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Nicholas White
Nicholas White
Nicholas White

Nicholas White

Country: United Kingdom
Birth: 1989

Nicholas JR White is a photographer based in the UK. His work examines our relationship with landscape and the ways in which we interact with our natural spaces. He has been featured in numerous publications internationally as well as being named in notable photographic awards such as the Magenta Foundation Flash Forward, Royal Photographic Society IPE, Landscape Photographer of the Year and the World Photography Organisation ZEISS Photo Awards. In 2017 Nicholas was awarded the Royal Photographic Society Under 30's Environmental Bursary in association with The Photographic Angle and was a winner in the Lens Culture Emerging Talent Awards. His debut monograph, 'Black Dots', was published by Another Place Press in February 2018.

About Black Dots

'Black Dots' is an exploration of mountain bothies and bothy culture throughout the United Kingdom. Far from civilisation and mostly accessible only by foot, bothies are secluded mountain shelters scattered across the British Isles and tirelessly maintained by volunteers from the Mountain Bothies Association. Unlocked and free to use, they provide a refuge from the vast terrain that surrounds them and have become an iconic feature of the British landscape over the past fifty years. Bothies are synonymous with the outdoor experience in the UK and from day trippers to mountaineers, the growing community of bothy-users is hugely diverse. 'Black Dots' is the result of almost three years spent traversing our most remote landscapes in an attempt to better understand what these buildings are, where they're located and the culture that surrounds them. Drawn not only by the primitive beauty of the bothies and the landscapes they sit within, the work also investigates the human element to the bothy story, capturing the faces of those who trek for hours to temporarily inhabit these spaces, many miles from the nearest settlements.
 

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Tatiana Bormatova
Tatiana Bornatova is a documentary photographer from Moscow, now is based in Sevastopol. She currently engaged in personal projects in Russia. Her work focuses on topics devoted to social problems and phenomena of modern Russian society. She studied documentary photography and photojournalism at the School of Modern Photography Docdocdoc (St. Peterburg, Russia). Continues to study in the direction of post-documentary photography. Her projects were published in the REGNUM News Agenсу, IZ Magazine, FLIP Magazine, F-Stop Magazine, Dodho Magazine. Tatiana became a participant in the projection festival Nuits Photographiques d’Essaouira (Essaouira, Morocco) and World Biennial Of Student Photography (Novi Sad, Serbia). Underground In ancient underground quarries, all is in full swing by day and night. Both adventurers and serious researchers - speleologists and spelestologists - come here. Speleology is the study of naturally - occurring caves, and spelestology is the study of underground cavities not used for intended purposes. In the fourteenth century, in Outer Moscow people began mining stone underground using closed methods. It lasted until the nineteenth century. Under Stalin, entrance to the underground was strictly forbidden, but this did not stop people going on adventures. In the 1960s, the masses started to venture into the underground. Then they started to blow up the entrances to caves. Access to the underground became much more difficult, but the interest for anthropogenic underground caves did not cease to exist. Starting in the 1980s, spelestologists and enthusiasts again started to look for underground caverns, previously forbidden in Soviet times. The analysis of old rubble, digging up and exploring passages, and topographic surveys all require staying underground for several days at a time. In the caves specialists would start to allocate grottos for toilets, sleeping, eating and collecting water, as well as strengthening areas that were prone to collapsing. The walls were covered with drawings, inscriptions, artefacts and graffiti. These new traditions and rules resulted in the formation of new subcultures. Visiting caves now is very entertaining. More and more often, they are being visited by thrill seekers, people who like to drink, unofficial excursion groups, and bloggers. Often people go underground without knowing basic safety precautions. That said, the risks in underground caves are not few: one could get lost or end up in a rock collapse. Spelestologists think negatively of amateurs who try to prevent filming and unofficial tours. A few of the researchers carry out excavations and study the underground caverns, but the increase in popularity is starting to disturb their work. They try to keep the whereabouts of newly discovered caves secret. The photographs in this project were taken in the Moscow Oblast, in the Syankovsk and Novlensk caves, and also in the Kamkinsk quarry, more well-known as Kiseli.
