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Doran Bastin
Doran Bastin
Doran Bastin

Doran Bastin

Country: United States

With a long, accomplished career in music, Doran Bastin is most recently furthering his creative explorations through photography - a medium that continues to keep pace alongside music, facing with similar strengths, challenges, and opportunities.

Known for his black and white urban landscapes Doran approaches the medium and his subjects with a keen, compassionate eye; finding intimate moments in some of the most unlikely places. Inspired by luminaries such as Lee Friedlander and Garry Winogrand, his photographs capture humanity, growth, and change in the Pacific Northwest, specifically in Seattle, Washington and Portland, Oregon where he divides his time.

His recent work has been featured in Photographic Center Northwest's Long Shot exhibition, Daylighted, awarded third place in the 2016 Collective Visions Gallery annual exhibition, and Jurors Merit Award in the International All About Photo 2017 Awards. Doran is a scrum master by day, a musician by night, and a photographer at heart.

Website

www.doranbastin.com

 

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More Great Photographers To Discover

John Divola
John Divola
United States
1949
John Divola is an American contemporary visual artist born in 1949 in Los Angeles, CA. He received a B.A. from California State University, Northridge in 1971 and later received an M.F.A. from the University of California, Los Angeles in 1974. He has held residencies at many institutions including the California Institute of the Arts. He has held the position of Professor in the art department at the University of California Riverside since 1988. His work has been featured in many solo exhibitions across the United States, Europe, Japan, and Australia. He participated in 1978, 1989, and 2000 Museum of Modern Art group exhibitions and in the 1981 Whitney Biennial. Divola received awards as Individual Artist Fellowship from the National Endowment for the Arts in 1973, 1976, 1979, 1990 and a Guggenheim Fellowship in 1986. He published four books: Continuity, Isolated Houses, Dogs Chasing My Car In The Desert, and Three Acts. In Zuma project, he has described being interested in the relationship between real artworks and representations of them, and the issues of the natural and the artificial. Divola said "I attempted ... to develop a practice in which there could be no distinction between the document and the original." In his series of photographs from 1977, he used deserted houses on Zuma Beach and covered their walls in graffiti. He photographed the ocean from the house's interior through windows and cracks. Divola states: "On initially arriving I would move through the house looking for areas or situations to photograph. If nothing seemed to interest me I would move things around or do some spray painting. The painting was done in much the same way that one might doodle on a piece of paper. At that point, I would return to the camera and explore whatever new potentials existed." These cyclical images skillfully juxtapose romantic skies and sunsets with a seaside structure that, frame by frame, deteriorates into ruin as it is vandalized by the artist and others who eventually set it on fire. Divola's works trace a schematic desire for escape, movement, and transcendence. "My acts, my painting, my photographing, my considering, are part of, not separate from, this process of evolution and change. These photographs are not so much about this process as they are remnants from it. My participation was not so much one of intellectual consideration as one of visceral involvement." Dogs Chasing My Car In The Desert are images of dogs in the desert captured in the midst of running wildly after the car. Emphasizing the grain of the image, these black and white photographs capture a haunting moment in which there is a duality between a sense of absence and presence. The behavior of the dogs suggests a lack of previous stimuli, and loneliness at the same time as an all-consuming reaction to the now, a presence. "It could be viewed as a visceral and kinetic dance. Here we have two vectors and velocities, that of a dog and that of a car and, seeing that a camera will never capture reality and that a dog will