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Chad Cowan
Chad Cowan
Chad Cowan

Chad Cowan

Country: United States
Birth: 1984

Chad Cowan is a photographer and aspiring filmmaker who has been chasing storms across America's Tornado Alley over the past 10 years and 200,000 miles. His goal is to capture the awe inspiring beauty of nature in the most extreme and violent weather on earth. Cowan's current film project for which he is seeking financing and distribution is a collection of timelapses of these supercells shot in 8k resolution.

Growing up in Kansas, the epicenter of severe weather on the planet, he quickly became obsessed with thunderstorms. Inspired by a few timely weather-related gifts from his grandfather at a young age, Cowan decided he wanted to chase them once he had his driver's license.

Cowan's photos have been published around the globe and his work has appeared in major motion pictures, and on most national news outlets. In 2010, his 'Icemaker' photo of the supercell that dropped the largest hailstone ever recorded on earth came in second place in a National Geographic photo contest.

He has a BS in Economics from Kansas State University

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More Great Photographers To Discover

William Henry Fox Talbot
William Henry Fox Talbot
United Kingdom
1800 | † 1877
William Henry Fox Talbot was born on 11 February 1800 in Melbury, Dorset, into a well-connected family. His father died when he was less than a year old and he and his mother lived in a succession of homes until she remarried in 1804. Talbot went to Cambridge University in 1817. In 1832, he married Constance Mundy and the same year was elected as MP for Chippenham. In 1833, while visiting Lake Como in Italy, his lack of success at sketching the scenery prompted him to dream up a new machine with light-sensitive paper that would make the sketches for him automatically. On his return to England, he began work on this project at his home at Lacock Abbey in Wiltshire. Thomas Wedgwood had already made photograms - silhouettes of leaves and other objects - but these faded quickly. In 1827, Joseph Nicéphore de Niepce had produced pictures on bitumen, and in January 1839, Louis Daguerre displayed his 'Daguerreotypes' - pictures on silver plates - to the French Academy of Sciences. Three weeks later, Fox Talbot reported his 'art of photogenic drawing' to the Royal Society. His process based the prints on paper that had been made light sensitive, rather than bitumen or copper-paper. Fox Talbot went on to develop the three primary elements of photography: developing, fixing, and printing. Although simply exposing photographic paper to the light produced an image, it required extremely long exposure times. By accident, he discovered that there was an image after a very short exposure. Although he could not see it, he found he could chemically develop it into a useful negative. The image on this negative was then fixed with a chemical solution. This removed the light-sensitive silver and enabled the picture to be viewed in bright light. With the negative image, Fox Talbot realised he could repeat the process of printing from the negative. Consequently, his process could make any number of positive prints, unlike the Daguerreotypes. He called this the 'calotype' and patented the process in 1841. The following year was rewarded with a medal from the Royal Society for his work. Fox Talbot was also an eminent mathematician, an astronomer and archaeologist, who translated the cuneiform inscriptions from Nineveh. He died on 11 September 1877. Source: BBC
Gerda Taro
Gerda Taro
Germany
1910 | † 1937
Gerda Taro, a pioneering figure in the world of photojournalism, illuminated the harrowing realities of conflict through her lens. Born Gerta Pohorylle on August 1, 1910, in Stuttgart, Germany, she would later adopt the pseudonym "Gerda Taro" as she ventured into the tumultuous landscape of war-torn Europe during the 1930s. Taro's journey into photography began as she fled Nazi persecution, seeking refuge in Paris. It was there that she crossed paths with fellow photographer Robert Capa, sparking a creative and romantic partnership that would shape both their lives and redefine the boundaries of photojournalism. Together, Taro and Capa embarked on a mission to document the Spanish Civil War, a conflict that would serve as a crucible for their artistic and ideological convictions. Working under the banner of "Robert Capa and Gerda Taro," they captured the raw intensity of battle, immortalizing the struggles of Republican forces against the backdrop of Franco's fascist regime. Despite the dangers inherent in their profession, Taro fearlessly ventured into the heart of the conflict, often disregarding personal safety in pursuit of the perfect shot. Her images exuded a sense of urgency and immediacy, offering a stark reminder of the human cost of war and the resilience of the human spirit in the face of adversity. Tragically, Taro's life was cut short at the tender age of 26 when she was struck by a tank during the Battle of Brunete in July 1937. Her untimely death sent shockwaves through the world of photojournalism, serving as a sobering reminder of the risks faced by those who bear witness to history's most tumultuous moments. Though her life was brief, Gerda Taro's impact on the world of photography endures as a testament to her courage, compassion, and unwavering commitment to truth-telling. Her images continue to serve as a powerful reminder of the human toll of conflict, inspiring future generations of photographers to wield their cameras as instruments of social change and justice. As we reflect on the legacy of Gerda Taro, we are reminded of the profound significance of bearing witness to history's darkest chapters and the enduring power of images to shape our understanding of the world and ignite the flames of empathy, compassion, and solidarity across borders and generations.