Deb Schwedhelm
United States
Born in Detroit, Michigan, Deb Schwedhelm was originally trained as a Registered Nurse and subsequently spent 10 years employed as an Air Force Nurse. Although she has been passionate about photography since her early 20s, it wasn't until Deb left the military that she was able to pursue the medium as a full-time career.Deb's photographs have been exhibited widely and featured in numerous publications throughout the world. She has received awards from Photolucida, Portland, OR; PhotoNOLA, New Orleans, LA; MPLS Photo Center, Minneapolis, MN; The Perfect Exposures Gallery, Los Angeles, CA; A. Smith Gallery, Johnson City, TX; Santa Fe Photographic Workshops, Santa Fe, NM; and The Art of Photography Show, San Diego, CA. Her photographs have also been selected for the permanent collection of The Center for Fine Art Photography, Fort Collins, CO.Deb is married to a Naval Explosive Ordnance Disposal Officer and she is the mother to three children, who are often the subjects of her photographs. Deb is currently based in Tampa, Florida and will be moving to Yokosuka, Japan summer 2014. All about Deb Schwedhelm:AAP: Where did you study photography?I purchased a DSLR and began teaching myself photography in 2006. Prior to that, I was a Registered Nurse in the U.S. Air Force for 10 years.AAP: Do you have a mentor or role model?Jock Sturges has been mentoring me for the past few years and I'm so grateful for all that he has shared with me.AAP: Do you remember your first shot? What was it?While I don't remember my first shot (because I was too busy trying to learn photography at that time), I do remember my first commissioned portrait session. It was with a family that lived down the street. One of the photographs (boxer boy) still remains one of my favorites, especially remembering back to how new I was to photography.AAP: What or who inspires you?As cliche as it may sound, I truly draw so much inspiration from my children. My middle child (10 yo) very much gets me. When I take her out to photograph, I leave with a vision and a plan, but based on her actions, I typically end up dumping any plan that I had and we just mesh with one another. She'll tell you that I often say to her, "just keep doing what you're doing." I also am very much inspired by dance and music.AAP: How could you describe your style?Raw, real and emotive.AAP: What kind of gear do you use? Camera, lens, digital, film?Above water: Nikon D3S, 35mm f/1.4, 50mm f/1.4 and 85mm f/1.8In the water: SPL housing,Nikon D700 and a 35mm f/2.0.AAP: Do you spend a lot of time editing your images? For what purpose?No, I don't really spend a lot of time editing my digital images. I do my best to get it right in camera, which makes the editing process very simple. I work mostly in Lightroom but I do bring my black and white images into Photoshop for a bit of fine-tuning. Basically, I want my editing to look pure, while gently enhancing the overall essence and feeling of the photograph.AAP: Favorite(s) photographer(s)?Sally Mann, Jock Sturges and Mary Ellen Mark have been my favorites from the very beginning.AAP: What advice would you give a young photographer?Work to master your technique -- and your artistry. Work really hard. Be dedicated, committed and determined. Never stop exploring, reflecting, learning and growing. Have patience. Know that the journey of photography is not always an easy one, but it is an absolutely amazing one. Be authentic and make genuine connections. Remember to be grateful, kind and giving. Do your best and don't ever give up!AAP: What mistake should a young photographer avoid?The greatest gifts a photographer could give themselves is allowing time and being patient. AAP: An idea, a sentence, a project you would like to share?I would love to share a couple of photography projects that I recently learned about and am inspired by...I had the opportunity to take a workshop from Mary Ellen Mark and I'm greatly inspired by her work and authenticity (both professionally and personally). She and her husband recently launched a kickstarter campaign, which I am thrilled to support: STREETWISE: Tiny RevisitedAnd 'The Return' kickstarter is another project I am happy to support. It is so incredibly beautiful and heartfelt: The return: Book ProjectLove these words shared in the project video: "State the intention for spirit to be present in your finished object, it will be. My soul need these images."AAP: What are your projects?For the past few years, I have been working on my 'From the Sea' series. This summer, I am planning to travel the US for a few months and will not only be photographing in various bodies of water across the US, I am also planning to launch a new project. While I'm not quite ready to release details of my new project, I hope you'll stay tuned.AAP: Your best memory as a photographer?Wow, that's a tough question. Receiving that first message from Jock Sturges was pretty darn amazing and winning photoNOLA was such an incredible gift. I never saw either coming.AAP: The compliment that touched you most?Every compliment greatly touches me. I truly am so appreciative for all that others share with me.AAP: If you were someone else who would it be?I'm quite happy being me and can't imagine being anyone else. AAP: Your favorite photo book?Oh how I love photography books. I have so many that proudly grace my bookshelves -- books which I've collected over the years. Sally Mann's Immediate Family was the first photography book I owned so it's pretty special. I also had the opportunity to have Sally Mann sign my books last summer, while attending her talk at the University of Michigan.AAP: Anything else you would like to share?No matter what your personal journey, don't be afraid to dream and dream big -- you just never know what's possible with a little dreaming and a lot of hard work. Don't forget the importance of authenticity and don't ever forget to share your gratitude with those who have assisted you.Thank you so much for this wonderful opportunity to share. This has been the most amazing journey and I'm beyond grateful.