never catch a car, evidence of devotion to a hopeless enterprise". In the Dark Star series, dark circles have been painted on the walls of an abandoned house. Creation and destruction are held in a delicate equilibrium, the white rooms of the house, are tattered and derelict. The domestic ruins suggest social collapse, secret renditions of something darkly sinister illuminating our conflicted recent history, updating Zuma and Vandalism for our age of foreclosure. In the As Far As I Can Get project, he made photographs by pushing the self-timer button on his camera. An exposure is made in 10 seconds. John Divola currently lives and works in Riverside, CA. Divola works in photography, describing himself as exploring the landscape by looking for the edge between the abstract and the specific.Source: Wikipedia
George Byrne
George Byrne
Australia
1976
George Byrne creates large-scale photographs that depict everyday surfaces and landscapes as painterly abstractions. Borrowing from the clean, vivid clarity of modernist painting, he also references the New Topographics photography movement via a subject matter firmly entrenched in the urban every day. Born in Sydney in 1976, Byrne graduated from Sydney College Of The Arts in 2001, travelled extensively, and then settled in Los Angeles in 2011 - where he now lives and works. George's work resides in numerous international collections and he is represented by galleries in the USA, Canada, Australia, Taiwan, Norway and has his first solo show opening in Mumbai, India in September 2020. More about Post Truth Exclusive Interview SYNTHETICA at Show Gallery
Bert Stern
Bert Stern
United States
1929 | † 2013
Bertram Stern (October 3, 1929 – June 26, 2013) was a self-taught American commercial photographer. He was the son of Jewish immigrants and grew up in Brooklyn. His father worked as a children’s portrait photographer. After dropping out of high school at the age of 16, he gained a job in the mail room at Look magazine. He became art director at Mayfair magazine, where Stern learned how to develop film and make contact sheets, and started taking his own pictures. In 1951, Stern was drafted into the US Army and was sent to Japan and assigned to the photographic department. In the 1960s Stern's heavy use of amphetamines, led to the destruction to his marriage to Balanchine ballerina, Allegra Kent. By the late 1970s Stern returned to the U.S. to photograph portraits and fashion. He was the subject of the 2010 documentary, "Bert Stern: Original Madman," directed by his secret wife, Shannah Laumeister. Ms. Laumeister and Stern never lived together, and Stern had a long standing relationship of 20+ years with Lynette Lavender who was his constant and devoted companion. His first professional assignment was in 1955 for a Madison Avenue advertising agency for Smirnoff vodka. His best known work is arguably The Last Sitting, is a collection of 2,500 photographs taken for Vogue of Marilyn Monroe over a three-day period, six weeks before her death. Stern's book The Last Sitting was published in 1982 and again in 2000. He has photographed Audrey Hepburn, Elizabeth Taylor, Madonna, Kylie Minogue, Drew Barrymore and Lindsay Lohan (recreating The Last Sitting), among others, in addition to his work for advertising and travel publications.(Source: en.wikipedia.org)
Lindokuhle Sobekwa
Lindokuhle Sobekwa
South Africa
1995
Lindokuhle Sobekwa (born 1995) is a South African documentary photographer. He is a Nominee member of Magnum Photos and based in Johannesburg. Sobekwa was born in Katlehong, a township, 35 km from Johannesburg, South Africa. He learned photography in 2012 through participation in the first Of Soul and Joy Project, an educational program for young people run in the township of Thokoza; the workshop was given by Bieke Depoorter and Cyprien Clément-Delmas. His photo essay, Nyaope, about people who use the drug Nyaope in the township in which he lived and beyond, was published by the South African newspaper Mail & Guardian in 2014 and by Vice Magazine and De Standaard in 2015. Source: Wikipedia In 2015, Sobekwa received a scholarship to study at the Market Photo Workshop where he completed his foundation course. His Series Nyaope was exhibited in the ensuing group show, Free From My Happiness, organized by Rubis Mecenat at the International