the freedom and energy that abounded during New York City's nightlife heyday in the late 70s. This emerging scene with its emphasis on inclusion, costumed spectacles, and over-the-top revelry inspired Meisler to exhibit her earlier nightlife photos and, once again, document these venues of unbridled celebration. Dance and performance take center stage in many of Meisler's current images taken at clubs like Bushwick's House of Yes and Bartschland's roaming parties. These new club scenes with drag queens and kings, bodacious burlesque performers, acrobats, magicians, dancers, and disco divas add to the continuum of NYC's nightlife culture — honoring and elevating the dynamic spirit set forth by prior generations of party-goers. Article Nightlife NYC, 1977-2023 Simply Scintillating: A Retrospective, Five Decades of Photographs Street Walker Queer-Friendly Nightlife Now
Desiree Cyganek
Desiree Cyganek
Ivory Coast
1979
French, from west African descent, Desiree Cyganek is a portrait photographer based in New York City. Always in touch with her artistic side, Desiree started a career as a professional dancer and actress in Paris. Destiny brought her to the United States 10 years ago, where she started photography as a hobby. It soon became obvious that it would become more than that, as she clearly had uncovered a new talent and passion. Photography has now become more than a full time job; it is her new career. Not a day goes by that she's not testing or expanding her knowledge. She always had a deep connection with her African roots and a passion for people & fashion, therefore it comes as no surprise that her expertise lies in those fields. Desiree has this special ability to make people feel at ease in front of her camera and capture their essence like no one else. Her style is clean, yet bold and filled with emotions.
Thibault Belouis
Thibault Belouis
France
1992
After earning his degree in Graphic Design from the school of art direction and interior architecture Penninghen in Paris in 2015, Thibault Belouis worked as a iconographer for production companies specializing in photography and commissioned films. In 2018, he joined the production company Passion Pictures (Paris) as an art director. This international company, renowned for its documentaries and animated fi lms, has been recognized multiple times with Academy Awards. His professional and artistic focus is now on photographic, video, and sound works, exploring the existence of the world around him. He practices photography spontaneously, ranging from landscapes to street photography, aiming above all to capture a certain delicacy through a contemplative and slightly offbeat perspective. The relationship between reality and the image has always fascinated him. In June 2023, he decided to dedicate himself fully to his artistic sensibility, exploring photography, video, and sound. He then created the photographic series Magnetic Walk, a visual noir tinged with surrealism. That same year, his artistic commitment led him to travel across the Americas for one year, during which he produced Dias Tras Días, a series fi nalist for the Prix Bergger for Black and White Analog Photography 2025. His work was exhibited in November at an exhibition organized by Mathilde Virty in Paris. In 2026, he will participate in the KIOSKO residency program in Santa Cruz, Bolivia, to develop a project exploring the connection between memory and wild nature. Awarded Photographer of the Week - Week 04, 2026
Hilary Duffy
Hilary Duffy
United States
Hilary began her photography career in news and travel for The Tico Times while she lived in Costa Rica in the 1990's. Over the course of seven years, she immersed herself in the culture of Costa Rica as an educator and honed her photography skills. In 2000, Hilary graduated from the International Center of Photography's Documentary/PJ Program and later assisted the Maine Photo Workshops in Havana, Cuba. Compelled to share photography with local youth, she developed a photo library and directed the Havana Youth Photo course in 2003—sharing her passion for photography and educating a younger generation. As a recipient of the ICP/Johnson & Johnson Fellowship in 2002 and 2004, Hilary completed assignments for Johnson & Johnson's corporate social responsibility at the U.S.-Mexico border, then India and Vietnam. This led to subsequent assignments for NGOs in the U.S., Asia, Latin America, the Caribbean and tsunami-affected regions. Hilary's international work and experience provided the opportunity to document the plight and rehabilitation of street children for Covenant House/Latin America. Her project Young Lives at Risk on the Streets was featured on Media Voices for Children, PhotoPhilanthropy and socialdocumentary.net. These collaborations have allowed Hilary to strengthen her passion as a socially concerned photographer and led to a permanent exhibit at Covenant House Headquarters in New York City. In addition, Hilary has exhibited in Costa Rica, Cuba, Guatemala and the U.S. And her stock photography has been represented in Aurora, Corbis and the National Geographic Image Collection. Hilary's curiosity, honesty, compassion and cultural sensitivity are reflected in her imagery.
Sergio Larrain
Sergio Larrain
Chile
1931 | † 1912
Sergio Larrain was born in 1931 in Santiago de Chile. He studied music before taking up photography in 1949, from which year until 1953 he studied forestry at the University of California at Berkeley. He then attended the University of Michigan at Ann Arbor before setting off to travel throughout Europe and the Middle East. Thus began Larrain's work as a freelance photographer. He became a staff photographer for the Brazilian magazine O Cruzeiro and in 1956, the Museum of Modern Art in New York bought two of his pictures. In 1958, Larrain was given a grant from the British Council that allowed him to produce a series of photographs of London. The same year Henri Cartier-Bresson saw his photographs of street children and suggested that he work for Magnum. Larrain spent two years in Paris, where he worked for international press titles. Larrain became a Magnum associate in 1959 and a full member in 1961. He returned to Chile in 1961 when the poet Pablo Neruda invited him to photograph his house. In 1968, he came into contact with Bolivian guru Óscar Ichazo and virtually gave up photography to pursue his study of Eastern culture and mysticism, adopting a lifestyle in keeping with his ideals. He has devoted himself to spreading knowledge of yoga, writing, painting in oils and occasionally taking the odd photograph.
Patrick Joust
Patrick Joust
United States
1978
Patrick Joust is a 32 year old photographer living in Baltimore, Maryland. Born in Oroville, California, Patrick has gone back and forth between both coasts of the United States, before settling permanently in Baltimore in 2006 where he works as a librarian for the city library system. He started to take photography seriously about 8 years ago, but it wasn’t until he lived in Baltimore that he finally started to regularly capture and convey something close to what he wanted. Within his own city and in his travels, photography has helped Patrick to place reality within context. The complex nature of a photograph, of how it can be both truthful and false to its subject, sometimes at the same time, is part of the reason why he finds the work so fascinating. He mostly shoots film and enjoys playing around with multiple cameras in multiple formats and he enjoys following the work of others.
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Exclusive Interview with Carolyn Moore
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
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Exclusive Interview with Henk Kosche
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German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Josh S. Rose
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Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
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