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Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Last Call to Win a Solo Exhibition this February. Juror: Harvey Stein
Nicholas White
Nicholas White
Nicholas White

Nicholas White

Country: United Kingdom
Birth: 1989

Nicholas JR White is a photographer based in the UK. His work examines our relationship with landscape and the ways in which we interact with our natural spaces. He has been featured in numerous publications internationally as well as being named in notable photographic awards such as the Magenta Foundation Flash Forward, Royal Photographic Society IPE, Landscape Photographer of the Year and the World Photography Organisation ZEISS Photo Awards. In 2017 Nicholas was awarded the Royal Photographic Society Under 30's Environmental Bursary in association with The Photographic Angle and was a winner in the Lens Culture Emerging Talent Awards. His debut monograph, 'Black Dots', was published by Another Place Press in February 2018.

About Black Dots

'Black Dots' is an exploration of mountain bothies and bothy culture throughout the United Kingdom. Far from civilisation and mostly accessible only by foot, bothies are secluded mountain shelters scattered across the British Isles and tirelessly maintained by volunteers from the Mountain Bothies Association. Unlocked and free to use, they provide a refuge from the vast terrain that surrounds them and have become an iconic feature of the British landscape over the past fifty years. Bothies are synonymous with the outdoor experience in the UK and from day trippers to mountaineers, the growing community of bothy-users is hugely diverse. 'Black Dots' is the result of almost three years spent traversing our most remote landscapes in an attempt to better understand what these buildings are, where they're located and the culture that surrounds them. Drawn not only by the primitive beauty of the bothies and the landscapes they sit within, the work also investigates the human element to the bothy story, capturing the faces of those who trek for hours to temporarily inhabit these spaces, many miles from the nearest settlements.
 

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More Great Photographers To Discover

Ali MC
Australia
A former touring musician and producer, Ali MC is a photographer, writer and lecturer in law and criminology. He is also a regular contributor to Al Jazeera and has had his work featured extensively in a variety of publications internationally. Recent photographic projects include Rohingya refugees in Burma and Bangladesh, Khasi stone labourers in India, marginalised groups in Timor-Lesteand street scenes in Iran. In 2023 he launched H: A Love Story, a long form analogue ‘photographic audiobook’ and AV installation about homelessness and heroin addiction in his home city of Naarm (Melbourne, Australia). His portrait of Indigenous singer Archie Roach was selected in the 2021 national Bowness prize and a portrait of esteemed Indigenous actor Jack Charles shortlisted in the 2022 Australian Photography Awards. A collection of his protest photography was also recently acquired by the State Library of Victoria archives. Working predominantly in 35mm and medium format, Ali's work is grounded in research and academic study, holding a Bachelor of Arts with Honours in History and a Masters in Human Rights Law. Statement Ali MC’s creative and academic practice aims to elevate the voices of marginalised and criminalised peoples globally and tackle social and political issues through extensive, long-term engagement. Using a variety of film and camera combinations, Ali’s often-experimental practice seeks to push the boundaries of documentary photography and photojournalism, often exploring ways to evoke a mood, emotion or experience as much as documenting people and places. Themes of trauma, marginalisation and criminalisation permeate his work, taking him deep into the darkness of the human psyche and experience. Not content to remain an armchair narrator, Ali MC has travelled to countries such as Haiti, Ethiopia, Iraq, Rwanda and Syria (and many more) to meet people first-hand, build relationships and develop the close collaborations that drive his stories. H: A Love Story
László Moholy-Nagy
Hungary
1895 | † 1946