Hardijanto Budiman
Hardijanto Budiman
Indonesia
1968
My name is Hardijanto Budiman aka. Hardibudi, a Visual artist base in BSD City ( about 40 Km west of Jakarta, Indonesia ) My life is overflowing with creating works of art. Since a boy I really love anything related to Art especially Painting & Music. For me Photography is the best media to express my passion in Art. My works just like the Journey of my life! It is all about the expression of Imagination, Emotion & Experiences of my life. My favorite genre are Conceptual & Contemporary Photography. I also love anything about Surreal Art! That's why lots of my works strongly influenced with Surreal touch.
Virginia Hines
Virginia Hines
United States
Virginia Hines started photographing during high school, working part-time for the local newspaper where her parents were editors, and later studied photography with notable artists including Harvey Stein, Bruce Gilden, Alex Webb, and Geoff Winningham. She is a frequent contributor to Street Photography Magazine and their podcasts featured her in April 2021 and May 2022. She also wrote the introductory essay for Harvey Stein's latest book of street photography, Coney Island People: 50 Years. Her photographs have appeared in many print and digital publications and have been exhibited in group shows across the U.S. and in Europe. You can follow her progress on Instagram @vhines_photos and on her web site. Statement For me, photography is about making connections, most importantly, connections with other people. Even in brief interactions, there is a potential connection, a communication, that can create bonds with individuals from a variety of circumstances. Photography is an outlet for my enduring curiosity about people. There is also the challenge of making visual and conceptual connections within the confines of the frame. Photography provides a means of playing with the inescapable yet elusive dimension of time, which has fascinated me ever since I learned there was meaning to exactly how the hands were positioned on the face of a clock. I have been trying to “tell time” ever since. Finally, photography gives me a way to explore mysteries and discover order and beauty in everyday life. Often enough, life does not seem beautiful, but sometimes a photograph will bring to light qualities that lie beneath the surface. I treasure these small epiphanies and the tools photography provides for bringing them to light.
Hyun De Grande
Hyun De Grande
South Korea/Belgium
1987
My name is Hyun De Grande. I was born in Seoul, South Korea in 1987 and I was adopted to Belgium when I was around 4 months old. I grew up in a small town called Oostkamp together with my parents and my brother, who is also adopted. At the age of 15, I started studying film and photography at the Art Academy in Bruges, which was my introduction to both artforms. After two more years of studying film at the School of Arts in Ghent, I moved to Brussels in 2008 to specialize in cinematography at the RITCS. I'm still residing in Brussels, and I currently work as a cinematographer in the narrative and commercial fields. Street photography is a passion to which I love devoting my energy to in between jobs. It's obvious that my cinematography background has heavily influenced my photography style, yet I try to approach things in a different way when I'm taking pictures compared to shooting a movie. It's mainly much more personal because I don't share the creative process with other people, which allows me to explore themes that are closer to myself as a person. Statement As a photographer I'm very fascinated by the feelings of loneliness, isolation and/or alienation because they strongly resonate with me personally. Perhaps it can be back-tracked to my adoption, which has created a sense of never really feeling at home anywhere I go, and therefore these emotions have always been a big part of my life. Esthetically, I'm mainly looking for clear shapes and lines as an arena for my subjects, both coming from light and/or architecture. I feel that the solidity of these shapes enhances the fragility of the people portrayed within these lines. Trapped or lost in a cold and unforgiving environment. I also love working in a wider frame as it allows me to use that extra horizontal space to evoke emptiness. I find it interesting to utilize the surroundings of my characters to create emotional context, even when these surroundings are blank or abstract. I use a 2:1 ratio on all of my photographs, which stems from my cinematography background.
Brad Patocka
Brad Patocka
United States
Born in Upstate NY, USA to a blue-collar upbringing, I was quickly drawn to the rugged environments of the outdoors. This inevitably led to an unrelenting quest for exploration and travel, always driven by a curiosity of what the world is and what it can be. Like many, I first became interested in the photography from Nat Geo magazines, looking at images of the vastly different cultures and habitats around the globe produced by the countless photographers who would grow to be my idols. The aesthetic quality of a physical print really drew me in, photos that can depict a specific situation while also speaking to a larger issue or narrative resonated with me and inspired me to first pick up a camera. I believe we are all story tellers in some way, shape, or form. For me being able to effectively do just that in a single frame has always been the goal. Having the opportunity to cover important issues, and to present them in a powerful light that will ideally create some sort of change or impact others to consider the world we live in, is the ultimate goal. Traveling the globe in pursuit of various projects, I have found my works range from humanitarian aid, human rights, and environmental issues. Discover Brad Patocka's Interview
