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Tariq Zaidi
Tariq Zaidi
Tariq Zaidi

Tariq Zaidi

Country: United Kingdom

Tariq Zaidi is a freelance photographer currently based out of London, UK. In January 2014, he gave up an executive management position to pursue his passion of capturing the dignity, strength and soul of people, within their environment. His photography focuses on documenting social issues, inequality, traditions and endangered communities around the world.

Tariq's stories, images and videos from Afghanistan, Angola, Brazil, Cambodia, Chad, DRC, El Salvador, Ethiopia, Georgia, Haiti, Indonesia, Mongolia, North Korea, Republic of the Congo & South Sudan have been featured internationally in over 900 magazines / newspapers / websites (in more than 90 countries) including The Guardian, BBC, CNN, National Geographic, Smithsonian Magazine, Los Angeles Times, Washington Post, Chicago Tribune, Der Spiegel, El Pais Semanal, Geo, Independent On Sunday, National Geographic Traveler, GQ, Marie Claire, Vogue, GQ Style, Esquire, PDN, Frankfurter Allgemeine Zeitung, 6 Mois, Telegraph, Conde Nast Traveler, Global Times China, Internazionale, Feature Shoot, China Daily, People's Daily, China, Deutsche Welle, Das Erste/ARD, Hindustan Times, Newsweek, Foreign Policy Magazine and Times of London among other respected international titles.

Tariq has won many major international photography awards (POYi, UNICEF, NPPA, PDN, IPA, AI-AP, AAPA etc). His work has been shown in 80 international exhibitions and he has worked on projects and assignments in 21 countries across 4 continents. He is a self-taught photographer, holds an M.Sc. (Master of Science) from University College London and is an Eddie Adams Worksop 2015 Alumini.

In Feb 2018, Tariq was awarded one of the Premier Awards in POY75 (Pictures of the Year International Competition) - "Photographer of the Year" Award of Excellence for his work from North Korea, Congo and Brazil and also for 2nd place in the Feature Category in the same year. He was also a winner of PDN Photo Annual 2018 (Photojournalism / Documentary Category) and was awarded The Marty Forscher Fellowship Fund for outstanding achievement in Humanistic Photography, presented by PDN and Parsons School of Design, USA. In 2019, he was nominated to the Prix Pictet. In 2020, his work from Congo, El Salvador and Georgia was recognised 5 times by POY77 (Pictures of the Year International Competition) including 1st place for Portraits Series, 2nd place Spot News and 3rd Place Issue Reporting. His work from El Salvador has also been honoured as a 2020 Amnesty International Media Awards finalist (Photojournalism category) in recognition of his commitment to human rights. In Sep 2020, Tariq's work entitled Sapeurs: Ladies and Gentlemen of the Congo was shown at Visa Pour L'image, International Festival of Photojournalism.

Tariq is currently working on a long-term personal project entitled Capturing the Human Spirit - a visual anthology about hope, dignity and community in some of the poorest regions in the world. The first 3 chapters of this work from the slum communities of Haiti, Brazil and Cambodia was featured at Visa Pour L'image, International Festival of Photojournalism, in September 2018.

His first book Sapeurs: Ladies and Gentlemen of the Congo was published in September 2020.

Articles

Tariq Zaidi's Exclusive Interview
Sin Salida
Cattle of Kings - The Mundari of South Sudan
Sapeurs
North Korea The People's Paradise

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More Great Photographers To Discover