Photo Festival of Ghent in Belgium. In 2016, he left South Africa for a Residency in Tehran, Iran, with the No Man’s Art Gallery. The same year his work was displayed in the traveling iteration of Free from my Happiness. His work features in the book Free from my Happiness edited by Bieke Depoorter and Tjorven Bruyneel . He also took part in the group show Fresh Produce, organized by Assemblages and VANSA at the Turbine Art Fair in Johannesburg. Lindokuhle Sobekwa is also an assistant manager to the Of Soul and Joy Project, as well as a trainee at Mikhael Subotzky Studio. In 2017, Sobekwa was selected by the Magnum Foundation for Photography and Social Justice to develop the project I Carry Her Photo With Me. In 2018, he received the Magnum Foundation Fund to continue with his longterm project Nyaope, and has been selected for the residency Cité des Arts Réunion. Sobekwa became a Magnum nominee member in 2018.Source: Magnum Photos About I Carry Her Photo With Me The day his older sister Ziyanda disappeared, Lindokuhle Sobekwa was hit by a car. The two were walking together along a road in the Johannesburg suburb of Thokoza when Ziyanda began to chase the seven-year-old Sobekwa. Out of fear, he began to run, and then he was hit. Above him, he recalled before blacking out, was the blurry silhouette of a woman or girl. His sister vanished in the ensuing scramble, with no word as to why. “She was in a period of being a very secretive person,” Sobekwa remembers. She was thirteen years old. Sobekwa would not see Ziyanda again for a dozen years. Then one day, he returned from school, and Ziyanda was at home. She was reunited with the family for a couple of weeks. At the time, in 2014, Sobekwa was coming into his own as a photographer. He was in his final year of high school and working under the mentorship of Magnum photographer Bieke Depoorter and filmmaker Cyprien Clément-Delmas through the Of Soul and Joy project, an artistic initiative based in Thokoza. He remembers walking into Ziyanda’s room one day; in that moment, he saw his favorite would-be portrait of his sister: “She was lying in bed, there was a beautiful light. She said, ‘If you take a photo, I’m going to kill you.’ A few days after that, she passed away.” Disappearances are not rare in South Africa, Sobekwa says. Most Black South African families are familiar with the trauma of disappearances, which date back to the late 1980s and early ’90s, the height of the apartheid crisis. During this time, an ethnopolitical war between two rival parties, the African National Congress (ANC) and the Inkatha Freedom Party (IFP), suffused the townships with panic, as residents along the factional line were routinely vanished by violence. In Sobekwa’s family, the cycle began with his grandfather, who was the first of the line to come to Johannesburg, in the 1960s. He never returned to the countryside; his fate is still unknown. In 2017, the Magnum Foundation named Sobekwa a Photography and Social Justice Fellow. Suddenly, he had the resources to expand his search for his sister and develop his personal journal into a full-fledged series, I carry Her photo with Me (2017–ongoing). “I had my own unanswered questions, maybe guilt of some sort,” says Sobekwa. “I felt the need to go into these spaces and make the camera my excuse. I realized that going alone, it would be difficult.” With his camera in hand, he slipped once more into the role of documentarian.Source: Aperture
Nasos Karabelas
Nasos Karabelas
Greece
1992
Nasos Karabelas was born in Pyrgos, Greece and he is 27 years old. He started dealing with photography the last seven years and he has produced five short films and one feature film(OSMOSIS) which took part in festivals, in Greece and abroad. This series is the attempt to understand the functioning of sensations. To explorate the space of emotions and the interaction between the forms of the image and the viewer. Each photo is an entity, which includes a certain mental condition. So, we are dealing with a variety of emotional loads within a world that is equally ambiguous with ours. The forms obtain a dreamlike dimension. Sometimes you can not easily understand their contours. Τhe exploration of the forms inside the photographs gives us the opportunity to discover the various aspects of our psychosynthesis. The imprinted forms indicate an extension of ourselves and express our deeper psychic world. The deformed and fragile forms are like an endless flow of feelings. The camera is transformed into the prime tool for observation, exploration and re-discovery of the world of emotions and the use of black & white offers the right aesthetics for depicting forms and framing emotions. With the idea of movement continually imprinted on photos, the people look like enclosed within a new reality. A fuzzy and deformed reality. A dimension that belongs to the world of dreams and chaos.