Colby Deal
Colby Deal
United States
1988
Colby Deal is a photographic artist born (b. 1988) and raised in Houston, Texas. He received his Bachelor of Fine Arts in the practice of photography from The University of Houston. Within his practice, he explores the culmination of elements of the psychological environment as well as the physical. He shows the dynamic range of family, community and the individual by combining street photography and portraiture to capture vibrant communities. In recent years he has incorporated the medium of sculpture and public art as a means of preserving cultural characteristics that are being erased and positively influencing his community and others alike. Colby is directly inspired by his upbringing through getting to see his family’s photographs that were mostly taken by his father. This appreciation for slowing down and concentrating on photographing what’s right in front of him, “The Now”, has led him to be more in touch with using analog photography. Colby Deal is an alumni of Project Row Houses residency, Red Line Contemporary Art Center residency in Denver, Colorado and in 2020, was awarded an exhibition at the Houston Museum of African American Culture. Colby became a Magnum nominee member in 2020.Source: Magnum Photos Colby Deal is a firm believer in the potential of photography to be a transformative medium. “Especially now with Covid and how it is separating people, imagery is so important” he says, over video call from outside his home in Houston’s Third Ward, where he has been photographing with the intention to uplift cultural representations of the predominantly Black neighborhood. “People of color and people from under-resourced communities are always shown negative images about themselves,” says Deal, whose practice involves pasting his images onto abandoned buildings and derelict shopfronts. “Imagine being a kid, waking up, getting on the school bus, and seeing yourself displayed monumentally in a positive manner. That can have a strong psychological effect on the way you think about yourself and others. Like seriously, just a glance at an image can change your thought patterns — it can change your whole life.” Adopting a participatory approach, Deal’s process involves a lot of talking and walking. On a typical day, he will drag his large format camera on a wagon, stopping at people’s doorsteps and porches for a drink, smoke, and conversation, about their lives and the condition of their community. “I don’t want to call it a story because I sound like a fucking news reporter,” he laughs, “but what I’ll do is walk around, find things I like, and shoot around it”. The culmination of these excursions is Beautiful, Still, an ongoing collection of over 1,000 black-and-white negatives of street photographs and portraits. The ability to layer these historical, personal, and social contexts in a single image can be cited back to Deal’s childhood and evolution as an artist. Deal was initially self-taught, later enrolling in the Photography BFA at The University of Houston, mostly for “the network,” he says, and to “learn how to better articulate what I was doing”. The documentary photographer, who last month became a Magnum nominee, is also a sculptor, carpenter, graphic designer, and painter. “As a child, everything I found joy in was about art,” says Deal, who was drawing from the age of three, and later developed an obsession with breaking down objects and piecing them back together. “That aspect has played a huge part in what I do today, which is looking at an idea, concept, or message that I want to get across, then starting from the root, and working from there.”Source: British Journal of Photography
Ernst Haas
Ernst Haas
Austria/United States
1921 | † 1986
Ernst Haas was born in Vienna and began studying photography at the Graphische Lehr und Versuchsanstalt in Vienna six years before acquiring his first camera in 1946. After several photography-related jobs, he was offered a position at Life, and his first feature article, "Returning Prisoners of War," was published in both Heute and Life in 1949. This prompted Robert Capa to invite Haas to join the Magnum agency, the international cooperative founded by Capa, Henri Cartier-Bresson, George Rodger and Chim (David Seymour). Also in 1949, Haas purchased a Leica and began experimenting with color photography, the medium in which his work is best known. His "Magic Images of New York," a twenty-four-page color photo essay, which appeared in LIFE in 1951 was both his and LIFE's first long color feature in print. Throughout the 1950s and 1960s, Haas worked in both black-and-white and color, contributing to LIFE, Look, Vogue, and Holiday. He also worked as a still photographer for films, among them The Pharaohs, The Misfits, and Little Big Man. Haas served as president of Magnum in 1959-60, and as second director for The Bible (John Huston was first director) in 1966. The Creation (1971), a book of his photographs, eventually sold more than 300,000 copies. Ernst Haas pioneered the use of color photography at a time when it was considered inferior to black-and-white as a medium for serious creative photographers. His innovative use of the slow shutter speed, which gave many of his pictures the illusion of movement, and his emphasis on audiovisual presentations (works involving sound, poetry, and pictures) opened many possibilities in color photography and in multimedia art. Although he is famous for his color photography, Haas's black-and-white images are among the most incisive, evocative, and beautiful images of postwar Europe and America, as was demonstrated in ICP's exhibition of his work in 1993. Source: ICP