Younes Mohammad
Younes Mohammad is Born in 1968 in Dohuk, Iraq. He's a Kurdish freelance photographer mostly active on assignments for newspapers, magazines, etc. He spent his life in Iran as a refugee from 1974 - 1998 and graduated with an MBA University of Tehran. Photography was his passion but he had no chance to follow it while the war situation was still continuing Under Saddam's time. In 2011 he quits his job and starts his journey as a photographer. His work has been exhibited internationally and published widely in publications. He has received numerous awards. He is now based in Erbil, Iraq. About Open Wounds "I start to work on a long-term project documenting the sacrifices of Kurdish Peshmerga in the fight to put down ISIS. Speaking with hundred Peshmerga, taking intimate portraits of the wounded fighters, their families, and documenting both the stories in the battle and their ongoing struggles to navigate post-conflict life. Through the work, I found stories of immense suffering. Fighters who took up arms, not because they were required to do so, but because it was right and it was what had to be done. These men, often fighting side by side with brothers, uncles, cousins, fathers, and sons, knew that the freedom and survival of their people were at stake. As they retold stories of watching family and friends killed in front of them and of battles they did not expect to survive, they simultaneously shed tears for the losses and for the pride they had in what their comrades and they had done. Almost all of the men showed severe physical injury. Arms, legs, and eyes lost. Bodies so riddled with bullet and shrapnel wounds that simple movement created wincing pain. These men also showed the signs of the heavy burdens of the mental traumas, of PTSD, and of memories that would not leave them. Despite all they suffered, they often said they would go back to the fight again if ever called. They would do this for their children, their families, their people, and for the wider world. Tragically, their suffering does not end having returned home. The men face new challenges, such as getting prosthetic limbs, ongoing care, providing for their families despite their debilitating injuries, and more. They wonder, if they would give everything to help protect the world, will the world help them or forget them now that they have put down their guns. I have hope that, through this work exploring conflict and post-conflict humanitarian issues, the World may better understand what these men and their families have given for the Kurdish people, the region, and, in fact, the world. " -- Younes Mohammad
Rajan Dosaj
United States
1958
Born and raised in the United States, I spent nearly 20 years in the theater world, first as a dancer and singer in Broadway musicals and later as an actor and director. Upon my retirement from theater, I settled into the business world but it wouldn't be long before I was in need of a creative outlet and the Sebastiao Salgado documentary, The Salt of the Earth, rekindled my brief high school interest in photography. Soon, the books of Alec Soth, Nancy Rexroth, Sally Mann, Joshua Jackson, and many more were on my selves and with a newly purchased camera in hand, I started out on my latest adventure. Naturally, I started with dance portraits and found it incredibly exciting and fulfilling but soon I ventured into other genres to improve my work. Whether it was wildlife, street, architecture, portrait, or fine art photography, I was either taking a class or teaching myself about the genre in order to become a better photographer. In my short time behind the camera, I have been fortunate enough to have some of my images appear in galleries across the country, including Photo Place Gallery, A Smith Gallery, Praxis Gallery, Black Box Gallery, SE Center for Photography, and the Decode Gallery. With my background in theater, I know that photography can be a frustrating art form where most of the time I end up kicking myself for the mistakes that I continuously make over and over. But every once in a while, those rare moments come along when my eyes through a camera are able to see and capture an extraordinary moment.
Daniel Berehulak
Daniel Berehulak is an award-winning independent photojournalist based in Mexico City, Mexico. A native of Sydney, Australia, Daniel has visited over 60 countries covering history-shaping events including the Iraq war, the trial of Saddam Hussein, child labour in India, Afghanistan elections and the return of Benazir Bhutto to Pakistan, and documented people coping with the aftermath of the Japan Tsunami and the Chernobyl disaster. His work has been recognized with two Pulitzer prizes. In 2015, for Feature Photography for his coverage of the Ebola epidemic in West Africa and in 2017 for Breaking News Photography for his coverage of the so-called war on drugs in the Philippines, both for The New York Times. In 2011, he was also a Pulitzer finalist for his coverage of the 2010 floods in Pakistan. These are some of several honors his photography has earned including six World Press Photo awards, two Photographer Of The Year awards from Pictures of the Year International and the prestigious John Faber, Olivier Rebbot and Feature Photography awards from the Overseas Press Club amongst others. Born into a Ukrainian refugee family, Daniel grew up on a farm outside of Sydney, Australia. Their Ukrainian practicality did not consider photography to be a viable trade to pursue, so at an early age Daniel worked on the farm and at his father's refrigeration company. After graduating from The University of NSW with a degree in History, his career as a photographer started humbly: shooting sports matches for a guy who ran his business from his garage. In 2002 he started freelancing with Getty Images in Sydney shooting mainly sport. From 2005 Daniel was based in London and from 2009 in New Delhi, as a staff news photographer with Getty Images til June of 2013. As of July 2013, Daniel embarked upon a freelance career to focus on a combination of long-term personal projects, breaking news and client assignments. He is a regular contributor to The New York Times.
Chad Ress
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Chad Ress, born (1972) in Louisville, Kentucky lives in Ojai, California His work has been recognized in Photo District News; American Photography; Communication Arts; ; The One Show; D&AD Awards; The Forward Thinking Museum; and the PH Museum. Recent clients include Harper's Magazine, The New York Times, Toyota, Liberty Mutual, Pirelli, and MIT Technology Review. Ress first became interested in photography under the influence of the extensive archive of FSA photographs in Louisville's Speed Museum. His project America Recovered - A Survey of the ARRA looks to reconsider that legacy in the context of the recent economic collapse and subsequent stimulus legislation. It was accepted at Center - Photo Santa Fe; awarded distinction by The Forward Thinking Museum; and published in Time Magazine's Lightbox, The Wall Street Journal and Harper's Magazine. Ress recently completed a fellowship with the Center for Social Cohesion and Arizona State University and in conjunction with the New America Foundation. The resulting archive of images documents where Americans go to find a sense of community and connection to place. A series on the California aqueduct was recently published in UCLA's BOOM Magazine and included in "After the Aqueduct," an exhibition at Los Angeles Contemporary Exhibitions, Los Angeles, CA. America Recovered was featured at the 2015 Reyner Banham Symposium with a theme "The Aesthetics of Citizenship" at The University of Buffalo, Buffalo, NY. In 2020, America Recovered was published by Actar, with a foreward by Bonie Honig and essays by Miriam Paeslack and Jordan H. Carver. He currently lives in Ojai, California, with his partner and son. America Recovered In late 2009, in response to the financial crash of 2008, the Obama Administration passed the American Recovery and Reinvestment Act of 2009. The Administration advocated for an unprecedented level of transparency in the disbursement of stimulus spending and established Recovery.gov as a resource by which the public might track expenditures, which totaled over $800 billion. I used the text publicized on Recovery.gov, and related government websites, as a guide to photograph ARRA projects. The language accompanying the images has been transcribed verbatim from the original sources. The conceptual framework of this project is to reveal the point where abstract political processes manifest themselves in the physical world, thus providing an alternate means of experiencing the contemporary American landscape. The projects range in scale from fully realized housing projects to concrete drainage basins that could easily be overlooked. The projects are located in almost every community in the country, from remote and rural stretches of the American West to dense urban centers. The appropriated text, descriptions of the projects taken from various government databases, serve as very simple identifiers and are often written in dry bureaucratic prose. On the other hand, the images themselves contextualize the spending projects within the physical details of a specific place and moment.
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Latest Interviews

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