Lottie Davies
Lottie Davies
United Kingdom
1971
Lottie Davies was born in Guildford, UK, in 1971. After a degree in philosophy at St Andrews University in Scotland, she moved back to England and has since been based in London and Cornwall as a photographer, artist and writer. Davies has won recognition in numerous awards, including the Association of Photographers' Awards, the International Color Awards, and the Schweppes Photographic Portrait Awards. Her work has garnered international acclaim; Quints ('Memories and Nightmares') won First Prize at the Taylor Wessing Photographic Portrait Awards 2008 at the National Portrait Gallery in London, Viola As Twins won the Photographic Arte Laguna Prize in Venice in 2011, and she won the Young Masters Art Prize in 2012. Davies' work is concerned with stories and personal histories, the tales and myths we use to structure our lives: memories, life-stories, beliefs. She takes inspiration from classical and modern painting, cinema and theatre as well as the imaginary worlds of literature. She employs a deliberate reworking of our visual vocabulary, playing on our notions of nostalgia, visual conventions and subconscious 'looking habits', with the intention of evoking a sense of recognition, narrative and movement. Sandy Nairne of the National Portrait Gallery in London has described Davies' work as "brilliantly imaginative". Quinn: A Journey
Jana Šantavá
Jana Šantavá
Slovakia
1978
Jana Šantavá is a visual artist and fine art photographer based in Bratislava, Slovakia. Her work explores themes of introspection, identity, and the space between reality and dream, often through staged, cinematic imagery that invites the viewer into layered narratives. Using mirrors, duplicated figures, and subtle surreal elements, she creates photographs that function as both visual poetry and metaphorical self-portraits of the human psyche. Her photographs have been exhibited internationally in cities such as Paris, Milan, New York, Venice, Arles, Budapest, and Athens, as well as across Slovakia. She has received multiple awards, including the Gold Medal at the Budapest International Foto Awards 2023, Silver at the World Photo Annual 2023, and recognition from PX3 de la Photographie Paris 2023. In 2024, she presented her solo exhibition Echoes of Identity at the Slovak Institute in Berlin. In 2025, her works are featured at ImageNation London and ImageNation New York, continuing her presence on the international fine art photography scene. Through her distinctive visual language, Šantavá challenges the boundaries between staged reality and dreamlike fiction, offering viewers a space for reflection, emotion, and self-discovery. Artist Statement In my work, I explore silence, introspection, and the space between reality and dream. I am fascinated by the idea of the doppelgänger – the second self – reflecting our inner divisions and untold stories. In my photographs, a figure often turns away, gazes through a curtain, or into a mirror. This moment of indirect gaze becomes a key to intimacy – opening a space for the viewer to become the co-author of the narrative. I stage scenes where I work with mirrors, duplicated figures, and strong color contrasts. My aim is not only aesthetic but also metaphorical – a reflection of our inner dialogues, desires, and contradictions. Each photograph is, for me, a visual trace of an emotional movement that cannot be captured in words. My goal is to create images that awaken questions rather than provide answers, opening an inner conversation about what might be hidden behind an apparent calm. Awarded Photographer of the Week - Week 34, 2025
Antonio Denti
Antonio Denti
Italy
1972