László Moholy-Nagy (July 20, 1895 - November 24, 1946) was a Hungarian painter and photographer as well as professor in the Bauhaus school. He was highly influenced by constructivism and a strong advocate of the integration of technology and industry into the arts. Moholy-Nagy was born László Weisz in Bácsborsód to a Jewish-Hungarian family. His cousin was the conductor Sir Georg Solti. He attended Gymnasium (academic high school) in the city of Szeged. He changed his German-Jewish surname to the Magyar surname of his mother's Christian lawyer friend Nagy, who supported the family and helped raise Moholy-Nagy and his brothers when their Jewish father, László Weisz left the family. Later, he added "Moholy" ("from Mohol") to his surname, after the name of the Hungarian town Mohol in which he grew up. One part of his boyhood was spent in the Hungarian Ada town, near Mohol in family house. In 1918 he formally converted to the Hungarian Reformed Church (Calvinist); his Godfather was his Roman Catholic university friend, the art critic Ivan Hevesy. Immediately before and during World War I he studied law in Budapest and served in the war, where he sustained a serious injury. In Budapest, on leaves and during convalescence, Moholy-Nagy became involved first with the journal Jelenkor ("The Present Age"), edited by Hevesy, and then with the "Activist" circle around Lajos Kassák's journal Ma ("Today"). After his discharge from the Austro-Hungarian army in October 1918, he attended the private art school of the Hungarian Fauve artist Róbert Berény. He was a supporter of the Communist Dictatorship (known as "Red Terror" and also "Hungarian Soviet Republic"), declared early in 1919, though he assumed no official role in it. After the defeat of the Communist Regime in August, he withdrew to Szeged. An exhibition of his work was held there, before he left for Vienna around November 1919. He left for Berlin early in 1920. In 1923, Moholy-Nagy replaced Johannes Itten as the instructor of the foundation course at the Bauhaus. This effectively marked the end of the school's expressionistic leanings and moved it closer towards its original aims as a school of design and industrial integration. The Bauhaus became known for the versatility of its artists, and Moholy-Nagy was no exception. Throughout his career, he became proficient and innovative in the fields of photography, typography, sculpture, painting, printmaking, and industrial design. One of his main focuses was photography. He coined the term "the New Vision" for his belief that photography could create a whole new way of seeing the outside world that the human eye could not. His theory of art and teaching is summed up in the book The New Vision, from Material to Architecture. He experimented with the photographic process of exposing light sensitive paper with objects overlain on top of it, called photogram. While studying at the Bauhaus, Moholy's teaching in diverse media — including painting, sculpture, photography, photomontage and metal — had a profound influence on a number of his students, including Marianne Brandt. Perhaps his most enduring achievement is the construction of the "Lichtrequisit einer elektrischen Buehne" [Light Prop for an Electric Stage] (completed 1930), a device with moving parts meant to have light projected through it in order to create mobile light reflections and shadows on nearby surfaces. Made with the help of the Hungarian architect Istvan Seboek for the German Werkbund exhibition held in Paris during the summer of 1930, it is often interpreted as a kinetic sculpture. After his death, it was dubbed the "Light-Space Modulator" and was seen as a pioneer achievement of kinetic sculpture. It might more accurately be seen as one of the earliest examples of Light Art. Moholy-Nagy was photography editor of the Dutch avant-garde magazine International Revue i 10 from 1927 to 1929. He resigned from the Bauhaus early in 1928 and worked free-lance as a highly sought-after designer in Berlin. He designed stage sets for successful and controversial operatic and theatrical productions, designed exhibitions and books, created ad campaigns, wrote articles and made films. His studio employed artists and designers such as Istvan Seboek, Gyorgy Kepes and Andor Weininger. After the Nazis came to power in Germany in 1933, and, as a foreign citizen, he was no longer allowed to work, he operated for a time in Holland (doing mostly commercial work) before moving to London in 1935. In England, Moholy-Nagy formed part of the circle of émigré artists and intellectuals who based themselves in Hampstead. Moholy-Nagy lived for a time in the Isokon building with Walter Gropius for eight months and then settled in Golders Green. Gropius and Moholy-Nagy planned to establish an English version of the Bauhaus but could not