Mario Testino
Mario Testino is a Peruvian fashion photographer. His work has been featured in magazines such as Vogue and Vanity Fair. His career highpoint came when he was chosen by Princess Diana for her Vanity Fair photoshoot in 1997. Testino has been regularly employed by the British royal family ever since. Aaron Hicklin of The Observer described him as "the world's most prolific magazine and fashion trade photographer". His persistence in shooting Gisele Bündchen is widely credited with elevating her to supermodel status. Testino was born and grew up in Lima, the eldest son of a businessman. He was one of six children in a middle class family. When he was young he wanted to be a priest. Testino studied economics at Universidad del Pacífico. In 1976 he went to London to study photography. Living in an unconverted floor of a hospital, without much money, he funded himself by working as a waiter. He had his hair dyed pink which helped him get noticed as a photographer. He is one of six children born to an Italian father and an Irish mother. He attended the Catholic school Santa Maria Marianistas. Testino attended the Universidad del Pacifico, the Pontificia Universidad Catolica del Peru and the University of San Diego. In 1982 Testino moved permanently to London. Testino has become one of the world's most well known and celebrated fashion photographers. His work has been featured across the globe in magazines such as Vogue, Vanity Fair and V, and he has crafted and contributed to the imagery of leading fashion houses such as Burberry, Gucci, Versace, Calvin Klein, Dolce & Gabbana, Salvatore Ferragamo, Estee Lauder and Michael Kors, among others. As well as having published seven books of his work and edited one other dedicated to contemporary art and artists from his native Peru, Mario Testino has had many successful exhibitions in galleries and museums around the world. In 2002, The National Portrait Gallery in London staged the landmark exhibition “Portraits” by Mario Testino that to date remains its second most successful exhibit. For ten years it had the highest attendance of any exhibition ever to be held there. Over the next four years the exhibition went on tour to Milan, Amsterdam, Edinburgh, Tokyo, Mexico City, and Boston. Testino has also received royal commissions, including The Prince of Wales, The Duchess of Cornwall, Prince William, Prince Harry, The Duchess of Cambridge, Diana Princess of Wales, The Duke of Kent, Prince and Princess Michael of Kent, Prince Nikolaos of Greece, Prince Willem-Alexander and Maxima of the Netherlands, Prince Haakon Magnus and Princess Mette-Marit of Norway and Her Majesty Queen Rania al Abdullah of Jordan.Source: Wikipedia Mario Testino OBE is widely regarded as one of the most influential fashion and portrait photographers of our times. His photographs have been published internationally in magazines such as Vogue, V Magazine and Vanity Fair. He has contributed to the success of leading fashion and beauty houses, creating emblematic images for brands from Gucci, Burberry, Versace and Michael Kors to CHANEL, Estée Lauder and Dolce & Gabbana. Alongside his 40-year practice as a photographer, Testino has realised a body of work as a creative director, guest editor, museum founder, art collector/collaborator and entrepreneur. In 2007, at the request of his clients to provide full creative direction services, he formed MARIOTESTINO+ which today is a growing team of individuals who support Testino to realise the breadth of his creative output.Source: www.mariotestino.com
Wynn Bullock
United States
1902 | † 1975
Wynn Bullock (April 18, 1902 – November 16, 1975) was an American photographer whose work is included in over 90 major museum collections around the world. He received substantial critical acclaim during his lifetime, published numerous books and is mentioned in all the standard histories of modern photography. Bullock was born in Chicago and raised in South Pasadena, California. After high school graduation, he moved to New York to pursue a musical career and was hired as a chorus member in Irving Berlin’s Music Box Revue. He occasionally sang the primary tenor role when headliner John Steele was unable to appear and then was given a major role with the Music Box Review Road Company. During the mid-1920s, he furthered his career in Europe, studying voice and giving concerts in France, Germany and Italy. While living in Paris, Bullock became fascinated with the work of the Impressionists and post-Impressionists. He then discovered the work of Man Ray and László Moholy-Nagy and experienced an immediate affinity with photography, not only as an art form uniquely based on light, but also