Antonio Denti is an Italian cameraman and photographer. A Reuters staff video journalist for over 20 years, he covered conflict in Kosovo, Afghanistan, Iraq, Israel, Gaza, Lebanon. He also covered the beginning of the Arab Spring in Tunisia and the epic human migration to Europe across the Mediterranean sea. He often travelled with Popes during their travels, including to Iraq and recently to Canada. He also filmed the aftermath of the death of Pope John Paul II at the Vatican and of Queen Elizabeth II in London. The Kid of MosulAntonio Denti He loves still photography, which he tries to integrate more and more in his moving pictures work. His still pictures have won awards (Ippawards, All About Photo awards, International Photography Awards, Urban Photo Awards, ND Awards, Mifa Awards etc...) and have been published on The Eye of Photography magazine, the Social Documentary Network, LensCulture and other international online photography publications. He strongly believes that visual story-telling can bring a precious contributions to counter the contemporary tendency towards a results-focused, speed-obsessed, screamed and over all standardized journalism and push towards a more authentic, respectful and meaningful way to tell about our world.
Matt Black
Matt Black
United States
1970
Matt Black is from California’s Central Valley, a rural, agricultural area in the heart of the state. He started photography working at his hometown newspaper. He was nominated to Magnum Photos in 2015. Since 2015, he has travelled over 100,000 miles across 46 states for his project American Geography. Other works include The Dry Land, about the impact of drought on California’s agricultural communities, and The Monster in the Mountains, about the disappearance of 43 students in the southern Mexican state of Guerrero. Both these projects, accompanied by short films, were published by The New Yorker. His work has appeared regularly in TIME Magazine, The New Yorker, The California Sunday Magazine, and other publications. He has been honored three times by the Robert F. Kennedy Memorial Prize, including their top honor for journalism. In 2015, he received the W. Eugene Smith Memorial Award for Humanistic Photography, and was named a senior fellow at the Emerson Collective. He lives in Exeter, a small town in the Central Valley.Source: Magnum Photos Matt Black, an artist from California’s Central Valley, produces enigmatic narrative works in his native region and in related places that are deeply grounded in societal and environmental concerns. Since 2014, Black has traveled over 100,000 miles across 46 states for his project American Geography, a personal portrait of an increasingly divided and unequal America. Black’s gripping images of some of the most marginalized communities in America are as visually captivating as they are brutally honest and human. A member of Magnum Photos, Matt Black creates work that while rooted in the documentary tradition, is also noted for its deeply personal approach, its emotional engagement, and visual intensity. Excerpts from American Geography have been widely published and exhibited in the United States and internationally. A book of the project will be published in 2021 by Thames and Hudson, to accompany a traveling exhibition that opened at the Deichtorhallen Hamburg in 2020. Other bodies of work include The Dry Land, about the impact of drought on California’s agricultural communities, and The Monster in the Mountains, about the disappearance of 43 students in the southern Mexican state of Guerrero in 2014. Both of these projects, accompanied by short films, were published by The New Yorker. In addition to the New Yorker, portfolios of Black’s work have appeared in TIME Magazine, The California Sunday Magazine, as well as many international publications such as Le Monde, France and Internazionale, Italy. Black’s Instagram feed The Geography of Poverty, where he experiments conceptually with GeoTagging and other digital documentary approaches, has over 233,000 followers and earned him TIME’s Instagram Photographer of the Year in 2014. He has been honored three times by the Robert F. Kennedy Memorial Prize, has been named a senior fellow at the Emerson Collective, and was the recipient of the W. Eugene Smith Memorial Award in 2015 for Humanistic Photography.Source: Robert Koch Gallery
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Latest Interviews