secure backing, and then Moholy-Nagy was turned down for a teaching job at the Royal College of Art. Moholy-Nagy made his way in London by taking on various design jobs including Imperial Airways and a shop display for men's underwear. He photographed contemporary architecture for the Architectural Review where the assistant editor was John Betjeman who commissioned Moholy-Nagy to make documentary photographs to illustrate his book An Oxford University Chest. In 1936, he was commissioned by fellow Hungarian film producer Alexander Korda to design special effects for Things to Come. Working at Denham Studios, Moholy-Nagy created kinetic sculptures and abstract light effects, but they were rejected by the film's director. At the invitation of Leslie Martin, he gave a lecture to the architecture school of Hull University. In 1937, at the invitation of Walter Paepcke, the Chairman of the Container Corporation of America, Moholy-Nagy moved to Chicago to become the director of the New Bauhaus. The philosophy of the school was basically unchanged from that of the original, and its headquarters was the Prairie Avenue mansion that architect Richard Morris Hunt designed for department store magnate Marshall Field. Unfortunately, the school lost the financial backing of its supporters after only a single academic year, and it closed in 1938. Moholy-Nagy was also the Art Advisor for the mail-order house of Spiegel in Chicago. Paepcke, however, continued his own support, and in 1939, Moholy-Nagy opened the School of Design. In 1944, this became the Institute of Design. In 1949 the Institute of Design became a part of Illinois Institute of Technology and became the first institution in the United States to offer a PhD in design. Moholy-Nagy authored an account of his efforts to develop the curriculum of the School of Design in his book Vision in Motion. Moholy-Nagy died of leukemia in Chicago in 1946. Moholy-Nagy University of Art and Design in Budapest is named in his honour. Works by him are currently on display at the National Gallery of Art in Washington, DC. The software company Laszlo Systems (developers of the open source programming language OpenLaszlo) was named in part in honor of Moholy-Nagy. In 1998, he received a Tribute Marker from the City of Chicago. In the autumn of 2003, the Moholy-Nagy Foundation, Inc. was established as a source of information about Moholy-Nagy's life and works.Source: Wikipedia
Matt Wilson
United Kingdom
1969
Matt Wilson’s current body of work is part of an ongoing project, based upon a collection of transient observations, the landscapes of every day life and the people that call those landscapes home. It delves into the artist’s own history, his formative and current years within his home landscape and in the city he now resides and also, those of distant landscapes both literally and metaphorically he has traveled. A subtle, visually rich character study of what makes us who we are and the places we all inhabit and journey to, a chance to observe those looking outward whilst reflectively an opportunity to gaze inward.Source: Susan Inglett Gallery Matt Wilson photographed everywhere in Europe, starting with his native England, but also in France, with which it has its affinities, without omitting the Eastern countries where he still returns frequently between two stays Cuba. More recently, he ended his desire browse new territory: the United States where he lived for ten years. He could be afraid to touch this history, both American photographers are already loaded beautifully. But again, it gives us an amazing vision that reveals by snapshots of landscapes and men burnt by the sun that eventually, anyway, by lying down on this vast landscape to create ineffable moments that we may be fooling yourself and see it in watercolor. Then we could call this work “pictorial metaphor” even if the drift purely pictorial characters Matt Wilson were not so rooted in their time and in their daily lives, although sometimes needy. Because somewhere, if Matt Wilson gives us what he sees through a poetic prism, it is also a reporter and reflects our contemporary society by its subjects but often raw deals at tragic nor misery. His watchful eye is rather benevolent view borrowing a tragicomic light behind the full extent of a deeply humanistic thought.Source: mattwilsonphotography.com
Donald Graham
United States