as a vehicle through which he could more creatively engage with the world. He bought his first camera and began taking pictures. During the Great Depression of the early 1930s, Bullock stopped his European travels and settled in West Virginia to manage his first wife's family business interests. He stopped singing professionally, completed some pre-law courses at the state university, and continued to take photographs as a hobby. In 1938, he moved his family back to Los Angeles and enrolled in law school at the University of Southern California where his mother Georgia Bullock (California's first woman jurist) had studied law. Completely dissatisfied after a few weeks, he left USC and became a student of photography at the nearby Art Center School. From 1938 to 1940, Bullock became deeply involved in exploring alternative processes such as solarization and bas relief. After graduation from Art Center, his experimental work was exhibited in one of Los Angeles County Museum of Art's early solo photographic exhibitions. During the early 40s, he worked as a commercial photographer and then enlisted in the Army. Released from the military to photograph for the aircraft industry, he was first employed at Lockheed and then headed the photographic department of Connors-Joyce until the end of the war. Remarried, and with a new daughter, Bullock traveled throughout California from 1945 to 1946, producing and selling postcard pictures while co-owning a commercial photographic business in Santa Maria. He also worked on developing a way to control the line effect of solarization for which he later was awarded two patents. In 1946, he settled with his family in Monterey, where he had obtained the photographic concession at the Fort Ord military base. He left the concession in 1959, but continued commercial free-lance work until 1968. A major turning point in Bullock's life as a creative photographer occurred in 1948, when he met Edward Weston. Inspired by the power and beauty of Weston's prints, he began to explore "straight photography" for himself. Throughout the decade of the 1950s, he devoted himself to developing his own vision, establishing deep, direct connections with nature. A lifelong learner, he also read widely in the areas of physics, general semantics, philosophy, psychology, eastern religion and art. Studying the work of such people as Albert Einstein, Korzybski, Alfred North Whitehead, Bertrand Russell, LaoTzu and Klee, he kept evolving his own dynamic system of principles and concepts that both reflected and nurtured his creative journey.Source: Wikipedia Bullock came into the public spotlight when Museum of Modern Art curator Edward Steichen chose two of his photographs for the 1955 Family of Man exhibition. When the exhibition was shown at the Corcoran Gallery in Washington, D.C., his photograph Let There Be Light, was voted most popular. The second, Child in Forest, became one of the exhibition’s most memorable images. By the end of that decade, his work was widely exhibited and published worldwide and in 1957, he was honored with a medal from the Salon of International Photography. During the early 1960s, Bullock departed from the black-and-white imagery for which he was known and produced a major body of work, Color Light Abstractions, which expressed his belief that light is a great force at the heart of all being. Further image-making innovation included alternative approaches including extended time exposures, photograms, and negative printing. During the 1960s and 1970s Bullock expanded his influence through other roles. In 1968, he became a trustee and chairman of the exhibition committee during formative years at Friends of Photography in Carmel, California. He taught advanced photography courses at Chicago’s Institute of Design during Aaron Siskind’s sabbatical and at San Francisco State College at John Gutmann’s invitation. In the last decades of his life, he lectured widely, participated in many photographic seminars and symposia, and was a guest instructor for the Ansel Adams Yosemite Workshops. Bullock died at the age of 73 in November 1975. Along with Ansel Adams, Harry Callahan, Aaron Siskind, and Frederick Sommer, he was one of the founding photographers whose archives established the Center for Creative Photography in 1975. The Bullock collection consists of 223 prints and 90 linear feet of archival materials, including personal papers, diaries, correspondence, activity files, audio-visual and photographic materials. The archive offers significant information on the exhibition, publication, and sale of Bullock's photographs; his experiments with solarization; his involvement with the Friends of Photography; and his teaching activities. The collection offers insight into Bullock's attitudes toward his own work and the development of his philosophical approach to the medium.Source: Center for Creative Photography