Richard Misrach
Richard Misrach
United States
1949
Richard Misrach (born 1949) is an American photographer "firmly identified with the introduction of color to 'fine' [art] photography in the 1970s, and with the use of large-format traditional cameras" (Nancy Princenthal, Art in America). David Littlejohn of the Wall Street Journal calls Misrach "the most interesting and original American photographer of his generation," describing his work as running "parallel to that of Thomas Struth and Andreas Gursky, two German contemporaries." Littlejohn notes that all three used a large scale color format that defied the expectations of fine art photography at the time. Misrach is widely recognized as "one of this century’s most internationally acclaimed photographers." He is perhaps best known for his depictions of the deserts of the American west, and for his series documenting the changes brought to bear on the environment by various man-made factors such as urban sprawl, tourism, industrialization, floods, fires, petrochemical manufacturing, and the testing of explosives and nuclear weapons by the military. Curator Anne Wilkes Tucker writes that Misrach's practice has been "driven [by] issues of aesthetics, politics, ecology, and sociology." In a 2011 interview, Misrach noted: "My career, in a way, has been about navigating these two extremes - the political and the aesthetic." Describing his philosophy, Tracey Taylor of the New York Times writes that "[Misrach's] images are for the historical record, not reportage." Misrach has been married since 1989 to writer Myriam Weisang and has a son, Jake, from his first marriage to Debra Bloomfield. Misrach's book Desert Cantos received the 1988 Infinity Award from the International Center of Photography, and his Bravo 20: The Bombing of the American West, co-authored with Myriam Weisang Misrach, was awarded the 1991 PEN Center West Award for a nonfiction book. His Katrina monograph Destroy This Memory won Best Photobook of the Year 2011 at PhotoEspaña. He has received numerous awards including four National Endowment for the Arts Fellowships, a Guggenheim Fellowship, an International Center of Photography Infinity Award for a Publication, and the Distinguished Career in Photography Award from the Los Angeles Center for Photographic Studies. In 2002 he was given the Kulturpreis for Lifetime Achievement in Photography by the German Society for Photography, and in 2008 he received the Lucie Award for Outstanding Achievement in Fine Art Photography. In 2010, Apple licensed Misrach's 2004 image Pyramid Lake (at Night) as the inaugural wallpaper for the first iPad. The opening credits of the 2014 HBO series True Detective featured a montage of images from Misrach's Petrochemical America. In 2016, the AIGA selected Border Cantos for its "50 Books | 50 Covers" competition, a "survey of the best in book design represent[ing] perhaps the longest-standing legacy in American graphic design." Source: Wikipedia Richard Misrach is one of the most influential photographers of his generation. In the 1970s, he helped pioneer the renaissance of color photography and large-scale presentation that are in widespread practice today. Best known for his ongoing series, Desert Cantos, a multi-faceted approach to the study of place and man’s complex relationship to it, he has worked in the landscape for over 40 years. A recent chapter of the series, Border Cantos, made in collaboration with the experimental composer Guillermo Galindo, explores the unseen realities of the US-Mexico borderlands. This work was exhibited at the Amon Carter Museum of Art, Crystal Bridges Museum of American Art, and San Jose Museum of Art in 2016-17. In the most recent chapters, Premonitions and The Writing on the Wall, Misrach documents graffiti on abandoned buildings throughout the Southwest and Southern California, finding an angry and ominous response to the highly charged political climate before and after the 2016 election. Both series premiered at Fraenkel Gallery in 2017. Other notable bodies of work include his documentation of the industrial corridor along the Mississippi River known as Cancer Alley, the study of weather, time, color and light in his serial photographs of the Golden Gate Bridge, and On The Beach, an aerial perspective of human interaction and isolation. Recent projects mark departures from his work to date. In one series, he has experimented with new advances in digital capture and printing, foregrounding the negative as an end in itself and digitally creating images with astonishing detail and color spectrum. In another, he built a powerful narrative out of images of graffiti produced in the aftermath of Hurricane Katrina, made with a 4-megapixel pocket camera. In fall 2012, in collaboration with landscape architect Kate Orff, Misrach launched a major book and exhibition entitled Petrochemical America, which addresses the health and environmental issues associated with our dependency on oil. Source: Fraenkel Gallery
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Latest Interviews