Donald Graham is an internationally recognized portrait, fashion and fine art photographer whose work is in the Metropolitan Museum of Art in New York and the International Center of Photography. He has exhibited his photography in numerous exhibitions and his photographs are held by many collectors. He is well known for his work photographing everyday people, celebrities and fashion for magazine and advertising clients including Vogue, Vanity Fair, Sports Illustrated and Time. Donald began his career in Paris as a fashion photographer. He then moved to New York and Los Angeles where he broadened his work to include portraiture for the movie, music, editorial and advertising industries and began devoting significant time to his personal fine art work. During his career, Donald has photographed in more than forty countries, with extensive travels in India, Asia, Africa, Latin America and Europe. A book of his portraits, entitled ONE OF A KIND, was published by Hatje Cantz in 2021. After 20 years in New York City, Donald is currently based in Los Angeles, California and Taos, New Mexico. Statement "My portraits are about honest moments that display qualities of the human character including wisdom and sensitivity, peace and vulnerability, both joy and tragedy. I seek to make portraits that are driven by one's inner dialog. I'm not interested in poses or performances for the benefit of the camera. I'm interested in what a person is like when they are their most authentic." Authenticity, honesty, and trust characterize Donald Graham's portraits. They are not simply photographic recordings. Looking at them is like seeing human beings in the flesh, revealed to us by Graham with his virtuoso technique and sensibilities. His exquisite, strongly contrasting black-and-white photographs are evidence of attitude, rather than studied gestures. Eyes and faces are not model-like masks; instead, they express the unique nature of those portrayed. Inevitably, viewers find themselves in a dialogue with the images. You wonder about the stories behind these faces; though unfamiliar, they are nevertheless an emotional experience. One of A Kind
Carole Glauber
Israel
1951
Carole Glauber is an internationally exhibiting, award-winning photographer and photo-historian, based in Israel since 2017. She has a B.S.Ed and a M.Ed. and is the author of two books: "Personal History" (Daylight Books) and "Witch of Kodakery: The Photography of Myra Albert Wiggins 1869-1956" (Washington State University Press). Her photographs have been exhibited in the United States and Europe including PH21 Gallery in Budapest, ValidFoto in Barcelona, Festival Pil'Ours in France, and The Center for Fine Art Photography, Blue Sky Gallery, ASmith Gallery, Soho Photo Gallery, the Griffin Museum of Photography, and the Dr. Bernard Heller Museum amongst others in the United States. Her book "Personal History" received a silver medal from the PX3 Prix de la Photographie Paris and three gold and bronze medals from the Budapest, Tokyo, and Moscow International Foto Awards. Her photography honors include PX3 Prix de la Photographie, Paris, the International Photography Awards, the Tokyo International Foto Awards, the Julia Margaret Cameron Awards, the Pollux Awards, the Mobile Photography Awards, PHmuseum, and the International Krappy Kamera Competition. She is the recipient of a Peter E. Palmquist Photographic History Research Fellowship, a Winterthur Museum Fellowship, an Oregon Humanities Research Fellowship, and numerous grants for her photographic research. She continues her studies and teaching of History of Photography and making photographs of her experiences and observations based on her curiosity and sense of spontaneity. Statement My book, "Personal History" explores the lives of my sons, Ben and Sam—a span covering 30 years. I used a 1950's Kodak Brownie Hawkeye camera for this work which I tried by chance, and discovered I related to the soft colors, the imperfections, and the transcendent quality of the image. During childhood and adolescence, we first experience the world. Spells are woven, our thoughts wander, curiosity grows, and our memories are sown. Friendships, dream chasing, and absorbing knowledge under the glare of the day can all happen. It is the time to discover by divergent thinking; to create, love, and energize without practical concerns of the day. Travel and seeing the world are fresh. They are like waves lapping on the beach. I invited Ben and Sam to write essays about being photographed by their mother for so many years. In effect, they have the final word. For me, the opportunity to photograph my children is like a calm breeze and now I can run with the memories recorded in the soft imagery of time.