Lindokuhle Sobekwa
South Africa
1995
Lindokuhle Sobekwa (born 1995) is a South African documentary photographer. He is a Nominee member of Magnum Photos and based in Johannesburg. Sobekwa was born in Katlehong, a township, 35 km from Johannesburg, South Africa. He learned photography in 2012 through participation in the first Of Soul and Joy Project, an educational program for young people run in the township of Thokoza; the workshop was given by Bieke Depoorter and Cyprien Clément-Delmas. His photo essay, Nyaope, about people who use the drug Nyaope in the township in which he lived and beyond, was published by the South African newspaper Mail & Guardian in 2014 and by Vice Magazine and De Standaard in 2015. Source: Wikipedia In 2015, Sobekwa received a scholarship to study at the Market Photo Workshop where he completed his foundation course. His Series Nyaope was exhibited in the ensuing group show, Free From My Happiness, organized by Rubis Mecenat at the International Photo Festival of Ghent in Belgium. In 2016, he left South Africa for a Residency in Tehran, Iran, with the No Man’s Art Gallery. The same year his work was displayed in the traveling iteration of Free from my Happiness. His work features in the book Free from my Happiness edited by Bieke Depoorter and Tjorven Bruyneel . He also took part in the group show Fresh Produce, organized by Assemblages and VANSA at the Turbine Art Fair in Johannesburg. Lindokuhle Sobekwa is also an assistant manager to the Of Soul and Joy Project, as well as a trainee at Mikhael Subotzky Studio. In 2017, Sobekwa was selected by the Magnum Foundation for Photography and Social Justice to develop the project I Carry Her Photo With Me. In 2018, he received the Magnum Foundation Fund to continue with his longterm project Nyaope, and has been selected for the residency Cité des Arts Réunion. Sobekwa became a Magnum nominee member in 2018.Source: Magnum Photos About I Carry Her Photo With Me The day his older sister Ziyanda disappeared, Lindokuhle Sobekwa was hit by a car. The two were walking together along a road in the Johannesburg suburb of Thokoza when Ziyanda began to chase the seven-year-old Sobekwa. Out of fear, he began to run, and then he was hit. Above him, he recalled before blacking out, was the blurry silhouette of a woman or girl. His sister vanished in the ensuing scramble, with no word as to why. “She was in a period of being a very secretive person,” Sobekwa remembers. She was thirteen years old. Sobekwa would not see Ziyanda again for a dozen years. Then one day, he returned from school, and Ziyanda was at home. She was reunited with the family for a couple of weeks. At the time, in 2014, Sobekwa was coming into his own as a photographer. He was in his final year of high school and working under the mentorship of Magnum photographer Bieke Depoorter and filmmaker Cyprien Clément-Delmas through the Of Soul and Joy project, an artistic initiative based in Thokoza. He remembers walking into Ziyanda’s room one day; in that moment, he saw his favorite would-be portrait of his sister: “She was lying in bed, there was a beautiful light. She said, ‘If you take a photo, I’m going to kill you.’ A few days after that, she passed away.” Disappearances are not rare in South Africa, Sobekwa says. Most Black South African families are familiar with the trauma of disappearances, which date back to the late 1980s and early ’90s, the height of the apartheid crisis. During this time, an ethnopolitical war between two rival parties, the African National Congress (ANC) and the Inkatha Freedom Party (IFP), suffused the townships with panic, as residents along the factional line were routinely vanished by violence. In Sobekwa’s family, the cycle began with his grandfather, who was the first of the line to come to Johannesburg, in the 1960s. He never returned to the countryside; his fate is still unknown. In 2017, the Magnum Foundation named Sobekwa a Photography and Social Justice Fellow. Suddenly, he had the resources to expand his search for his sister and develop his personal journal into a full-fledged series, I carry Her photo with Me (2017–ongoing). “I had my own unanswered questions, maybe guilt of some sort,” says Sobekwa. “I felt the need to go into these spaces and make the camera my excuse. I realized that going alone, it would be difficult.” With his camera in hand, he slipped once more into the role of documentarian.Source: Aperture
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