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Interview
Exclusive Interview with Carolyn Moore
American photographer Carolyn Moore explores the inner landscape of emotion, memory, and personal transformation through a deeply intuitive photographic practice. Her work unfolds as a quiet dialogue between artist and viewer, where images become a space for reflection, vulnerability, and connection.
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
Interview
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Exclusive Interview with Luca Desienna and Laura Estelle Barmwoldt
For over seven years, Of Lilies and Remains has explored the depths of the goth and darkwave underground, unfolding in Leipzig—a city long associated with a vibrant and enduring subcultural scene. Moving between iconic gatherings such as Wave-Gotik-Treffen and more intimate moments on the fringes, the project offers a rare and immersive glimpse into a world often misunderstood, yet rich in expression and community. Created by Luca in collaboration with Laura Estelle Barmwoldt, the work embraces a cinematic and deeply personal approach. Rather than documenting from a distance, it moves within the scene itself, capturing its atmosphere, its codes, and its quiet contradictions. The title Of Lilies and Remains hints at this duality—where beauty and darkness, fragility and strength coexist. As the book prepares for its release, we spoke with both artists about the origins of the project, their process, and what it means to document a subculture that continues to evolve while remaining true to its spirit.
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Exclusive Interview with Matthew Finley
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Exclusive Interview with Jan Janssen
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Exclusive Interview with Henk Kosche
German photographer Henk Kosche turns his lens toward the streets of Halle an der Saale, capturing everyday life in the late years of the former German Democratic Republic. At the time, Kosche was studying design and exploring the city with his camera, drawn to the atmosphere of its industrial landscape and the quiet rhythms of daily life. His series Street Photography at the End of the 80s, selected as the Solo Exhibition for July 2025, revisits a body of work created just before a period of profound change. Rediscovered decades later in a small box of 35mm negatives, these photographs offer glimpses of a city and its people at a moment suspended between the familiar and the unknown.
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Exclusive Interview with Anastasia Samoylova
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Exclusive Interview with Marijn Fidder
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Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
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Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
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Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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