Shuwei Liu
China
1985
Shuwei Liu (b.1985) was born in Tangshan and currently lives in Shanghai, China. He received his Bachelor of Engineering in Guangdong University of Technology in 2009, then he decided to do what he really love such as photography, design and writing. He's a finalist of LensCulture Portrait Awards 2016. His works got exhibited internationally include Power Station of Art, the State Hermitage Museum, Artefiera Bologna, JIMEI × ARLES Photo Festival Three Shadows Photography Art Centre, Vu Photo. He was an residency artist in Vermont Studio Center, Red Gate residency and granted by them, and was awarded Fine Art "First Place" by PDN, and he was a finalist of LensCulture Portrait Awards, Three Shadows Photography Awards, Barcelona International Photography Awards, British Journal of Photography, described as "Ones to Watch" talents and Photovogue Festival.All about Childhood Revisited"Childhood is a human water, a water which comes out of the shadows. This childhood in the mists and glimmers, this life in the slowness of limbo gives us a certain layer of birth... " Gaston Bachelard "Childhood is not a thing which dies within us and dries up as soon as it has completed its cycle. It is not a memory. It is the most living of treasures, and it continues to enrich us without our knowing it." Franz Hellens All about Visible Darkness "Visible darkness" is a part of my "Blue" trilogy. When I discovered 4 moon-like crescents at the base of my corneas, I thought I was going to lose sight. The anxiety reminded me of Derek Jarman's "Blue is darkness made visible." , blue was the only thing he could see before he went blind. Meanwhile I was hiding in my own corner, chasing the color blue, turned out to be adjusting the distance between the world and me. Blue itself is just like distance, not reachable.
Frank Horvat
Italy
1928 | † 2020
Frank Horvat is an internationally renowned fashion photographer, who has recently celebrated fifty years experience in the field. Throughout these years he has not only embraced fashion photography, but also been unafraid to experiment and adapt to new technologies, transcending the confines of photographic borders. His photography is diverse and considerably more complex than a cursory glance could reveal. He is perhaps best known for his spontaneity, trust and empathy, qualities that express themselves in his sophisticated photographs. Frank Horvat was born in Italy in 1928. He first started photographing at age fifteen with a 35 mm Retinamat camera, and moved to Milan to study art in 1947. By 1950 he was doing freelance work for Italian fashion magazines; Epoca published his first photographic essay in 1951. Horvat was one of the first artists to apply the 35mm film camera and reportage techniques to fashion art photography. He created a new and more realistic style that revolutionized the development of fashion-based photography in England, France, and the United States. He stylistically combined realism and artifice, movement, and inventive locations, which won him immediate success as a French fashion photographer. His photographs have appeared in leading European and American magazines including Life, Elle, Vogue, Harper’s Bazaar, Glamour and Jardin des Modes from 1951-61. Horvat initially worked for the American picture agency, Magnum, but since he “posed” his subjects he left for Realities and Black Star. He moved to Paris three years later and currently divides his time between the city and the south of France. Horvat’s work with French fashion photography has been exhibited around the world and can be found in the permanent collections of numerous prestigious museums including Bibliothèque Nationale, Musée National d’Art Moderne, Kunst-bibliothek, Museum of Modern Art, and the George Eastman House, and numerous other collections. Source: Holden Luntz Gallery
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Marijn Fidder is a Dutch documentary photographer whose work powerfully engages with current affairs and contemporary social issues. Driven by a deep sense of social justice, she uses photography to speak on behalf of the voiceless and to advocate for the rights of those who are most vulnerable. Her images have been widely published in major international outlets including National Geographic, CNN Style, NRC Handelsblad, Volkskrant, GUP New Talent, and ZEIT Magazin. Her long-term commitment to disability rights—particularly through years of work in Uganda—culminated in her acclaimed project Inclusive Nation, which earned her the title of Photographer of the Year 2025 at the All About Photo Awards. She is also the recipient of multiple prestigious honors, including awards from World Press Photo and the Global Peace Photo Award. We asked her a few questions about her life and work.
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Call for Entries
All About Photo Awards 2026
$5,000 Cash Prizes! Juror: Steve McCurry