Exclusive Interview with Anastasia Samoylova
Interview
Exclusive Interview with Anastasia Samoylova
Anastasia Samoylova is an American artist whose photographic practice is shaped by close observation and a deep attentiveness to place. Working between documentary and formal exploration, she photographs landscapes, architecture, and everyday scenes with a sensitivity to light, structure, and atmosphere. Since relocating to Miami in 2016, her work has increasingly focused on how environments—both natural and built—carry social, cultural, and emotional traces. We asked her a few questions about her practice and her way of seeing, to better understand the thoughts and experiences that shape her work—while allowing the images themselves to remain open and speak in their own time.
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Exclusive Interview with Marijn Fidder
Interview
Exclusive Interview with Marijn Fidder
Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Exclusive Interview with Josh S. Rose
Interview
Exclusive Interview with Josh S. Rose
Josh S. Rose is a multidisciplinary artist working across photography, film, and writing. His practice bridges visual and performing arts, with a strong focus on movement, emotion, and the expressive potential of the image. Known for his long-standing collaborations with leading dance companies and performers, Rose brings together authenticity and precise composition—a balance he describes as “technical romanticism.” His work has been commissioned and exhibited internationally, appearing in outlets such as Vogue, at the Super Bowl, in film festivals, and most recently as a large-scale installation for Lincoln Center for the Performing Arts. A sought-after collaborator, he has worked with major artists, cultural institutions, and brands, following a previous career as Chief Creative Officer at Interpublic Group and the founder of Humans Are Social. We asked him a few questions about his life and work.
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Interview with Maureen Ruddy Burkhart
Interview
Interview with Maureen Ruddy Burkhart
Photographer Maureen Ruddy Burkhart brings a quietly attentive and deeply human sensibility to her exploration of the world through images. Shaped by a life immersed in photography, film, and visual storytelling, her work is guided by intuition, observation, and an enduring interest in the emotional undercurrents of everyday life. With a practice rooted in both fine art traditions and documentary awareness, she approaches her subjects with sensitivity, allowing subtle moments to emerge naturally rather than be imposed. Her series Til Death, selected as the Solo Exhibition for February 2025, reflects this long-standing commitment to photography as a space for reflection rather than spectacle. Drawn to moments that exist just outside the expected frame, Burkhart’s images suggest narratives without resolving them, leaving room for ambiguity, humor, and quiet connection. We asked her a few questions about her life and work.
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Exclusive Interview with Peter Ydeen
Interview
Exclusive Interview with Peter Ydeen
Winner of AAP Magazine #45 Travels, his series reflects this unique vision—capturing the spirit of place through subtle layers of light, color, and emotion. Whether traveling abroad or observing the rhythms of his own surroundings, Ydeen creates images that feel both grounded and enchanted, inviting viewers into a world where reality and reverie meet.
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Exclusive Interview with Julie Wang
Interview
Exclusive Interview with Julie Wang
Chinese-born photographer Julie Wang brings a poetic, contemplative sensitivity to her visual exploration of the world. Having lived for nearly equal parts of her life in China, Europe, and the United States, she approaches her subjects with the nuanced perspective of someone shaped by many cultures. This blend of distance, curiosity, and emotional resonance infuses her work with a quiet depth, allowing her to reveal the fragile beauty and subtle tensions that often pass unnoticed.
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Exclusive Interview with Ghawam Kouchaki
Interview
Exclusive Interview with Ghawam Kouchaki
American photographer Ghawam Kouchaki brings a sharply observant and introspective gaze to the streets of Japan’s capital. Based in Los Angeles, he approaches Tokyo with the distance — and curiosity — of an outsider, allowing him to uncover the city’s subtle contradictions, quiet tensions, and fleeting gestures that often go unnoticed. His series Tokyo no no, selected as the Solo Exhibition for December 2024, explores the hidden undercurrents of urban life: the unspoken rules, the small ruptures in routine, the poetic strangeness found in everyday moments. Through muted tones, instinctive timing, and meticulous framing, Kouchaki reveals a Tokyo that exists somewhere between reality and imagination — both intimate and enigmatic. We asked him a few questions about his life and work.
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Exclusive Interview with Tommi Viitala
Interview
Exclusive Interview with Tommi Viitala
Tommi Viitala, winner of AAP Magazine #44: Street, is a Finnish photographer celebrated for his striking and cinematic street photography. With a keen eye for atmosphere and composition, he captures fleeting urban moments that reveal the poetry of everyday life. His work often explores the tension between solitude and connection within contemporary cityscapes, blending documentary realism with artistic sensibility. Viitala’s photographs have been exhibited internationally and recognized for their strong visual storytelling and emotional depth. We asked him a few questions about his life and work.
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Exclusive Interview with Robert Mack
Interview
Exclusive Interview with Robert Mack
Robert Mack is a California-based visual artist, photographer, and filmmaker. His fine art photography and films have been exhibited widely in the United States and Europe, with major shows at the Baltimore Museum of Art and the Reiss-Engelhorn Museum in Mannheim, Germany. Both institutions hold his work in their permanent collections. Working across different media, Mack has built a career exploring the complexities of human presence and representation. In 1981, while living in Baltimore, he produced The Perkins Project: Not Guilty by Reason of Insanity, a rare photographic and film study inside Maryland’s hospital for the criminally insane. These stark yet compassionate black-and-white portraits remain one of his most powerful and controversial bodies of work.
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Call for Entries
AAP Magazine #55 Women
Publish your work in our printed magazine and win $1,000 cash prizes
© Ilaria Miani
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